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  • 1
    Book
    Book
    Cambridge, Massachusetts ; London, England :The MIT Press,
    UID:
    almahu_BV043353428
    Format: ix, 188 Seiten : , Illustrationen, Diagramme, Notenbeispiel ; , 24 cm.
    Note: Includes bibliographical references and index , Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Popmusik ; Musikproduktion ; Digitaltechnik
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_837547180
    Format: ix, 188 Seiten , Illustrationen, Diagramme, Notenbeispiele , 24 cm
    ISBN: 9780262034142
    Content: Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era
    Note: Formerly CIP. - Includes bibliographical references and index , Introduction : digital technology and popular music soundMaking sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era.
    Language: English
    Subjects: Computer Science , Musicology
    RVK:
    RVK:
    Keywords: Unterhaltungsmusik ; Digitaltechnik ; Musikproduktion ; Digitale Audiotechnik
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Cambridge, Massachusetts ; London, England : The MIT Press
    UID:
    b3kat_BV049107081
    Format: 1 Online-Ressource
    ISBN: 9780262374125 , 9780262374118
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-262-54539-6
    Language: English
    Keywords: Mashup ; Remix ; Parodie ; Musikproduktion
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Cambridge, Massachusetts :MIT Press,
    UID:
    almahu_9948326038602882
    Format: 1 online resource (199 pages) : , illustrations
    ISBN: 9780262334464 (e-book)
    Note: Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era.
    Additional Edition: Print version: Brøvig-Hanssen, Ragnhild. Digital signatures : the impact of digitization on popular music sound. Cambridge, Massachusetts : MIT Press, 2016 ISBN 9780262034142
    Language: English
    Keywords: Electronic books.
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  • 5
    UID:
    edocfu_9960950877802883
    Format: 1 online resource (199 p.)
    Edition: 1st ed.
    ISBN: 0-262-33445-3 , 0-262-33446-1
    Content: How sonically distinctive digital "signatures"--Including reverb, glitches, and autotuning -- affect the aesthetics of popular music, analyzed in works by Prince, Lady Gaga, and others.
    Note: Description based upon print version of record. , Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era. , English
    Additional Edition: ISBN 0-262-03414-X
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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