Kooperativer Bibliotheksverbund

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Format: 318 S. : , Ill.

ISBN: 0-8109-3732-8

Language: English

Subjects: Art History , Sociology

Keywords: Kunst ; Frauenbewegung ; Künstlerin ; Kunst ; Kunst ; Feminismus ; Feminismus ; Kunstwissenschaft ; Kunstsoziologie ; Frauenkunst ; Regionalkunst ; Aufsatzsammlung ; Bildband

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Format: 1 Online-Ressource (xii, 244 Seiten) , Illustrationen

ISBN: 9781350243514 , 9781350243491

Content: "Technology is commonly considered a masculine domain — an issue that has, in the past few years, come into the spotlight. ‘Gamergate’ and reports on the lack of women executives in Silicon Valley corporations have shown how controversial the problem is. However, like their male counterparts, women artists have entered the digital arena. Though a flurry of books have emerged in recent years on the absence of women in the digital world, this is the first to look at women and digital technology in the art world. An important figure in the feminist art world, Judith Brodsky documents the work of women and transgender artists who are transforming technology under the impact of feminist theory. She argues that their work differs from the work of male artists, because they are putting forth ideas that can lead to freeing technology from its heteronormative context. This book is about how women and gender variant digital artists are transforming technology under the impact of feminist theory. It documents the history and contemporary practice of such artists in one volume for the first time and shows how they have made significant contributions to the aesthetic and practice of digital art and have altered digital technology itself. The 1960s and 1970s generation of feminist artists re-purposed traditional art disciplines seeking out new art forms to express women’s experience. In looking at the history of digital technology and art through the lens of feminism, feminist art theory played an important role in the development of digital artmaking and helped to free digital technology from the limitations imposed by its patriarchal origins and transforming it into an accessible way of apprehending the world for people everywhere. Feminism evolved in the 1960s and 1970s among mostly white, heterosexual and lesbian women to accord women parity with men [...]."

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-350-24348-4

Language: English

Subjects: General works

Keywords: Computerkunst ; Feminismus ; LGBT

DOI: 10.5040/9781350243514

URL: Volltext  (URL des Erstveröffentlichers)

UID:

Format: 1 Online-Ressource (xii, 244 Seiten) : , Illustrationen.

ISBN: 978-1-350-24351-4 , 978-1-350-24349-1

Content: "Technology is commonly considered a masculine domain — an issue that has, in the past few years, come into the spotlight. ‘Gamergate’ and reports on the lack of women executives in Silicon Valley corporations have shown how controversial the problem is. However, like their male counterparts, women artists have entered the digital arena. Though a flurry of books have emerged in recent years on the absence of women in the digital world, this is the first to look at women and digital technology in the art world. An important figure in the feminist art world, Judith Brodsky documents the work of women and transgender artists who are transforming technology under the impact of feminist theory. She argues that their work differs from the work of male artists, because they are putting forth ideas that can lead to freeing technology from its heteronormative context. This book is about how women and gender variant digital artists are transforming technology under the impact of feminist theory. It documents the history and contemporary practice of such artists in one volume for the first time and shows how they have made significant contributions to the aesthetic and practice of digital art and have altered digital technology itself. The 1960s and 1970s generation of feminist artists re-purposed traditional art disciplines seeking out new art forms to express women’s experience. In looking at the history of digital technology and art through the lens of feminism, feminist art theory played an important role in the development of digital artmaking and helped to free digital technology from the limitations imposed by its patriarchal origins and transforming it into an accessible way of apprehending the world for people everywhere. Feminism evolved in the 1960s and 1970s among mostly white, heterosexual and lesbian women to accord women parity with men [...]."

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-350-24348-4

Language: English

Subjects: General works

Keywords: Computerkunst ; Feminismus ; LGBT

DOI: 10.5040/9781350243514

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

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Format: 1 Online-Ressource (xi, 259 Seiten) , Illustrationen

Edition: First edition

ISBN: 9781350243514 , 9781350243491

Content: List of Illustrations -- Preface -- Introduction -- 1. Reinserting Women into the History of Digital Art: Pioneer Feminist Artists -- 2. The 1970s: Feminism and Digital Art Inside and Outside the Academy -- 3. Reimagining the Binary Nature of Digital Technology -- 4. Using Websites and Browsers to Deliver Social Justice Messages -- 5. Provoking the Patriarchy Through Digital Language -- 6. Queerness, Race, and Digital Art -- 7. The Avatar -- 8. The Female Body Disappears -- 9. Creating Feminist Paradigms of Knowledge through Digital Technology -- 10. Surveillance -- 11. Feminist Artists and the Gaming Industry -- 12. Japanese Feminism, Video Games, and Anime -- 13. Artificial Intelligence (AR), Facial Recognition, and Virtual Reality (VR) -- 14. Digital Public Art and Augmented Reality (AR) -- Conclusion -- Bibliography -- Index

Content: "In Dismantling the Patriarchy, Bit by Bit, Judith K. Brodsky makes a ground-breaking intellectual leap by connecting feminist art theory with the rise of digital art. Technology has commonly been considered the domain of white men but-unrecognized until this book-female artists, including women artists of color, have been innovators in the digital art arena as early as the late 1960s when computers first became available outside of government and university laboratories. Brodsky, an important figure in the feminist art world, looks at various forms of visual art that are quickly becoming the dominant art of the 21st century, examining the work of artists in such media as video (from pioneers Joan Jonas and Adrian Piper to Hannah Black today), websites and social networking (from Vera Frenkel to Ann Hirsch), virtual and augmented reality art (Jenny Holzer to Hyphen-Lab), and art using artificial intelligence. She also documents the work of female-identifying, queer, transgender, and Black and brown artists including Legacy Russell and Micha Cr̀denas, who are not only innovators in digital art but also transforming technology itself under the impact of feminist theory. In this radical study, Brodsky argues that their work frees technology from its patriarchal context, illustrating the crucial need to transform all areas of our culture including technology to achieve the goals of the #MeToo, Black Lives Matter (BLM), Black and Asian Minority Ethnicities (BAME), and other global movements to empower female-identifying and Black and brown people, and to document their contributions to human history."--

Note: Includes bibliographical references and index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily

Additional Edition: ISBN 9781350243484

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781350243521

Language: English

Keywords: Electronic books

DOI: 10.5040/9781350243514

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Inhaltsverzeichnis

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Format: 135 S , zahlr. Ill , 29 cm

ISBN: 1857598768 , 9781857598766

Note: Includes bibliographical references (p. 132)

Language: English

Subjects: Art History

Keywords: Alkazzi, Basil 1938- ; Jonesboro, Ark. 〈2013〉 ; Malerei ; Ausstellungskatalog ; Ausstellungskatalog

Author information: Kuspit, Donald B. 1935-

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Format: XV, 239 S , zahlr. Ill , 29 cm

Content: Includes bibliographical references (p. [207]-231) and index

Note: gender, art, and society / Judith K. Brodsky and Ferris Olin -- The art of revolution in Egypt : brushes with women / Margot Badran -- Art, precarity, biopolitics / Kelly Baum -- Slipping away (or uncompliant cartographies) / Gilane Tawadros -- Artists. Negar Ahkami -- Shiva Ahmadi -- Jananne Al-Ani -- Fatima Al Qadiri -- Monira Al Qadiri -- Ghada Amer and Reza Farkhondeh -- Zeina Barakeh -- Ofri Cnaani -- Nezaket Ekici -- Diana El Jeiroudi -- Parastou Forouhar -- Ayana Friedman -- Shadi Ghadirian -- Mona Hatoum -- Hayv Kahraman -- Efrat Kedem -- Sigalit Landau -- Ariane Littman -- Shirin Neshat -- Ebru Özsecen -- Laila Shawa -- Shahzia Sikander -- Fatimah Tuggar -- Nil Yalter

Language: English

Keywords: Naher Osten ; Frauenkunst ; Ausstellungskatalog

URL: Inhaltsverzeichnis

UID:

Format: x, 259 Seiten , Illustrationen , 24 cm

ISBN: 9781350243484

Content: "In Dismantling the Patriarchy, Bit by Bit, Judith K. Brodsky makes a ground-breaking intellectual leap by connecting feminist art theory with the rise of digital art. Technology has commonly been considered the domain of white men but-unrecognized until this book-female artists, including women artists of color, have been innovators in the digital art arena as early as the late 1960s when computers first became available outside of government and university laboratories." (éditeur)

Note: Bibliographie. Index

Additional Edition: ISBN 9781350243507

Additional Edition: ISBN 9781350243491

Additional Edition: Erscheint auch als Online-Ausgabe Brodsky, Judith K., 1933 - Dismantling the patriarchy, bit by bit London : Bloomsbury Publishing, 2022 ISBN 9781350243514

Additional Edition: ISBN 9781350243491

Language: English

Subjects: General works

Keywords: Computerkunst ; Feminismus ; LGBT

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource : , 12 color and 6 b-w photos

ISBN: 9780813576275

Series Statement: Junctures: Case Studies in Women's Leadership ; 3

Content: In this third volume of the series Junctures: Case Studies in Women’s Leadership, Judith K. Brodsky and Ferris Olin profile female leaders in music, theater, dance, and visual art. The diverse women included in Junctures in Women's Leadership: The Arts have made their mark by serving as executives or founders of art organizations, by working as activists to support the arts, or by challenging stereotypes about women in the arts. The contributors explore several important themes, such as the role of feminist leadership in changing cultural values regarding inclusivity and gender parity, as well as the feminization of the arts and the power of the arts as cultural institutions. Amongst the women discussed are Bertha Honoré Palmer, Louise Noun, Samella Lewis, Julia Miles, Miriam Colón, Jaune Quick-To-See Smith, Bernice Steinbaum, Anne d’Harnoncourt, Martha Wilson, Jawole Willa Jo Zollar, Kim Berman, Gilane Tawadros, Joanna Smith, and Veomanee Douangdala.

Note: Frontmatter -- , Contents -- , Foreword to the Series -- , New Foreword to the Series -- , Preface -- , Bertha Honoré Palmer: A “New Woman”? -- , Feminist, Scholar, Art Collector, Curator, Social Activist, Philanthropist / , Women’s Project Theater: Forty Years of Making the Case for Inclusivity in the Professional Theater World / , Opening the Theater World for Diverse Audiences / , A Tireless Political Activist / , Advancing Women Artists toward Parity in the Marketplace / , Showing That Women Can Run Major Cultural Institutions Successfully / , Courageous Leadership in Innovation and Activism / , Urban Bush Women: The Power of Dance to Promote Cultural Inclusivity and Community Engagement / , Art as a Tool for Social Transformation / , Breaking the Hegemony of Western Culture / , Ock Pop Tok: Social Entrepreneurship in the Lao People’s Democratic Republic / , Acknowledgments -- , Index -- , About the Authors , In English.

Language: English

DOI: 10.36019/9780813576275

URL: https://www.degruyter.com/isbn/9780813576275