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  • 1
    UID:
    almahu_BV046259004
    Format: 239 Seiten ; , 28 cm.
    ISBN: 978-3-7913-5875-8 , 3-7913-5875-8
    Content: In the 1990s, Shirin Neshat's startling black-and-white videos of Iranian women won enormous praise for their poetic reflections on post-revolutionary life in her native country. Writing in the New Yorker, Peter Schjeldahl called her multi-screen video meditations on the culture of the chador in Islamic Iran "the first undoubtable masterpieces of video installation." Over the next twenty-five years Neshat's work has continued its passionate engagement with ancient and recent Iranian history, extending its reach to the universal experience of living in exile and the human impact of political revolution. This book connects Neshat's early video and photographic works-including haunting films such as Rapture, 1999 and Tooba, 2002-to her current projects which focus on the relation of home to exile and dreams such as The Home of My Eyes, 2015, and a new, never-before-seen project, Land of Dreams, 2019. It includes numerous stills from her series, Dreamers, in which she documents the lives of outsiders and exiles in the United States. This volume also includes essays by prominent Iranian cultural figures as well as an interview with the artist. Neshat has always been a voice for those whose individual freedoms are under attack. With this monograph, her audience will gain a deeper understanding of Neshat's own emotional, psychological, and political identities, and how they have helped her create compassionate portraits of the fraught and delicate spaces between attachment and alienation
    Note: Impressum: The exhibition "Shirin Neshat: I Will Greet the Sun Again" was organized by The Broad, Los Angeles, and curated by Ed Schad. Exhibition dates: October 19, 2019-February 16, 2020 , Collecting dreams : Shirin Neshat in conversation with Glenn Lowry , Shirin Neshat : New York artist , Shirin Neshat : the rainbow catcher , From skin to soul : The cinematic journey of Shirin Neshat , Chronology
    Language: English
    Subjects: Art History
    RVK:
    Keywords: 1957- Neshat, Shirin ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog ; Bildband
    Author information: Neshat, Shirin, 1957-,
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almafu_9960024660702883
    Format: 1 online resource
    ISBN: 9781477313428
    Content: Digital technology and the Internet have revolutionized film criticism, programming, and preservation in deeply paradoxical ways. The Internet allows almost everyone to participate in critical discourse, but many print publications and salaried positions for professional film critics have been eliminated. Digital technologies have broadened access to filmmaking capabilities, as well as making thousands of older films available on DVD and electronically. At the same time, however, fewer older films can be viewed in their original celluloid format, and newer, digitally produced films that have no “material” prototype are threatened by ever-changing servers that render them obsolete and inaccessible. Cineaste, one of the oldest and most influential publications focusing on film, has investigated these trends through a series of symposia with the top film critics, programmers, and preservationists in the United States and beyond. This volume compiles several of these symposia: “Film Criticism in America Today” (2000), “International Film Criticism Today” (2005), “Film Criticism in the Age of the Internet” (2008), “Film Criticism: The Next Generation” (2013), “The Art of Repertory Film Exhibition and Digital Age Challenges” (2010), and “Film Preservation in the Digital Age” (2011). It also includes interviews with the late, celebrated New Yorker film critic Pauline Kael and the critic John Bloom (“Joe Bob Briggs”), as well as interviews with the programmers/curators Peter von Bagh and Mark Cousins and with the film preservationist George Feltenstein. This authoritative collection of primary-source documents will be essential reading for scholars, students, and film enthusiasts.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Editors’ Introduction -- , Part I. Film Criticism in the New Millennium -- , 1. Film Criticism in America Today: A Critical Symposium -- , 2. International Film Criticism Today: A Critical Symposium -- , 3. Film Criticism in the Age of the Internet: A Critical Symposium -- , 4. Film Criticism: The Next Generation: A Critical Symposium -- , 5. “I Still Love Going to Movies”: An Interview with Pauline Kael -- , 6. Cult Films, Commentary Tracks, and Censorious Critics: An Interview with John Bloom -- , Part II. The Art of Repertory Film Exhibition and Digital-Age Challenges -- , 7. Repertory Film Programming: A Critical Symposium -- , 8. Utopian Festivals and Cinephilic Dreams: An Interview with Peter von Bagh -- , 9. The (Cinematic) Gospel According to Mark: An Interview with Mark Cousins -- , Part III. Film Preservation in the Digital Age -- , 10. Film Preservation in the Digital Age: A Critical Symposium -- , 11. MOD Man: An Interview with George Feltenstein -- , Notes on the Editors -- , Index , In English.
    Language: English
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