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  • 1
    Online Resource
    Online Resource
    Leeds, England :Arc Humanities Press,
    UID:
    almahu_9949881132402882
    Format: 1 online resource (136 pages) : , illustrations
    ISBN: 9781802701425
    Language: English
    Keywords: Electronic books.
    URL: Cover
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  • 2
    UID:
    almahu_9949323981602882
    Format: 1 online resource (232 p. (version papier) p.)
    ISBN: 2-7283-1494-2
    Series Statement: Collection de l'École française de Rome
    Content: This book presents the proceedings of the international conference “The Middle Ages in the Modern World,” held in Rome November 21-24, 2018. Attended by more than a hundred participants of different ages, educational backgrounds, and places of origin, the conference constituted a landmark in the study of medievalism: the historical discipline, now in full bloom, that investigates the ways in which the thousand-year period between 500 and 1500 was, and continues to be, presented, reconstructed, and imagined in successive eras. The book opens with a substantial bibliography drawn from all of its components, followed by the seven keynote lectures and ninety-three shorter texts - abstracts of the individual conference papers - organized along eight thematic pathways, which together provide a vivid image of the current state of the field.
    Note: English
    Additional Edition: ISBN 2-7283-1493-4
    Language: English
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  • 3
    UID:
    b3kat_BV049362204
    Format: vi, 136 Seiten , Illustrationen, Diagramme, Karten
    ISBN: 9781641893060
    Series Statement: Teaching the Middle Ages
    Content: This collection explores playful ways of fostering creative engagements with the medieval and early modern past and its own literary and artistic products, especially among those new to their study. As scholars and teachers of early English, the contributors cover literary and cultural material from a range of genres within the Old English, Middle English, Tudor, and Stuart periods and collectively delve into a shared interest in facilitating what we might loosely define as ?newcomer? or ?non-specialist? encounters with the past: initial, exploratory contact in which prior knowledge cannot be assumed, whether involving creative professionals, experts from other disciplines, undergraduate and school students, or members of the public. Considering artworks and installation, theatre and performance and curation practices, case studies offer practice-based examples of learning and engagement which proceed primarily through creative and playful approaches. The case studies are arranged into two broad groups: those which work through performance and theatrical play of various kinds, and those which work through playful practices of production and making. All share a perspective of irreverence, of vivid immersion, and of the possibilities of conjuring with the past
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-80270-142-5
    Language: English
    Subjects: English Studies
    RVK:
    RVK:
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  • 4
    UID:
    gbv_1786448653
    Format: 1 Online-Ressource (312 p) , 24 halftones
    Edition: [Online-Ausgabe]
    ISBN: 9780226676821
    Content: Frontmatter -- Contents -- Foreword -- Introduction -- Part One: Narratives -- 1 Looking to Our Ancestors -- 2 Looking Around the World -- 3 The World Beneath Our Feet -- Part Two: Origins -- 4 Ad Fontes -- 5 In the Beginning -- 6 Under False Pretenses -- 7 Through the Proscenium Arch -- Part Three: Time in Transit -- 8 On Pilgrimage -- 9 Across the Divide -- 10 At Sea -- Part Four: Unfinished Business -- 11 Looking Forward -- 12 How We Got Here -- Acknowledgments -- List of Contributors -- List of Illustrations -- Index
    Content: The Victorians, perhaps more than any Britons before them, were diggers and sifters of the past. Though they were not the first to be fascinated by history, the intensity and range of their preoccupations with the past were unprecedented and of lasting importance. The Victorians paved the way for our modern disciplines, discovered the primeval monsters we now call the dinosaurs, and built many of Britain’s most important national museums and galleries. To a large degree, they created the perceptual frameworks through which we continue to understand the past. Out of their discoveries, new histories emerged, giving rise to fresh debates, while seemingly well-known histories were thrown into confusion by novel tools and methods of scrutiny. If in the eighteenth century the study of the past had been the province of a handful of elites, new technologies and economic development in the nineteenth century meant that the past, in all its brilliant detail, was for the first time the property of the many, not the few. Time Travelers is a book about the myriad ways in which Victorians approached the past, offering a vivid picture of the Victorian world and its historical obsessions
    Note: Mode of access: Internet via World Wide Web. , In English
    Language: English
    URL: Cover
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  • 5
    UID:
    almafu_9961311749202883
    Format: 1 online resource (146 p.)
    ISBN: 9781802701425
    Series Statement: Teaching the Middle Ages
    Content: This collection explores playful ways of fostering creative engagements with the medieval and early modern past and its own literary and artistic products, especially among those new to their study. As scholars and teachers of early English, the contributors cover literary and cultural material from a range of genres within the Old English, Middle English, Tudor, and Stuart periods and collectively delve into a shared interest in facilitating what we might loosely define as "newcomer" or "non-specialist" encounters with the past: initial, exploratory contact in which prior knowledge cannot be assumed, whether involving creative professionals, experts from other disciplines, undergraduate and school students, or members of the public. Considering artworks and installation, theatre and performance and curation practices, case studies offer practice-based examples of learning and engagement which proceed primarily through creative and playful approaches. The case studies are arranged into two broad groups: those which work through performance and theatrical play of various kinds, and those which work through playful practices of production and making. All share a perspective of irreverence, of vivid immersion, and of the possibilities of conjuring with the past.
    Note: In English.
    Language: English
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  • 6
    UID:
    almafu_9961413407502883
    Format: 1 online resource (vi, 136 pages) : , digital, PDF file(s).
    Edition: 1st ed.
    ISBN: 1-80270-142-7
    Series Statement: Teaching the Middle Ages
    Content: This collection explores playful ways of fostering creative engagements with the medieval and early modern past and its own literary and artistic products, especially among those new to their study.〈br〉〈br〉As scholars and teachers of early English, the contributors cover literary and cultural material from a range of genres within the Old English, Middle English, Tudor, and Stuart periods and collectively delve into a shared interest in facilitating what we might loosely define as 'newcomer' or 'non-specialist' encounters with the past: initial, exploratory contact in which prior knowledge cannot be assumed, whether involving creative professionals, experts from other disciplines, undergraduate and school students, or members of the public. Considering artworks and installation, theatre and performance and curation practices, case studies offer practice-based examples of learning and engagement which proceed primarily through creative and playful approaches. The case studies are arranged into two broad groups: those which work through performance and theatrical play of various kinds, and those which work through playful practices of production and making. All share a perspective of irreverence, of vivid immersion, and of the possibilities of conjuring with the past.
    Note: Title from publisher's bibliographic system (viewed on 16 Feb 2024). , Front Cover -- Front matter -- Half-title -- Series information -- Title page -- Copyright information -- Table of contents -- List of figures -- Acknowledgments -- Body -- Prologue: "Juniper and Mare's Cheese" -- Introduction -- Bibliography -- Part One: Play through Performance -- Chapter 1. Gamifying the Canterbury Tales 1: Adopt-a-Pilgrim, Harry Bailley's Game, and an RPG Canterbury Tales -- Play and Role-playing, Creativity and Gamification -- Adopt-a-Pilgrim, Level 1: A Traditional Assignment -- ENGL A610: Gamifying Chaucer's Canterbury Tales, Spring 2016 -- Course Plan: What I Prepared for the Students -- How We Spent a Typical Class -- Initial Conditions: What I Had the Students Do to Develop Their RPG Pilgrims -- Expanding the Course: An RPG Canterbury Tales -- Conclusion: The Pedagogy of the Replay -- Bibliography -- Chapter 2. Swiss Shakespeare: Creative Translation as Research and Appropriation -- Love's Labour's Lost -- The Merchant of Venice -- The Benefits of Swiss Shakespeare -- Bibliography -- Chapter 3. Creating Medieval Drama: Student Actors, Public Audiences, and Middle English Plays -- Creating Medieval Drama and Student Learning: English Students -- Creating Medieval Drama and Student Learning: Students from Other Disciplines -- Students and Faith -- Audience Q and A -- Bibliography -- Chapter 4. Playing Shakespeare in the Elementary Classroom -- 1. "I get to express myself" -- 2. "I felt brave and it gave me confidence" -- 3. "I liked learning new words" -- 4. "I felt proud at the end" -- 5. "It was fun to do this with my friends" -- 6. "I felt a connection" -- Bibliography -- Part Two: Play through Production -- Chapter 5. "Arthurian Transformations": Undergraduate Students Curating a Digital Exhibition in an Interdisciplinary Medievalism Module -- Opportunity and Transformation. , Interdisciplinarity and Mixed-Discipline Groups -- Collaboration and Co-creativity -- Conclusion -- Bibliography -- Chapter 6. "Create the Rest": Learning through Doing in Shakespearean Education -- Bibliography -- Chapter 7. Formation from "Fragments": Learning about Twelfth-Century Liturgy through Creative Engagement with Evidence -- Finding "Fragments" -- Blue, Black, and Red -- Participating in the Life of "the Fragment" -- "But is the Fragment Scottish?" -- "Play": The Antithesis of Philology -- Learning from "the Fragment" -- Owning "the Fragment" -- Bibliography -- Chapter 8. Redesigning the Medieval Book -- Bibliography -- Back matter -- Afterword: "No Limits" -- index.
    Additional Edition: ISBN 1-64189-306-0
    Language: English
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