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  • 1
    Book
    Book
    New York, NY :Palgrave Macmillan,
    UID:
    almafu_BV041823510
    Format: [IX], 209 S. ; , 23 cm.
    Edition: 1. publ.
    ISBN: 978-1-349-43838-9 , 978-1-137-02391-9 , 1-137-02391-0
    Note: Includes bibliographical references (pages 177-199) and index
    Language: English
    Subjects: General works
    RVK:
    Keywords: Kunst ; Gespräch ; Ästhetik
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almahu_9949385312802882
    Format: 1 online resource (xxi, 557 pages) : , illustrations (black and white)
    ISBN: 9781003033226 , 1003033229 , 100053796X , 9781000537987 , 1000537986 , 9781000537963
    Series Statement: Routledge companions
    Content: "The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance. This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and places them within appropriate philosophical and socio-cultural discourses. Ultimately, the collection marks the point where audiences have become central and essential not just to the act of performance itself but also to theatre, dance, opera, music, and performance studies as academic disciplines. This Companion will be of great interest to academics, researchers, and postgraduates, as well as to theatre, dance, opera, and music practitioners, and performing arts organisations and stakeholders involved in educational activities"--
    Note: The paradox of audiences / Matthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley -- Ellen Dissanayake in conversation / Ellen Dissanayake and Lynne Conner -- Histories of audiencing : on evidence, mythology and nostalgia / Helen Freshwater -- Disrupting the audience as monolith / Lynne Conner -- Who? Why? And how? : The contribution of sociology to the study of arts audiences / Laurie Hanquinet -- The future of audiences and audiencing / Jennifer L. Novak Leonard -- Which global? Which local? : Aucitya, Rasa, development, Àṣẹ and other demands on the audience / Glenn Odom and Giridhar Raghunathan -- Forced experiences : shifting modes of audience involvement in immersive performances / Doris Kolesch and Theresa Schütz -- Alan Brown in conversation / Alan Brown and Emma McDowell -- Are we the baddies? : Audience development, cultural policy and ideological precarity / Steven Hadley -- At what cost? Working class audiences and the price of culture / Maria Barrett -- A 'universal design' for audiences with disabilities? / Bree Hadley -- Fans and fandom in the performing arts / Kirsty Sedgman -- Breaking barriers : the role of the audience in interactive theatre : in Bangladesh / Meghna Guhathakurta -- Audience engagement and the production of efficacious theatre : case studies from Ghana / Awo Mana Asiedu -- Critical perspectives on valuing culture : tensions and disconnections between research, policy and practice / Ben Walmsley and Julian Meyrick -- Martin Barker in conversation / Martin Barker and Matthew Reason -- Mixing methods in audience research practice : a multi-method(ological) discussion / Emma McDowell -- Quantifying dance in the audience's mind : a methodological quest for neuroscience research / Corinne Jola -- Continuous and collective measures of real-time audience engagement / L.S. Merritt Millman, Daniel C. Richardson and Guido Orgs -- Audience interaction : approaches to researching the social dynamics of live audiences / Patrick G.T. Healey, Matthew T. Harris and Michael F. Schober -- Quantitative measures of audience experience / Wing Tung Au, Zhumeng Zuo and Paton Pak Chun Yam -- The benefits and challenges of large-scale qualitative research / Stephanie E. Pitts and Sarah M. Price -- Creative methods and audience research : affordances and radical potential / Matthew Reason -- Ethics in audience research : by the book or on the hop? / Katya Johanson and Hilary Glow -- Affect / Lucy Thornett -- Agency / Astrid Breel -- Co-creation / Rachel Baynton and Michael Pinchbeck -- Covid-19 / Tully Barnett -- Data / Rishi Coupland -- Dialogue / Maddy Costa -- Integrated and inclusive / Vipavinee Artpradid -- Labour / Martin Young -- Language / Michelle Loh -- Laughter / Natalie Diddams -- Marginalia / Helen Yung -- Memory / Elaine Faull -- One-to-one / Rachel Gomme -- Pantomime / Robert Marsden -- Post-humanity / Fayen D'Evie -- Post-show / Diane Ragsdale -- Rehearsal / Anja Ali-Haapala -- Relaxed / Lauren Hall and Paul Wilshaw -- Risk / Ella de Búrca -- Sickness / Verónica Rodríguez -- Thresholds / Stefania Donini -- Touch / Elena S.V. Flys -- Afterword: Covid-19, audiences, and the future of the performing arts / Matthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley.
    Additional Edition: Print version: Routledge companion to audiences and the performing arts Abingdon, Oxon ; New York, NY : Routledge, 2022 ISBN 9780367470753
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Electronic books. ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    b3kat_BV048213270
    Format: xxi, 557 Seiten , Illustrationen (schwarz-weiß) , 25,3 cm
    ISBN: 9780367470753 , 9780367695842
    Series Statement: Audience research
    Content: The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance. This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and places them within appropriate philosophical and socio-cultural discourses. Ultimately, the collection marks the point where audiences have become central and essential not just to the act of performance itself but also to theatre, dance, opera, music and performance studies as academic disciplines. This Companion will be of great interest to academics, researchers and postgraduates, as well as to theatre, dance, opera and music practitioners and performing arts organisations and stakeholders involved in educational activities.
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9781003033226
    Language: English
    Subjects: Musicology , General works
    RVK:
    RVK:
    RVK:
    Keywords: Darstellende Kunst ; Aufführung ; Publikum ; Beziehung ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    almafu_BV011796595
    Format: 177 S.
    ISBN: 0-8229-3963-0
    Language: English
    Subjects: General works
    RVK:
    Keywords: Tanz ; Kritik ; Presse ; Modern Dance ; Kritik ; Presse
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    New York :Palgrave Macmillan US :
    UID:
    almahu_9947968276202882
    Format: IX, 209 p. , online resource.
    ISBN: 9781137023926
    Content: This book offers readers an understanding of the theoretical framework for the concept of Arts Talk, provides historical background and a review of current thinking about the interpretive process, and, most importantly, provides ideas and insights into building audience-centered and audience-powered conversations about the arts.
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9781349438389
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    gbv_1832382400
    Format: 1 Online-Ressource (580 p.)
    ISBN: 9781003033226 , 9780367470753 , 9780367695842
    Series Statement: Audience Research
    Content: The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance. This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and places them within appropriate philosophical and socio-cultural discourses. Ultimately, the collection marks the point where audiences have become central and essential not just to the act of performance itself but also to theatre, dance, opera, music and performance studies as academic disciplines. This Companion will be of great interest to academics, researchers and postgraduates, as well as to theatre, dance, opera and music practitioners and performing arts organisations and stakeholders involved in educational activities
    Note: English
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
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