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  • 1
    Online Resource
    Online Resource
    Edinburgh :Edinburgh University Press,
    UID:
    almafu_9959232984002883
    Format: 1 online resource (184 pages) : , digital, PDF file(s).
    ISBN: 1-4744-1396-X , 1-4744-3488-6 , 0-7486-9820-5
    Content: Examining eighteenth century 'moral sense' philosophy as a neglected but important intellectual area for film theory, Improving Passions is an innovative exploration of the sentimental tradition as both theatrical genre and cultural logic.
    Note: Title from publisher's bibliographic system (viewed on 05 Jan 2018). , Frontmatter -- , Contents -- , Acknowledgements -- , Introduction -- , 1. Towards a Genealogy of Sentimentalism in the Eighteenth and Nineteenth Centuries -- , 2. Sentimental Aesthetics and Classical Film Theory -- , 3. The Sentimental Chaplin: Comedy and Classical Narrative -- , 4. Affect, or Postmodern Sentimentalism -- , 5. The Sentiments of War in Spielberg and Tarantino -- , 6. Sentiment and the ‘Smart’ Melodrama -- , Conclusion -- , Bibliography -- , Index
    Additional Edition: ISBN 1-4744-3169-0
    Additional Edition: ISBN 0-7486-9819-1
    Language: English
    Subjects: General works
    RVK:
    RVK:
    RVK:
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Edinburgh : Edinburgh University Press
    UID:
    gbv_1000849627
    Format: 184 pages , 24 cm
    ISBN: 9780748698196 , 0748698191
    Content: When did the sentimental start to mean awful? Why are many popular mainstream films so often dismissed for their sentimentality? What are the key differences between the sentimental and the melodramatic? These are some of the questions to be addressed in this illuminating genealogy of the sentimental as both literary genre and aesthetic philosophy, a tradition that prefigures the advent of film yet serves as a vital framework for understanding its emotional and ethical appeals
    Note: Includes bibliographical references (pages 166-180) and index
    Additional Edition: ISBN 9780748698202
    Additional Edition: ISBN 9781474413961
    Language: English
    Keywords: USA ; Film ; Sentimentalität
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Edinburgh :Edinburgh University Press,
    UID:
    almahu_9947980168702882
    Format: 1 online resource
    ISBN: 9781474434881 (ebook) :
    Content: Examining 18th century 'moral sense' philosophy as a neglected but important intellectual area for film theory, 'Improving Passions' is an innovative exploration of the sentimental tradition as both theatrical genre and cultural logic.
    Note: Previously issued in print: 2017.
    Additional Edition: Print version : ISBN 9780748698196
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Edinburgh :Edinburgh University Press,
    UID:
    almafu_9960169752302883
    Format: 1 online resource (192 p.) : , 12 B/W illustrations
    ISBN: 9780748698202
    Content: Reveals a fascinating history of aesthetic debate concerning the emotional and moral functions of artWhen did the sentimental start to mean ‘awful’? Why are so many popular mainstream films dismissed for their sentimentality, and are there any meaningful differences between the sentimental and the melodramatic? These are some of the questions addressed in Charles Burnetts’ illuminating genealogy of the concept as both a literary genre and an aesthetic philosophy, a tradition that prefigures the advent of film yet serves as a vital framework for understanding its emotional and ethical appeal. Examining eighteenth century ‘moral sense’ philosophy as a neglected but still important intellectual area for film theory, and drawing on case studies of film sentimentality during the early, classical and post-classical eras of US cinema, Improving Passions is an innovative exploration of the sentimental tradition as both theatrical genre and cultural logic.Key featuresExamines eighteenth century ‘moral sense’ philosophy and ‘sensibility’ as neglected, but important, intellectual areas for film theoryProvides case studies of film sentimentality during early, classical and post-classical eras of US cinema, focusing specifically on issues of critical receptionEngages with speculation by classical and contemporary film theorists about the ethical and affective possibilities of filmExamines new approaches to ‘affect’ in film and media philosophy that draw directly on, and reconfigure, a sentimental aesthetics
    Note: Frontmatter -- , Contents -- , Acknowledgements -- , Introduction -- , 1. Towards a Genealogy of Sentimentalism in the Eighteenth and Nineteenth Centuries -- , 2. Sentimental Aesthetics and Classical Film Theory -- , 3. The Sentimental Chaplin: Comedy and Classical Narrative -- , 4. Affect, or Postmodern Sentimentalism -- , 5. The Sentiments of War in Spielberg and Tarantino -- , 6. Sentiment and the ‘Smart’ Melodrama -- , Conclusion -- , Bibliography -- , Index , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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