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  • 1
    UID:
    almahu_9949287737702882
    Format: 1 online resource (223 p.) : , 4 B-W illustrations
    ISBN: 9781644532430 , 9783110754001
    Series Statement: The Early Modern Exchange
    Content: England's Asian Renaissance explores how Asian knowledges, narratives, and customs inflected early modern English literature. Just as Asian imports changed England's tastes and enriched the English language, Eastern themes, characters, and motifs helped shape the country's culture and contributed to its national identity. Questioning long-standing dichotomies between East and West and embracing a capacious understanding of translatio as geographic movement, linquistic transformation, and cultural grafting, the collection gives pride of place to convergence, approximation, and hybridity, thus underscoring the radical mobility of early modern culture. In so doing, England's Asian Renaissance also moves away from entrenched narratives of Western cultural sovereignty to think anew England's debts to Asia. Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Acknowledgments -- , Part I The Eurasian Continuum -- , 1 The Ottomans in and of Europe -- , 2 Robert Sherley and the Persian Habit -- , 3 The East India Company Spice Trade and the Circulation of Shakespearean Imagination -- , Part II Religious and Cultural Negotiations -- , 4 Religious Emotion and Racialization: Marlowe's Sigismund and the Making of Europe -- , 5 Solomon, Ophir, and the English Quest for the East Indies -- , 6 Welfare and Work for All: King Lear and Poor Relief in China and Early Modern England -- , Part III Making the English Stage Eastern -- , 7 Staging China and India in Jacobean Court Masques: Negotiating Antiquity, Admiration, and Authority in 1604 -- , 8 Constructing the New Exchange: Jonson's Entertainment at Britain's Burse -- , Notes on Contributors -- , Index , Mode of access: Internet via World Wide Web. , In English.
    In: EBOOK PACKAGE COMPLETE 2021 English, De Gruyter, 9783110754001
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2021 English, De Gruyter, 9783110754124
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2021, De Gruyter, 9783110753899
    In: Rutgers University Press Complete eBook-Package 2022, De Gruyter, 9783110766479
    Language: English
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almafu_BV048310079
    Format: 1 Online-Ressource (xx, 300 Seiten) : , Illustrationen.
    ISBN: 978-1-3502-3434-5 , 978-1-3502-3435-2
    Series Statement: Shakespeare and adaptation
    Content: Cover -- Contents -- List of illustrations -- List of tables -- Notes on contributors -- Acknowledgements -- A note on references -- Introduction Thea Buckley, Mark Thornton Burnett, Sangeeta Datta and Rosa García-Periago -- Part One: Histories -- 1 The 'woman's part': Recovering the contribution of women to the circulation of Shakespeare in India Poonam Trivedi -- 2 Framing femininities: Desdemona and Indian modernities Paromita Chakravarti -- Part Two: Translations -- 3 Indian Shakespeares in the British Library collections: Translation, indigeneity and representation Priyanka Basu and Arani Ilankuberan -- 4 Women translating Shakespeare in South India: Hemanta Katha or The Winter's Tale Thea Buckley -- Part Three: Representations -- 5 'I dare do all that may become a man': Martial desires and women as warriors in Veeram, a film adaptation of Macbeth Mark Thornton Burnett and Jyotsna G. Singh -- 6 'You should be women': Bengali femininity and the supernatural in adaptations of Macbeth Taarini Mookherjee -- 7 Romeo and Juliet meets rural India: Sairat and the representation of women Nishi Pulugurtha -- 8 Dy(e)ing hands: The hennaed female agent in Vishal Bhardwaj's tragedies Jennifer T. Birkett -- Part Four: Critics and creatives -- 9 Embattled bodies: Women, land and contemporary politics in Arshinagar, a film adaptation of Romeo and Juliet Rosa García-Periago -- 10 Where the wild things are: Shifting identities in Noblemen, a film adaptation of The Merchant of Venice Mark Thornton Burnett -- 11 Women punctuating Shakespeare: Campus theatrical experiment, the Shakespeare Society and the insider/outsider dialectic N. P. Ashley -- 12 Adapting Shakespeare: Directors and practitioners in conversation Bornila Chatterjee, Sangeeta Datta, Annette Leday, Sreedevi Nair and Preti Taneja
    Note: Aus der Danksagung: "This book represents one of the outputs of the collaborative research project, 'Indian Shakespeares' (2018–22), at Queen's University Belfast."
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-3502-3432-1
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Frau ; 1564-1616 Shakespeare, William ; Literatur ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Burnett, Mark Thornton 1961-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney :The Arden Shakespeare,
    UID:
    almahu_BV048461845
    Format: xviii, 297 Seiten.
    ISBN: 978-1-3502-3432-1
    Series Statement: Shakespeare and adaptation
    Content: "This essay collection radically reimagines the field of Indian Shakespeares by putting women at the centre. It explores the multiple ways in which women are, and have been, engaged with Shakespeare in India from the 18th century to the present day. It interweaves history, genres (from translation to cinematic adaptation and from early colonial performances to contemporary theatrical experiment), regions and languages. The book uncovers a unique history of women as creators of Shakespeare in an Indian milieu, whether this shows itself in women's translations of the plays in the Victorian era, previously occluded theatrical productions involving women or more recent female-helmed dance dramas, novels and film adaptations. It spotlights the ways in which women are figured in Indian Shakespeares - as resistant agents, marital seductresses, redemptive daughters, fetishized objects, victims of caste discrimination, conflicted spaces and global citizens. A unique feature is the incorporation throughout of women's voices, the contributors drawing from archives, anecdotes and specially commissioned interviews. Women and Indian Shakespeares concludes with highlights from a conversation in which contemporary directors and practitioners reflect on their ongoing work with Shakespeare in India and the adaptive energies informing their craft."
    Additional Edition: Äquivalent
    Additional Edition: Erscheint auch als Online-Ausgabe, ePDF ISBN 978-1-3502-3434-5
    Additional Edition: Erscheint auch als Online-Ausgabe, eBook ISBN 978-1-3502-3433-8
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Frau ; 1564-1616 Shakespeare, William ; Literatur ; Aufsatzsammlung ; Criticism, interpretation, etc
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    London [England] : The Arden Shakespeare | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1895304822
    Format: 1 Online-Ressource (256 pages)
    Edition: First edition
    ISBN: 9781350234352 , 9781350234338
    Series Statement: Shakespeare and Adaptation
    Content: "This essay collection radically reimagines the field of Indian Shakespeares by putting women at the centre. It explores the multiple ways in which women are, and have been, engaged with Shakespeare in India from the 18th century to the present day. It interweaves history, genres (from translation to cinematic adaptation and from early colonial performances to contemporary theatrical experiment), regions and languages. The book uncovers a unique history of women as creators of Shakespeare in an Indian milieu, whether this shows itself in women's translations of the plays in the Victorian era, previously occluded theatrical productions involving women or more recent female-helmed dance dramas, novels and film adaptations. It spotlights the ways in which women are figured in Indian Shakespeares - as resistant agents, marital seductresses, redemptive daughters, fetishized objects, victims of caste discrimination, conflicted spaces and global citizens. A unique feature is the incorporation throughout of women's voices, the contributors drawing from archives, anecdotes and specially commissioned interviews. Women and Indian Shakespeares concludes with highlights from a conversation in which contemporary directors and practitioners reflect on their ongoing work with Shakespeare in India and the adaptive energies informing their craft."--
    Note: Includes bibliographical references , Introduction: / Thea Buckley (Queen's University Belfast, UK), Mark Thornton Burnett (Queen's University Belfast, UK), Sangeeta Datta (filmmaker, UK) and and Rosa García-Periago (University of Murcia, Spain) -- Part One: Histories. Chapter One: Poonam Trivedi (University of Delhi, India), 'The "woman's part": Recovering the Contribution of Women to the Circulation of Shakespeare in India' ; Chapter Two: Paromita Chavravarti (Jadavpur University, India), 'Framing Femininities: Desdemona and Indian Modernities' -- Part Two: Translations Chapter Three: Priyanka Basu (British Library, UK) and Arani Ilankuberan (British Library, UK), 'Indian Shakespeares in the British Library Collections: Translation, Indigeneity and Representation' ; Chapter Four: Thea Buckley (Queen's University Belfast, UK), 'Women Translating Shakespeare in South India: Hemanta Katha , or The Winter's Tale' -- Part Three: Representations. Chapter Five: Mark Thornton Burnett (Queen's University Belfast, UK) and Jyotsna G. Singh (Michigan State University, USA), '"I dare do all that may become a man": Martial Desires and Women as Warriors in Veeram, a Film Adaptation of Macbeth' ; Chapter Six : Taarini Mookherjee (State University of New York, New Paltz, USA), '"You should be women": Bengali Femininity and the Supernatural in Adaptations of Macbeth' ; Chapter Seven: Nishi Pulugurtha (Brahmananda Keshab Chandra College, India), 'Romeo and Juliet Meets Rural India: Sairat and the Representation of Women' ; Chapter Eight: Jennifer Thorup (Notre Dame University, USA), 'Dy(e)ing Hands: The Hennaed Female Agent in Vishal Bhardwaj's Tragedies' -- Part Four: Critics and Creatives. Chapter Nine: Rosa García-Periago (University of Murcia, Spain), 'Embattled Bodies: Women, Land and Contemporary Politics in Arshinagar, a Film Adaptation of Romeo and Juliet' ; Chapter Ten: Mark Thornton Burnett (Queen's University Belfast, UK), 'Where the Wild Things are: Shifting Identities in Noblemen, a Film Adaptation of The Merchant of Venice' ; Chapter Eleven: N.P. Ashley (St. Stephen's College, Delhi, India), 'Women Punctuating Shakespeare: Campus Theatrical Experiment, the Shakespeare Society and the Insider/Outsider Dialectic' ; Chapter Twelve: Bornila Chatterjee (filmmaker), Sangeeta Datta (filmmaker), Annette Leday (Annette Leday/Keli Company), Sreedevi Nair (NSS College for Women, India), Preti Taneja (University of Newcastle, UK), 'Adapting Shakespeare: Directors and Practitioners in Conversation' -- Appendix : Priyanka Basu (British Library, UK) and Arani Ilankuberan (British Library, UK), 'A Selection of Shakespeare Translations/Adaptations from the British Library North Indian Languages Collection' -- Index. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350234369
    Additional Edition: ISBN 9781350234321
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781350234369
    Language: English
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