Kooperativer Bibliotheksverbund

UID:

Format: 1 Online-Ressource (583 pages) , color illustrations

ISBN: 9789004291690

Series Statement: Studies in religion and the arts v. 10

Content: Preliminary Material /Svein Aage Christoffersen , Geir Hellemo , Leonora Onarheim , Nils Holger Petersen and Margunn Sandal -- Introduction: Art and Aesthetic Experience as Signals of Transcendence? /Svein Aage Christoffersen -- Theology and Poetic Openness /Svein Aage Christoffersen -- The Loss of the Aura and the New Sensuousness: Walter Benjamin on the Conditions for Sense Perception in the Age of Technology /Dag T. Andersson -- Sensoriness and Transcendence: On the Aesthetic Possibility of Experiencing Divinity /Dorthe Jørgensen -- The Phenomenon of Revelation: Jean-Luc Marion’s Outline for a Phenomenology of Religion /Mikkel B. Tin -- The ornamenta ecclesiae in the Middle Ages: Materiality as Transcendence /Kristin B. Aavitsland -- Ottoman Sensoriness: Nature as a Source of Religious Cognition in Istanbul in the Mid- sixteenth Century /Geir Hellemo -- “I Can See Byzantine Art and Understand It”: The Problematic of the Byzantine Images and the Immanent Transcendence in Per Kirkeby’s Art /Hans Jørgen Frederiksen -- God among Thorns: On Anselm Kiefer’s Pietà (2007) /Leonora Onarheim -- The Finished Fragment: On Arnold Schoenberg’s Moses und Aron /Arnfinn Bø-Rygg -- Time and Space in W.A. Mozart’s Ave Verum Corpus (1791): Transcendence and the Fictive Space of the Musical Work /Nils Holger Petersen -- The Broken Hallelujah: The Super Hit as Sacred Space /Kristin Rygg -- The Fullness of Space /Ettore Rocca -- Space, Wind and Light: On Transcendence and Early Church Architecture /Jens Fleischer -- On Earth as It is in Heaven: St. Hallvard’s Church and Abbey /Margunn Sandal -- Transcendence and the Use of Images /Svein Aage Christoffersen -- Faith’s Creative Mirror Reflection of Heavens’s Bliss /Theodor Jørgensen -- The Ambiguity of the Demonic in Paul Tillich’s View of Art /Espen Dahl -- When We Dead Awaken: Art, Life and Death /Trond Skard Dokka -- Final Considerations and Perspectives /Svein Aage Christoffersen , Geir Hellemo , Leonora Onarheim , Nils Holger Petersen and Margunn Sandal -- Index /Svein Aage Christoffersen , Geir Hellemo , Leonora Onarheim , Nils Holger Petersen and Margunn Sandal.

Content: Protestant theology and culture are known for a reserved, at times skeptical, attitude to the use of art and aesthetic forms of expression in a religious context. In Transcendence and Sensoriness , this attitude is analysed and discussed both theoretically and through case studies considered in a broad theological and philosophical framework of religious aesthetics. Nordic scholars of theology, philosophy, art, music, and architecture, discuss questions of transcendence, the human senses, and the arts in order to challenge established perspectives within the aesthetics of religion and theology

Note: Description based upon print version of record , Includes bibliographical references and index

Additional Edition: ISBN 9789004274525

Additional Edition: Erscheint auch als Druck-Ausgabe Christoffersen, Svein Aage Transcendence and Sensoriness : Perceptions, Revelation, and the Arts Leiden : BRILL,c2015 ISBN 9789004274525

Language: English

Keywords: Electronic books

DOI: 10.1163/9789004291690

URL: DOI

UID:

Format: 1 Online-Ressource (426 p.)

ISBN: 9788202790271 , 9788202792381 , 9788202792398 , 9788202792404

Content: Music plays an important role in many religions and in a variety of religious contexts. Music and Religion: Texts on Music in Religion and Religion in Music takes a look at the intersections between music and religion. We experience religion in music, and in religion we encounter musical expression. Although music and religion are unquestionably mutually pervasive, we can also come across gaps between them: Is it possible to move beyond a musical experience toward a religious one without having to hop over this gap? And is there any direct route from religion into music as an acoustic phenomenon? Without a religious interpretation of the music remaining? There is a wealth of research about music and religion, but little on how they meet. That is what this anthology seeks to remedy. Music and Religion will be relevant for anyone with an interest in encounters between these two phenomena. It will be especially relevant for students in performing, composing and scientific music education, as well as theology and religious studies. The anthology has been edited by Henrik Holm (associate professor in education at Oslo Metropolitan University and professor in philosophy at Rudolf Steiner University College) and Øivind Varkøy (professor in music education and music sciences at the Norwegian Academy of Music and professor II in music at Oslo Metropolitan University)

Content: Musikk spiller en stor rolle i ulike religioner og ulike religiøse sammenhenger. Musikk og religion: Tekster om musikk i religion og religion i musikk setter søkelyset på møtepunkter mellom musikk og religion. Mennesker erfarer religion i musikken, og i religionen møter mennesket i musikalske uttrykk. Selv om musikk og religion utvilsomt gjennomtrenger hverandre, kan vi også støte på gap mellom dem: Er det mulig å overskride en musikalsk erfaring henimot det religiøse uten å måtte hoppe over dette gapet? Og finnes det en vei fra religionen direkte inn i musikken som klangfenomen? Forblir det ikke bare en religiøs fortolkning av musikk? Det finnes mye forskning på musikk og religion, men lite om hvordan de møtes. Denne antologien forsøker å gjøre noe med dette. Musikk og religion retter seg mot alle med interesse for møter mellom disse to livsfenomener. Den vil være særlig aktuell for studenter innenfor utøvende, skapende og vitenskapelige musikkutdanninger, teologi og religionsvitenskap. Boken er redigert av Henrik Holm (førsteamanuensis i pedagogikk, OsloMet, og professor i filosofi, Steinerhøyskolen), og Øivind Varkøy (professor i musikkpedagogikk og musikkvitenskap, Norges musikkhøgskole, og professor II i musikk, OsloMet)

Note: English , Norwegian , Swedish

Language: Undetermined

URL: kostenfrei

UID:

Format: XIV, 569 S. : , Ill. ; , 25 cm.

Edition: Sekundärausgabe

ISBN: 978-90-04-27452-5

Series Statement: Studies in religion and the arts 10

Content: In 'Transcendence and sensoriness', scholars of theology, philosophy, art, music, and architecture, discuss questions of transcendence, the human senses, and the arts through case studies considered in a broad theological framework of religious aesthetics of the arts

Additional Edition: Reproduktion von Transcendence and sensoriness 2015

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-90-04-29169-0

Language: English

Keywords: Ästhetik ; Religion ; Christliche Kunst ; Aufsatzsammlung ; Aufsatzsammlung

URL: http://booksandjournals.brillonline.com/content/books/9789004291690

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

URL: http://booksandjournals.brillonline.com/content/books/9789004291690

UID:

Format: 1 electronic resource (426 p.)

Content: Music plays an important role in many religions and in a variety of religious contexts. Music and Religion: Texts on Music in Religion and Religion in Music takes a look at the intersections between music and religion. We experience religion in music, and in religion we encounter musical expression. Although music and religion are unquestionably mutually pervasive, we can also come across gaps between them: Is it possible to move beyond a musical experience toward a religious one without having to hop over this gap? And is there any direct route from religion into music as an acoustic phenomenon? Without a religious interpretation of the music remaining? There is a wealth of research about music and religion, but little on how they meet. That is what this anthology seeks to remedy. Music and Religion will be relevant for anyone with an interest in encounters between these two phenomena. It will be especially relevant for students in performing, composing and scientific music education, as well as theology and religious studies. The anthology has been edited by Henrik Holm (associate professor in education at Oslo Metropolitan University and professor in philosophy at Rudolf Steiner University College) and Øivind Varkøy (professor in music education and music sciences at the Norwegian Academy of Music and professor II in music at Oslo Metropolitan University).

Content: Musikk spiller en stor rolle i ulike religioner og ulike religiøse sammenhenger. Musikk og religion: Tekster om musikk i religion og religion i musikk setter søkelyset på møtepunkter mellom musikk og religion. Mennesker erfarer religion i musikken, og i religionen møter mennesket i musikalske uttrykk. Selv om musikk og religion utvilsomt gjennomtrenger hverandre, kan vi også støte på gap mellom dem: Er det mulig å overskride en musikalsk erfaring henimot det religiøse uten å måtte hoppe over dette gapet? Og finnes det en vei fra religionen direkte inn i musikken som klangfenomen? Forblir det ikke bare en religiøs fortolkning av musikk? Det finnes mye forskning på musikk og religion, men lite om hvordan de møtes. Denne antologien forsøker å gjøre noe med dette. Musikk og religion retter seg mot alle med interesse for møter mellom disse to livsfenomener. Den vil være særlig aktuell for studenter innenfor utøvende, skapende og vitenskapelige musikkutdanninger, teologi og religionsvitenskap. Boken er redigert av Henrik Holm (førsteamanuensis i pedagogikk, OsloMet, og professor i filosofi, Steinerhøyskolen), og Øivind Varkøy (professor i musikkpedagogikk og musikkvitenskap, Norges musikkhøgskole, og professor II i musikk, OsloMet).

Note: English , Norwegian , Swedish

Additional Edition: ISBN 82-02-79240-1

Language: English

UID:

Format: 1 online resource (583 pages) : , illustrations (some color), photographs.

ISBN: 90-04-29169-5

Series Statement: Studies in Religion and the Arts, Volume 10

Content: Protestant theology and culture are known for a reserved, at times skeptical, attitude to the use of art and aesthetic forms of expression in a religious context. In Transcendence and Sensoriness , this attitude is analysed and discussed both theoretically and through case studies considered in a broad theological and philosophical framework of religious aesthetics. Nordic scholars of theology, philosophy, art, music, and architecture, discuss questions of transcendence, the human senses, and the arts in order to challenge established perspectives within the aesthetics of religion and theology.

Note: Includes index. , Part 1. Approaching the sphere of sense perception -- Part 2. Visual art and its basic conditions -- Part 3. Music and transcendence -- Part 4. Transcendence and presence in church architecture -- Part 5. Theological considerations : Imago Dei, grace and resurrection.

Additional Edition: ISBN 90-04-27452-9

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: 447 S.

ISBN: 9788275473002

Language: Norwegian

Keywords: Menschenwürde ; Aufsatzsammlung

URL: Inhaltsverzeichnis

UID:

Format: Online-Ressource (208 S.)

Edition: 1. Aufl.

ISBN: 9783788730963 (print)

Series Statement: Reformationsjubiläum 2017

Content: ***Angaben zur beteiligten Person Korsch: Dr. theol. Dietrich Korsch ist Professor für Systematische Theologie und Geschichte der Theologie an der Universität Marburg und Pfarrer im Ehrenamt der Evangelischen Kirche von Kurhessen-Waldeck.

Content: ***Angaben zur beteiligten Person Leppin: Dr. theol. Volker Leppin ist Professor für Kirchengeschichte an der Evangelisch-Theologischen Fakultät der Universität Tübingen. Er ist u.a. Herausgeber der Unterrichtsmaterialreihe Martin Luther - Leben, Werk und Wirken.

Content: ***Angaben zur beteiligten Person Schäufele: Prof. Dr. theol. Wolf-Friedrich Schäufele ist Professor für Kirchengeschichte am Fachbereich Evangelische Theologie der Philipps-Universität Marburg.

Content: ***Angaben zur beteiligten Person Schorn-Schütte: Dr. Luise Schorn-Schütte ist Professorin für Neuere Allgemeine Geschichte unter besonderer Berücksichtigung der Frühen Neuzeit an der Johann Wolfgang Goethe-Universität Frankfurt am Main. Von 2004 bis 2010 war sie Vizepräsidentin der DFG; seit 2007 ist sie Hauptforscherin im Exzellenzcluster "Normative Ordnungen".

Content: Nie hat ein Reformationsjubiläum mit einer solchen Pluralität von Weltanschauungen zu rechnen gehabt, wie es nun für 2017 zu beobachten ist. Geschichte, auch Kirchengeschichte erweist sich jenseits der Sicherung von Daten und Ereignissen immer mehr als ein Gegenstand vielfältiger Interpretation. Und zum ureigensten Erbe des evangelischen Glaubens gehört es auch, sich auf die Strittigkeit der Deutungen einzulassen, sie zuzulassen und ins Gespräch miteinander zu bringen. Der vorliegende Band präsentiert hierzu Beiträge, die aus einer internationalen Tagung des Theologischen Arbeitskreises für reformationsgeschichtliche Forschung im Jahre 2015 hervorgegangen sind. Ausgehend von den Debatten um das Orientierungspapier "Rechtfertigung und Freiheit" der EKD werden interdisziplinäre Perspektiven auf die Reformation entwickelt: aus der Geschichte ebenso wie - evangelisch und katholisch - aus der Systematischen Theologie und der Kirchengeschichte. Historische Einordnung und theologische Perspektiven werden so neu bedacht und zur Diskussion gestellt.

Additional Edition: ISBN 9783788731861

Language: German

DOI: 10.13109/9783788731861

URL: http://dx.doi.org/10.13109/9783788731861

UID:

Format: 1 electronic resource (426 p.)

Content: Music plays an important role in many religions and in a variety of religious contexts. Music and Religion: Texts on Music in Religion and Religion in Music takes a look at the intersections between music and religion. We experience religion in music, and in religion we encounter musical expression. Although music and religion are unquestionably mutually pervasive, we can also come across gaps between them: Is it possible to move beyond a musical experience toward a religious one without having to hop over this gap? And is there any direct route from religion into music as an acoustic phenomenon? Without a religious interpretation of the music remaining? There is a wealth of research about music and religion, but little on how they meet. That is what this anthology seeks to remedy. Music and Religion will be relevant for anyone with an interest in encounters between these two phenomena. It will be especially relevant for students in performing, composing and scientific music education, as well as theology and religious studies. The anthology has been edited by Henrik Holm (associate professor in education at Oslo Metropolitan University and professor in philosophy at Rudolf Steiner University College) and Øivind Varkøy (professor in music education and music sciences at the Norwegian Academy of Music and professor II in music at Oslo Metropolitan University).

Content: Musikk spiller en stor rolle i ulike religioner og ulike religiøse sammenhenger. Musikk og religion: Tekster om musikk i religion og religion i musikk setter søkelyset på møtepunkter mellom musikk og religion. Mennesker erfarer religion i musikken, og i religionen møter mennesket i musikalske uttrykk. Selv om musikk og religion utvilsomt gjennomtrenger hverandre, kan vi også støte på gap mellom dem: Er det mulig å overskride en musikalsk erfaring henimot det religiøse uten å måtte hoppe over dette gapet? Og finnes det en vei fra religionen direkte inn i musikken som klangfenomen? Forblir det ikke bare en religiøs fortolkning av musikk? Det finnes mye forskning på musikk og religion, men lite om hvordan de møtes. Denne antologien forsøker å gjøre noe med dette. Musikk og religion retter seg mot alle med interesse for møter mellom disse to livsfenomener. Den vil være særlig aktuell for studenter innenfor utøvende, skapende og vitenskapelige musikkutdanninger, teologi og religionsvitenskap. Boken er redigert av Henrik Holm (førsteamanuensis i pedagogikk, OsloMet, og professor i filosofi, Steinerhøyskolen), og Øivind Varkøy (professor i musikkpedagogikk og musikkvitenskap, Norges musikkhøgskole, og professor II i musikk, OsloMet).

Note: English , Norwegian , Swedish

Additional Edition: ISBN 82-02-79240-1

Language: English

UID:

Format: 1 electronic resource (426 p.)

Content: Music plays an important role in many religions and in a variety of religious contexts. Music and Religion: Texts on Music in Religion and Religion in Music takes a look at the intersections between music and religion. We experience religion in music, and in religion we encounter musical expression. Although music and religion are unquestionably mutually pervasive, we can also come across gaps between them: Is it possible to move beyond a musical experience toward a religious one without having to hop over this gap? And is there any direct route from religion into music as an acoustic phenomenon? Without a religious interpretation of the music remaining? There is a wealth of research about music and religion, but little on how they meet. That is what this anthology seeks to remedy. Music and Religion will be relevant for anyone with an interest in encounters between these two phenomena. It will be especially relevant for students in performing, composing and scientific music education, as well as theology and religious studies. The anthology has been edited by Henrik Holm (associate professor in education at Oslo Metropolitan University and professor in philosophy at Rudolf Steiner University College) and Øivind Varkøy (professor in music education and music sciences at the Norwegian Academy of Music and professor II in music at Oslo Metropolitan University).

Content: Musikk spiller en stor rolle i ulike religioner og ulike religiøse sammenhenger. Musikk og religion: Tekster om musikk i religion og religion i musikk setter søkelyset på møtepunkter mellom musikk og religion. Mennesker erfarer religion i musikken, og i religionen møter mennesket i musikalske uttrykk. Selv om musikk og religion utvilsomt gjennomtrenger hverandre, kan vi også støte på gap mellom dem: Er det mulig å overskride en musikalsk erfaring henimot det religiøse uten å måtte hoppe over dette gapet? Og finnes det en vei fra religionen direkte inn i musikken som klangfenomen? Forblir det ikke bare en religiøs fortolkning av musikk? Det finnes mye forskning på musikk og religion, men lite om hvordan de møtes. Denne antologien forsøker å gjøre noe med dette. Musikk og religion retter seg mot alle med interesse for møter mellom disse to livsfenomener. Den vil være særlig aktuell for studenter innenfor utøvende, skapende og vitenskapelige musikkutdanninger, teologi og religionsvitenskap. Boken er redigert av Henrik Holm (førsteamanuensis i pedagogikk, OsloMet, og professor i filosofi, Steinerhøyskolen), og Øivind Varkøy (professor i musikkpedagogikk og musikkvitenskap, Norges musikkhøgskole, og professor II i musikk, OsloMet).

Note: English , Norwegian , Swedish

Additional Edition: ISBN 82-02-79240-1

Language: English

UID:

Format: 1 online resource (583 pages) : , color illustrations.

ISBN: 9789004291690

Series Statement: Studies in religion and the arts ; v. 10

Content: Protestant theology and culture are known for a reserved, at times skeptical, attitude to the use of art and aesthetic forms of expression in a religious context. In Transcendence and Sensoriness , this attitude is analysed and discussed both theoretically and through case studies considered in a broad theological and philosophical framework of religious aesthetics. Nordic scholars of theology, philosophy, art, music, and architecture, discuss questions of transcendence, the human senses, and the arts in order to challenge established perspectives within the aesthetics of religion and theology.

Note: Description based upon print version of record. , Preliminary Material / , Introduction: Art and Aesthetic Experience as Signals of Transcendence? / , Theology and Poetic Openness / , The Loss of the Aura and the New Sensuousness: Walter Benjamin on the Conditions for Sense Perception in the Age of Technology / , Sensoriness and Transcendence: On the Aesthetic Possibility of Experiencing Divinity / , The Phenomenon of Revelation: Jean-Luc Marion's Outline for a Phenomenology of Religion / , The ornamenta ecclesiae in the Middle Ages: Materiality as Transcendence / , Ottoman Sensoriness: Nature as a Source of Religious Cognition in Istanbul in the Mid- sixteenth Century / , "I Can See Byzantine Art and Understand It": The Problematic of the Byzantine Images and the Immanent Transcendence in Per Kirkeby's Art / , God among Thorns: On Anselm Kiefer's Pietà (2007) / , The Finished Fragment: On Arnold Schoenberg's Moses und Aron / , Time and Space in W.A. Mozart's Ave Verum Corpus (1791): Transcendence and the Fictive Space of the Musical Work / , The Broken Hallelujah: The Super Hit as Sacred Space / , The Fullness of Space / , Space, Wind and Light: On Transcendence and Early Church Architecture / , On Earth as It is in Heaven: St. Hallvard's Church and Abbey / , Transcendence and the Use of Images / , Faith's Creative Mirror Reflection of Heavens's Bliss / , The Ambiguity of the Demonic in Paul Tillich's View of Art / , When We Dead Awaken: Art, Life and Death / , Final Considerations and Perspectives / , Index /

Additional Edition: Print version: Christoffersen, Svein Aage Transcendence and Sensoriness : Perceptions, Revelation, and the Arts Leiden : BRILL,c2015 ISBN 9789004274525

Language: English

Keywords: Electronic books.

URL: DOI: