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  • 1
    Book
    Book
    Hanover [u.a.] :Wesleyan Univ. Press,
    UID:
    almafu_BV013491852
    Format: VI, 397 S. : , Ill., Notenbeisp.
    ISBN: 978-0-8195-6411-5 , 0-8195-6411-7 , 0-8195-6410-9
    Series Statement: Music, culture
    Language: English
    Subjects: General works , Musicology
    RVK:
    RVK:
    Keywords: Filmmusik ; Musikfilm ; Aufsatzsammlung ; Aufsatzsammlung ; Bibliografie ; Aufsatzsammlung
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  • 2
    Book
    Book
    New York :Oxford University Press,
    UID:
    almahu_BV045352234
    Format: xiv, 318 Seiten : , Illustrationen.
    ISBN: 978-0-19-937108-2 , 978-0-19-937107-5
    Series Statement: The Oxford music / media series
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-19-937109-9
    Language: English
    Subjects: General works
    RVK:
    Keywords: Filmmusik ; Theorie
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  • 3
    Book
    Book
    Urbana :University of Illinois Press,
    UID:
    almahu_BV046703482
    Format: 309 Seiten : , Illustrationen ; , 24 cm.
    ISBN: 978-0-252-08486-7 , 978-02-520-4300-0
    Content: "Over the past three decades, the study of the film soundtrack has developed into a rich scholarly discipline, characterized by diverse approaches and methodologies drawn from such disciplines as musicology, music theory, film and media studies, and sound studies. Yet, despite the diversity of approaches, the logic of the soundtrack and the relationship among its various components remains underexplored and undertheorized. The voice has long been an object of focus of many theoretical approaches to sound in cinema. But because of the way it relates to meaning and hierarchy, "voice" is also a useful metaphorical conceit for thinking about relations within the soundtrack. "Voice" can have multiple meanings when considering the integrated soundtrack and its position in the history of film music and sound. This volume builds on existing scholarship on music and film sound, with particular attention to the concepts of the voice in cinema, vococentrism, and the integrated soundtrack. What is the cinematic significance of the singing voice? How do music and dialogue interact in cinema? To what extent, if any, is silent film vococentric? Is vococentrism still a useful category to apply to conetmporary postclassical film? These are some of the questions the essays in this volume will address"--
    Note: Introduction. Voices in, of, and on the Cinema / James Buhler and Hannah Lewis -- Historical Approaches to Technology and the Voice. Apprehending Human Voice in the "Silent Cinema" / Julie Brown ; Silencing and Sounding the Voice in Transition-Era French Cinema / Hannah Lewis ; FM Radio and the New Hollywood Soundtrack / Julie Hubbert ; Pinewood's Fiddler Fans Goldwyn's Folly : London's Battle for Postproduction Sound Business / Katherine Quanz -- The Practice of the Singing Voice. Vococentrism and Sound in Ingmar Bergman's The Magic Flute / Marcia J. Citron ; Breaking into Soundtrack in 1980s Teen Films ; Cari McDonnell ; Girls' Voices, Boys' Stories, and Self-Determination in Animated Films since 2012 / Robynn J. Stilwell -- The "Auteuristic" Voice of the Soundtrack. The Trouble with Onscreen Orchestrators : Progeny and Compositional Crisis in the Four Daughters Film / Nathan Platte ; Some Thoughts on Genre, the Vococentric Cinema, and "Stella by Starlight" / David Neumeyer ; Listening to Soundscapes in Kurosawa's Dersu Uzala (1975) / Brooke McCorkle ; Peter Weir and the Piano Concerto / Erik Heine -- Narrative and Vococentrism. Monocentrism, or Soundtracks in Space : Rediscovering Forbidden Planet's Multi-Speaker Release / Eric Dienstfrey ; Sound and the Comic/Horror Romance Film : Formula, Affect, and Inflection / Janet Staiger ; Once More into the Breach : Interrogating Ben Winters's Nondiegetic Fallacy / Jeff Smith ; The End(s) of Vococentrism / James Buhler
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-252-05186-9
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Filmmusik ; Konferenzschrift ; Criticism, interpretation, etc ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift
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  • 4
    Book
    Book
    Bloomington ; Indianapolis :Indiana University Press,
    UID:
    almahu_BV042585838
    Format: XV, 317 Seiten : , Illustrationen, Notenbeispiele.
    ISBN: 978-0-253-01642-3 , 978-0-253-01649-2
    Series Statement: Musical meaning and interpretation
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-253-01651-5
    Language: English
    Subjects: General works , Musicology
    RVK:
    RVK:
    Keywords: Filmmusik ; Casablanca ; Musik
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  • 5
    UID:
    almahu_9949386240202882
    Format: 1 online resource
    ISBN: 9781351204279 , 1351204270 , 9781351204248 , 1351204246 , 9781351204262 , 1351204262 , 1351204254 , 9781351204255
    Series Statement: Routledge music and screen media series
    Content: "Music in Action Film is the first volume to address the central role of music and sound in action film - arguably the most dominant form of commercial cinema today. Bringing together fifteen essays by established and emerging scholars, the book encompasses both Hollywood blockbusters and international films, from classic works such as The Seven Samurai to contemporary superhero franchises. The contributors consider action both as genre and as a mode of cinematic expression, in chapters on evolving musical conventions; politics, representation, and identity; musical affect and agency; the functional role of music and sound design in action film; and production technologies. Breaking new critical ground yet highly accessible, this book will be of interest to students and scholars of music and film studies"--
    Note: Preface. Sounds Like Action! / James Buhler and Mark Durrand -- Action Scored : Politics, Representation, and Identity. Favela Chic in Action : Soundtracking Urban Violence in Rio de Janeiro, Brazil / Kariann Goldschmitt ; "You're Not Gonna Get Mushy on Me, Are You?" : Music and the New Man in 1990s Hollywood Action Film / Rebecca Fülöp ; "I Am No Lady When I Fight" : Gender Politics in the Postwar Swashbuckler Score / Grace Edgar ; Reviving the Swordplay Action Film : Nature, Technology, and the Soundtrack for Seven Samurai / Brooke McCorkle Okazaki ; Conan the Neoliberal? : The Sounds of Hypermasculine Entrepreneurship in Early Reaganite Film / James Deaville -- Action Scores : Evolving Musical Conventions. Underscoring Chased Heroes and Robbing Villains : Music of Immediacy in New Hollywood Action Thrillers of the late 1960s and 1970s / Michael Baumgartner ; John Williams's Action Music in the Twenty-First Century / Frank Lehman ; "There and Back Again" : Music and Generic Transformation in Peter Jackson's Hobbit Films / Stephen C. Meyer ; Star Trek as Action Film : Reimagining The Original Series' Soundscape / Paul Sommerfeld ; A Tale of Two Cinemas : Zashchitniki (Guardians, 2017) and Music for the New Russian Superhero Film / Joan Titus -- Scoring Action : The Kinesthetic Experience and Production. "Those Who Dance" : Popular Music, Audiovisual Editing, and Meaning across the Guardians of the Galaxy Franchise / Catrin Watts ; Toward a Musical Understanding of Cinematic Action : Two Experiments with Embodiment and Musical Vitality in Film Experience / Mark Durrand ; Sound-Induced Visual Illusion in Film / Sarah Louden ; "Humming the Foley, Singing the Sound" : Designing Sound with a Musical Perspective / Vanessa Theme Ament ; Music, Digital Audio, Labor : Notes on Audio and Music Production for the Contemporary Action Film / James Buhler.
    Additional Edition: Print version: Music in action film. New York : Routledge, 2020 ISBN 9780815384496
    Language: English
    Subjects: General works , Musicology
    RVK:
    RVK:
    Keywords: Electronic books. ; Electronic books. ; Criticism, interpretation, etc. ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveroeffentlichers)
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  • 6
    Online Resource
    Online Resource
    Bloomington :Indiana University Press,
    UID:
    almafu_9959236903802883
    Format: 1 online resource (336 p.)
    Edition: 1st ed.
    ISBN: 0-253-01651-7
    Series Statement: Musical meaning and interpretation
    Content: By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and Interpret
    Note: Description based upon print version of record. , Meaning and interpretation. Music in the vococentric cinema; Tools for analysis and interpretation -- Music in the mix : Casablanca . Acoustic stylization : the film's sound world ; Music and utopia : a reading of the reunion scene -- The reunion scene's contexts -- Topics and tropes : two preludes by Bach. Performers onscreen ; Underscore : four studies of the C major prelude. , English
    Additional Edition: ISBN 0-253-01649-5
    Additional Edition: ISBN 0-253-01642-8
    Language: English
    Keywords: Electronic books.
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  • 7
  • 8
    Online Resource
    Online Resource
    New York, NY :Oxford University Press,
    UID:
    almahu_9948206605102882
    Format: 1 online resource.
    ISBN: 9780199371105 (ebook) :
    Series Statement: The Oxford music/media series
    Content: This work is concerned with summarizing & critiquing theories of the soundtrack from roughly 1929 until today. A theory of the soundtrack is concerned with what belongs to it, how it is effectively organized, how its status in a multimedia object affects the nature of the object, the tools available for its analysis, & the interpretive regime that the theory mandates for determining the meaning, sense, & structure that sound & music bring to film & other audiovisual media. Beyond that, a theory may also delineate the range of possible uses of sound (& music), classify the types of relations that films have used for image & sound, identify the central problems, & reflect on & describe effective uses of sound in film. This text does not provide an exhaustive historical survey but rather sketches out the range of theoretical approaches that have been applied to the soundtrack over time.
    Note: Previously issued in print: 2018.
    Additional Edition: Print version : ISBN 9780199371075
    Language: English
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  • 9
    UID:
    almahu_9948582239002882
    Format: 1 online resource : , illustrations (black and white).
    ISBN: 9780252051869 (ebook) :
    Series Statement: Illinois scholarship online
    Content: Theorists of the soundtrack have helped us understand how the voice & music in the cinema impact a spectator's experience. Buhler & Lewis edit in-depth essays from many of film music's most influential scholars in order to explore fascinating issues around vococentrism, the voice in cinema, & music's role in the integrated soundtrack. The collection is divided into four sections.
    Note: Previously issued in print: 2020.
    Additional Edition: Print version : ISBN 9780252043000
    Language: English
    Keywords: Electronic books.
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  • 10
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    UID:
    gbv_1693999447
    Format: 1 Online-Ressource (xlv, 318 Seiten) , Illustrationen
    ISBN: 9780199371099
    Series Statement: The Oxford music/media series
    Content: This work is concerned with summarizing & critiquing theories of the soundtrack from roughly 1929 until today. A theory of the soundtrack is concerned with what belongs to it, how it is effectively organized, how its status in a multimedia object affects the nature of the object, the tools available for its analysis, & the interpretive regime that the theory mandates for determining the meaning, sense, & structure that sound & music bring to film & other audiovisual media. Beyond that, a theory may also delineate the range of possible uses of sound (& music), classify the types of relations that films have used for image & sound, identify the central problems, & reflect on & describe effective uses of sound in film. This text does not provide an exhaustive historical survey but rather sketches out the range of theoretical approaches that have been applied to the soundtrack over time
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780199371075
    Additional Edition: ISBN 9780199371082
    Additional Edition: Erscheint auch als Druck-Ausgabe Buhler, James, 1964 - Theories of the soundtrack New York, NY : Oxford University Press, 2019 ISBN 9780199371082
    Additional Edition: ISBN 9780199371075
    Language: English
    Keywords: Filmvertonung ; Filmmusik ; Baudry, Jean-Louis 1930-2015 ; Medientheorie
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