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  • 1
    UID:
    b3kat_BV044886002
    Format: 270 Seiten , 22 cm
    ISBN: 9783534269730 , 353426973X
    Uniform Title: The critique of digital capitalism
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-3-534-74373-5
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-3-534-74374-2
    Language: German
    Subjects: Economics , Philosophy , Sociology
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    Keywords: Digitalisierung ; Kapitalismus ; Systemkritik ; Digitale Revolution ; Immaterielles Wirtschaftsgut ; Systemkritik ; Multinationales Unternehmen ; Digitale Revolution ; Kapitalismus ; Systemkritik
    Author information: Weltecke, Manfred
    Author information: Betancourt, Michael 1970-
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  • 2
    Book
    Book
    Darmstadt : WBG
    UID:
    kobvindex_ZLB34100758
    Format: 270 Seiten , Illustrationen , 23 cm
    ISBN: 9783534269730
    Content: Die größten, erfolgreichsten und mächtigsten Unternehmen unserer Zeit sind längst nicht mehr nur im klassischen produzierenden Gewerbe zu finden. Der atemberaubende Erfolg von Firmen wie Facebook oder Google beruht auf der Bereitstellung immaterieller Dienstleitungen, insbesondere aber auf der Sammlung von Daten. Mit seiner Kritik des digitalen Kapitalismus legt Michael Betancourt eine scharfe Analyse dieser neuen ökonomischen Verhältnisse vor und beleuchtet deren Eigenschaften und Probleme. Von der vermeintlichen Demokratisierung der Gesellschaft durch die freie Verfügbarkeit von Informationen über die Illusion der kostenfreien, weil nicht physischen Herstellung digitaler Produkte bis zur Neudefinition des Verhältnisses materieller und immaterieller Güter: Betancourt setzt sich mit den Begleiterscheinungen der digitalen Wirtschaft auseinander, die schon längst unser Leben bestimmen und prägen.
    Note: Deutsch
    Language: German
    Keywords: Digitale Revolution ; Kapitalismus ; Systemkritik
    Author information: Weltecke, Manfred
    Author information: Betancourt, Michael
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  • 3
    UID:
    gbv_563327359
    Format: 176 S. , zahlr. Ill. , 28 cm
    ISBN: 1858944333 , 9781858944333
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Stillman, Ary 1891-1967 ; Malerei ; Geschichte 1908-1963
    Author information: Betancourt, Michael 1970-
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  • 4
    UID:
    gbv_1778607179
    Format: 1 Online-Ressource (262 p.)
    ISBN: 9780692598443
    Content: Anything that can be automated, will be. The “magic” that digital technology has brought us — self-driving cars, Bitcoin, high frequency trading, internet of things, social networking, mass surveillance, the 2009 housing bubble — has not been considered ideologically. The Critique of Digital Capitalism identifies how digital technology has captured contemporary society in a reification of capitalist priorities. The theory proposed in this book is the description of how digital capitalism as an ideologically “invisible” framework is realized in technology. Written as a series of articles between 2003 and 2015, it provides a broad critical scope for understanding the inherent demands of capitalist protocols for expansion without constraint (regardless of social, legal or ethical limits) that are increasingly being realized as autonomous systems no longer dependent on human labor or oversight and implemented without social discussion of their impacts. The digital illusion of infinite resources, infinite production, and no costs appears as an “end to scarcity,” whereby digital production supposedly eliminates costs and makes everything equally available to everyone. This fantasy of production without consumption hides the physical costs and real-world impacts of these technologies
    Note: English
    Language: English
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  • 5
    Online Resource
    Online Resource
    New York, NY :Routledge,
    UID:
    almahu_9949386783602882
    Format: 1 online resource (xvi, 211 pages) : , illustrations.
    ISBN: 9781003188599 , 1003188591 , 9781000438444 , 1000438449 , 1000438309 , 9781000438307
    Series Statement: Routledge studies in media theory and practice
    Content: "This book develops a critical and theoretical approach to the semiotics of motion pictures as they are applied to a broader range of constructions than traditional commercial narrative productions. This interdisciplinary approach begins with the problems posed by motion perception to develop a model of cinematic interpretation that includes both narrative and non-narrative types of productions. Contrasting traditional theatrical projection and varieties of new media, this book integrates analyses of title sequences, music videos, and visual effects with discussions on classic and avant-garde films. It further explores the intersection between formative audio-visual cues identified by viewers and how viewers' desires direct engagement with the motion picture to present a framework for understanding cinematic articulation. This new theoretical model incorporates much of what was neglected and gives greater prominence to formerly critical marginal productions by showing the fundamental connections that link all moving imagery and text, whether it tells a story or not. This insightful work will appeal to students and academics in film and media studies"--
    Additional Edition: Print version: Betancourt, Michael, 1970- Cinematic articulation in motion graphics New York : Routledge, 2021 ISBN 9781032037004
    Language: English
    Keywords: Electronic books.
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  • 6
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    UID:
    b3kat_BV047004974
    Format: 1 online resource , illustrations
    ISBN: 9780367029302 , 0367029308 , 9780429629471 , 0429629478 , 9780429627835 , 0429627831 , 9780429626197 , 0429626193
    Series Statement: Routledge studies in media theory & practice
    Content: In his latest book, Michael Betancourt explores the nature and role of typography in motion graphics as a way to consider its distinction from static design, using the concept of the 'reading-image' to model the ways that motion typography dramatizes the process of reading and audience recognition of language on-screen. Using both classic and contemporary title sequences--including The Man With the Golden Arm (1955), Alien (1979), Flubber (1998), Six Feet Under (2001), The Number 23 (2007) and Scott Pilgrim vs. The World (2010)--Betancourt develops an argument about what distinguishes motion graphics from graphic design. Moving beyond title sequences, Betancourt also analyzes moving or kinetic typography in logo designs, commercials, film trailers, and information graphics, offering a striking theoretical model for understanding typography in media
    Note: "Routledge focus."
    Language: English
    URL: Volltext  (URL des Erstveroeffentlichers)
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  • 7
    Online Resource
    Online Resource
    Brooklyn, NY : punctum books | Baltimore, Maryland :Project Muse,
    UID:
    almahu_9947382115802882
    Format: 1 online resource (236 pages) : , illustrations, digital, PDF file(s).
    Content: Anything that can be automated, will be. The "magic" that digital technology has brought us -- self-driving cars, Bitcoin, high frequency trading, the internet of things, social networking, mass surveillance, the 2009 housing bubble -- has not been considered from an ideological perspective. The Critique of Digital Capitalism identifies how digital technology has captured contemporary society in a reification of capitalist priorities, and also describes digital capitalism as an ideologically "invisible" framework that is realized in technology. Written as a series of articles between 2003 and 2015, the book provides a broad critical scope for understanding the inherent demands of capitalist protocols for expansion without constraint (regardless of social, legal or ethical limits) that are increasingly being realized as autonomous systems that are no longer dependent on human labor or oversight and implemented without social discussion of their impacts. The digital illusion of infinite resources, infinite production, and no costs appears as an "end to scarcity," whereby digital production supposedly eliminates costs and makes everything equally available to everyone. This fantasy of production without consumption hides the physical costs and real-world impacts of these technologies. The critique introduced in this book develops from basic questions about how digital technologies directly change the structure of society: why is "Digital Rights Management" not only the dominant "solution" for distributing digital information, but also the only option being considered? During the burst of the "Housing Bubble" burst 2009, why were the immaterial commodities being traded of primary concern, but the actual physical assets and the impacts on the people living in them generally ignored? How do surveillance (pervasive monitoring) and agnotology (culturally induced ignorance or doubt, particularly the publication of inaccurate or misleading scientific data) coincide as mutually reinforcing technologies of control and restraint? If technology makes the assumptions of its society manifest as instrumentality -- then what ideology is being realized in the form of the digital computer? This final question animates the critical framework this analysis proposes. Digital capitalism is a dramatically new configuration of the historical dynamics of production, labor and consumption that results in a new variant of historical capitalism. This contemporary, globalized network of production and distribution depends on digital capitalism's refusal of established social restraints: existing laws are an impediment to the transcendent aspects of digital technology. Its utopian claims mask its authoritarian result: the superficial "objectivity" of computer systems are supposed to replace established protections with machinic function -- the uniform imposition of whatever ideology informs the design. However, machines are never impartial: they reify the ideologies they are built to enact. The critical analysis of capitalist ideologies as they become digital is essential to challenging this process. Contesting their domination depends on theoretical analysis. This critique challenges received ideas about the relationship between labor, commodity production and value, in the process demonstrating how the historical Marxist analysis depends on assumptions that are no longer valid. This book therefore provides a unique, critical toolset for the analysis of digital capitalist hegemonics.
    Note: The ideology of automation -- The emergence of immaterial physicality -- The aura of the digital -- The immaterial commodity -- The valorization of the author -- The 'black box' of past experience -- The state of information -- The demands of agnotology=surveillance -- The scarcity of capital -- On immaterialism. , Also available in print form. , English
    Additional Edition: ISBN 0-692-59844-8
    Language: English
    Keywords: Electronic books. ; Electronic books.
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  • 8
    Online Resource
    Online Resource
    New York, NY :Routledge,
    UID:
    almahu_9949383772302882
    Format: 1 online resource (275 pages)
    ISBN: 9780429520839 , 0429520832 , 9780429244094 , 0429244096 , 9780429549007 , 0429549008 , 9780429520839 , 9780429534300 , 0429534302
    Series Statement: Routledge Studies in Media Theory and Practice Ser.
    Note: Includes index. , Cover; Half Title; Series Page; Title; Copyright; Dedication; Contents; List of Figures; Acknowledgments; Preface; Introduction; PART 1 Subjectivity; 1 Ontology, Editing, Photography in Kolchak: The Night Stalker (1974); The Long Take; The Analytic Montage; The Kinestasis; Articulating Realisms; 2 Sublime, Uncanny, Marvelous in The Number 23 (2007); Animation as Revelation; Performing Interpretation; 3 Subjective Desire in Goldfinger (1964); Unreal Fantasy, ' Representation, Ontology; Composite Realities; Seduction; PART 2 Objectivity; 4 Narrational Naturalism in Bullitt (1968) , The Discovery ProcessThe 'Reading-Image'; The 'Perception-Image'; 5 Persuasion in The Kingdom (2007); Articulation and Enunciation in Collage; Intertextuality and Archive; 6 Allusion of Errors in Blade Runner 2049 (2017); Narrative Function' and Indexicality; Editing Glitches; PART 3 Ideologies; 7 The Medium; What was Cinema?; Modal Media; 8 The Message; Active Engagement; 9 Realist Articulation; Four Realist Modes; Afterword: Digital Movies; Index
    Additional Edition: Print version: Betancourt, Michael. Ideologies of the Real in Motion Graphics and Title Sequences. Milton : Routledge, ©2019 ISBN 9780367199197
    Language: English
    Keywords: Electronic books. ; Electronic books.
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  • 9
    UID:
    b3kat_BV043931466
    Format: ix, 139 Seiten , Illustrationen
    ISBN: 9781138219540 , 1138219541
    Series Statement: Routledge focus
    Content: This volume explores the concept of "glitch" alongside contemporary digital political economy to develop a general theory of critical media using glitch as a case study and model, focusing specifically on examples of digital art and aesthetics. While prior literature on glitch practice in visual arts has been divided between historical discussions and social-political analyses, this work provides a rigorous, contemporary theoretical foundation and framework
    Language: English
    RVK:
    Keywords: Computerkunst ; Ästhetik ; Kunst ; Neue Medien ; Glitch
    Author information: Betancourt, Michael 1970-
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  • 10
    UID:
    gbv_898306647
    Format: xi, 161 Seiten , Illustrationen , 23 cm
    ISBN: 9781138572621 , 9780367892371
    Series Statement: Routledge studies in media theory & practice 3
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780203701034
    Additional Edition: ISBN 9780203701034
    Additional Edition: Erscheint auch als Online-Ausgabe Betancourt, Michael, 1970- author Title sequences as paratexts New York : Routledge, 2018
    Language: English
    Keywords: Film ; Fernsehen ; Untertitel ; Vorspann ; Narrativität ; Filmtitel ; Filmtheorie
    Author information: Betancourt, Michael 1970-
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