Format:
1 Online-Ressource (xxix, 584 Seiten)
ISBN:
9781315090979
,
9781351557696
Series Statement:
The library of essays on music, politics and society
Content:
chapter 1 Charles B. Paul (1971), 'Music and Ideology: Rameau, Rousseau, and 1789', Journal of the History of Ideas, 32, pp. 395-410 -- chapter 2 David M. Powers (1998), 'The French Musical Theater: Maintaining Control in Caribbean Colonies in the Eighteenth Century', Black Music Research Journal, 18, pp. 229-40 -- chapter 3 Katharine Thomson (1976), 'Mozart and Freemasonry', Music and Letters, 57, pp. 25-46 -- chapter 4 Nicholas Mathew (2009), 'Beethoven's Political Music, the Handelian Sublime, and the Aesthetics of Prostration', 19th Century Music, 33, pp. 110-50 -- chapter 5 Jolanta T. Pekacz (2000), 'Deconstructing a -- chapter 6 Marina Frolova-Walker (1997), 'On Ruslan and Russianness', Cambridge Opera Journal, 9, pp. 21-45 -- chapter 7 Jess Tyre (2005), 'Music in Paris during the Franco-Prussian War and the Commune', Journal of Musicology, 22, pp. 173-202 -- chapter 8 Glenn Watkins (2003), 'The Old Lie', in Proof through the Night: Music and the Great War, Berkeley: University of Califomia Press, pp. 47-60; 439-43 -- chapter 9 Jane F. Fulcher (1999), 'The Composer as Intellectual: Ideological Inscriptions in French Interwar Neoclassicism', Journal of Musicology, 17, pp. 197-230 -- chapter 10 Reinhold Brinkmann (2004), 'The Distorted Sublime: Music and National Socialist Ideology — A Sketch', in Michael H. Kater and Albrecht Riethmüller (eds), Music and Nazism: Art under Tyranny, 1933-1945, Laaber: Laaber Verlag, pp. 43-63 -- chapter 11 Pamela M. Potter (2005), 'What is -- chapter 12 Richard Taruskin (1995), 'Public Lies and Unspeakable Truth Interpreting Shostakovich's Fifth Symphony', in David Fanning (edition), Shostakovich Studies, Cambridge: Cambridge University Press, pp. 17-56 -- chapter 13 Danielle Fosler-Lussier (2007), 'Beyond the Folk Song: Or, What was Hungarian Socialist Realist Music?', in Music Divided: Bartók's Legacy in Cold War Culture, Berkeley: University of California Press, pp. 94-116; 194-7 -- chapter 14 Penny M. Von Eschen (2004), 'Ike Gets Dizzy', in Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War, Cambridge, MA: Harvard University Press, pp. 1-26; 263-70 -- chapter 15 Robin Denselow (1989), 'Born Under a Bad Sign', in When the Music's Over: The Story of Political Pop, London: Faber, pp. 1-30 -- chapter 16 Simon Frith (1988), 'Rock and the Politics of Memory', in Sohnya Sayres and others (eds), The 60s Without Apology, Minneapolis: Minnesota University Press, pp. 59-69 -- chapter 17 Daniel Kreiss (2008), 'Appropriating the Master's Tools: Sun Ra, the Black Panthers, and Black Consciousness, 1952-1973', Black Music Research Journal, 28, pp. 57-81 -- chapter 18 Mao Yu Run (1991), 'Music under Mao, Its Background and Aftermath', Asian Music, 22, pp. 97-125 -- chapter 19 Jean During (2005), 'Power, Authority and Music in the Cultures of Inner Asia', Ethnomusicology Forum, 14, pp. 143-64 -- chapter 20 Kelly M. Askew (2003), 'As Plato Duly Warned: Music, Politics, and Social Change in Coastal East Africa', Anthropological Quarterly, 76, pp. 609-37 -- chapter 21 Nick Nesbitt (2001), 'African Music, Ideology and Utopia', Research in African Literatures, 32, pp. 175-86 -- chapter 22 George Ciccariello Maher (2005), 'Brechtian Hip-Hop: Didactics and Self-Production in Post-Gangsta Political Mixtapes', Journal of Black Studies, 36, pp. 129-60 -- chapter 23 Lydia Goehr (1994), 'Political Music and the Politics of Music', Journal of Aesthetics and Art Criticism, 52, pp. 99-112.
Additional Edition:
ISBN 9781409429685
Additional Edition:
Erscheint auch als Druck-Ausgabe Music and ideology Farnham [u.a.] : Ashgate, 2012 ISBN 9781409429685
Language:
English
Subjects:
Musicology
Keywords:
Europa
;
Ost-West-Konflikt
;
Musik
;
Ideologie
;
Geschichte 1845-1990
;
Europa
;
Ost-West-Konflikt
;
Musik
;
Ideologie
;
Geschichte 1845-1990
DOI:
10.4324/9781315090979
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