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  • 1
    UID:
    almafu_BV047407630
    Format: 128 Seiten ; , 25 cm x 20 cm.
    ISBN: 978-3-7774-3596-1
    Note: Impressum: Published on the occasion of the exhibition 'The Black Index'. - Foreword: "(...) has grown from a one-venue exhibition into a traveling show with tour stops at the University Art Galleries at UC Irvine (January 14-March 20, 2021), Palo Alto Art Center (May 1-August 14, 2021), Art Galleries at Black Studies at University of Texas Austin (September 9-December 12, 2021), and the Hunter College Art Galleries (January 27-April 3, 2022)"
    Language: English
    Subjects: Sociology
    RVK:
    Keywords: Person of Color ; Kunst ; Selbstdarstellung ; Person of Color ; Entkolonialisierung ; Schwarze ; Kunst ; Selbstdarstellung ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband
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  • 2
    UID:
    almafu_BV045195399
    Format: 156 Seiten : , Illustrationen, Portraits.
    ISBN: 978-1-911282-22-8 , 0-915135-18-3
    Content: This is a timely, visual, exploration of the fascinating life and lasting legacy of sculptor Augusta Savage (1892-1962), who overcame poverty, racism, and sexual discrimination to become one of America's most influential twentieth-century artists. Her story is one of community-building, activism, and art education.0Born just outside Jacksonville, Florida, Savage left the South to pursue new opportunities and opened a studio in Harlem, New York City, offering free art classes. She co-founded the Harlem Artists' Guild in 1935 and became the first director of the federally-supported Harlem Community Art Center. Through her leadership there, Savage played an instrumental role in the development of many artists: William Artis, Gwendolyn Knight, Gwendolyn Bennett, Norman Lewis, Jacob Lawrence, Robert Blackburn, Romare Bearden, among many others.0This ground-breaking volume features fifty works by Savage, and those she mentored or influenced, as well as correspondence and period photographs. Exhibition: Cummer Museum of Art, Jacksonville, USA (12.10.2018-07.04.2019)
    Note: Accompanies the exhibition ... at Cummer Museum: October 12, 2018-April 7, 2019; New-York Historical Society Museum & Library: May 3-July 28, 2019; Palmer Museum of Art, Pennsylvania State University: August 24-December 8, 2019; Dixon Gallery & Gardens: January 19-March 22, 2020
    Language: English
    Keywords: 1892-1962 Savage, Augusta ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
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  • 3
    UID:
    almafu_BV048577599
    Format: 267 Seiten : , Illustrationen ; , 24 cm x 17 cm.
    ISBN: 978-3-7533-0238-6 , 978-1-84638-263-5 , 3-7533-0238-4
    Series Statement: Exhibition histories
    Content: Der Katalog untersucht Schlüsselmomente, die zu Brüchen in der Art und Weise geführt haben, wie schwarze Künstler und Künstlerinnen in Ausstellungen präsentiert und die Kunstgeschichte der afrikanischen Diaspora geprägt wurde. Er listet hierzu eine Auswahl prägender Ausstellungen und befasst sich mit dem scheinbar nie endenden Spannungsverhältnis zwischen Kunst als universeller, identitätsspezifischer Kunst und zeigt, dass die Frage der schwarzen Identität in der Kunst und im Ausstellungswesen von Natur aus historisch und systemisch bedingt ist.
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Adusei-Poku, Nana
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  • 4
    UID:
    almahu_9949385250202882
    Format: 1 online resource
    ISBN: 9781000440720 , 1000440729 , 9780429260575 , 0429260571 , 1000440664 , 9781000440669
    Content: Mannequins in Museums is a collection of historical and contemporary case studies that examine how mannequins are presented in exhibitions and shows that, as objects used for storytelling, they are not neutral objects. Demonstrating that mannequins have long histories of being used to promote colonialism, consumerism, and racism, the book shows how these histories inform their use. It also engages readers in a conversation about how historical narratives are expressed in museums through mannequins as surrogate forms. Written by a select group of curators and art historians, the volume provides insight into a variety of museum contexts, including art, history, fashion, anthropology and wax. Drawing on exhibition case studies from North America, South Africa, and Europe, each chapter discusses the pedagogical and aesthetic stakes involved in representing racial difference and cultural history through mannequins. As a whole, the book will assist readers to understand the history of mannequins and their contemporary use as culturally relevant objects. Mannequins in Museums will be compelling reading for academics and students in the fields of museum studies, art history, public history, anthropology and visual and cultural studies. It should also be essential reading for museum professionals who are interested in rethinking mannequin display techniques.
    Additional Edition: Print version: ISBN 9781000440720
    Additional Edition: Print version: ISBN 0367202689
    Additional Edition: ISBN 9780367202682
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    gbv_1763113353
    Format: 1 Online-Ressource (151 Seiten) , Illustrationen
    ISBN: 9781000440720
    Series Statement: Routledge focus
    Content: Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of figures -- List of contributors -- Acknowledgments -- Introduction -- 1 The museum mannequin as "body without organs" -- 2 From life?: histories and contemporary perspectives on modeling Native American humankind through mannequins at the Smithsonian -- 3 Likeness and likeability: human remains, facial reconstructions, and identity-making in museum displays -- 4 Fashion and physique: size, shape, and body politics in the display of historical dress -- 5 Asian physiques of mannequins in American art museums -- 6 Figures of speech: black History at the National Great Blacks in Wax Museum -- 7 Black is the color of my true love's skin: the symbolism and significance of the Black female mannequin figure in Mary Sibande's creative work -- Index.
    Additional Edition: ISBN 9780367202682
    Additional Edition: Erscheint auch als Druck-Ausgabe Mannequins in museums London : Routledge, Taylor & Francis Group, 2022 ISBN 9780367202682
    Additional Edition: ISBN 9781032036168
    Language: English
    Keywords: Schaufensterpuppe ; Museum ; Ausstellung ; Rassismus ; Kolonialismus ; Konsumismus ; Aufsatzsammlung
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  • 6
    Book
    Book
    London ; New York :Routledge, Taylor & Francis Group,
    UID:
    almahu_BV047398200
    Format: viii, 134 Seiten : , Illustrationen.
    ISBN: 978-0-367-20268-2 , 978-1-032-03616-8
    Content: Mannequins in Museums is a collection of historical and contemporary case studies that examine how mannequins are presented in exhibitions and shows that, as objects used for storytelling, they are not neutral objects. Demonstrating that mannequins have long histories of being used to promote colonialism, consumerism, and racism, the book shows how these histories inform their use. It also engages readers in a conversation about how historical narratives are expressed in museums through mannequins as surrogate forms. Written by a select group of curators and art historians, the volume provides insight into a variety of museum contexts, including art, history, fashion, anthropology and wax. Drawing on exhibition case studies from North America, South Africa, and Europe, each chapter discusses the pedagogical and aesthetic stakes involved in representing racial difference and cultural history through mannequins. As a whole, the book will assist readers to understand the history of mannequins and their contemporary use as culturally relevant objects.Mannequins in Museums will be compelling reading for academics and students in the fields of museum studies, art history, public history, anthropology and visual and cultural studies. It should also be essential reading for museum professionals who are interested in rethinking mannequin display techniques
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-429-26057-5
    Language: English
    Subjects: Ethnology
    RVK:
    RVK:
    Keywords: Schaufensterpuppe ; Museum ; Mode ; Schaufensterpuppe ; Ausstellung ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    Amherst, [Massachusetts] ; : University of Massachusetts Press,
    UID:
    almahu_9948326091202882
    Format: 1 online resource (241 pages, 16 unnumbered pages of plates) : , illustrations (some color), photographs
    ISBN: 9781613760062 (e-book)
    Note: Includes index.
    Additional Edition: Print version: Cooks, Bridget R., 1972- Exhibiting blackness : African Americans and the American art museum. Amherst, [Massachusetts] ; Boston, [Massachusetts] : University of Massachusetts Press, c2011 ISBN 9781558498754
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    Amherst, [Massachusetts] ; : University of Massachusetts Press,
    UID:
    almafu_9959245333002883
    Format: 1 online resource : , illustrations (some color)
    Edition: 1st ed.
    ISBN: 1-61376-006-X
    Content: "In Exhibiting Blackness, art historian Bridget R. Cooks analyzes the curatorial strategies, challenges, and critical receptions of the most significant museum exhibitions of African American art. Tracing two dominant methodologies used to exhibit art by African Americans--an ethnographic approach that focuses more on artists than their art, and a recovery narrative aimed at correcting past omissions--Cooks exposes the issues involved in exhibiting cultural difference that continue to challenge art history, historiography, and American museum exhibition practices. By further examining the unequal and often contested relationship between African American artists, curators, and visitors, she provides insight into the complex role of art museums and their accountability to the cultures they represent."--
    Note: A note on terminology -- Introduction. African Americans enter the art museum -- Negro art in the modern art museum -- Black artists and activism : Harlem on my mind, 1969 -- Filling the void : two centuries of black American art, 1976 -- New York to L.A. : black male : representations of black masculinity in contemporary American art, 1994-1995 -- Back to the future : The quilts of Gee's Bend, 2002 -- Conclusion. African Americans after the art museum -- Epilogue.
    Additional Edition: ISBN 1-55849-875-3
    Language: English
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  • 9
    Online Resource
    Online Resource
    London ; New York :Routledge, Taylor & Francis Group,
    UID:
    almafu_BV049606875
    Format: 1 Online-Ressource (viii, 134 Seiten) : , Illustrationen.
    ISBN: 978-0-429-26057-5
    Series Statement: Routledge focus
    Content: Mannequins in Museums is a collection of historical and contemporary case studies that examine how mannequins are presented in exhibitions and shows that, as objects used for storytelling, they are not neutral objects. Demonstrating that mannequins have long histories of being used to promote colonialism, consumerism, and racism, the book shows how these histories inform their use. It also engages readers in a conversation about how historical narratives are expressed in museums through mannequins as surrogate forms. Written by a select group of curators and art historians, the volume provides insight into a variety of museum contexts, including art, history, fashion, anthropology and wax. Drawing on exhibition case studies from North America, South Africa, and Europe, each chapter discusses the pedagogical and aesthetic stakes involved in representing racial difference and cultural history through mannequins. As a whole, the book will assist readers to understand the history of mannequins and their contemporary use as culturally relevant objects.Mannequins in Museums will be compelling reading for academics and students in the fields of museum studies, art history, public history, anthropology and visual and cultural studies. It should also be essential reading for museum professionals who are interested in rethinking mannequin display techniques
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-367-20268-2
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-032-03616-8
    Language: English
    Subjects: Ethnology
    RVK:
    RVK:
    Keywords: Schaufensterpuppe ; Museum ; Mode ; Schaufensterpuppe ; Ausstellung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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