Kooperativer Bibliotheksverbund

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Format: 1 Online-Ressource (ix, 302 pages)

Edition: 2014

ISBN: 9781501327285 , 9781501327261 , 9781501327278

Series Statement: Thinking cinema

Content: "Non-Cinema: Global Digital Film-making and the Multitude provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of 'Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded - the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema." Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa."--Bloomsbury Publishing

Note: Includes bibliographical references (p. 271-290) and index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily

Additional Edition: ISBN 9781501327292

Additional Edition: Erscheint auch als Druck-Ausgabe Brown, William, - 1977- Non-cinema New York, NY : Bloomsbury Academic, 2018 ISBN 9781501327292

Language: English

DOI: 10.5040/9781501327285

URL: Volltext

URL: lizenzpflichtig

UID:

Format: 1 Online-Ressource (296 Seiten).

ISBN: 978-1-5013-2728-5 , 978-1-5013-2726-1 , 978-1-5013-2727-8

Series Statement: Thinking cinema volume 6

Content: This book provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of `Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded - the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema." Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa

Additional Edition: Erscheint auch als Druck-Ausgabe, Festeinband ISBN 978-1-5013-2729-2

Language: English

Subjects: General works

Keywords: Unabhängiger Film ; Digitalisierung ; Globalisierung ; Film ; Filmwirtschaft ; Digitales Kino ; Untergrundfilm ; Electronic books ; Electronic books

DOI: 10.5040/9781501327285

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

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ISBN: 9780748647460 , 0748647465 , 0748641203 , 9780748641208 , 1280687975 , 9781280687976

Series Statement: Deleuze connections

Note: Includes bibliographical references and index , Copyright; Contents; Acknowledgements; Introduction: Deleuze's World Tour of Cinema; Chapter 1 An Imprint of Godzilla: Deleuze, the Action-Image and Universal History; Chapter 2 Philosophy, Politics and Homage in Tears of the Black Tiger; Chapter 3 Time-Images in Traces of Love: Repackaging South Korea's Traumatic National History for Tourism; Chapter 4 The Rebirth of the World: Cinema According to Baz Luhrmann; Chapter 5 'There are as many paths to the time imageas there are films in the world': Deleuze and The Lizard; Chapter 6 In Search of Lost Reality: Waltzing with Bashir , A wide-ranging collection of essays on the film-philosophy of Gilles DeleuzeDeleuze and Film explores how different films from around the world 'think' about a range of topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Mapping the global diversity of this cinematic thinking, this book greatly expands upon the range of films discussed in Deleuze's Cinema books. Key Features Analyses several Asian films: including Japan's most famous monster movie Godzilla, the colourful Thai western Tears of the Bl

Language: English

Keywords: Deleuze, Gilles 1925-1995 ; Film ; Philosophie ; Aufsatzsammlung

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Format: 186 Seiten

Edition: First edition

ISBN: 9780857459497

Content: Drawing on a variety of popular films, including Avatar, Enter the Void, Fight Club, The Matrix, Speed Racer, X-Men and War of the Worlds, Supercinema studies the ways in which digital special effects and editing techniques require a new theoretical framework in order to be properly understood. Here William Brown proposes that while analogue cinema often tried to hide the technological limitations of its creation through ingenious methods, digital cinema hides its technological omnipotence through the continued use of the conventions of analogue cinema

Note: Includes bibliographical references and index

Additional Edition: ISBN 9780857459503

Language: English

Subjects: General works

Keywords: Computeranimation ; Spezialeffekt ; Film ; Digitale Filmtechnik ; Filmtheorie ; Animationsfilm

URL: Inhaltsverzeichnis

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Format: 186 Seiten.

Edition: First paperback edition

ISBN: 978-1-78238-901-9

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardback ISBN 978-0-85745949-7

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-85745-950-3

Language: English

Subjects: General works

Keywords: Computeranimation ; Spezialeffekt ; Film

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028951781&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028951781&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA

UID:

Format: ix, 296 Seiten.

ISBN: 978-1-5013-2729-2 , 1-5013-2727-5

Series Statement: Thinking cinema Volume 6

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-5013-2727-8

Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-5013-2726-1

Language: English

Subjects: General works

Keywords: Film ; Filmwirtschaft ; Digitales Kino ; Untergrundfilm ; Unabhängiger Film ; Digitalisierung ; Globalisierung ; Electronic books

URL: EBSCOhost

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030467974&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

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Format: 186 p.

Edition: 1st ed.

Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Note: Digital cinema's conquest of space -- The deanthropocentric character of digital cinema -- From temporalities to time in digital cinema -- The film-spectator-world assemblage -- Concluding with love.

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: 1 Online-Ressource (296 Seiten).

ISBN: 978-1-5013-2728-5 , 978-1-5013-2726-1 , 978-1-5013-2727-8

Series Statement: Thinking cinema volume 6

Content: This book provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of `Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded - the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema." Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa

Additional Edition: Erscheint auch als Druck-Ausgabe, Festeinband ISBN 978-1-5013-2729-2

Language: English

Subjects: General works

Keywords: Unabhängiger Film ; Digitalisierung ; Globalisierung ; Film ; Filmwirtschaft ; Digitales Kino ; Untergrundfilm ; Electronic books

DOI: 10.5040/9781501327285

URL: Volltext  (URL des Erstveröffentlichers)

UID:

Format: 1 Online-Ressource (296 Seiten)

ISBN: 9781501327285 , 9781501327261 , 9781501327278

Series Statement: Thinking cinema volume 6

Content: This book provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of 'Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded - the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema." Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa

Additional Edition: Erscheint auch als Druck-Ausgabe, Festeinband ISBN 978-1-5013-2729-2

Language: English

Subjects: General works

Keywords: Unabhängiger Film ; Digitalisierung ; Globalisierung ; Film ; Filmwirtschaft ; Digitales Kino ; Untergrundfilm

DOI: 10.5040/9781501327285

URL: Volltext  (URL des Erstveröffentlichers)

UID:

Format: 1 online resource (287 p.)

ISBN: 0-8135-6630-4

Content: Today's film scholars draw from a dizzying range of theoretical perspectives-they're just as likely to cite philosopher Gilles Deleuze as they are to "e classic film theorist André Bazin. To students first encountering them, these theoretical lenses for viewing film can seem exhilarating, but also overwhelming. Thinking in the Dark introduces readers to twenty-one key theorists whose work has made a great impact on film scholarship today, including Rudolf Arnheim, Sergei Eisenstein, Michel Foucault, Siegfried Kracauer, and Judith Butler. Rather than just discussing each theorist's ideas in the abstract, the book shows how those concepts might be applied when interpreting specific films by including an analysis of both a classic film and a contemporary one. It thus demonstrates how theory can help us better appreciate films from all eras and genres: from Hugo to Vertigo, from City Lights to Sunset Blvd., and from Young Mr. Lincoln to A.I. and Wall-E. The volume's contributors are all experts on their chosen theorist's work and, furthermore, are skilled at explaining that thinker's key ideas and terms to readers who are not yet familiar with them. Thinking in the Dark is not only a valuable resource for teachers and students of film, it's also a fun read, one that teaches us all how to view familiar films through new eyes. Theorists examined in this volume are: Rudolf Arnheim, Béla Balázs, Roland Barthes, André Bazin, Walter Benjamin, Judith Butler, Stanley Cavell, Michel Chion, Gilles Deleuze, Jean Douchet, Sergei Eisenstein, Jean Epstein, Michel Foucault, Siegfried Kracauer, Jacques Lacan, Vachel Lindsay, Christian Metz, Hugo Münsterberg, V. F. Perkins, Jacques Rancière, and Jean Rouch.

Note: Description based upon print version of record. , Frontmatter -- , CONTENTS -- , Acknowledgments -- , Introduction / , 1. Hugo Münsterberg: Psychologizing Spectatorship between Laboratory and Theater / , 2. Vachel Lindsay: Theory of Movie Hieroglyphics / , 3. Béla Balázs: Film Aesthetics and the Rituals of Romance / , 4. Siegfried Kracauer: The Politics of Film Theory and Criticism / , 5. Walter Benjamin: Afterimages of the Aura / , 6. Jean Epstein: Cinema's Encounter with Modern Life / , 7. Sergei Eisenstein: Attractions/Montage/Animation / , 8. Jacques Lacan: Giving All the Right Signs / , 9. Rudolf Arnheim: Cinema and Partial Illusion / , 10. Roland Barthes: What Films Show Us and What They Mean / , 11. Jean Rouch: The Camera as Provocateur / , 12. André Bazin: Dark Passage into the Mystery of Being / , 13. Gilles Deleuze: On Movement, Time, and Modernism / , 14. Stanley Cavell: The Contingencies of Film and Its Theory / , 15. Michel Foucault: Murmur and Meditation / , 16. Jean Douchet: La Politique Hitchcockienne / , 17. Christian Metz: Dreaming a Language in Cinema / , 18. V. F. Perkins: Aesthetic Suspense / , 19. Jacques Rancière: Equality and Aesthetics / , 20. Michel Chion: Listening to Cinema / , 21. Judith Butler: Sex, Gender, and Subject Formation / , Works Cited -- , Notes on Contributors -- , Index , Issued also in print. , English

Additional Edition: ISBN 0-8135-6629-0

Language: English

DOI: 10.36019/9780813566306