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  • 1
    UID:
    almafu_9958118894002883
    Format: 1 online resource (xii, 438 pages) : , illustrations; digital, PDF file(s)
    Edition: 1st ed.
    ISBN: 1-906924-20-1 , 2-8218-1699-5 , 1-906924-18-X
    Content: "What can and can't be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownershipâof privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follows, we encounter John Milton who, in 1644 accused the English parliament of having been deceived by the 'fraud of some old patentees and monopolizers in the trade of bookselling' (i.e. the London Stationers' Company). Later revisionary essays investigate the regulation of the printing press in the North American colonies as a provincial and somewhat crude version of European precedents, and how, in the revolutionary France of 1789, the subtle balance that the royal decrees had established between the interests of the author, the bookseller, and the public, was shattered by the abolition of the privilege system. Some of the essays also address the specific evolution of rights associated with the visual and performing arts."--Publisher's website.
    Note: Introduction. The history of copyright history : notes from an emerging discipline / Martin Kretschmer, with Lionel Bently and Ronan Deazley -- From gunpowder to print : the common origins of copyright and patent / Joanna Kostylo -- 'A mongrel of early modern copyright' : Scotland in European perspective / Alastair J. Mann -- Public sphere and the emergence of copyright : Areopagitica, the Stationers' Company, and the Statute of Anne / Mark Rose -- Early American printing privileges. The ambivalent origins of authors' copyright in America / Oren Bracha -- Author and work in the French print privileges system : some milestones / Laurent Pfister -- Venetian experiment on perpetual copyright / Maurizio Borghi -- Copyright formalities and the reasons for their decline in nineteenth century Europe / Stef van Gompel -- Berlin publisher Friedrich Nicolai and the reprinting sections of the Prussian Statute Book of 1794 / Friedemann Kawohl -- Nineteenth century controversies relating to the protection of artistic property in France / FreÌdeÌric Rideau -- Maps, views and ornament : visualising property in art and law. The case of pre-modern France / Katie Scott -- Breaking the mould? The radical nature of the Fine Arts Copyright Bill 1862 / Ronan Deazley -- 'Neither bolt nor chain, iron safe nor private watchman, can prevent the theft of words' : the birth of the performing right in Britain / Isabella Alexander -- Return of the commons - copyright history as a common source / Karl-Nikolaus Peifer -- Significance of copyright history for publishing history and historians / John Feather -- Metaphors of intellectual property / William St Clair -- Bibliography -- Index. , Also available in print form. , English
    Additional Edition: ISBN 1-906924-19-8
    Language: English
    Keywords: History. ; History.
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  • 2
    Book
    Book
    Oxford :Oxford Univ. Press,
    UID:
    almafu_BV042091888
    Format: CXLIII, 1296 S. : , graph. Darst.
    Edition: 4. ed.
    ISBN: 978-0-19-964555-8 , 0-19-964555-8
    Note: Literaturangaben und Index
    Language: English
    Subjects: Law
    RVK:
    Keywords: Urheberrecht ; Rechtsvergleich
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  • 3
    Book
    Book
    London [u.a.] :Kluwer Law International,
    UID:
    almafu_BV026542265
    Format: LII, 607 S. : , Ill.
    ISBN: 90-411-0667-7
    Series Statement: International Bar Association series
    Language: English
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  • 4
    Book
    Book
    Oxford [u.a.] :Oxford Univ. Press,
    UID:
    almafu_BV019542486
    Format: C, 1131 S.
    Edition: 2. ed.
    ISBN: 0-19-926430-9
    Language: English
    Subjects: Law , English Studies
    RVK:
    RVK:
    Keywords: Urheberrecht ; Rechtsvergleich ; Bibliografie
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  • 5
    Book
    Book
    London [u.a.] :Pluto Press,
    UID:
    almahu_BV011346027
    Format: XII, 262 S.
    Edition: 1. publ.
    ISBN: 0-7453-1069-9
    Series Statement: Law and social theory
    Language: English
    Subjects: Law , Psychology
    RVK:
    RVK:
    RVK:
    Keywords: Sinne ; Rechtsphilosophie ; Sinne ; Soziobiologie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 6
    UID:
    almahu_BV044880962
    Format: cxxvii, 1382 Seiten : , Illustrationen.
    Edition: Fifth edition
    ISBN: 978-0-19-876995-8 , 0-19-876995-4
    Language: English
    Subjects: Law , English Studies
    RVK:
    RVK:
    Keywords: Urheberrecht ; Rechtsvergleich
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    almafu_9960118439502883
    Format: 1 online resource (xxv, 253 pages) : , digital, PDF file(s).
    ISBN: 1-108-88066-5 , 1-108-88409-1
    Series Statement: Cambridge intellectual property and information law
    Content: In a path-breaking work, Tanya Aplin and Lionel Bently make the case that the quotation exception in Article 10 of the Berne Convention constitutes a global, mandatory, fair use provision. It is global, they argue, because of the reach of Berne qua Berne and qua TRIPS, and its mandatory nature is apparent from the clear language of Article 10 and its travaux. It relates to 'use' that is not limited by type of work, type of act, or purpose and it is 'fair' use because the work must be made available to the public, with attribution, and the use must be proportionate and consistent with fair practice. By explaining the contours of global, mandatory fair use - and thus displacing the 'three-step test' as the dominant, international copyright norm governing copyright exceptions - this book creates new insights into how national exceptions should be framed and interpreted.
    Note: Title from publisher's bibliographic system (viewed on 29 Oct 2020). , History of Article 10(1) Berne -- Preliminary considerations about the nature of the quotation exception -- Article 10(1) Berne : requirements -- Article 10(1) Berne : the meaning of quotation -- Article 10(1) Berne : fair practice -- Consequences of global, mandatory fair use -- Conclusion.
    Additional Edition: ISBN 1108835457
    Language: English
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  • 8
    UID:
    almahu_9948351821202882
    Format: 1 online resource (xii, 438 pages) : , illustrations.
    ISBN: 9781906924201
    Content: "What can and can't be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership-of privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follows, we encounter John Milton who, in 1644 accused the English parliament of having been deceived by the 'fraud of some old patentees and monopolizers in the trade of bookselling' (i.e. the London Stationers' Company). Later revisionary essays investigate the regulation of the printing press in the North American colonies as a provincial and somewhat crude version of European precedents, and how, in the revolutionary France of 1789, the subtle balance that the royal decrees had established between the interests of the author, the bookseller, and the public, was shattered by the abolition of the privilege system. Some of the essays also address the specific evolution of rights associated with the visual and performing arts."--Publisher's website.
    Note: Available through Open Book Publishers. , Introduction. The history of copyright history : notes from an emerging discipline / Martin Kretschmer, with Lionel Bently and Ronan Deazley -- From gunpowder to print : the common origins of copyright and patent / Joanna Kostylo -- 'A mongrel of early modern copyright' : Scotland in European perspective / Alastair J. Mann -- Public sphere and the emergence of copyright : Areopagitica, the Stationers' Company, and the Statute of Anne / Mark Rose -- Early American printing privileges. The ambivalent origins of authors' copyright in America / Oren Bracha -- Author and work in the French print privileges system : some milestones / Laurent Pfister -- Venetian experiment on perpetual copyright / Maurizio Borghi -- Copyright formalities and the reasons for their decline in nineteenth century Europe / Stef van Gompel -- Berlin publisher Friedrich Nicolai and the reprinting sections of the Prussian Statute Book of 1794 / Friedemann Kawohl -- Nineteenth century controversies relating to the protection of artistic property in France / Frédéric Rideau -- Maps, views and ornament : visualising property in art and law. The case of pre-modern France / Katie Scott -- Breaking the mould? The radical nature of the Fine Arts Copyright Bill 1862 / Ronan Deazley -- 'Neither bolt nor chain, iron safe nor private watchman, can prevent the theft of words' : the birth of the performing right in Britain / Isabella Alexander -- Return of the commons - copyright history as a common source / Karl-Nikolaus Peifer -- Significance of copyright history for publishing history and historians / John Feather -- Metaphors of intellectual property / William St Clair -- Bibliography -- Index. , Mode of access: World Wide Web.
    Language: English
    Subjects: Law
    RVK:
    RVK:
    Keywords: Aufsatzsammlung
    URL: Volltext  (Connect to e-book)
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Online Resource
    Online Resource
    Cambridge [u.a.] :Cambridge Univ Press,
    UID:
    almafu_BV043918210
    Format: 1 Online-Ressource (XXX, 471 S.).
    ISBN: 978-0-511-76157-7 , 978-0-521-19343-6
    Series Statement: Cambridge intellectual property and information law 13
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-521-19343-6
    Language: English
    Subjects: Law
    RVK:
    Keywords: Produktpiraterie ; Urheberrecht ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 10
    UID:
    gbv_1778734146
    Format: 1 Online-Ressource (450 p.)
    ISBN: 9781906924188
    Content: What can and can’t be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership—of privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follows, we encounter John Milton who, in 1644 accused the English parliament of having been deceived by the ‘fraud of some old patentees and monopolizers in the trade of bookselling’ (i.e. the London Stationers’ Company). Later revisionary essays investigate the regulation of the printing press in the North American colonies as a provincial and somewhat crude version of European precedents, and how, in the revolutionary France of 1789, the subtle balance that the royal decrees had established between the interests of the author, the bookseller, and the public, was shattered by the abolition of the privilege system. Some of the essays also address the specific evolution of rights associated with the visual and performing arts. The volume is a companion to the digital archive Primary Sources on Copyright (1450-1900), funded by the UK Arts and Humanities Research Council (AHRC). Privilege and Property is recommended in the Times Higher Education Textbook Guide (November, 2010)
    Note: English
    Language: English
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