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  • 1
    UID:
    gbv_605959986
    Format: 302 S , 24 cm
    ISBN: 9789722715652
    Series Statement: Temas portugueses
    Note: João Baptista da Silva Leitão de Almeida Garrett (1799- 1854) , K. Bishop-Sanchez teaches at the University of Wisconsin-Madison (USA) , Includes bibliographical references
    Language: Portuguese
    Keywords: Garrett, João Baptista da Silva Leitão de Almeida 1799-1854 ; Edler Wilder
    URL: Cover
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  • 2
    UID:
    gbv_78150550X
    Format: vi, 305 Seiten , Illustrationen , 23 cm
    ISBN: 9780299300647 , 0299300641
    Note: Includes bibliographical references and index , Introduction: why Performing Brazil? / Severino J. Albuquerque and Kathryn Bishop-SanchezOn the (im)possibility of performing Brazil / Kathryn Bishop-Sanchez -- Biting the meat, spitting it out: twenty-first-century cannibalism / Fernando de Sousa Rocha -- Performing Brazilianness through dance: the case of Grupo Corpo / Cristina F. Rosa -- Staging capoeira, samba, maculele, and candomble: Viva Bahia's choreographies of Afro-Brazilian folklore for the global stage / Ana Paula Hofling -- Global identities of capoeira and the berimbau: keeping it Brazilian overseas / Eric Galm -- Performing cultural visibility: Brazilian immigrants, Mardi Gras, and New Orleans / Annie Gibson -- Mauricio Einhorn: musical crossings / Bryan McCann -- Playing with realism(s): narrating the Morro through performance and the visual arts / Lidia Santos -- The bi-cultural sex symbol: Sonia Braga in Brazilian and North American popular culture / Benjamin Legg -- Body language and embodied spaces: performing the public and the private in Arnaldo Antunes's Nome / Alessandra Santos -- Post-periphery performances: reclaiming artistic legacies, histories, and archives / Simone Osthoff -- Performative devices in Clarice Lispector's texts / Maria Jose Somerlate Barbosa.
    Additional Edition: ISBN 9780299300630
    Language: English
    URL: Cover
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  • 3
    UID:
    gbv_461765810
    Note: In: Quadrant. - Montpellier , Nr. 16, S. 129-139
    In: year:1999
    Language: Portuguese
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  • 4
    UID:
    edocfu_9959233545702883
    Format: 1 online resource (vi, 305 pages) : , illustrations.
    Edition: 1st ed.
    ISBN: 0-299-30063-3
    Content: A field-shaping anthology by top cultural critics and practitioners representing a wide range of disciplines and art forms, Performing Brazil is the first book to bring together studies of the many and varied manifestations of Brazilian performance in and beyond their country of origin. Arguing that diverse forms of performance are best understood when presented in tandem, it offers new takes on better-known forms, such as carnival and capoeira, as well as those studied less often, including gender acts, curatorial practice, political protest, and the performance of Brazil in the United States.
    Note: Bibliographic Level Mode of Issuance: Monograph , Introduction: why Performing Brazil? / Severino J. Albuquerque and Kathryn Bishop-Sanchez -- On the (im)possibility of performing Brazil / Kathryn Bishop-Sanchez -- Biting the meat, spitting it out: twenty-first-century cannibalism / Fernando de Sousa Rocha -- Performing Brazilianness through dance: the case of Grupo Corpo / Cristina F. Rosa -- Staging capoeira, samba, maculele, and candomble: Viva Bahia's choreographies of Afro-Brazilian folklore for the global stage / Ana Paula Hofling -- Global identities of capoeira and the berimbau: keeping it Brazilian overseas / Eric Galm -- Performing cultural visibility: Brazilian immigrants, Mardi Gras, and New Orleans / Annie Gibson -- Mauricio Einhorn: musical crossings / Bryan McCann -- Playing with realism(s): narrating the Morro through performance and the visual arts / Lidia Santos -- The bi-cultural sex symbol: Sonia Braga in Brazilian and North American popular culture / Benjamin Legg -- Body language and embodied spaces: performing the public and the private in Arnaldo Antunes's Nome / Alessandra Santos -- Post-periphery performances: reclaiming artistic legacies, histories, and archives / Simone Osthoff -- Performative devices in Clarice Lispector's texts / Maria Jose Somerlate Barbosa. , English
    Additional Edition: ISBN 1-322-65155-8
    Additional Edition: ISBN 0-299-30064-1
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    Dartmouth, Massachusetts :Tagus Press, Center for Portuguese Studies and Culture, University of Massachusetts Dartmouth,
    UID:
    edoccha_9958875307502883
    Format: 1 online resource (386 pages)
    ISBN: 1933227095 , 9781933227092 , 1521-804X
    Series Statement: Portuguese literary and cultural studies, 12 (Spring 2004)
    Content: "The impetus for this volume, The Other Nineteenth Century, stems from the homonymous conference that was held at the University of Wisconsin-Madison in April 2005. Over twenty scholars from the United States and Portugal delivered papers, and expanded versions of nineteen of these studies, along with five other relevant articles, constitute the present volume of Portuguese Literary & Cultural Studies. The conference itself was designed to provide a forum to discuss works, authors and themes that are usually excluded from the repertoires of Lusophone literary and cultural history, and only seldom addressed in academic venues. Indeed, as the original conference presentations and the final published articles demonstrate, behind the more “canonized” nineteenth century lies another nineteenth century that has not always been duly recognized in literary and cultural histories." -- Publisher's description.
    Note: Most contributions based on papers given at a conference held at the University of Wisconsin-Madison on April 21-23, 2005. , Why “The Other Nineteenth Century”? / , O projecto educador de Garrett no semanário O Cronista (1827) / , Fazendo género : um Eça fora da lei / , Educação em Almeida Garrett ou sobre a marginalidade do maior negócio da pátria / , Historical-gothic, female sacrifice and honor in Alexandre Herculano’s O Fronteiro d’África ou Três noites aziagas / , Camilo’s m(o)ther women : two matricidal narratives / , Realism’s reality check and deleted referents in Eça de Queirós / , Sexual difference and gender dysphoria in Eça de Queirós’s O Primo Basílio and O crime do Padre Amaro / , Pátria polifônica : o cânone e as margens no Romantismo brasileiro / , Rulers, noblemen and bullfights : images of Portugal in “Última corrida de touros em Salvaterra” by Rebelo da Silva / , Mulheres invisíveis : a escrita no silêncio / , Historical stories : Arnaldo Gama and the traditional historical novel / , Performing between the lines : (neo-)imperial discourse in the Amazonian theatre of Francisco Gomes de Amorim / , Other Pinheiro Chagas : Calderón de la Barca’s reflection in the mirror / , Ela não é ela nem é a outra : Júlio César Machado, Da loucura e manias em Portugal / , Pornografia no fim do século : os romances de Alfredo Gallis / , As criadas de Júlia / , Press—a political gospel? / , Cenas brasileiras no jornalismo literário do Portugal oitocentista / , Travel narratives in Portugal in the nineteenth century / , Decadence and regeneration in the Portuguese republican imagination at the end of the nineteenth century / , As revistas coimbrãs de 1889 na génese do Simbolismo / , O poder destrutivo da sexualidade feminina na sociedade burguesa novecentista / , Roxana Lewis Dabney and Os Fidalgos da Casa Mourisca / , Echoes of Portuguese India in Goan poets, 1893-1973 / , Entre fotos, cartas e paisagem : a criação do amor. Notas de leitura sobre A Bela Angevina de José-Augusto França / , As edições críticas de Eça de Queirós no Editorial Presença / , Fátima Rodrigues. Cesário Verde. Recepção Oitocentista e Poética. Lisbon: Cosmos, 1998 / , Text in English and Portuguese.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    Dartmouth, Massachusetts :Tagus Press, Center for Portuguese Studies and Culture, University of Massachusetts Dartmouth,
    UID:
    edocfu_9958875307502883
    Format: 1 online resource (386 pages)
    ISBN: 1933227095 , 9781933227092 , 1521-804X
    Series Statement: Portuguese literary and cultural studies, 12 (Spring 2004)
    Content: "The impetus for this volume, The Other Nineteenth Century, stems from the homonymous conference that was held at the University of Wisconsin-Madison in April 2005. Over twenty scholars from the United States and Portugal delivered papers, and expanded versions of nineteen of these studies, along with five other relevant articles, constitute the present volume of Portuguese Literary & Cultural Studies. The conference itself was designed to provide a forum to discuss works, authors and themes that are usually excluded from the repertoires of Lusophone literary and cultural history, and only seldom addressed in academic venues. Indeed, as the original conference presentations and the final published articles demonstrate, behind the more “canonized” nineteenth century lies another nineteenth century that has not always been duly recognized in literary and cultural histories." -- Publisher's description.
    Note: Most contributions based on papers given at a conference held at the University of Wisconsin-Madison on April 21-23, 2005. , Why “The Other Nineteenth Century”? / , O projecto educador de Garrett no semanário O Cronista (1827) / , Fazendo género : um Eça fora da lei / , Educação em Almeida Garrett ou sobre a marginalidade do maior negócio da pátria / , Historical-gothic, female sacrifice and honor in Alexandre Herculano’s O Fronteiro d’África ou Três noites aziagas / , Camilo’s m(o)ther women : two matricidal narratives / , Realism’s reality check and deleted referents in Eça de Queirós / , Sexual difference and gender dysphoria in Eça de Queirós’s O Primo Basílio and O crime do Padre Amaro / , Pátria polifônica : o cânone e as margens no Romantismo brasileiro / , Rulers, noblemen and bullfights : images of Portugal in “Última corrida de touros em Salvaterra” by Rebelo da Silva / , Mulheres invisíveis : a escrita no silêncio / , Historical stories : Arnaldo Gama and the traditional historical novel / , Performing between the lines : (neo-)imperial discourse in the Amazonian theatre of Francisco Gomes de Amorim / , Other Pinheiro Chagas : Calderón de la Barca’s reflection in the mirror / , Ela não é ela nem é a outra : Júlio César Machado, Da loucura e manias em Portugal / , Pornografia no fim do século : os romances de Alfredo Gallis / , As criadas de Júlia / , Press—a political gospel? / , Cenas brasileiras no jornalismo literário do Portugal oitocentista / , Travel narratives in Portugal in the nineteenth century / , Decadence and regeneration in the Portuguese republican imagination at the end of the nineteenth century / , As revistas coimbrãs de 1889 na génese do Simbolismo / , O poder destrutivo da sexualidade feminina na sociedade burguesa novecentista / , Roxana Lewis Dabney and Os Fidalgos da Casa Mourisca / , Echoes of Portuguese India in Goan poets, 1893-1973 / , Entre fotos, cartas e paisagem : a criação do amor. Notas de leitura sobre A Bela Angevina de José-Augusto França / , As edições críticas de Eça de Queirós no Editorial Presença / , Fátima Rodrigues. Cesário Verde. Recepção Oitocentista e Poética. Lisbon: Cosmos, 1998 / , Text in English and Portuguese.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    almafu_9959233545702883
    Format: 1 online resource (vi, 305 pages) : , illustrations.
    Edition: 1st ed.
    ISBN: 0-299-30063-3
    Content: A field-shaping anthology by top cultural critics and practitioners representing a wide range of disciplines and art forms, Performing Brazil is the first book to bring together studies of the many and varied manifestations of Brazilian performance in and beyond their country of origin. Arguing that diverse forms of performance are best understood when presented in tandem, it offers new takes on better-known forms, such as carnival and capoeira, as well as those studied less often, including gender acts, curatorial practice, political protest, and the performance of Brazil in the United States.
    Note: Bibliographic Level Mode of Issuance: Monograph , Introduction: why Performing Brazil? / Severino J. Albuquerque and Kathryn Bishop-Sanchez -- On the (im)possibility of performing Brazil / Kathryn Bishop-Sanchez -- Biting the meat, spitting it out: twenty-first-century cannibalism / Fernando de Sousa Rocha -- Performing Brazilianness through dance: the case of Grupo Corpo / Cristina F. Rosa -- Staging capoeira, samba, maculele, and candomble: Viva Bahia's choreographies of Afro-Brazilian folklore for the global stage / Ana Paula Hofling -- Global identities of capoeira and the berimbau: keeping it Brazilian overseas / Eric Galm -- Performing cultural visibility: Brazilian immigrants, Mardi Gras, and New Orleans / Annie Gibson -- Mauricio Einhorn: musical crossings / Bryan McCann -- Playing with realism(s): narrating the Morro through performance and the visual arts / Lidia Santos -- The bi-cultural sex symbol: Sonia Braga in Brazilian and North American popular culture / Benjamin Legg -- Body language and embodied spaces: performing the public and the private in Arnaldo Antunes's Nome / Alessandra Santos -- Post-periphery performances: reclaiming artistic legacies, histories, and archives / Simone Osthoff -- Performative devices in Clarice Lispector's texts / Maria Jose Somerlate Barbosa. , English
    Additional Edition: ISBN 1-322-65155-8
    Additional Edition: ISBN 0-299-30064-1
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Image
    Image
    Nashville :Vanderbilt University Press,
    UID:
    almafu_BV049569724
    Format: xiii, 290 Seiten : , Illustrationen ; , 26 cm.
    ISBN: 9780826505286 , 0826505287
    Content: "Carmen Miranda got knocked down and kept going. Filming an appearance on The Jimmy Durante Show on August 4, 1955, the "ambassadress of samba" suddenly took a knee during a dance number, clearly in distress. Durante covered without missing a beat, and Miranda was back on her feet in a matter of moments to continue with what she did best: performing. By the next morning, she was dead from heart failure at age 46. This final performance in many ways exemplified the power of Carmen Miranda. The actress, singer, and dancer pursued a relentless mission to demonstrate the provocative theatrical force of her cultural roots in Brazil. Armed with bare-midriff dresses, platform shoes, and her iconic fruit-basket headdresses, Miranda stole the show in films like That Night in Rio and The Gang's All Here. For American film audiences, her life was an example of the exoticism of a mysterious, sensual South America. For Brazilian and Latin American audiences, she was an icon. For the gay community, she became a work of art personified and a symbol of courage and charisma. In Creating Carmen Miranda, Kathryn Bishop-Sanchez takes the reader through the myriad methods Miranda consciously used to shape her performance of race, gender, and camp culture, all to further her journey down the road to becoming a legend." -- Publisher's description
    Note: Brazilian stardom : from radio to casino and the creation of the Baiana -- Performing race : Miranda and Afro-Brazilianness on the carioca stage of the 1930s -- Staging the exotic : the instant success of the Brazilian bombshell -- Marketing Miranda : stardom, fashion, and gossip in the media -- Camp Carmen : the icon on the screen -- Imitating Miranda : playing with camp, drag, and gender norms -- Conclusion : the legacy of an icon
    Language: English
    Subjects: Romance Studies , General works , Musicology
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: History
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