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  • 1
    UID:
    almafu_BV044399223
    Format: xlv, 302 Seiten : , Illustration ; , 24 cm.
    ISBN: 978-0-14-310731-6 , 978-0-14-313221-9
    Note: Includes bibliographical references
    Additional Edition: Erscheint auch als Online-Ausgabe McKay, Claude, 1890-1948 author Amiable with big teeth New York, New York : Penguin Books, [2017] ISBN 9781101628195
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Fiktionale Darstellung ; Political fiction ; Fiktionale Darstellung
    Author information: McKay, Claude 1889-1948
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  • 2
    Book
    Book
    New York :Columbia University Press,
    UID:
    almahu_BV046179153
    Format: xx, 383 Seiten : , Illustrationen.
    ISBN: 978-0-231-19331-3 , 978-0-231-19330-6
    Additional Edition: Erscheint auch als Online-Ausgabe, e-book ISBN 978-0-231-55024-6
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: Amerikanisches Englisch ; Schwarze ; Archiv ; Roman
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  • 3
    UID:
    almahu_BV043818555
    Format: xxxiv, 466 Seiten ; , 20 cm.
    Edition: First printing
    ISBN: 978-1-59853-498-6
    Series Statement: The library of America 283
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: Fiktionale Darstellung ; Tagebuch ; Interview ; Fiktionale Darstellung ; Tagebuch ; Interview
    Author information: Kerouac, Jack, 1922-1969,
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  • 4
    UID:
    kobvindex_ZLB16104941
    Format: xxxiv, 466 Seiten
    Edition: First printing
    ISBN: 9781598534986
    Language: English
    Author information: Kerouac, Jack
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  • 5
    Book
    Book
    Montréal (Québec) :Boréal,
    UID:
    almafu_BV043532621
    Format: 347 Seiten : , Illustrationen, Faksimiles ; , 22 cm.
    ISBN: 978-2-7646-2431-9
    Note: Unedited works by Kerouac written in French, presented for the first time to the public
    Language: French
    Subjects: American Studies
    RVK:
    Author information: Kerouac, Jack 1922-1969
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  • 6
    UID:
    gbv_871363860
    Format: xxxiv, 466 Seiten , 20 cm
    ISBN: 9781598534986
    Series Statement: The library of America 283
    Content: On Frank Sinatra -- America in world history -- A couple of facts concerning laws of decadence -- On contemporary jazz,"Bebop" -- Private philologies, riddles, and a ten-day writing log -- The night is my woman [La nuit est ma femme] -- Journal 1951 -- Old Bull in the Bowery [Sur le chemin] -- Tics -- Memory babe -- Doing literary work : an interview with Jack Kerouac -- Beat spotlight -- Appendix: I wish I were you
    Content: In On the Road and other iconic works, Jack Kerouac created a quintessentially American voice and a revolutionary prose style. This remarkable gathering of previously unpublished writings reveals as never before the extraordinary literary journey that led to his phenomenal success—a journey with deep roots in the language and culture of Kerouac’s French Canadian childhood. Edited and published with unprecedented access to the Kerouac archives, The Unknown Kerouac presents two lost novels, The Night Is My Woman and Old Bull in the Bowery, which Kerouac wrote in French during the especially fruitful years of 1951 and 1952. Discovered among his papers in the mid-nineties, they have been translated into English for the first time by Jean-Christophe Cloutier, who incorporates Kerouac’s own partial translations. Also included are two journals from the heart of this same crucial period. In Private Philologies, Riddles, and a Ten-Day Writing Log, Kerouac recounts a brief stay in Denver—where he works on an early version of On the Road, reads dime novels, and even rides in a rodeo—and shows him contemplating writers like Chaucer and Joyce and playing with riddles and etymologies. Journal 1951, begun during a stay in a Bronx VA hospital, charts, in ecstatic, moving, and self-revealing pages, the wave of insights and breakthroughs that led Kerouac to the most singular transformation of American prose style since Hemingway. This landmark volume is rounded out with the memoir Memory Babe, a poignant evocation of childhood play and reverie in a robust immigrant community, in which Kerouac uncannily retrieves and distills the subtlest sense impressions. And finally, in an interview with his longtime friend and fellow Beat John Clellon Holmes and in the late fragment Beat Spotlight Kerouac reflects on his meteoric career and unlooked for celebrity.
    Note: Teilweise aus dem Französischen übersetzt , The night is my woman , Old bull in the bowery
    Language: English
    Subjects: American Studies
    RVK:
    RVK:
    Keywords: Kerouac, Jack 1922-1969 ; Anthologie
    Author information: Kerouac, Jack 1922-1969
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  • 7
    UID:
    b3kat_BV043571988
    Format: 165 Seiten , 29 cm
    ISBN: 9783958291096
    Content: By the mid-1940s, Gordon Parks was a successful photographer and Ralph Ellison began work on his acclaimed novel "Invisible Man" (1952). It is relatively unknown, however, that the two men were friends and that their common vision of racial injustice inspired collaboration on two important projects, in 1948 and 1952. Parks and Ellison first joined forces on an essay titled Harlem Is Nowhere for 48: "The Magazine of the Year". Conceived while Ellison was already writing "Invisible Man", this illustrated essay was centered on Harlems Lafargue Mental Hygiene Clinicthe first non-segregated psychiatric clinic in New York Cityas a case study for the social and economic conditions of the neighborhood. He chose Parks to create the accompanying photographs and during the winter months of 1948, the two roamed the streets of Harlem. In 1952 they worked together again on A Man Becomes Invisible for the August 25 issue of Life magazine, which promoted Ellisons newly released novel. This is the first publication on Parks and Ellisons collaboration on these two projects, one of which was lost while the other was published only in reduced form. The catalogue provides an in-depth look at the artists shared vision of black life in America, with Harlem as its nerve center.
    Note: Accompanies an exhibition of the same name originating at the Art Institute of Chicago (May 21-August 28, 2016) , Hier auch später erschienene, unveränderte Nachdrucke
    Language: English
    Subjects: General works
    RVK:
    RVK:
    RVK:
    Keywords: Parks, Gordon 1912-2006 ; New York- Harlem ; Sozialdokumentarische Fotografie ; Geschichte 1948-1952 ; Ausstellungskatalog
    Author information: Kunhardt, Peter W. Jr. 1982-
    Author information: Ellison, Ralph 1913-1994
    Author information: Parks, Gordon 1912-2006
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  • 8
    Online Resource
    Online Resource
    New York, NY :Columbia University Press,
    UID:
    edocfu_9959870355102883
    Format: 1 online resource (408 pages)
    ISBN: 0-231-55024-3
    Content: Recasting the history of African American literature, Shadow Archives brings to life a slew of newly discovered texts-including Claude McKay's Amiable with Big Teeth-to tell the stories of black special collections and their struggle for institutional recognition. Jean-Christophe Cloutier offers revelatory readings of major African American writers, including McKay, Richard Wright, Ann Petry, and Ralph Ellison, and provides a nuanced view of how archival methodology, access, and the power dynamics of acquisitions shape literary history.Shadow Archives argues that the notion of the archive is crucial to our understanding of postwar African American literary history. Cloutier combines his own experiences as a researcher and archivist with a theoretically rich account of the archive to offer a pioneering study of the importance of African American authors' archival practices and how these shaped their writing. Given the lack of institutions dedicated to the black experience, the novel became an alternative site of historical preservation, a means to ensure both individual legacy and group survival. Such archivism manifests in the work of these authors through evolving lifecycles where documents undergo repurposing, revision, insertion, falsification, transformation, and fictionalization, sometimes across decades. An innovative interdisciplinary consideration of literary papers, Shadow Archives proposes new ways for literary scholars to engage with the archive.
    Note: Frontmatter -- , Contents -- , Illustrations -- , Acknowledgments -- , Abbreviations -- , Introduction: "Not Like an Arrow, but a Boomerang," or The Lifecycles of Twentieth- Century African American Literary Papers -- , 1. Black Special Collections and the Midcentury Rise of the Institutional Collector -- , 2. Claude McKay's Archival Rebirth: Provenance and Politics in Amiable with Big Teeth -- , 3. "At Once Both Document and Symbol": Richard Wright, Ralph Ellison, and the Lafargue Clinic Photographic Archive -- , 4. An Interlude Concerning the Vanishing Manuscripts of Ann Petry -- , 5. "Too Obscure for Learned Classification": Comic Books, Counterculture, and Archival Invisibility in Invisible Man -- , Coda. Disappointed Bridges: A Note on the Discovery of Amiable with Big Teeth -- , Appendix: Artifact Biographies or Vagabond Itineraries of Key Documents Discussed in This Book -- , Notes -- , Permissions -- , Index , In English.
    Additional Edition: ISBN 0-231-19330-0
    Language: English
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  • 9
    Online Resource
    Online Resource
    New York : Columbia University Press
    UID:
    gbv_1685882927
    Format: 1 Online-Ressource (xx, 383 Seiten) , Illustrationen
    ISBN: 9780231550246
    Content: Recasting the history of African American literature, Shadow Archives brings to life a slew of newly discovered texts-including Claude McKay's Amiable with Big Teeth-to tell the stories of black special collections and their struggle for institutional recognition. Jean-Christophe Cloutier offers revelatory readings of major African American writers, including McKay, Richard Wright, Ann Petry, and Ralph Ellison, and provides a nuanced view of how archival methodology, access, and the power dynamics of acquisitions shape literary history.Shadow Archives argues that the notion of the archive is crucial to our understanding of postwar African American literary history. Cloutier combines his own experiences as a researcher and archivist with a theoretically rich account of the archive to offer a pioneering study of the importance of African American authors' archival practices and how these shaped their writing. Given the lack of institutions dedicated to the black experience, the novel became an alternative site of historical preservation, a means to ensure both individual legacy and group survival. Such archivism manifests in the work of these authors through evolving lifecycles where documents undergo repurposing, revision, insertion, falsification, transformation, and fictionalization, sometimes across decades. An innovative interdisciplinary consideration of literary papers, Shadow Archives proposes new ways for literary scholars to engage with the archive
    Content: Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- Introduction: "Not Like an Arrow, but a Boomerang," or The Lifecycles of Twentieth- Century African American Literary Papers -- 1. Black Special Collections and the Midcentury Rise of the Institutional Collector -- 2. Claude McKay's Archival Rebirth: Provenance and Politics in Amiable with Big Teeth -- 3. "At Once Both Document and Symbol": Richard Wright, Ralph Ellison, and the Lafargue Clinic Photographic Archive -- 4. An Interlude Concerning the Vanishing Manuscripts of Ann Petry -- 5. "Too Obscure for Learned Classification": Comic Books, Counterculture, and Archival Invisibility in Invisible Man -- Coda. Disappointed Bridges: A Note on the Discovery of Amiable with Big Teeth -- Appendix: Artifact Biographies or Vagabond Itineraries of Key Documents Discussed in This Book -- Notes -- Permissions -- Index
    Note: restricted access online access with authorization star , Includes bibliographical references and index , Mode of access: Internet via World Wide Web.
    Additional Edition: ISBN 9780231193306
    Additional Edition: ISBN 9780231193313
    Additional Edition: Erscheint auch als Druck-Ausgabe Cloutier, Jean-Christophe Shadow archives New York : Columbia University Press, 2019 ISBN 9780231193306
    Additional Edition: ISBN 9780231193313
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: Archiv ; Roman ; Schwarze ; Amerikanisches Englisch ; USA ; Geschichte 1900-2000
    URL: Cover
    URL: Cover
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  • 10
    Online Resource
    Online Resource
    New York, NY :Columbia University Press,
    UID:
    edocfu_9959156136102883
    Format: 1 online resource : , 29 b&w photographs
    ISBN: 9780231550246
    Content: Recasting the history of African American literature, Shadow Archives brings to life a slew of newly discovered texts-including Claude McKay's Amiable with Big Teeth-to tell the stories of black special collections and their struggle for institutional recognition. Jean-Christophe Cloutier offers revelatory readings of major African American writers, including McKay, Richard Wright, Ann Petry, and Ralph Ellison, and provides a nuanced view of how archival methodology, access, and the power dynamics of acquisitions shape literary history.Shadow Archives argues that the notion of the archive is crucial to our understanding of postwar African American literary history. Cloutier combines his own experiences as a researcher and archivist with a theoretically rich account of the archive to offer a pioneering study of the importance of African American authors' archival practices and how these shaped their writing. Given the lack of institutions dedicated to the black experience, the novel became an alternative site of historical preservation, a means to ensure both individual legacy and group survival. Such archivism manifests in the work of these authors through evolving lifecycles where documents undergo repurposing, revision, insertion, falsification, transformation, and fictionalization, sometimes across decades. An innovative interdisciplinary consideration of literary papers, Shadow Archives proposes new ways for literary scholars to engage with the archive.
    Note: Frontmatter -- , Contents -- , Illustrations -- , Acknowledgments -- , Abbreviations -- , Introduction: "Not Like an Arrow, but a Boomerang," or The Lifecycles of Twentieth- Century African American Literary Papers -- , 1. Black Special Collections and the Midcentury Rise of the Institutional Collector -- , 2. Claude McKay's Archival Rebirth: Provenance and Politics in Amiable with Big Teeth -- , 3. "At Once Both Document and Symbol": Richard Wright, Ralph Ellison, and the Lafargue Clinic Photographic Archive -- , 4. An Interlude Concerning the Vanishing Manuscripts of Ann Petry -- , 5. "Too Obscure for Learned Classification": Comic Books, Counterculture, and Archival Invisibility in Invisible Man -- , Coda. Disappointed Bridges: A Note on the Discovery of Amiable with Big Teeth -- , Appendix: Artifact Biographies or Vagabond Itineraries of Key Documents Discussed in This Book -- , Notes -- , Permissions -- , Index , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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