Format:
Online-Ressource (XV, 430 p. 132 illus., 102 illus. in color, online resource)
ISBN:
9783319101002
Series Statement:
SpringerLink
Content:
This volume represents 27 peer-reviewed papers presented at the ICOP 2013 symposium which will help conservators and curators recognise problems and interpret visual changes on paintings, which in turn give a more solid basis for decisions on the treatment of these paintings. The subject matter ranges from developments of paint technology, working methods of individual artists, through characterisation of paints and paint surfaces, paint degradation vs. long time stability, to observations of issues in collections, cleaning and other treatment issues as well as new conservation approaches
Note:
Description based upon print version of record
,
Foreword; Preface; Research and Conservation; Developments in Paint Technology; Artists' Ideas and Working Methods: Archival Sources; Case Studies of Paintings: Esthetics and Conservation Issues; Paint Degradation and Analysis; New Conservation Approaches; Contents; Twentieth Century Oil Paint. The Interface Between Science and Conservation and the Challenges for Modern Oil Paint Research; Introduction; Fundamental Research to Inform Conservation; Classes of Surface Deterioration; Optical Whitening of the Paint Surface: Efflorescence, Salts, Metal Soap Crusts; The Oil Paint Model
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Water Sensitivity of Modern Oil PaintsDesigning Treatments; Practical and Ethical Considerations; Conclusion; References; Do We See What We Know or Do We Know What We See? Conservation of Oil Paintings in the Stedelijk Museum Amsterdam; Introduction; History; Water Sensitivity; Technique or Paint Quality?; Conclusion; References; Towards Interpretation of Making, Meaning, and Change in British Twentieth Century Oil Paintings: The Relevance of an Artist's Paint Archive; Introduction; The Artist and St Ives, Cornwall; No. 5 Porthmeor Studios; Recording the Artist's Materials; Paint Swatches
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PaintDate of Manufacture vs. Date of Execution; Significance; Conclusion; References; The Delight of Modern Organic Pigment Creations; Introduction; Modern Synthetic Organic Pigments Before 1950; β-Naphthol Pigment Lakes; BON Pigment Lakes; β-Naphthols; Pyrazolones; Hansa Yellows; Diarylides; Naphthol Reds; Pigment Green B; Phthalocyanines; Nickel Azo Yellow; Modern Synthetic Organic Pigments After 1950; Perinones; Perylenes; Dioxazine Purple; Quinacridones; Isoindolinones; Benzimidazolones; Diketopyrrolo-Pyrroles (DPPs); Appendix; References
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Modern Oil Paints - Formulations, Organic Additives and Degradation: Some Case StudiesIntroduction; Experimental; Analysed Paints; Artists' Oil Paints; Case Studies; Instrumental Details and Experimental; Optical and Electronic Microscopy; X-Ray Fluorescence Spectroscopy; Fourier-Transform Infrared Spectrometry; Gas Chromatography-Mass Spectrometry; Results and Discussion; Artists' Oil Paints; Drying Oils; Organic Additives; Aged Tube Paints; Pigments, Fillers and Extenders; Zinc Oxide and Oleic Acid; Case Studies; Emma Ciardi, Ritorno del Colleoni, 1919
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Karel Appel, La Grande Fleur de la Nuit, 1954Lucio Fontana, Concetto spaziale, 1960; Willem de Kooning, Rosy-Fingered Dawn at Louse Point, 1963; Conclusions; References; Distinction by Micro-Raman Spectroscopy and Chemometrical Analysis of Copper Phthalocyanine Blue Polymorphs in Oil-Based and Acrylic Paint Samples; Introduction; Case Studies; Paints from Sam Francis' Studio; Paints from the GCI Reference Collection; Experimental; Results and Discussion; Paints from Sam Francis' Studio ; Paints from the GCI Reference Collection; Oil-Based Paints; Acrylic Paints; Conclusions; References
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Charting the Development of Oil-Based Enamel Paints Through the Correlation of Historical Paint Technology Manuals with Scientific Analysis
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From the content: 1. 20th Century Oil Paint. The interface between science and conservation and the challenges for modern oil paint research 2. Do we see what we know or do we know what we see? Conservation of oil paintings in the Stedelijk Museum Amsterdam -- 3. Towards interpretation of making, meaning, and change in British 20th century oil paintings: the relevance of an artist’s paint archive -- 4. The delight of modern organic pigment creations -- 5. Modern Oil Paints - Formulations, organic additives, and degradation: some case studies -- 6. Distinction by micro-Raman spectroscopy and chemometrical analysis of copper phthalocyanine blue polymorphs in oil-based and acrylic paint samples -- 7. Charting the development of oil-based enamel paints through the correlation of historical paint technology manuals with scientific analysis -- 8. Hans Hofmann’s last lesson: a study of the artist’s materials in the last decade of his career. 9. Théorème de Gödel by Georges Mathieu, 1957. Study and restoration: consolidation through cohesive regeneration using a solvent -- 10. Non-traditionally painted oil painting: how to treat it properly? Josip Vaništa’s Cakes (1955) -- 11. Conservation Issues in Several 20th-Century Canadian Oil Paintings: The Role of Zinc Carboxylate Reaction Product -- 12. Zwei Jünglinge und Zwei Mädchen, a tempera painting by Otto Mueller, circa 1917. Paint analysis and reconstruction -- 13. Metal soaps and visual changes in a painting by René Magritte -The Menaced Assassin, 1927 -- 14. Fleurs Grises - A delicate surface. Difficult to clean - Essential to protect -- 15. Derivatisation technique for infrared spectroscopy - Characterisation of oxidative ageing products in modern oil paint. 16. Investigating fluidizing dripping pink commercial paint on Van Hemert’s Seven-series works from 1990-1995 -- 17. Hard dry paint, softening tacky paint, and exuding drips on Composition (1952) by Jean-Paul Riopelle -- 18. Zinc white and the influence of paint composition for stability in oil based media -- 19. It's surreal: zinc-oxide degradation and misperceptions in Salvador Dalí’s Couple with Clouds in their Heads, 1936 -- 20. Water Sensitive Oil Paints in the 20th Century: A study of the distribution of water-soluble degradation products in modern oil paint films -- 21. An investigation into the viability of removal of lead soap efflorescence from contemporary oil paintings -- 22. Set back the race: Treatment strategies for running oil paint -- 23. Sensitivity of modern oil paints to solvents. Effects on synthetic organic pigments -- 24. Dry Cleaning: research and practice -- 25. New Approaches to Surface Cleaning of Unvarnished Contemporary Oil Paintings - Moist Sponges and Cloths -- 26. Agar - a new tool for the surface cleaning of water sensitive oil paint? -- 27. Investigation into the surface conductivity of water-sensitive modern oil paints.
Additional Edition:
ISBN 9783319100999
Additional Edition:
Erscheint auch als Druck-Ausgabe Symposium Issues in Contemporary Oil Paint (2013 : Amersfoort) Issues in contemporary oil paint Cham : Springer, 2014 ISBN 9783319100999
Additional Edition:
ISBN 3319100998
Language:
English
Keywords:
Ölmalerei
;
Malmaterial
;
Geschichte 1900-2000
;
Konservierung
;
Restaurierung
;
Konferenzschrift
;
Konferenzschrift
DOI:
10.1007/978-3-319-10100-2
URL:
Volltext
(lizenzpflichtig)
Author information:
Heydenreich, Gunnar 1966-
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