Kooperativer Bibliotheksverbund

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Format: 1 online resource (258 pages) : , digital, PDF file(s).

ISBN: 9789048525232 (ebook)

Series Statement: Film culture in transition.

Content: Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as harbingers of an emerging new way of life and new aesthetic criteria. And the Futurists quickly latched on to cinema as a device with great potential to manipulate our perceptions in order to create a new world. In the edited collection Futurist Cinema, Rossella Catanese explores that conjunction, bringing in avant-garde artists and their manifestos to show how painters and other artists turned to cinema as a model for overcoming the inherently static nature of painting in order to rethink it for a new era.

Note: Title from publisher's bibliographic system (viewed on 14 Dec 2020). , Cover -- Table of Contents -- Acknowledgements -- Preface: The Poly-expressive Symphony of Futurist Cinema / Rossella Catanese -- Section 1: Joyful Deformation Of The Universe -- 1. Introduction: The Poetics of Futurist Cinema / Giovanni Lista -- 2. Speed and Dynamism: Futurism and the Soviet Cinematographic Avant-garde / Paolo Bertetto -- 3. Futurism and Film Theories: Manifesto of Futurist Cinema and Theories in Italy in the 1910-1920s / Valentina Valente -- 4. Film Aesthetics Without Films / Sabine Schrader -- 5. Marinetti's Tattilismo Revisited: Hand Travels, Tactile Screens, and Touch Cinema in the 21st Century / Wanda Strauven -- 6. Dance and Futurism in Italian Silent Cinema / Elisa Uffreduzzi -- 7. Futurism and cinema in the 1910s: A reinterpretation starting from McLuhan / Antonio Saccoccio -- 8. The Human in the Fetish of the Human: Cuteness in Futurist Cinema, Literature, and Visual Arts / Giancarlo Carpi -- Section 2: Daily Filmed Exercises Designed To Free Us From Logic -- 9. Yambo on the moon of Verne and Méliès: From La colonia lunare to Un matrimonio interplanetario / Denis Lotti -- 10. An Avant-Garde Heritage: 'Vita futurista' / Rossella Catanese -- 11. Thaïs: A Different Challenge to the Stars / Lucia Re -- 12. Velocità, a Screenplay by F.T. Marinetti: From Futurist Simultaneity to Live Streaming Media / Carolina Fernández Castrillo -- 13. Velocità/Vitesse: Filmed Dramas of Objects and 'avant-garde integrale' / Rossella Catanese -- 14. From Science to the Marvellous: The Illusion of Movement, Between Chronophotography and Contemporary Cinema / Francesca Veneziano -- Section 3: Shop Windows Of Filmed Ideas, Events, Types, Objects -- Chronology / Fernando Maramai -- Filmography / Marcello Seregni -- Index.

Additional Edition: Print version: ISBN 9789089647528

Language: English

URL: https://www.cambridge.org/core/product/identifier/9789048525232/type/BOOK

URL: lizenzpflichtig

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Format: 258 Seiten , Illustrationen

ISBN: 908964752X , 9789089647528

Series Statement: Film culture in transition

Content: "Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as harbingers of an emerging new way of life and new aesthetic criteria. And the Futurists quickly latched on to cinema as a device with great potential to manipulate our perceptions in order to create a new world. In the edited collection 'Futurist Cinema', Rossella Catanese explores that conjunction, bringing in avant-garde artists and their manifestos to show how painters and other artists turned to cinema as a model for overcoming the inherently static nature of painting in order to rethink it for a new era

Additional Edition: ISBN 9789048525232

Additional Edition: Erscheint auch als Online-Ausgabe Futurist cinema Amsterdam : Amsterdam University Press, 2017 ISBN 9789048525232

Additional Edition: ISBN 9048525233

Language: English

Subjects: General works

Keywords: Italien ; Film ; Futurismus ; Geschichte 1900-1945 ; Aufsatzsammlung

URL: Inhaltsverzeichnis

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Format: 1 online resource : , 2 color plates, 5 halftones, 1 line drawing

ISBN: 9789048525232

Series Statement: Film Culture in Transition

Content: Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as harbingers of an emerging new way of life and new aesthetic criteria. And the Futurists quickly latched on to cinema as a device with great potential to manipulate our perceptions in order to create a new world. In the edited collection Futurist Cinema, Rossella Catanese explores that conjunction, bringing in avant-garde artists and their manifestos to show how painters and other artists turned to cinema as a model for overcoming the inherently static nature of painting in order to rethink it for a new era.

Note: Frontmatter -- , Table of Contents -- , Acknowledgements -- , Preface: The Poly-expressive Symphony of Futurist Cinema / , Section 1: Joyful Deformation Of The Universe -- , 1. Introduction. The Poetics of Futurist Cinema / , 2. Speed and Dynamism. Futurism and the Soviet Cinematographic Avant-garde / , 3. Futurism and Film Theories. Manifesto of Futurist Cinema and Theories in Italy in the 1910-1920s / , 4. Film Aesthetics Without Films / , 5. Marinetti’s Tattilismo Revisited. Hand Travels, Tactile Screens, and Touch Cinema in the 21st Century / , 6. Dance and Futurism in Italian Silent Cinema / , 7. Futurism and cinema in the 1910s. A reinterpretation starting from McLuhan / , 8. The Human in the Fetish of the Human. Cuteness in Futurist Cinema, Literature, and Visual Arts / , Section 2: Daily Filmed Exercises Designed To Free Us From Logic -- , 9. Yambo on the moon of Verne and Méliès. From La colonia lunare to Un matrimonio interplanetario / , 10. An Avant-Garde Heritage. Vita futurista / , 11. Thaïs. A Different Challenge to the Stars / , 12. Velocità, a Screenplay by F.T. Marinetti. From Futurist Simultaneity to Live Streaming Media / , 13. Velocità/Vitesse. Filmed Dramas of Objects and ‘avant-garde integrale’ / , 14. From Science to the Marvellous. The Illusion of Movement, Between Chronophotography and Contemporary Cinema / , Section 3: Shop Windows Of Filmed Ideas, Events, Types, Objects -- , Chronology / , Filmography / , Index , In English.

Language: English

DOI: 10.1515/9789048525232

URL: https://www.degruyter.com/doi/book/10.1515/9789048525232