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  • 1
    Online Resource
    Online Resource
    Abingdon, Oxon ; : Routledge,
    UID:
    almahu_9949384924502882
    Format: 1 online resource (xv, 298 pages)
    ISBN: 9781351392587 , 1351392581 , 9781315142135 , 1315142139 , 135139259X , 9781351392594 , 0367882396 , 9780367882396
    Content: "Michael Christoforidis is widely recognized as a leading expert on one of Spain's most important composers, Manuel de Falla. This volume brings together both new chapters and revised versions of previously published work, some of which is made available here in English for the first time. The introductory chapter provides a biographical outline of the composer and characterisations of both Falla and his music during his lifetime. The sections that follow explore different facets of Falla's mature works and musical identity. The first section traces the evolution of his flamenco-inspired Spanish style through contacts with Debussy, Ravel and Stravinsky, while the second explores the impact of post-First World War modernities on Falla's musical nationalism. The final section reflects on aspects of Falla's music and the politics of Spain in the 1930s and 1940s. Situating his discussion of these aspects of Falla's music within a broader context, including currents in literature and the visual arts, Christoforidis provides a distinctive and original contribution to the study of Falla, as well as to the wider fields of musical modernism, exoticism, and music and politics."--Provided by publisher
    Note: Part I: Prelude -- 1. Images of a life -- Part II: Parisian encounters and Andalusian echoes -- 2. Conversations with Claude Debussy: La vida breve and beyond -- 3. Isaac Albéniz, Claude Debussy and views of the Alhambra from Paris -- 4. Fabricating Spanish folk songs in Paris: Siete canciones populares españolas -- 5. Belle époque primitivism, Igor Stravinsky and El amor brujo (1915) -- 6. The Spanish guitar and evocations of Andalusia -- Part III: The Hispanic modernist -- 7. Picasso, Ortega y Gasset and the framing of El retablo de maese Pedro -- 8. New orchestral horizons and echoes of the past in El retablo de maese Pedro -- 9. The mysterious case of the disappearing Moors in El retablo de maese Pedro -- 10. The aesthetics of sobriety: reconciling faith and modernity -- 11. Hispanic traditions through the lens of European modernity in the Concerto -- Part IV: In search of Atlantis -- 12. Greek echoes in the construction of Hispanic identity -- 13. Negotiating politics, religion and the idea of Castile in 1930s Spain -- 14. Argentine afterword: Thoughts on religion, Spain and global cataclysm from the new world.
    Additional Edition: Print version: Christoforidis, Michael. Manuel de Falla and visions of Spanish music. Abingdon, Oxon ; New York, NY : Routledge, 2018 ISBN 9780754631934
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Electronic books. ; Criticism, interpretation, etc. ; Electronic books
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  • 2
    Book
    Book
    London and New York :Routledge, Taylor & Francis Group,
    UID:
    almahu_BV044716112
    Format: XV, 298 Seiten : , Illustrationen, Notenbeispiele.
    ISBN: 978-0-7546-3193-4
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-315-14213-5
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1876-1946 Falla, Manuel de ; Musik ; Nationalcharakter ; 1876-1946 Falla, Manuel de ; Musik ; Moderne ; Aufsatzsammlung ; Aufsatzsammlung
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  • 3
    Online Resource
    Online Resource
    New York, NY :Oxford University Press,
    UID:
    almahu_9948206603802882
    Format: 1 online resource : , illustrations (black and white).
    ISBN: 9780190883508 (ebook) :
    Series Statement: Currents in Latin American & Iberian music
    Content: 'Carmen and the Staging of Spain' explores the Belle Époque fascination with Spanish entertainment that refashioned Bizet's opera and gave rise to an international 'Carmen industry'. Michael Christoforidis and Elizabeth Kertesz challenge the notion of Carmen as an unchanging exotic construct, tracing the ways in which performers and productions responded to evolving fashions for Spanish style from its 1875 premiere to 1915. Focusing on selected realizations of the opera in Paris, London, and New York, Christoforidis and Kertesz explore the cycles of influence between the opera and its parodies; adaptations in spoken drama, ballet and film; and the panorama of flamenco, Spanish dance, and musical entertainments. Their findings also uncover Carmen's dynamic interaction with issues of Hispanic identity against the backdrop of Spain's changing international fortunes.
    Note: Previously issued in print: 2018.
    Additional Edition: Print version : ISBN 9780195384567
    Language: English
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  • 4
    UID:
    gbv_1744931429
    Format: 265 Seiten , Illustrationen , 24 cm
    ISBN: 9788409206322
    Series Statement: Serie de música de tecla española 6
    Note: Text in Spanish and English , E. Granados (1867-1916), Spanish composer and pianist , Contributions in Spanish and English
    Language: Spanish
    Keywords: Granados, Enrique 1867-1916 ; Pianist ; Spanien
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  • 5
    Book
    Book
    Madrid : Fund. Autor | Min.de Educación y Cultura, Inst.Nac.de las Artes Escénicas y la Música
    UID:
    gbv_46477957X
    Format: 128 S , Abb
    ISBN: 8480482389
    Series Statement: Catálogos de compositores
    Language: Spanish
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  • 6
    UID:
    gbv_1000861619
    Format: xxiii, 312 Seiten , Illustrationen
    ISBN: 9780195384567
    Series Statement: Currents in Latin American and Iberian Music
    Additional Edition: ISBN 9780190883508
    Language: English
    Keywords: Bizet, Georges 1838-1875 Carmen ; Spanien ; Rezeption ; Geschichte 1875-1915 ; Belle époque ; Oper ; Verismus
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  • 7
    UID:
    gbv_461591278
    Note: In: Anuario musical. - Barcelona , Nr. 55, S. 213-235 : musik. Beisp
    In: year:2000
    Language: English
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  • 8
    Online Resource
    Online Resource
    New York, NY :Oxford University Press,
    UID:
    edocfu_9960963241002883
    Format: 1 online resource (xxiii, 312 pages) : , illustrations (black and white).
    ISBN: 0-19-069483-1 , 0-19-088350-2 , 0-19-069482-3
    Series Statement: Currents in Latin American and Iberian Music
    Content: 'Carmen and the Staging of Spain' explores the Belle Époque fascination with Spanish entertainment that refashioned Bizet's opera and gave rise to an international 'Carmen industry'. Michael Christoforidis and Elizabeth Kertesz challenge the notion of Carmen as an unchanging exotic construct, tracing the ways in which performers and productions responded to evolving fashions for Spanish style from its 1875 premiere to 1915. Focusing on selected realizations of the opera in Paris, London, and New York, Christoforidis and Kertesz explore the cycles of influence between the opera and its parodies; adaptations in spoken drama, ballet and film; and the panorama of flamenco, Spanish dance, and musical entertainments. Their findings also uncover Carmen's dynamic interaction with issues of Hispanic identity against the backdrop of Spain's changing international fortunes.
    Note: Previously issued in print: 2018. , Prelude : The Spains of Paris, Mérimée, and Bizet's Carmen -- Part I. Carmen's Early Escapades (1875-90): 1. Premiere and revival : Paris, Galli-Marié, and Spanish affairs ; 2. Impersonating Carmen in Victorian London -- Part II. Spain Discovers Carmen (1887-91): 3. Dueling Carmens in Madrid ; 4. Profusion and parody in Barcelona -- Part III. Authenticating Carmen in the Age of Verismo (1889-1908): 5. Gypsy primitivism and the rise of Emma Calvé ; 6. Transatlantic Carmens in dance and drama ; 7. Finding a Spanish voice for Carmen : Elena Fons and Maria Gay -- Part IV. Carmen as Popular Entertainment (1900-15): 8. Carmen's music-hall embrace ; 9. Reproducting Carmen in the United States : Geraldine Farrar, the Met, and beyond.
    Additional Edition: ISBN 0-19-538456-3
    Language: English
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