Kooperativer Bibliotheksverbund

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Format: VIII, 321 S. : , Ill., graph. Darst., Kt.

Edition: 1. ed.

ISBN: 978-0-230-34080-0 , 978-0-230-34081-7

Series Statement: Global cinema

Language: English

Subjects: General works

Keywords: Filmzensur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025946558&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: Cover

URL: http://external.dandelon.com/download/attachments/dandelon/ids/DE006ECA670D7581B8F28C1257B8F00327500.pdf

URL: Inhaltsverzeichnis

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Format: 196 S. : graph. Darst.

Edition: 1. Aufl.

ISBN: 3-7890-7719-4

Series Statement: Symposien des Hans-Bredow-Instituts 20

Language: German

Subjects: General works , Sociology

Keywords: Medienforschung ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

Author information: Hasebrink, Uwe 1958-

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Format: 410 Seiten.

ISBN: 978-0-367-65957-8 , 978-1-138-95584-4

Language: English

Subjects: General works

Keywords: Publikumsforschung ; Film ; Kino ; Filmvorführung ; Publikum ; Filmgeschichtsschreibung ; Publikumsforschung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

UID:

Format: 1 Online-Ressource (XXVII, 325 Seiten) : , Illustrationen.

ISBN: 978-3-030-33277-8

Series Statement: Global Cinema

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-33276-1

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-33278-5

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-33279-2

Language: English

Subjects: General works

Keywords: Englisch ; Französisch ; Spanisch ; Dänisch ; Filmzeitschrift ; Publikum ; Filmstar ; Filmschaffender ; Cineastik ; Filmzeitschrift ; Verbreitung ; Digitalisierung ; Konferenzschrift

DOI: 10.1007/978-3-030-33277-8

URL: Volltext  (URL des Erstveröffentlichers)

URL: Buchcover

UID:

Format: 1 Online-Ressource (xiii, 314 Seiten) , Illustrationen

Edition: 1st ed

ISBN: 9781350163744 , 9781350163720 , 9781350163737

Series Statement: World Cinema

Content: Cinema in the Arab world has been the subject of varied and rigorous studies, but most have focused on films as text, providing in-depth analyses of plot, style, ideologies, or examination of the biographies of prominent directors or actors. This innovative new volume shifts the focus on Arab cinema off-screen, to examine the histories, politics, and conditions of distribution, exhibition, and cinema-going in the Arab world. Through broadening the frame of study beyond the screen, the book widens understanding of the cinema, not merely as a collection of films-as-texts, but as a site of cultural and political contestation in the Arab world. Divided into two sections, and guided by interdisciplinary considerations, the contributors examine historical and contemporary issues of Arab cinema in terms of the experience of movie-going and filmmaking. They examine the networks of distribution and exhibition, as well as the contested and multiple meanings that the cinema embodied through diverse historical periods and geographical locations. Part I focuses on new histories of Arab cinema in terms of film production, distribution, exhibition and audience's experiences of cinema-going. Part II deals with more recent issues within scholarship on Arab cinema such as issues of politics, economics, ideologies, as well as issues related to Arab movies' international circulation and screenings at festivals. Together, the chapters enrich our understanding of the cinema in the Arab world, showing how deeply embedded it is within its social, political, and economic contexts

Note: A note on transliteration Introduction, Ifdal Elsaket (Netherlands-Flemish Institute in Cairo), Daniel Biltereyst (Ghent University) and Philippe Meers (University of Antwerp) PART I: Arab cinema histories: distribution, exhibition and audiences 1. Egyptian Cinema in Colonial Maghreb: Distribution, Exhibition and Audiences? Morgan Corriou (University of Paris 8 Vincennes -?Saint-Denis) 2. Le Roi du Cinema: Joseph Seibarras and North African Film Exhibition, 1925-1940, Eric Smoodin (University of California, Davis) 3. Play It Again:?Ufa and Hollywood Battle for Ideological Supremacy on Arab Film Screens, 1933-1945, Ross Melnick(University of California, Santa Barbara) 4. How Ramses Theatre's staging of Egypt's "Serious" Theatre Paved the Way for Dramatic Cinema and Serious Film-going, Mohannad Ghawanmeh (University of California, LA) 5. Interfaith Love and competing Visions of "Moral Cinema" in 1952 Cairo, Rahma Bavelaar (University of Amsterdam) 6. Bollywood Film Traffic: Shaping routes for Hindi films in Beyrouth, Cairo and Dubai, 1954-2014, Nemesis Srour (ecole des Hautes etudes en Sciences Sociales - EHESS, Paris) 7. The History of Audiences and Cinemas in Isma'ilia, 1950-1985, Asmaa Gharib (Contemporary Image Collective) 8. Summer of '69: An oral history of cinema-going in Egypt, Ifdal Elsaket (Netherlands-Flemish Institute in Cairo) 9. Film Distribution and Exhibition in Tunisia since 2011: A revival?, Patricia Caille (University of Strasbourg) PART II: Reclaiming Arab cinema: issues of circulation, experience and memory 10. Gatekeepers and Facilitators: Film Distribution Networks for Arab Cinema, Stefanie Van de Peer (Queen Margaret University in Scotland) 11. "Mediterranean Cinema:" Festivals: circulation of films, network of programmers and the (re)invention of a regional category, Anais Farine (Paris III University - Sorbonne Nouvelle) 12. What moves us in moving-image archives? Ethnography about the film-experience in moving-image archives, Ali Atef (University of Chicago) 13. European co-productions in Tunisian contemporary cinema: three case studies, Sabine Salhab (Paris 1 Pantheon Sorbonne University) 14. "First Film" Debates and Taste in Transnational Mediations of Saudi Arabia's Transitional Public Film Culture, Anne Ciecko (University of Massachusetts-Amherst) 15. Notes Towards a Manifesto: Sociality, Film Culture and States of Discontent, Alia Ayman & Nour El-Safoury (University of New York, and Independent researcher.) 16. The Visual Nation: Reclaiming Egyptianness in Front of the Screen, Iskandar Ahmad Abdalla, (Berlin Graduate School of Muslim Cultures and Societies).. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily

Additional Edition: ISBN 9781350163706

Additional Edition: ISBN 9781350163713

Additional Edition: Erscheint auch als Druck-Ausgabe Cinema-Going in The Arab World: Exhibition, Distribution, and Audiences (Veranstaltung : 2018 : Kairo) Cinema in the Arab world London : Bloomsbury Academic, 2023 ISBN 9781350163713

Language: English

Subjects: General works

Keywords: Araber ; Film ; Konferenzschrift ; Criticism, interpretation, etc

DOI: 10.5040/9781350163744

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Volltext  (URL des Erstveröffentlichers)

UID:

Format: 1 online resource (264 p.) : , 25 B/W illustrations

ISBN: 9781474477833 , 9783110993899

Content: Considers the challenges of historical audience research in the field of screen studiesOutlines and expands on the wide range of sources which can be employed to research and capture the experiences and contexts of past screen audiences, and the ways in which these sources can be productively combinedExplores and assesses the current status and shape of the field of historical audience research, including consideration of a range of perspectives on the field's methodological models and challenges, and practical applications of these models to focused case studiesForegrounds the transnational and multi-cultural dimensions of past cinemagoing, the roles played by management personnel and marketing campaigns, and the currently under-explored area of the past reception of television and home videoIllustrates the important role played by films, people, spaces, places, technologies, identities and communities when studying the history of cinemagoing and media receptionShowcasing current research and contemporary debate in the field of screen history and audience studies, Researching Historical Screen Audiences draws upon a wide variety of previously untapped sources - including photographs, maps, Mass Observation reports, diaries, fan letters, cinema records and original oral testimonies- to explore the challenges and pleasures of conducting research in this field. Containing twelve new essays from an international group of leading and emerging scholars, the book explores and assesses the current status and shape of the field of historical audience research, showcasing new research which foregrounds the transnational and multi-cultural dimensions of past cinemagoing, the roles played by management personnel and marketing campaigns, and the currently under-explored area of the past reception of home video.

Note: Frontmatter -- , CONTENTS -- , FIGURES -- , ACKNOWLEDGEMENTS -- , NOTES ON CONTRIBUTORS -- , INTRODUCTION -- , PART I BEING CREATIVE IN HISTORICAL AUDIENCE RESEARCH: RE-EVALUATING THE FIELD -- , 1. AUDIENCE AS PALIMPSEST, OR THE STRUCTURES OF CINEMATIC FEELING: ON HISTORICAL FILM AUDIENCE RESEARCH AND CINEMA'S IMAGINATIVE POWER -- , 2. FROM CINEMA CULTURE TO CINEMA MEMORY: A CONCEPTUAL AND METHODOLOGICAL TRAJECTORY -- , 3. CONSTRUCTING CINEMA AUDIENCE HISTORIES: METHODOLOGICAL CHOICES AND CHALLENGES -- , PART II RECONSIDERING NATIONAL AND TRANSNATIONAL CINEMAGOING HISTORIES -- , 4. CINEMAS AND CINEMA AUDIENCES IN THE 'THIRD SPACE' IN WARSAW, 1908-1939 -- , 5. GERMAN FILMS IN BRAZIL: IMMIGRATION, ASSOCIATIONS AND NATIONAL FILM CULTURE -- , 6. EMOTIONAL COMMUNITIES IN THE CINEMA: TRACING EMOTION IN MASS OBSERVATION CINEMA RECORDS, 1937-1950 -- , PART III SHAPING AUDIENCE EXPECTATIONS: CINEMA MANAGERS AND MARKETING STRATEGIES -- , 7. 'MAKE YOUR PUBLIC CURIOUS': CINEMA MANAGEMENT, FILM ADVERTISING AND AUDIENCE TASTE IN ENGLAND, c. 1920-c. 1960 -- , 8. HARRY SANDERS: REMEMBERING A LIFE IN CINEMA MANAGEMENT -- , 9. THE YELLOW TEDDYBEARS: EXPLOITATION AS EDUCATION -- , PART IV HOME VIEWING CONTEXTS AND AUDIENCE MEMORIES -- , 10. ARCHIVES, SOURCES AND MEMORIES FOR A HISTORY OF EARLY ITALIAN TV AUDIENCES -- , 11. THE EXORCIST IN THE HOME: REMEMBERING PARENTAL REGULATION -- , 12. CHILDHOOD MEMORIES OF HORROR FILMS IN THE HOME: QUESTIONS, PATTERNS AND CONTEXTS -- , Index , Mode of access: Internet via World Wide Web. , In English.

In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899

In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810

In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English, De Gruyter, 9783110993752

In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022, De Gruyter, 9783110993738

In: Edinburgh University Press Complete eBook-Package 2022, De Gruyter, 9783110780390

Additional Edition: ISBN 9781474477819

Language: English

DOI: 10.1515/9781474477833

URL: https://doi.org/10.1515/9781474477833

URL: https://www.degruyter.com/isbn/9781474477833

URL: Cover

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

UID:

Format: 1 Online-Ressource (XXVII, 325 Seiten) : , Illustrationen.

ISBN: 978-3-030-33277-8

Series Statement: Global Cinema

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-33276-1

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-33278-5

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-33279-2

Language: English

Subjects: General works

Keywords: Englisch ; Französisch ; Spanisch ; Dänisch ; Filmzeitschrift ; Publikum ; Filmstar ; Filmschaffender ; Cineastik ; Filmzeitschrift ; Verbreitung ; Digitalisierung ; Konferenzschrift

DOI: 10.1007/978-3-030-33277-8

URL: Volltext  (URL des Erstveröffentlichers)

URL: Buchcover

UID:

Format: 1 Online-Ressource (XXVII, 325 Seiten) : , Illustrationen.

ISBN: 978-3-030-33277-8

Series Statement: Global Cinema

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-33276-1

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-33278-5

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-33279-2

Language: English

Subjects: General works

Keywords: Englisch ; Französisch ; Spanisch ; Dänisch ; Filmzeitschrift ; Publikum ; Filmstar ; Filmschaffender ; Cineastik ; Filmzeitschrift ; Verbreitung ; Digitalisierung ; Konferenzschrift

DOI: 10.1007/978-3-030-33277-8

URL: Volltext  (URL des Erstveröffentlichers)

URL: Buchcover

UID:

Format: 1 Online-Ressource (XXVII, 325 Seiten) : , Illustrationen.

ISBN: 978-3-030-33277-8

Series Statement: Global Cinema

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-33276-1

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-33278-5

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-33279-2

Language: English

Subjects: General works

Keywords: Englisch ; Französisch ; Spanisch ; Dänisch ; Filmzeitschrift ; Publikum ; Filmstar ; Filmschaffender ; Cineastik ; Filmzeitschrift ; Verbreitung ; Digitalisierung ; Konferenzschrift

DOI: 10.1007/978-3-030-33277-8

URL: Volltext  (URL des Erstveröffentlichers)

URL: Buchcover

UID:

Format: XIV, 213 S. , Ill.

Edition: 1. publ.

ISBN: 9780415672771 , 9780415672788 , 9780203804636

Series Statement: Film studies

Note: Includes bibliographical references and index

Language: English

Subjects: General works

Keywords: Europa ; Film ; Publikum ; Sozialgeschichte 1895-1970 ; Europa ; Film ; Geschichte 1895-1970 ; Konferenzschrift ; Konferenzschrift

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis