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  • 1
    Book
    Book
    Aldershot [u.a.] :Ashgate,
    UID:
    almafu_BV022715610
    Format: XII, 166 S.
    ISBN: 978-0-7546-5373-8
    Series Statement: Ashgate popular and folk music series
    Note: Includes bibliographical references (p. )
    Language: English
    Subjects: Musicology
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    Keywords: Popmusik ; Politik
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  • 2
    Book
    Book
    Aldershot [u.a.] : Ashgate
    UID:
    gbv_1602237395
    Format: XII, 228 S.
    ISBN: 0754652912 , 9780754652915 , 9781138257252
    Series Statement: Ashgate popular and folk music series
    Content: Introduction : popular music censorship in Africa : an overview / Martin Cloonan -- The cultural boycott against apartheid South Africa : a case of defensible censorship? / Michael Drewett -- Vocal killers, silent killers : popular media, genocide, and the call for benevolent censorship in Rwanda / Dylan Craig and Nomalanga Mkhize -- Racist hate speech in South Africa's fragile democracy : the case of Ngema's "Amandiya" / Gary Baines -- Zvakwana! Enough! Media control and unofficial censorship of music in Zimbabwe / Diane Thram -- And the beat goes on? Message music, political repression and the power of hip-hop in Nigeria / Wilson Akpan -- Case studies. Traditional and popular music, hegemonic power and censorship in Malawi : 1964-1994 / Reuben M Chirambo ; Why don't you sing about the leaves and the dreams? Reflecting on music censorship in apartheid South Africa / Johnny Clegg and Michael Drewett ; Popular music censorship in Tanzania / Kelly M. Askew and John F. Kitime ; Silencing musical expression in colonial and post-colonial Kenya / Peter Muhoro Mwangi ; One hundred years of censorship in Ghanaian popular music performance / John Collins ; Where the shoe pinches : the imprisonment of Franco Luambo Makiadi as an unusual example of music censorship in Zai͏̈re / Graeme Ewens ; For a song : the censorship of rai music in Algeria / Malika Mehdid -- Concluding comments on the censorship of popular music in Africa / Martin Cloonan and Michael Drewett
    Note: Includes bibliographical references and index , Popular music censorship in Africa : an overview / Martin Cloonan -- The cultural boycott against apartheid South Africa : a case of defensible censorship? / Michael Drewett -- Vocal killers, silent killers : popular media, genocide, and the call for benevolent censorship in Rwanda / Dylan Craig and Nomalanga Mkhize -- Racist hate speech in South Africa's fragile democracy : the case of Ngema's 'AmaNdiya' / Gary Baines -- Zvakwana! Enough! : media control and unofficial censorship of music in Zimbabwe / Diane Thram -- And the beat goes on? : message music, political repression and the power of hip-hop in Nigeria / Wilson Akpan -- Traditional and popular music, hegemonic power and censorship in Malawi : 1964-1994 / Reuben M Chirambo -- Why don't you sing about the leaves and the dreams? : reflecting on music censorship in apartheid South Africa / Johnny Clegg and Michael Drewett -- Popular music censorship in Tanzania / Kelly M. Askew and John F. Kitime -- Silencing musical expression in colonial and post-colonial Kenya / Peter Muhoro Mwangi -- One hundred years of censorship in Ghanaian popular music performance / John Collins -- Where the shoe pinches : the imprisonment of Franco Luambo Makiadi as a curious example of music censorship in Zai͏̈re / Graeme Ewens -- For a song : censure in Algerian rai music / Malika Mehdid -- Concluding comments on the censorship of popular music in Africa / Martin Cloonan and Michael Drewett
    Language: English
    Keywords: Afrika ; Popmusik ; Zensur ; Subsaharisches Afrika ; Unterhaltungsmusik ; Politik ; Opposition ; Zensur ; Aufsatzsammlung
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  • 3
    UID:
    almahu_BV043830198
    Format: xvi, 270 Seiten : , Illustrationen.
    Content: This book examines the working lives of musicians over the past 120 years via the history of the Musicians' Union. The union has been at the centre of all major agreements covering the employment of musicians across the UK's music industries for this period and its role to date has largely been ignored by historians of the music profession, the music industries and trade unions. This book remedies that oversight, providing fresh insight to musicians' working lives, the industries in which they work and wider British social life. It explores a history of confrontation, coercion and compromise played out across the nation's studios, performance spaces and airwaves
    Note: Includes bibliographical references (pages 253-263) and index
    Language: English
    Subjects: Musicology
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    Keywords: Musiker ; Berufsverband
    Author information: Williamson, John, 1949-,
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  • 4
    Book
    Book
    Burlington, VT [u.a.] :Ashgate,
    UID:
    almahu_BV025539021
    Format: XIV, 238 S.
    ISBN: 978-0-7546-5872-6
    Series Statement: Ashgate popular and folk music series
    Note: Includes bibliographical references
    Language: English
    Subjects: Musicology
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    Keywords: Popmusik ; Gewalt ; Popmusik ; Gesellschaft
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  • 5
    UID:
    almahu_9949598829102882
    Format: 1 online resource (xvii, 185 pages).
    ISBN: 9781003247470 , 1003247474 , 9781000960976 , 1000960978 , 9781000961010 , 100096101X
    Series Statement: Routledge global popular music series
    Content: "Made in Scotland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, politics, culture and musicology of twentieth and twenty-first century popular music in Scotland. The volume consists of essays by local experts and leading scholars in Scottish music and culture, and covers the major figures, styles, and social contexts of popular music in Scotland. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book includes a general introduction to Scottish popular music, followed by essays organized into three thematic sections: Histories, Politics and Policies, and Futures and Imaginings. Examining music as cultural expression in a country that is both a nation and a region within a larger state, this volume uses popular music to analyse Scottishness, independence and diversity and offers new insights into the complexity of cultural identity, the power of historical imagination, and the effects of power structures in music. It is a vital read for scholars and students interested in how popular music interacts with and shapes such issues both within and beyond the borders of Scotland"--
    Note: Introduction / Simon Frith, Martin Cloonan, John Williamson -- Part I. Histories / John Williamson. 'The Big Noise from Glasgow : Stramash and pop music on television in Scotland in the 1960s' / John Williamson ; 'Doing it for themselves : a brief history of Scottish independent labels' / Bob Anderson ; 'Rethinking familiar stories : the Glasgow Apollo and T in the Park' / Kenny Forbes ; 'Fascinating Rhythm : the life of Scottish jazz' / Alistair Braidwood ; 'Place of light' / Carla J. Easton ; 'Riverside Festival, Glasgow : an interview with Dave Clarke and Martin McKechnie ; 'Performing in Gaelic : an interview with Joy Dunlop' / John Williamson -- Part II. Politics and Policies / Martin Cloonan. "Let There Be Rock" : how a remote Scottish village reinvented its musical heritage' / Emil Thompson ; An interview with Jill Rodger (Director Glasgow Jazz Festival) / Martin Cloonan ; 'Popular music education in Scotland' / Sean McLaughlin and Graeme Smillie ; 'Jock Rock : Putting Scotland into Scottish popular music' / Martin Cloonan ; 'Hip-hop in Scotland : a footnote in the history of popular music?' / Dave Hook ; '"Indie" music : Scottish popular music and the constitutional question' / Adam Behr -- Part III. Futures and Imaginings / Simon Frith. 'The fiction of Scottish popular music' / Simon Frith ; An interview with Alasdair Roberts about songs and songwriting / Martin Cloonan ; 'Re-thinking Scottishness : who, and what, sounds Scottish?' / Diljeet Kaur Bhachu -- Coda. Scottish music as world music / Simon Frith -- Afterword. Music in a future Scotland.
    Additional Edition: Print version: Made in Scotland New York, NY : Routledge, 2023 ISBN 9781032161976
    Language: English
    Keywords: Criticism, interpretation, etc.
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  • 6
    UID:
    almahu_BV025065817
    Format: X, 321 S.
    ISBN: 1-85742-299-6 , 1-85742-300-3
    Series Statement: Popular cultural studies 9
    Language: English
    Subjects: Musicology
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  • 7
    Online Resource
    Online Resource
    Manchester :Manchester University Press,
    UID:
    almahu_9949494566102882
    Format: 1 online resource : , illustrations (black and white)
    ISBN: 9781526120786 (ebook) :
    Content: This critical account of the Musicians' Union from 1893-2013 explores the organisation's development as a set of responses to technological, industrial and socio-political changes.
    Note: Previously issued in print: 2016.
    Additional Edition: Print version : ISBN 9781784991326
    Language: English
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  • 8
    UID:
    almahu_9949386438702882
    Format: 1 online resource.
    ISBN: 9781317028833 , 131702883X , 9781315557175 , 1315557177 , 9781317028840 , 1317028848 , 9781317028826 , 1317028821
    Series Statement: Ashgate popular and folk music series
    Content: To date, there has been a significant gap in work on the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism--that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas, including the relationship between commercial and public funding of music, changing musical fashions and tastes, the impact of changing technologies, the changing balance of power within the music industries, the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy, and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non-academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The second volume covers the period from Hyde Park to the Hacienda (1968-84).
    Additional Edition: Print version: The history of live music in Britain. London : Routledge, Taylor & Francis Group, 2019. ISBN 1409425894
    Language: English
    Keywords: Electronic books. ; Electronic books.
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  • 9
    UID:
    b3kat_BV035218038
    Format: XIV, 238 S.
    ISBN: 9780754658726
    Series Statement: Ashgate popular and folk music series
    Language: English
    Keywords: Popmusik ; Gewalt ; Popmusik ; Gesellschaft
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  • 10
    UID:
    gbv_1014334322
    Format: xiv, 238 Seiten
    ISBN: 9780754658726 , 9781409400493
    Series Statement: Ashgate popular and folk music series
    Note: Literaturverzeichnis: Seite 195-221 , Introduction: Musical violence and popular music studies -- Context : the sound of music -- Music and violence in history -- Technologized sonority -- Music accompanying violence -- Music and incitement to violence -- Music and arousal to violence -- Music as violence -- Policy
    Language: English
    Keywords: Unterhaltungsmusik ; Gewalt
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