Kooperativer Bibliotheksverbund

UID:

Format: 128 Seiten ; , 25 cm x 20 cm.

ISBN: 978-3-7774-3596-1

Note: Impressum: Published on the occasion of the exhibition 'The Black Index'. - Foreword: "(...) has grown from a one-venue exhibition into a traveling show with tour stops at the University Art Galleries at UC Irvine (January 14-March 20, 2021), Palo Alto Art Center (May 1-August 14, 2021), Art Galleries at Black Studies at University of Texas Austin (September 9-December 12, 2021), and the Hunter College Art Galleries (January 27-April 3, 2022)"

Language: English

Subjects: Sociology

Keywords: Person of Color ; Kunst ; Selbstdarstellung ; Person of Color ; Entkolonialisierung ; Schwarze ; Kunst ; Selbstdarstellung ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband

URL: Inhaltstext

URL: Inhaltsverzeichnis

UID:

Format: 156 Seiten : , Illustrationen, Portraits.

ISBN: 978-1-911282-22-8 , 0-915135-18-3

Content: This is a timely, visual, exploration of the fascinating life and lasting legacy of sculptor Augusta Savage (1892-1962), who overcame poverty, racism, and sexual discrimination to become one of America's most influential twentieth-century artists. Her story is one of community-building, activism, and art education.0Born just outside Jacksonville, Florida, Savage left the South to pursue new opportunities and opened a studio in Harlem, New York City, offering free art classes. She co-founded the Harlem Artists' Guild in 1935 and became the first director of the federally-supported Harlem Community Art Center. Through her leadership there, Savage played an instrumental role in the development of many artists: William Artis, Gwendolyn Knight, Gwendolyn Bennett, Norman Lewis, Jacob Lawrence, Robert Blackburn, Romare Bearden, among many others.0This ground-breaking volume features fifty works by Savage, and those she mentored or influenced, as well as correspondence and period photographs. Exhibition: Cummer Museum of Art, Jacksonville, USA (12.10.2018-07.04.2019)

Note: Accompanies the exhibition ... at Cummer Museum: October 12, 2018-April 7, 2019; New-York Historical Society Museum & Library: May 3-July 28, 2019; Palmer Museum of Art, Pennsylvania State University: August 24-December 8, 2019; Dixon Gallery & Gardens: January 19-March 22, 2020

Language: English

Keywords: 1892-1962 Savage, Augusta ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog

URL: Inhaltsverzeichnis

UID:

Format: XV, 205 S., [8] Bl. : , Ill.

ISBN: 978-1-55849-875-4

Note: Includes bibliographical references and index

Language: English

Subjects: Ethnology , English Studies , Art History

Keywords: Schwarze ; Künstler ; Kunstmuseum ; Ausstellungskatalog ; Ausstellungskatalog

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024582895&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Volltext  (Inhaltsverzeichnis)

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024582895&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

UID:

Format: 267 Seiten : , Illustrationen ; , 24 cm x 17 cm.

ISBN: 978-3-7533-0238-6 , 978-1-84638-263-5 , 3-7533-0238-4

Series Statement: Exhibition histories

Content: Der Katalog untersucht Schlüsselmomente, die zu Brüchen in der Art und Weise geführt haben, wie schwarze Künstler und Künstlerinnen in Ausstellungen präsentiert und die Kunstgeschichte der afrikanischen Diaspora geprägt wurde. Er listet hierzu eine Auswahl prägender Ausstellungen und befasst sich mit dem scheinbar nie endenden Spannungsverhältnis zwischen Kunst als universeller, identitätsspezifischer Kunst und zeigt, dass die Frage der schwarzen Identität in der Kunst und im Ausstellungswesen von Natur aus historisch und systemisch bedingt ist.

Language: English

Subjects: Art History

Keywords: Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

Author information: Adusei-Poku, Nana

UID:

Format: 1 online resource

ISBN: 9781000440720 , 1000440729 , 9780429260575 , 0429260571 , 1000440664 , 9781000440669

Content: Mannequins in Museums is a collection of historical and contemporary case studies that examine how mannequins are presented in exhibitions and shows that, as objects used for storytelling, they are not neutral objects. Demonstrating that mannequins have long histories of being used to promote colonialism, consumerism, and racism, the book shows how these histories inform their use. It also engages readers in a conversation about how historical narratives are expressed in museums through mannequins as surrogate forms. Written by a select group of curators and art historians, the volume provides insight into a variety of museum contexts, including art, history, fashion, anthropology and wax. Drawing on exhibition case studies from North America, South Africa, and Europe, each chapter discusses the pedagogical and aesthetic stakes involved in representing racial difference and cultural history through mannequins. As a whole, the book will assist readers to understand the history of mannequins and their contemporary use as culturally relevant objects. Mannequins in Museums will be compelling reading for academics and students in the fields of museum studies, art history, public history, anthropology and visual and cultural studies. It should also be essential reading for museum professionals who are interested in rethinking mannequin display techniques.

Additional Edition: Print version: ISBN 9781000440720

Additional Edition: Print version: ISBN 0367202689

Additional Edition: ISBN 9780367202682

Language: English

Keywords: Electronic books.

DOI: 10.4324/9780429260575

URL: https://www.taylorfrancis.com/books/9780429260575

URL: lizenzpflichtig

UID:

Format: 1 Online-Ressource (151 Seiten) , Illustrationen

ISBN: 9781000440720

Series Statement: Routledge focus

Content: Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of figures -- List of contributors -- Acknowledgments -- Introduction -- 1 The museum mannequin as "body without organs" -- 2 From life?: histories and contemporary perspectives on modeling Native American humankind through mannequins at the Smithsonian -- 3 Likeness and likeability: human remains, facial reconstructions, and identity-making in museum displays -- 4 Fashion and physique: size, shape, and body politics in the display of historical dress -- 5 Asian physiques of mannequins in American art museums -- 6 Figures of speech: black History at the National Great Blacks in Wax Museum -- 7 Black is the color of my true love's skin: the symbolism and significance of the Black female mannequin figure in Mary Sibande's creative work -- Index.

Additional Edition: ISBN 9780367202682

Additional Edition: Erscheint auch als Druck-Ausgabe Mannequins in museums London : Routledge, Taylor & Francis Group, 2022 ISBN 9780367202682

Additional Edition: ISBN 9781032036168

Language: English

Keywords: Schaufensterpuppe ; Museum ; Ausstellung ; Rassismus ; Kolonialismus ; Konsumismus ; Aufsatzsammlung

URL: lizenzpflichtig

UID:

Format: viii, 134 Seiten : , Illustrationen.

ISBN: 978-0-367-20268-2 , 978-1-032-03616-8

Content: Mannequins in Museums is a collection of historical and contemporary case studies that examine how mannequins are presented in exhibitions and shows that, as objects used for storytelling, they are not neutral objects. Demonstrating that mannequins have long histories of being used to promote colonialism, consumerism, and racism, the book shows how these histories inform their use. It also engages readers in a conversation about how historical narratives are expressed in museums through mannequins as surrogate forms. Written by a select group of curators and art historians, the volume provides insight into a variety of museum contexts, including art, history, fashion, anthropology and wax. Drawing on exhibition case studies from North America, South Africa, and Europe, each chapter discusses the pedagogical and aesthetic stakes involved in representing racial difference and cultural history through mannequins. As a whole, the book will assist readers to understand the history of mannequins and their contemporary use as culturally relevant objects.Mannequins in Museums will be compelling reading for academics and students in the fields of museum studies, art history, public history, anthropology and visual and cultural studies. It should also be essential reading for museum professionals who are interested in rethinking mannequin display techniques

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-429-26057-5

Language: English

Subjects: Ethnology

Keywords: Schaufensterpuppe ; Museum ; Mode ; Schaufensterpuppe ; Ausstellung ; Aufsatzsammlung

URL: Inhaltsverzeichnis

UID:

Format: 120 Seiten , 25 cm

Edition: 1. Auflage

ISBN: 9783777435961

Content: Ein Gegenmittel zum Bildmonopol des Kolonialismus: Die Künstlerinnen und Künstler von "The Black Index" - Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell und Lava Thomas - knüpfen an die Tradition schwarzer Selbstdarstellung an und fordern überholte Sehgewohnheiten heraus. Zeichnung, Skulptur und digitale Technologie dienen in ihren Werken als Medium der Untersuchung und Umcodierung überlieferter fotografischer Bildnisse. Das Vertrauen in die vermeintliche Objektivität der Fotografie als bevorzugter historischer Quelle wird dabei nachhaltig in Frage gestellt. "The Black Index" ist das neue Referenzwerk, um mehr über die historische Lebenswirklichkeit der schwarzen Bevölkerung zu erfahren - und unterläuft zugleich das Bedürfnis nach Klassifikation zugunsten individueller Ausdrucksformen.

Note: Englisch

Language: English

Keywords: USA ; Schwarze ; Kunst ; Selbstdarstellung ; Geschichte 2015-2020 ; Ausstellungskatalog

UID:

Format: 170 Seiten , 30 cm

ISBN: 9780847872992 , 0847872998

Content: "The most comprehensive survey to date of the contemporary artist Whitfield Lovell, whose poetic and intricately crafted tableaux and installations document and pay tribute to the history and cultural memory of the African American experience. Whitfield Lovell: Passages accompanies a major traveling exhibition of the artist's powerful Conté crayon drawings combined with objects to create assemblages and multisensory installations that focus on aspects of Black history, raising questions about identity, memory, and America's collective heritage. Whitfield Lovell (b. 1959, Bronx), a 2007 MacArthur Foundation fellowship recipient and conceptual artist, creates exquisite drawings inspired by his own collection of vintage photographs of unidentified African Americans taken between the Emancipation Proclamation and the civil rights movement. He pairs his meticulously rendered drawings done on paper or salvaged wooden boards with found objects, creating enigmatic assemblages and stand-alone tableaux that are rich with symbolism and ambiguity and evoke personal memories, ancestral connections, and the collective American past. This richly illustrated volume features essays by leading scholars that contextualize Lovell's work through the exploration of compelling elements such as sound and card playing, contemplating memory as method."--

Note: Seite [171]: "This catalogue is published on the occasion of the exhibition "Whitfield Lovell: Passages", organized by the American Federation of Arts in collaboration with Whitfield Lovell. Exhibition Itinerary, Boca Raton Museum of Art, Boca Raton, FL, February 11-May 21, 2023, Virginia Museum of Fine Arts, Richmond, VA, June 17-September 10, 2023, Arkansas Museum of Fine Arts, Little Rock, AR, October 13, 2023-January 14, 2024, Cincinnati Art Museum, Cincinatti, OH, March 1-May 26, 2024, The Mint Museum, Charlotte, NC, June 29-September 22, 2024, McNay Art Museum, San Antonio, TX, October 26, 2024-January 19, 2025"--Colophon , Includes bibliographical references (page 165) , Foreword / Pauline Forlenza -- Preface / Michèle Wije -- Whitfield Lovell: Memory as method / Cheryl Finley -- The hand you're dealt / Bridget R. Cooks -- Prologue: Works on paper -- Visitation: The Richmond Project -- Tableaux -- The Card Pieces -- Kin series -- Deep River -- The Reds -- About the artist -- Selected bibliography -- Selected public collections -- List of illustrations -- Artist acknowledgments -- Contributors -- Photography credits

Language: English

Subjects: Art History

Keywords: Lovell, Whitfield 1959- ; Zeichnung ; Person of Color ; Geschichte 1990-2020 ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog

UID:

Format: 1 online resource : , illustrations (some color)

Edition: 1st ed.

ISBN: 1-61376-006-X

Content: "In Exhibiting Blackness, art historian Bridget R. Cooks analyzes the curatorial strategies, challenges, and critical receptions of the most significant museum exhibitions of African American art. Tracing two dominant methodologies used to exhibit art by African Americans--an ethnographic approach that focuses more on artists than their art, and a recovery narrative aimed at correcting past omissions--Cooks exposes the issues involved in exhibiting cultural difference that continue to challenge art history, historiography, and American museum exhibition practices. By further examining the unequal and often contested relationship between African American artists, curators, and visitors, she provides insight into the complex role of art museums and their accountability to the cultures they represent."--

Note: A note on terminology -- Introduction. African Americans enter the art museum -- Negro art in the modern art museum -- Black artists and activism : Harlem on my mind, 1969 -- Filling the void : two centuries of black American art, 1976 -- New York to L.A. : black male : representations of black masculinity in contemporary American art, 1994-1995 -- Back to the future : The quilts of Gee's Bend, 2002 -- Conclusion. African Americans after the art museum -- Epilogue.

Additional Edition: ISBN 1-55849-875-3

Language: English