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  • 1
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney :Bloomsbury Academic,
    UID:
    almafu_BV044204854
    Format: XV, 295 Seiten : , Illustrationen.
    ISBN: 978-1-5013-1138-3
    Series Statement: Understanding philosophy, understanding modernism
    Content: "The contemporary philosopher Jacques Rancière has become over the last two decades one of the most influential voices in literary, art historical, and film criticism. His work reexamines the divisions that have defined our understanding of modernity, such as art and politics, representation and abstraction, and literature and philosophy. Working across these divisions, he engages the historical roots of modernism in the nineteenth century, uncovering forgotten texts in the archive that trouble our notions of intellectual history. The contributors to Understanding Rancière, Understanding Modernism engage with the multiplicity of Rancière's thought through close readings of his texts, through comparative readings with other philosophers, and through an engagement with modernist works of art and literature. The final section of the volume includes an extended glossary of the most important terms used by Rancière, which will be a valuable resource for experts and students alike"...
    Content: "Explores and illuminates Rancière's profound impact on our understanding of literary modernism"...
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, ePub/mobi ISBN 978-1-5013-1139-0
    Additional Edition: Erscheint auch als Online-Ausgabe, ePDF ISBN 978-1-5013-1137-6
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: 1940- Rancière, Jacques ; Ästhetik ; Poetik ; Aufsatzsammlung
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  • 2
    Online Resource
    Online Resource
    Evanston, Illinois : Northwestern University Press
    UID:
    gbv_1778675611
    Format: 1 Online-Ressource
    ISBN: 9780810166387
    Content: Focusing on Stendhal, Gérard de Nerval, George Sand, Émile Zola, and Marcel Proust, The Novel Map: Mapping the Self in Nineteenth-Century French Fiction explores the ways that these writers represent and negotiate the relationship between the self and the world as a function of space in a novel turned map.With the rise of the novel and of autobiography, the literary and cultural contexts of nineteenth-century France reconfigured both the ways literature could represent subjects and the ways subjects related to space. In the first-person works of these authors, maps situate the narrator within the imaginary space of the novel. Yet the time inherent in the text’s narrative unsettles the spatial self drawn by the maps and so creates a novel self, one which is both new and literary. The novel self transcends the rigid confines of a map. In this significant study, Patrick M. Bray charts a new direction in critical theory
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New York : Bloomsbury Academic | London : Bloomsbury Publishing
    UID:
    gbv_1034142747
    Format: 1 Online-Ressource (xvi, 296 p) , Illustrationen
    Edition: 2014
    ISBN: 9781501311406 , 9781501311376 , 9781501311390
    Series Statement: Understanding philosophy, understanding modernism
    Content: "The contemporary philosopher Jacques Rancière has become over the last two decades one of the most influential voices in literary, art historical, and film criticism. His work reexamines the divisions that have defined our understanding of modernity, such as art and politics, representation and abstraction, and literature and philosophy. Working across these divisions, he engages the historical roots of modernism in the nineteenth century, uncovering forgotten texts in the archive that trouble our notions of intellectual history. The contributors to Understanding Rancière, Understanding Modernism engage with the multiplicity of Rancière's thought through close readings of his texts, through comparative readings with other philosophers, and through an engagement with modernist works of art and literature. The final section of the volume includes an extended glossary of the most important terms used by Rancière, which will be a valuable resource for experts and students alike."--
    Content: "Explores and illuminates Rancière's profound impact on our understanding of literary modernism"--
    Content: Machine generated contents note: -- Introduction -- Patrick M. Bray, The Ohio State University, USA Part I -- Conceptualizing Rancière -- 1. Mallarmé, politique de la sirène -- Bruno Bosteels, Cornell University, USA -- 2. 'The Democratic Torrent': Politics of the Social in Rancière's Hatred of Democracy -- Emily Apter, New York University, USA -- 3. Écarts du cinéma -- Tom Conley, Harvard University, USA -- 4. Film Fables -- Margaret Flinn, The Ohio State University, USA -- 5. Proletarian Nights -- Bettina Lerner, City College CUNY, USA -- 6. The Ignorant Schoolmaster -- Leon Sachs, University of Kentucky, USA -- 7. The Emancipated Spectator -- Cary Hollinshead-Strick, American University of Paris, France -- 8. Silent Speech -- Giuseppina Mecchia, University of Pittsburgh, USA Part II -- Rancière and Aesthetics -- 9. Staging a conversation between Rancière and feminist theory -- Tina Chanter, Kingston University London, UK -- 10. Reassessing Rancière and Video Art -- Tim Murray, Cornell University, USA -- 11. Rancière and Proust -- Suzanne Guerlac, University of California, Berkeley -- 12. Rancière's critique of modernism -- Alison Ross, Monash University, Australia -- 13. Laboring Arms and the Floating Gaze: Rancière's New Sensorium -- Marina Van Zuylen, Bard College, USA -- 14. Rancière and Latin American Modernism -- Silvia López, Carleton College, USA -- 15. Rancière and Virginia Woolf -- Ewa Ziarek, SUNY Buffalo, USA -- 16. On Rancière's Opposition of Politics and Police: Meaning and Consequences -- Étienne Balibar, Columbia University, USA, and Université de Paris-Ouest Nanterre, France Part III -- Glossary of Key Terms -- Index
    Note: Includes bibliographical references and index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781501311383
    Additional Edition: Erscheint auch als Druck-Ausgabe Understanding Rancière, understanding modernism New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, 2017 ISBN 9781501311383
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: Rancière, Jacques 1940- ; Ästhetik ; Poetik ; Electronic books ; Aufsatzsammlung
    Author information: Rancière, Jacques 1940-
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  • 4
    Book
    Book
    Evanston, Ill. : Northwestern Univ. Press
    UID:
    b3kat_BV040742603
    Format: XIII, 271 S. , Ill.
    ISBN: 9780810128668
    Note: Revised and expanded version of the author's dissertation--Harvard, 2005, under the title: Novel selves: mapping the subject in Stendhal, Nerval and Proust. , Includes bibliographical references and index
    Language: English
    Subjects: Romance Studies
    RVK:
    Keywords: Französisch ; Roman ; Raum ; Selbst ; Geschichte 1800-1900 ; Hochschulschrift ; Hochschulschrift
    URL: Volltext  (kostenfrei)
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  • 5
    Online Resource
    Online Resource
    Evanston, Illinois : Northwestern University Press | Berlin : Knowledge Unlatched
    UID:
    gbv_896606457
    Format: 1 Online-Ressource (xiii, 271 pages) , illustrations, charts, figures, tables
    Edition: Also issued in print and PDF version
    ISBN: 9780810128668 , 0810166380 , 9780810166387
    Content: Focusing on Stendhal, G{caron}rard de Nerval, George Sand, {C9}mile Zola, and Marcel Proust, The Novel Map: Mapping the Self in Nineteenth-Century French Fiction explores the ways that these writers represent and negotiate the relationship between the self and the world as a function of space in a novel turned map. With the rise of the novel and of autobiography, the literary and cultural contexts of nineteenth-century France reconfigured both the ways literature could represent subjects and the ways subjects related to space. In the first-person works of these authors, maps situate the narrator within the imaginary space of the novel. Yet the time inherent in the text?s narrative unsettles the spatial self drawn by the maps and so creates a novel self, one which is both new and literary. The novel self transcends the rigid confines of a map. In this significant study, Patrick M. Bray charts a new direction in critical theory
    Content: Introduction: Here and there: the subject in space and text -- Part I. Stendhal's privilege -- Chapter 1. The life and death of Henry Brulard -- Chapter 2. The ghost in the map -- Part II. Nerval beyond narrative -- Chapter 3. Orientations: writing the self in Nerval's Voyage en orient -- Chapter 4. Unfolding Nerval -- Part III. Sand's utopian subjects -- Chapter 5. Drowning in the text: space and Indiana -- Chapter 6. Carte blanche: charting utopia in Sand's Nanon -- Part IV. Branching off: genealogy and map in the Rougon-Macquart -- Chapter 7. Zola and the contradictory origins of the novel -- Chapter 8. Mapping creative destruction in Zola -- Part V. Proust's double text -- Chapter 9. The law of the land -- Chapter 10. Creating a space for time -- Conclusion: Now and then: virtual spaces and real subjects in the twenty-first century
    Note: Also issued in print and PDF version. , In English
    Additional Edition: Print version The Novel Map, Space and Subjectivity in Nineteenth-Century French Fiction Evanston, Illinois : Northwestern University Press
    Language: English
    Keywords: Electronic books
    URL: Volltext  (kostenfrei)
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  • 6
    Online Resource
    Online Resource
    Evanston, Ill. :Northwestern University Press,
    UID:
    almahu_9949711225202882
    Format: 1 online resource (xiii, 271 p. :) , ill. ;
    ISBN: 0-8101-6638-0
    Content: Focusing on Stendhal, Gérard de Nerval, George Sand, Émile Zola, and Marcel Proust, The Novel Map: Mapping the Self in Nineteenth-Century French Fiction explores the ways that these writers represent and negotiate the relationship between the self and the world as a function of space in a novel turned map.With the rise of the novel and of autobiography, the literary and cultural contexts of nineteenth-century France reconfigured both the ways literature could represent subjects and the ways subjects related to space. In the first-person works of these authors, maps situate the narrator within the imaginary space of the novel. Yet the time inherent in the text’s narrative unsettles the spatial self drawn by the maps and so creates a novel self, one which is both new and literary. The novel self transcends the rigid confines of a map. In this significant study, Patrick M. Bray charts a new direction in critical theory.
    Note: Revised and expanded version of the author's dissertation--Harvard, 2005, under the title: Novel selves: mapping the subject in Stendhal, Nerval and Proust. , Introduction: Here and there: the subject in space and text -- Part I. Stendhal's privilege -- Chapter 1. The life and death of Henry Brulard -- Chapter 2. The ghost in the map -- Part II. Nerval beyond narrative -- Chapter 3. Orientations: writing the self in Nerval's Voyage en orient -- Chapter 4. Unfolding Nerval -- Part III. Sand's utopian subjects -- Chapter 5. Drowning in the text: space and Indiana -- Chapter 6. Carte blanche: charting utopia in Sand's Nanon -- Part IV. Branching off: genealogy and map in the Rougon-Macquart -- Chapter 7. Zola and the contradictory origins of the novel -- Chapter 8. Mapping creative destruction in Zola -- Part V. Proust's double text -- Chapter 9. The law of the land -- Chapter 10. Creating a space for time -- Conclusion: Now and then: virtual spaces and real subjects in the twenty-first century. , English
    Additional Edition: ISBN 0-8101-2866-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Book
    Book
    Evanston, Illinois : Northwestern University Press
    UID:
    gbv_1643621785
    Format: xiii, 147 Seiten
    ISBN: 9780810139329 , 9780810139336
    Content: Patrick M. Bray's The Price of Literature demonstrates that literature's freedom to represent anything has meant, paradoxically, that it cannot articulate a coherent theory of itself--unless this theory is a necessarily subversive literary representation.--Provided by publisher
    Note: Includes bibliographical references and index , Introduction: The novel's price tag , The exceptional Madame de Stael , Hugo's literary sublime, or the theoretical Peuple , Balzac and the chagrin of theory , Flaubert's novel utopia, or the literary method , Having your cake and eating it too: Proust's aestheticized thought , Conclusion: Distributions of literature
    Additional Edition: ISBN 9780810139343
    Language: English
    Keywords: Französisch ; Roman ; Literaturtheorie
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    UID:
    gbv_180531212X
    Format: 168 Seiten , 21 cm
    ISBN: 9782380720693
    Series Statement: Bifurcations
    Note: Marcel Proust (1871-1922) , Includes bibliographical references
    Language: French
    Subjects: Romance Studies
    RVK:
    Keywords: Proust, Marcel 1871-1922 À la recherche du temps perdu
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Online Resource
    Online Resource
    Evanston, Ill. :Northwestern University Press,
    UID:
    edoccha_9958261235202883
    Format: 1 online resource (xiii, 271 p. :) , ill. ;
    ISBN: 0-8101-6638-0
    Content: Focusing on Stendhal, Gérard de Nerval, George Sand, Émile Zola, and Marcel Proust, The Novel Map: Mapping the Self in Nineteenth-Century French Fiction explores the ways that these writers represent and negotiate the relationship between the self and the world as a function of space in a novel turned map.With the rise of the novel and of autobiography, the literary and cultural contexts of nineteenth-century France reconfigured both the ways literature could represent subjects and the ways subjects related to space. In the first-person works of these authors, maps situate the narrator within the imaginary space of the novel. Yet the time inherent in the text’s narrative unsettles the spatial self drawn by the maps and so creates a novel self, one which is both new and literary. The novel self transcends the rigid confines of a map. In this significant study, Patrick M. Bray charts a new direction in critical theory.
    Note: Revised and expanded version of the author's dissertation--Harvard, 2005, under the title: Novel selves: mapping the subject in Stendhal, Nerval and Proust. , Introduction: Here and there: the subject in space and text -- Part I. Stendhal's privilege -- Chapter 1. The life and death of Henry Brulard -- Chapter 2. The ghost in the map -- Part II. Nerval beyond narrative -- Chapter 3. Orientations: writing the self in Nerval's Voyage en orient -- Chapter 4. Unfolding Nerval -- Part III. Sand's utopian subjects -- Chapter 5. Drowning in the text: space and Indiana -- Chapter 6. Carte blanche: charting utopia in Sand's Nanon -- Part IV. Branching off: genealogy and map in the Rougon-Macquart -- Chapter 7. Zola and the contradictory origins of the novel -- Chapter 8. Mapping creative destruction in Zola -- Part V. Proust's double text -- Chapter 9. The law of the land -- Chapter 10. Creating a space for time -- Conclusion: Now and then: virtual spaces and real subjects in the twenty-first century. , English
    Additional Edition: ISBN 0-8101-2866-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    Online Resource
    Online Resource
    New York :Bloomsbury Academic,
    UID:
    almahu_BV044941796
    Format: 1 Online-Ressource (xvi, 296 Seiten).
    Content: "The contemporary philosopher Jacques Rancière has become over the last two decades one of the most influential voices in literary, art historical, and film criticism. His work reexamines the divisions that have defined our understanding of modernity, such as art and politics, representation and abstraction, and literature and philosophy. Working across these divisions, he engages the historical roots of modernism in the nineteenth century, uncovering forgotten texts in the archive that trouble our notions of intellectual history. The contributors to Understanding Rancière, Understanding Modernism engage with the multiplicity of Rancière's thought through close readings of his texts, through comparative readings with other philosophers, and through an engagement with modernist works of art and literature. The final section of the volume includes an extended glossary of the most important terms used by Rancière, which will be a valuable resource for experts and students alike."--
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 9781501311383
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: 1940- Rancière, Jacques ; Ästhetik ; Poetik
    URL: Volltext  (URL des Erstveröffentlichers)
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