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  • 1
    Book
    Book
    Chronicling Stankonia : the rise of the hip-hop South (2021)
    Chapel Hill :The University of North Carolina Press,
    Details
    UID:
    almafu_BV047195047
    Format: xiii, 121 Seiten.
    ISBN: 978-1-4696-6196-4 , 978-1-4696-6195-7
    Content: "Chronicling Stankonia situates hip hop as an intervention in constructing post-Civil Rights black identities and cultural discourse. For southern blacks, the past is often restricted to three recognizable historical moments - the Antebellum Era, Jim Crow, and the Civil Rights Movement. Aside from the deeply traumatic experience of these periods of history, they also serve as cornerstones of validating and recognizing southern blacks' experiences. However, the challenge for post-Civil Rights generations of southern blacks is speaking truth to power when their truths depart the trajectory of what was considered power in the past. Chronicling Stankonia updates the black South using hip hop as an agent to reflect multiple intersections of time, race, and southernness in the late twentieth and early twenty-first centuries. Part of southern hip hop culture's truth remains attached to the past but its power is grounded in the fact that younger southerners use hip hop to embrace the possibility of multiple Souths, multiple narratives, and multiple entry points into contemporary southern black identities"--
    Note: Includes bibliographical references and index , The demo tape ain't nobody wanna hear -- Spelling out the work -- Re-imagining slavery in the hip hop imagination -- Still ain't forgave myself
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk ISBN 978-1-4696-6197-1
    Language: English
    Subjects: Musicology
    RVK:
    LS 48650
    Keywords: Südstaaten ; Schwarze ; Hip-Hop ; Ethnische Identität ; Criticism, interpretation, etc ; Criticism, interpretation, etc
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032600168&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032600168&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    Author information: Bradley, Regina N.
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  • 2
    Book
    Book
    That's the Joint! : the Hip-Hop Studies Reader (2024)
    New York :Routledge, an imprint of Taylor & Francis,
    Details
    UID:
    almahu_BV049492112
    Format: XII, 768 Seiten.
    Edition: Third Edition
    ISBN: 978-1-032-40355-7 , 978-1-032-41256-6
    Language: English
    Subjects: Musicology
    RVK:
    LS 48650
    Author information: Bradley, Regina N.
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  • 3
    Image
    Image
    The Dirty South : contemporary art, material culture, and the sonic impulse (2021)
    Richmond, Virginia : Virginia Museum of Fine Arts | Durham, North Carolina : Duke University Press
    Details
    UID:
    gbv_177730900X
    Format: xiii, 282 Seiten , Illustrationen , 28 cm
    ISBN: 1934351199 , 9781934351192
    Content: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Content: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
    Language: English
    Subjects: Art History
    RVK:
    LO 94040
    RVK:
    LO 94030
    RVK:
    LO 94037
    Keywords: USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband
    URL: Inhaltsverzeichnis
    Author information: Oliver, Valerie Cassel
    Author information: Moten, Fred 1962-
    Author information: Bradley, Regina N.
    Author information: Burris, Jennifer
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  • 4
    Book
    Book
    Boondock kollage : stories from the hip hop South (2017)
    New York ; Bern ; Frankfurt ; Berlin ; Brussels ; Vienna ; Oxford ; Warsaw :Peter Lang,
    Details
    UID:
    almahu_BV046194587
    Format: xx, 138 Seiten ; , 23 cm.
    ISBN: 978-1-4331-3303-9 , 1-4331-3303-2
    Series Statement: Black studies & critical thinking vol. 102
    Language: English
    RVK:
    HV 98000
    Keywords: Jugendbuch ; Jugendbücher ab 12 Jahre
    URL: https://www.peterlang.com/view/product/79170?format=PBK
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Author information: Bradley, Regina N.
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  • 5
    Online Resource
    Online Resource
    Boondock Kollage : Stories from the Hip Hop South (2017)
    New York : Peter Lang Inc., International Academic Publishers
    Details
    UID:
    almahu_9948665084502882
    Format: 1 online resource (162 p.) , 6 ill.
    Edition: 1st, New ed.
    ISBN: 9781433140402
    Series Statement: Black Studies and Critical Thinking 102
    Content: Boondock Kollage: Stories from the Hip Hop South is a collection of twelve short stories that addresses issues of race, place, and identity in the post–Civil Rights American South. Using historical, spectral, and hip hop infused fiction, Boondock Kollage critically engages readers to question the intersections of regionalism and black culture in current American society.
    Content: "Regina Bradley is a gifted writer who makes contemporary southern black life visible and viable. She writes us as our beautiful, black, redeemable selves. Boondock Kollage is a masterful collection of twelve short stories that introduces Bradley as an up-and-coming storyteller who's been hearing and telling stories all of her life. This is her heart project, and she gives us her heart. The intimacy and familiarity from which she writes southern black life not only humanizes us, it loves (on) us. Her carefully crafted prose gives a glimpse of black folk and black life in the post–Civil Rights black South, offering a mirror so we can see ourselves and our memories in line after line, page after page, story after story. You will carry her stories, her characters, and her characterizations with you. They feel like home. They feel like us. They feel like ours." Robin M. Boylorn, Associate Professor of Interpersonal and Intercultural Communication, The University of Alabama; author of Sweetwater: Black Women and Narratives of Resilience
    Content: "Boondock Kollage is an intricate collection of stories that will be new yet deeply familiar to any reader. These tales are new because they take place in rural Georgia, in a specific tree and lake studded landscape peopled with small, particular communities; they are familiar because the characters that people this place, with their wide, sloped shoulders, their intricate wigs, the way they shuffle and joke and comfort and misunderstand and shore each other up, are achingly human. In Bradley's hands, these varied pieces cohere into a deeply compelling, moving work of art. This collection will be deeply satisfying for the reader who wants to experience the full range of human emotion, who wants to feel fear, triumph, bone-deep sadness, and bright joy, because this author does it all." Jesmyn Ward, Associate Professor of English, Tulane University; author of Men We Reaped and Salvage the Bones
    Note: Kiese Laymon: Foreword – Prologue: Reckoning – Acknowledgments – Part One: Reaching Back Around – A Visitation from Grace – Intentions – Between the Hedges – Good Bleach – Part Two: Long Division – Beautiful Ones – Happy Feelins – Splish-Splash – Skin Carnival – As Above So Below – Part Three: Stitches in Time – The Apothecary – Moving Furniture – Some Kind of Wonderful (Illustrated by John Jennings and Stacey Robinson) – Discussion Question Bank.
    Additional Edition: ISBN 9781433133039
    Additional Edition: ISBN 9781433133046
    Language: English
    DOI: 10.3726/b10733
    URL: https://www.peterlang.com/view/product/79170?format=EPDF
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  • 6
    Online Resource
    Online Resource
    An OutKast reader : essays on race, gender, and the postmodern South (2021)
    Athens, Georgia :University of Georgia Press,
    Details
    UID:
    almafu_9961047261302883
    Format: 1 online resource (244 pages)
    ISBN: 0-8203-6014-7
    Series Statement: Music of the American South
    Content: "OutKast, the Atlanta-based hip-hop duo formed in 1992, is one of the most influential musical groups within American popular culture of the past twenty-five years. Through Grammy-winning albums, music videos, feature films, theatrical performances, and fashion, André "André 3000" Benjamin and Antwan "Big Boi" Patton have articulated a vision of postmodern, post-civil rights southern identity that combines the roots of funk, psychedelia, haute couture, R&B, faith and spirituality, and Afrofuturism into a style all its own. This postmodern southern aesthetic, largely promulgated and disseminated by OutKast and its collaborators, is now so prevalent in mainstream American culture (neither Beyoncé Knowles's "Formation" nor Joss Whedon's sci-fi /western mashup Firefly could exist without OutKast's collage aesthetic) that we rarely consider how challenging and experimental it actually is to create a new southern aesthetic. An OutKast Reader, then, takes the group's aesthetic as a lens through which readers can understand and explore contemporary issues of Blackness, gender, urbanism, southern aesthetics, and southern studies more generally. Divided into sections on regional influences, gender, and visuality, the essays collectively offer a vision of OutKast as a key shaper of conceptions of the twenty-first-century South, expanding that vision beyond long-held archetypes and cultural signifiers. The volume includes a who's who of hip-hop studies and African American studies scholarship, including Charlie Braxton, Susana M. Morris, Howard Ramsby II, Reynaldo Anderson, and Ruth Nicole Brown"--
    Note: Description based upon print version of record. , Includes index. , Introduction. Stank of a Freedomland : OutKast Reckons with the Black New South -- SECTION I. Tracing OutKast's Southern Roots. “Power Music Electric Revival” : Contemplating OutKast's Southern Reconstruction and Its Impact on Black Music and the American Pop Mainstream / Fredara Mareva Hadley ; André's Dread : Communicating Survival of Racial Terror / Michelle S. Hite ; SouthernplayalistiCADILLACmuzik : OutKast and the Automobility of the Post-Civil Rights South / Langston C. Wilkins ; ATLiens : OutKast and the Saliency of Place for Black Male Identity / Rashawn Ray, SunAh M. Laybourn, and Melissa Brown ; SouthernQueeralisticadillacMuzik : André 3000 and Big Boi's Lyrical and Aesthetical Queering of Black Southern Masculinity / Kaila Story ; Bringing the Church Back to Your Feet : Affirmations of Faith, Religion, and Community in the Music of OutKast / Birgitta J. Johnson ; When ATLiens Boarded tha Muthaship : Funk's Influence on OutKast / Charlie R. Braxton-- Section II. OutKast's Country-Fried Futurities. Stanklove : Hearing OutKast's Afrofuturist Erotics / James Edward Ford III ; Stories from the Dungeon : OutKast, Future, and the Afrofuturistic Lineage of Organized Noize / Clint Fluker and Reynaldo Anderson ; Idlewild : Afrofuturism and the Hip-Hop Musical in the Twenty-First Century / Susana M. Morris ; In the Forever Eva : An Artist Visualizes OutKast's Southern Hip-Hop Utopia / Stacey Robinson -- Section III. Tracing OutKast's Lasting Legacy. A Jazzy Belle ReTell : Betrayals of Black Girlhood, Method, and Southernness / Jessica L. Robinson, Ruth Nicole Brown, Porshé R. Garner, and Blair E. Smith ; Two Dope Boyz in a Visual World / Tiffany E. Barber ; Humble Mumble : Text Mining OutKast / Kenton Rambsy and Howard Rambsy II ; Blurring Era and Aesthetic in OutKast's Film and Video Imagery : A Conversation with Bryan Barber / Joycelyn Wilson ; Idlewild : Spatial Narratives and Noir / Akil Houston-- Outro. Preserving OutKast's Legacy at the National Museum of African American History and Culture / Timothy Anne Burnside.
    Additional Edition: ISBN 0-8203-6015-5
    Language: English
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  • 7
    Book
    Book
    That's the Joint! : the Hip-Hop Studies Reader (2024)
    New York :Routledge, an imprint of Taylor & Francis,
    Details
    UID:
    almafu_BV049492112
    Format: XII, 768 Seiten.
    Edition: Third Edition
    ISBN: 978-1-032-40355-7 , 978-1-032-41256-6
    Language: English
    Subjects: Musicology
    RVK:
    LS 48650
    Author information: Bradley, Regina N.
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  • 8
    Online Resource
    Online Resource
    Chronicling Stankonia : the rise of the hip hop South (2021)
    Chapel Hill, North Carolina :University of North Carolina Press,
    Details
    UID:
    almafu_9960742048502883
    Format: 1 online resource (137 pages) : , illustrations
    ISBN: 979-88-908501-2-6 , 1-4696-6197-7 , 1-4696-6198-5
    Content: "Chronicling Stankonia situates hip hop as an intervention in constructing post-Civil Rights black identities and cultural discourse. For southern blacks, the past is often restricted to three recognizable historical moments - the Antebellum Era, Jim Crow, and the Civil Rights Movement. Aside from the deeply traumatic experience of these periods of history, they also serve as cornerstones of validating and recognizing southern blacks' experiences. However, the challenge for post-Civil Rights generations of southern blacks is speaking truth to power when their truths depart the trajectory of what was considered power in the past. Chronicling Stankonia updates the black South using hip hop as an agent to reflect multiple intersections of time, race, and southernness in the late twentieth and early twenty-first centuries. Part of southern hip hop culture's truth remains attached to the past but its power is grounded in the fact that younger southerners use hip hop to embrace the possibility of multiple Souths, multiple narratives, and multiple entry points into contemporary southern black identities"--
    Note: The demo tape ain't nobody wanna hear -- Spelling out the work -- Re-imagining slavery in the hip hop imagination -- Still ain't forgave myself.
    Additional Edition: ISBN 1-4696-6196-9
    Additional Edition: ISBN 1-4696-6195-0
    Language: English
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