UID:
edocfu_9961626898102883
Format:
1 online resource (793 pages)
Edition:
1st ed.
ISBN:
0-19-755115-7
,
0-19-755113-0
,
0-19-755114-9
Series Statement:
Oxford Handbooks Series
Content:
The Oxford Handbook of Radio and Podcasting provides a concise yet in-depth overview of the development of radio as a creative and cultural form, from early broadcasting to the digital present. Organized around major aspects of radio's social and political impact - on the arts, on news and documentary, on community, nation, identity, and culture - it draws on contributors from interdisciplinary backgrounds and many nationalities to explore the world of sound-based communication across a century of practice. Links are provided to illustrative sound clips in many chapters, along with chapter-by-chapter audiographies offering digital links to enable further listening.
Note:
Cover -- The Oxford Handbook of Radio and Podcasting -- Copyright -- Contents -- List of Contributors -- About the Companion Website -- Introduction to The Oxford Handbook of Radio and Podcasting -- Section I Radio Arts-Music -- 1. Punch Cards and Playlists: Computation, Curation, and the Cybernetic Origins of Radio Formatting -- 2. Freeform Radio and the History of Music Streaming -- 3. New Music Fridays: Now Available via Podcasts -- 4. "A Golden Age of Audio": Smart Speakers, Domestic Listening, and the Question of Radioness -- 5. The Campus Radio Music Library in the Streaming Music Era -- Section II Radio Arts-Drama -- 6. British Radio Drama and the Theater -- 7. Silly Women's Stories? The Foundational Role of the Daytime Radio Serial -- 8. Korean Radio Drama: Midcentury Melodramatic Voice Performance -- 9. Sloppy Realism: Audio Drama, Field Recording, and the Radiophonic Unconscious -- 10. Listen without Limits: True Crime, Audio Drama, and BBC Sounds Podcasts -- Section III Radio Arts-Poetry, Politics, and Poetics -- 11. Through the Wild Dark: Loose Notes in Search of a Radio Poetics -- 12. Langston Hughes, The Man Who Went to War, and the Political Work of the Radio Ballad -- 13. In the Air: Broadcasting the Poetry of the US Women's Liberation Movement -- 14. Noisy Feeds: Reciprocal Listening, Decolonial Struggle, and Play in Podcasting -- Section IV Radio Factualities-Documentary and Nonfiction Storytelling -- 15. Back to Sound School: Revisiting the Aesthetic Norms of 1950s and 1960s Educational Radio -- 16. Sensational Voices: Discourses of Intimacy in Podcast Production Culture -- 17. The Invisible Art of Audio Storytelling -- 18. Giving Voice or Creating a Spectacle? Personality, Intimacy, and Ethics in First-Person Narrative Nonfiction Podcasting -- Section V Radio Factualities- News and Talk.
,
19. Breakfast Radio: "We Wake Up Bright and Early Just to Howdy-Do Ya" -- 20. The Strange Case of Topless Radio -- 21. Late-Night Talk Radio in Post-Mao China: From the Telecommunication Age to the Digital Age -- 22. Podcast Journalism: Storytelling Experimentation and Emerging Conventions -- 23. The Daily Dose: Podcasting and Broadcasting in the Public Interest -- Section VI Radio and Community -- 24. Native American Radio History and the Indians for Indians Program -- 25. Finding Queer Soundwork: Information Activism in Lesbian Feminist Radio and Queer Podcast Networks -- 26. Community Radio in Central and Eastern Europe: Poland Takes Two Steps Forward, One Step Back -- 27. Casting on Podcasts: Stitching Maker Identities into a Modern Sound Culture -- Section VII Radio and Nation -- 28. The BBC and the Rise and Fall of the Empire Radio Feature, 1932-1966 -- 29. Kenyan Radio, Colonial Modernity, and Postcolonial Subjectivities -- 30. Segregation on the Airwaves: From a Monolingual to a Multilingual Broadcasting Model in Angola and Mozambique -- 31. Radio, Cinema, and the South Asian Soundscape: From Broadcasting to the Digital Era -- 32. Educating the Public: US Public Radio's Roots in Education and Research -- Section VIII Radio Culture and Historiography -- 33. Remediate, Listen, Repeat: Lives and Afterlives of Three Caribbean Archives -- 34. Recuperating a Critical Tradition: John Crosby, Jack Gould, and the Development of American Newspaper Radio Criticism, 1946-1952 -- 35. For the Love of Radio: The Archival Impulse in Broadcast Institutions -- 36. Confronting the Inaudible Past: A Document-Based Approach to Audio Archaeology -- 37. Communication in the Radio Century: Thinking through Radio -- Index.
Additional Edition:
ISBN 0-19-755112-2
Language:
English
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