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  • 1
    Book
    Book
    Gender and the musical canon / (1993)
    Cambridge u.a. :Cambridge Univ. Press,
    Details
    UID:
    almafu_BV008336397
    Format: XII, 307 S. : Notenbeisp.
    Edition: 1. publ.
    ISBN: 0-521-39292-6 , 0-521-44974-X
    Language: English
    Subjects: Musicology
    RVK:
    LR 56600
    RVK:
    LR 56610
    Keywords: Komponistin ; Kanon ; Komposition ; Kanon
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  • 2
    Book
    Book
    Opera on screen / (2000)
    New Haven [u.a.] :Yale Univ. Press,
    Details
    UID:
    almahu_BV013262741
    Format: X, 295 S. : Ill.
    ISBN: 0-300-08158-8
    Language: English
    Subjects: Musicology , General works
    RVK:
    LR 54170
    RVK:
    LR 54177
    RVK:
    LR 54171
    RVK:
    LR 54175
    RVK:
    AP 36440
    Keywords: Oper ; Verfilmung
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  • 3
    Book
    Book
    When opera meets film / (2010)
    Cambridge [u.a.] :Cambridge Univ. Press,
    Details
    UID:
    almahu_BV036452229
    Format: XVIII, 324 S. : , Ill., Notenbeisp.
    Edition: 1. publ.
    ISBN: 978-0-521-89575-0
    Series Statement: Cambridge studies in opera
    Language: English
    Subjects: Musicology
    RVK:
    LR 54173
    Keywords: Oper ; Verfilmung
    URL: Cover image
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020324325&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: Cover
    URL: Autorenbiografie
    URL: Verlagsangaben
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  • 4
    Online Resource
    Online Resource
    When opera meets film / (2010)
    Cambridge :Cambridge University Press,
    Details
    UID:
    almafu_BV043921979
    Format: 1 Online-Ressource (xviii, 324 Seiten) : , Illustrationen, Notenbeispiele.
    ISBN: 978-0-511-78183-4
    Series Statement: Cambridge studies in opera
    Content: Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La Cérémonie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films
    Note: Part I. Style: 1. Operatic style in Coppola's Godfather trilogy -- 2. Opera as fragment: 'Liebestod' and 'Nessun dorma' in Aria -- Part II. Subjectivity: 3. Subjectivity in the opera-films of Jean-Pierre Ponelle -- 4. Don Giovanni and subjectivity in Claude Chabrol's La Ceremonie -- Part III. Desire: 5. 'An honest contrivance': opera and desire in Moonstruck -- 6. The sound of desire: Così's 'Soave sia il vento' in Sunday, Bloody Sunday and Closer
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-521-89575-0
    Language: English
    Subjects: Musicology
    RVK:
    LR 54173
    Keywords: Oper ; Verfilmung
    DOI: 10.1017/CBO9780511781834
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1017/CBO9780511781834
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    FU Berlin
  • 5
    Book
    Book
    The letters of Fanny Hensel to Felix Mendelssohn (1987)
    [New York, NY] : Pendragon Press
    Details
    UID:
    b3kat_BV000825101
    Format: LVII, 687 S. , Ill.
    ISBN: 0918728525
    Note: Text engl. u. dt.
    Language: English
    Subjects: Musicology
    RVK:
    LP 64848
    Keywords: Mendelssohn Bartholdy, Felix 1809-1847 ; Hensel, Fanny 1805-1847 ; Hensel, Fanny 1805-1847 ; Quelle ; Mendelssohn Bartholdy, Felix 1809-1847 ; Quelle ; Biografie ; Briefsammlung ; Briefsammlung
    Author information: Mendelssohn Bartholdy, Felix 1809-1847
    Author information: Hensel, Fanny 1805-1847
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  • 6
    Online Resource
    Online Resource
    When opera meets film / (2010)
    Cambridge :Cambridge University Press,
    Details
    UID:
    edocfu_BV043921979
    Format: 1 Online-Ressource (xviii, 324 Seiten) : , Illustrationen, Notenbeispiele.
    ISBN: 978-0-511-78183-4
    Series Statement: Cambridge studies in opera
    Content: Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La Cérémonie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films
    Note: Part I. Style: 1. Operatic style in Coppola's Godfather trilogy -- 2. Opera as fragment: 'Liebestod' and 'Nessun dorma' in Aria -- Part II. Subjectivity: 3. Subjectivity in the opera-films of Jean-Pierre Ponelle -- 4. Don Giovanni and subjectivity in Claude Chabrol's La Ceremonie -- Part III. Desire: 5. 'An honest contrivance': opera and desire in Moonstruck -- 6. The sound of desire: Così's 'Soave sia il vento' in Sunday, Bloody Sunday and Closer
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-521-89575-0
    Language: English
    Subjects: Musicology
    RVK:
    LR 54173
    Keywords: Oper ; Verfilmung
    DOI: 10.1017/CBO9780511781834
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online Resource
    Online Resource
    When opera meets film / (2010)
    Cambridge :Cambridge University Press,
    Details
    UID:
    almahu_BV043921979
    Format: 1 Online-Ressource (xviii, 324 Seiten) : , Illustrationen, Notenbeispiele.
    ISBN: 978-0-511-78183-4
    Series Statement: Cambridge studies in opera
    Content: Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La Cérémonie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films
    Note: Part I. Style: 1. Operatic style in Coppola's Godfather trilogy -- 2. Opera as fragment: 'Liebestod' and 'Nessun dorma' in Aria -- Part II. Subjectivity: 3. Subjectivity in the opera-films of Jean-Pierre Ponelle -- 4. Don Giovanni and subjectivity in Claude Chabrol's La Ceremonie -- Part III. Desire: 5. 'An honest contrivance': opera and desire in Moonstruck -- 6. The sound of desire: Così's 'Soave sia il vento' in Sunday, Bloody Sunday and Closer
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-521-89575-0
    Language: English
    Subjects: Musicology
    RVK:
    LR 54173
    Keywords: Oper ; Verfilmung
    DOI: 10.1017/CBO9780511781834
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    Book
    Book
    Gender and the musical canon (2000)
    Urbana, Ill. [u.a.] : Univ. of Ill. Press
    Details
    UID:
    b3kat_BV021624443
    Format: XVI, 307 S. , Notenbeisp.
    Edition: 1. Ill. paperback ed.
    ISBN: 0252069161
    Language: English
    Subjects: Musicology
    RVK:
    LR 55000
    Keywords: Komponistin ; Kanon ; Komposition ; Kanon
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  • 9
    Musical Score
    Musical Score
    New historical anthology of music by women / (2004)
    Bloomington, IN :Indiana University Press,
    Details
    UID:
    almahu_BV019404420
    Format: 1 Partitur (XIII, 518 Seiten) : , Illustrationen, Noten ; , 28 cm.
    ISBN: 978-0-253-21683-0
    Note: Sammelband von Musik von insgesamt 43 Komponistinnen von der Antike bis zum 21. Jahrhundert mit Einführungstexten. - Autoren: Thomas J. Mathiesen, Diane Touliatos-Miles, Michael Klaper, Elizabeth Aubrey, Martin Picker, Suzanne Cusick, Ellen Rosand, Barbara Garvey Jackson, Susan Erickson, Jill Munroe Fankhauser, Karin Pendle, Hidemi Matsushita, Marcia J. Citron, Nancy Reich, Christin Heitmann, Mark Everist, Adrienne Fried Block, Annegret Fauser, Susan M. Filler, Caroline Potter, Sharon Mirchandani, Barbara A. Petersen, Craig B. Parker, James R. Briscoe und andere. - Vorwort von Susan McClary. - Erweiterte Neuausgabe der "Historical anthology of music by women" (HAMW) , Enthält Kompositionen von Hildegard von Bingen, Maddalena Casulana, Francesca Caccini, Barbara Strozzi, Isabella Leonarda, Maria Agata Szymanowska, Fanny Mendelssohn Hensel, Clara Wieck Schumann, Louise Farrenc, Pauline Viardot-García, Amy Beach, Ethel Smyth, Lili Boulanger, Alma Mahler, Rebecca Clarke, Germaine Tailleferre, Grażyna Bacewicz, Vivian Fine, Thea Musgrave, Ellen Taaffe Zwilich und anderen (vocal and instrumental music from the Middle Ages to the present, with introductory essays on each composer) , English, French, German, Italian, and Latin words. - Includes English translations printed as texts for non-English-language works. - Introductory essays in English
    Language: English
    Subjects: Musicology
    RVK:
    LT 56600
    Keywords: Komponistin ; Biografie ; Anthologie
    Author information: Petersen, Barbara A. 1945-
    Author information: Filler, Susan Melanie, 1947-2017
    Author information: Heitmann, Christin, 1967-
    Author information: Everist, Mark, 1956-
    Author information: Touliatos-Banker, Diane H.
    Author information: Reich, Nancy B., 1924-2019
    Author information: Fauser, Annegret, 1963-
    Author information: Klaper, Michael, 1970-
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  • 10
    Online Resource
    Online Resource
    When Opera Meets Film (2010)
    Cambridge : Cambridge University Press
    Details
    UID:
    gbv_883373718
    Format: Online-Ressource (1 online resource (344 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    ISBN: 9780511781834
    Series Statement: Cambridge Studies in Opera
    Content: Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La Cérémonie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films
    Content: Part I. Style: 1. Operatic style in Coppola's Godfather trilogy -- 2. Opera as fragment: 'Liebestod' and 'Nessun dorma' in Aria -- Part II. Subjectivity: 3. Subjectivity in the opera-films of Jean-Pierre Ponelle -- 4. Don Giovanni and subjectivity in Claude Chabrol's La Ceremonie -- Part III. Desire: 5. 'An honest contrivance': opera and desire in Moonstruck -- 6. The sound of desire: Così's 'Soave sia il vento' in Sunday, Bloody Sunday and Closer
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: ISBN 9780521895750
    Additional Edition: Erscheint auch als Druck-Ausgabe Citron, Marcia J., 1945 - When opera meets film Cambridge [u.a.] : Cambridge Univ. Press, 2010 ISBN 9780521895750
    Additional Edition: ISBN 0521895758
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780521895750
    Language: English
    Subjects: Musicology , General works
    RVK:
    LR 54173
    RVK:
    LR 53509
    RVK:
    AP 52500
    Keywords: Oper ; Verfilmung ; Opernfilm
    DOI: 10.1017/CBO9780511781834
    URL: Volltext  (lizenzpflichtig)
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