Kooperativer Bibliotheksverbund

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Format: 1 Online-Ressource

ISBN: 9783110754469 , 9783110754568

Series Statement: Worlds of South and Inner Asia volume 13

Note: Erscheint als Open Access bei De Gruyter

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-075442-1

Language: English

Keywords: Mittelasien ; Fotografie ; Asienbild ; Orientalismus ; Ethnologische Fotografie ; Geschichte 1876-2019 ; Mittelasien ; Fotograf ; Mittelasien ; Fotografie ; Asienbild ; Orientalismus ; Geschichte 1876-2019 ; Aufsatzsammlung

DOI: 10.1515/9783110754469

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Inhaltsverzeichnis

Author information: Gorshenina, Svetlana 1969-

Author information: Abašin, Sergej Nikolaevič 1965-

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Format: 1 online resource (VIII, 431 p.)

ISBN: 3-11-075446-0

Series Statement: Welten Süd- und Zentralasiens / Worlds of South and Inner Asia / Mondes de l'Asie du Sud et de l'Asie Centrale : Im Auftrag der Schweizerischen Asiengesellschaft / On behalf of the Swiss Asia Society / Au nom de la Société Suisse-Asie , 13

Content: This volume addresses new theoretical approaches in visual and memory studies that prompted to rethink of the photography of Russian Turkestan of the nineteenth and early twentieth centuries. Attempts to relate the visual unknown documentations to postcolonial criticism also opened up new interpretive arenas, helping to decentralize the analysis of the history of photography. The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts. Without reducing the entire argument to the binary of ‘photography and power’, the authors reveal the different modes of seeing that involve distinct cultural norms, social practices, power relations, levels of technology, and networks for circulating photography, and that determined the manner of its (re)use in constructing various images of Central Asia. The volume demonstrates that photography was the cornerstone of imperial media governance and discourse construction in colonial Turkestan of the tsarist and early Soviet periods. The various cases show the complex mechanisms by which images of Turkestan were created, remembered, or forgotten from the nineteenth until the twenty-first century. The book should appeal to scholars of the Russian Empire and Central Asia; of history of photography and visual culture; of memory studies. It should be appropriate for use in upper-level undergraduate courses, and even a broader public.

Note: Frontmatter -- , Acknowledgements -- , Contents -- , Note on transliteration -- , 1 Introduction: “On the margins of the marginal” – Why are there so few specialists in Central Asian photography of the imperial and early Soviet period? -- , Part I: Photography and orientalisms -- , 2 Picturing the Other, mapping the Self: Charles-Eugène de Ujfalvy’s anthropological and ethnographic photography in Russian Turkestan (1876–1881) -- , 3 Picturing “Russia’s Orient”: The peoples of Russian Turkestan through the lens of Samuil M. Dudin (1900–1902) -- , 4 The photographic legacy of Alexander N. Samoilovich (1880–1938) -- , 5 Hungarian orientalism as seen through the photographs of György Almásy’s second expedition to the Kazakh and Kyrgyz territories in 1906 -- , 6 From Siberia to Turkestan: Semirechie in writings and photographs of Vasilii V. Sapozhnikov -- , 7 “Another Turkestan” of senator Konstantin von der Pahlen (1908–1909) and engineer Nikolai M. Shchapov (1911–1913) -- , Part II: Using and reusing photographs -- , 8 Pre-revolutionary postcards with views of Turkestan -- , 9 The Aralsk and Kazalinsk regions in early twentieth-century postcard photography: How does it reflect the social history and modern transformation of the Aral Sea backwater? -- , 10 Max Penson: The rise of a Soviet photographer from the margins -- , 11 The expeditions of the Academy for the History of Material Culture to Central Asia in the 1920s and 1930s: An examination of its well-known and unknown photographic collections -- , 12 “Ethnographic types” in the photographs of Turkestan: Orientalism, nationalisms and the functioning of historical memory on Facebook pages (2017–2019) -- , 13 Afterword: Unmarginalising Central Asian Photography -- , List of figures and tables -- , Geographic index -- , Index nominum -- , Index rerum , Issued also in print. , In English.

Additional Edition: ISBN 3-11-075442-8

Language: English

DOI: 10.1515/9783110754469

URL: kostenfrei

URL: kostenfrei

URL: Cover

URL: Inhaltsverzeichnis

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Format: XXXIX, 1021 Seiten : , Illustrationen, Diagramme, Karten ; , 21 cm x 14.8 cm, 1512 g.

ISBN: 978-3-8382-1518-1 , 978-3-8382-1518-1

Language: English

Subjects: History , Geography

Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

URL: Inhaltstext

URL: Inhaltsverzeichnis

URL: Inhaltstext

URL: Inhaltsverzeichnis

URL: Inhaltstext

URL: Inhaltstext

URL: Unbekannt

URL: Inhaltsverzeichnis

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Format: 1 online resource (442 pages)

ISBN: 9783110754469

Series Statement: Welten Süd- und Zentralasiens / Worlds of South and Inner Asia / Mondes de l'Asie du Sud et de l'Asie Centrale Ser. ; v.13

Additional Edition: Print version: Gorshenina, Svetlana Photographing Central Asia Berlin/Boston : Walter de Gruyter GmbH,c2022

Language: English

Keywords: Electronic books.

URL: Click to View

URL: lizenzpflichtig

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Format: 1 online resource (1 volume) : , illustrations (black and white).

ISBN: 9783110754469 , 3110754460

Series Statement: Worlds of South and Inner Asia ; 12

Content: This volume addresses new theoretical approaches in visual and memory studies that prompted to rethink of the photography of Russian Turkestan of the nineteenth and early twentieth centuries. Attempts to relate the visual unknown documentations to postcolonial criticism also opened up new interpretive arenas, helping to decentralize the analysis of the history of photography. The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts. Without reducing the entire argument to the binary of 'photography and power', the authors reveal the different modes of seeing that involve distinct cultural norms, social practices, power relations, levels of technology, and networks for circulating photography, and that determined the manner of its (re)use in constructing various images of Central Asia. The volume demonstrates that photography was the cornerstone of imperial media governance and discourse construction in colonial Turkestan of the tsarist and early Soviet periods. The various cases show the complex mechanisms by which images of Turkestan were created, remembered, or forgotten from the nineteenth until the twenty-first century. The book should appeal to scholars of the Russian Empire and Central Asia; of history of photography and visual culture; of memory studies. It should be appropriate for use in upper-level undergraduate courses, and even a broader public.

Note: Frontmatter -- , Acknowledgements -- , Contents -- , Note on transliteration -- , 1 Introduction: "On the margins of the marginal" -- Why are there so few specialists in Central Asian photography of the imperial and early Soviet period? -- , Part I: Photography and orientalisms -- , 2 Picturing the Other, mapping the Self: Charles-Eugène de Ujfalvy's anthropological and ethnographic photography in Russian Turkestan (1876-1881) -- , 3 Picturing "Russia's Orient": The peoples of Russian Turkestan through the lens of Samuil M. Dudin (1900-1902) -- , 4 The photographic legacy of Alexander N. Samoilovich (1880-1938) -- , 5 Hungarian orientalism as seen through the photographs of György Almásy's second expedition to the Kazakh and Kyrgyz territories in 1906 -- , 6 From Siberia to Turkestan: Semirechie in writings and photographs of Vasilii V. Sapozhnikov -- , 7 "Another Turkestan" of senator Konstantin von der Pahlen (1908-1909) and engineer Nikolai M. Shchapov (1911-1913) -- , Part II: Using and reusing photographs -- , 8 Pre-revolutionary postcards with views of Turkestan -- , 9 The Aralsk and Kazalinsk regions in early twentieth-century postcard photography: How does it reflect the social history and modern transformation of the Aral Sea backwater? -- , 10 Max Penson: The rise of a Soviet photographer from the margins -- , 11 The expeditions of the Academy for the History of Material Culture to Central Asia in the 1920s and 1930s: An examination of its well-known and unknown photographic collections -- , 12 "Ethnographic types" in the photographs of Turkestan: Orientalism, nationalisms and the functioning of historical memory on Facebook pages (2017-2019) -- , 13 Afterword: Unmarginalising Central Asian Photography -- , List of figures and tables -- , Geographic index -- , Index nominum -- , Index rerum

Additional Edition: Print version: Photographing Central Asia. Berlin : De Gruyter, 2022 ISBN 9783110754421

Language: English

Keywords: Electronic books. ; Electronic books. ; History.

URL: EBSCOhost

URL: https://doi.org/10.1515/9783110754469

URL: Open Access

URL: Cover

URL: Click here to view book

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Format: 1 online resource (VIII, 431 p.)

ISBN: 9783110754469 , 9783110766820

Series Statement: Welten Süd- und Zentralasiens / Worlds of South and Inner Asia / Mondes de l'Asie du Sud et de l'Asie Centrale : Im Auftrag der Schweizerischen Asiengesellschaft / On behalf of the Swiss Asia Society / Au nom de la Société Suisse-Asie , 13

Content: This volume addresses new theoretical approaches in visual and memory studies that prompted to rethink of the photography of Russian Turkestan of the nineteenth and early twentieth centuries. Attempts to relate the visual unknown documentations to postcolonial criticism also opened up new interpretive arenas, helping to decentralize the analysis of the history of photography. The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts. Without reducing the entire argument to the binary of 'photography and power', the authors reveal the different modes of seeing that involve distinct cultural norms, social practices, power relations, levels of technology, and networks for circulating photography, and that determined the manner of its (re)use in constructing various images of Central Asia. The volume demonstrates that photography was the cornerstone of imperial media governance and discourse construction in colonial Turkestan of the tsarist and early Soviet periods. The various cases show the complex mechanisms by which images of Turkestan were created, remembered, or forgotten from the nineteenth until the twenty-first century. The book should appeal to scholars of the Russian Empire and Central Asia; of history of photography and visual culture; of memory studies. It should be appropriate for use in upper-level undergraduate courses, and even a broader public.

Note: Frontmatter -- , Acknowledgements -- , Contents -- , Note on transliteration -- , 1 Introduction: "On the margins of the marginal" - Why are there so few specialists in Central Asian photography of the imperial and early Soviet period? -- , Part I: Photography and orientalisms -- , 2 Picturing the Other, mapping the Self: Charles-Eugène de Ujfalvy's anthropological and ethnographic photography in Russian Turkestan (1876-1881) -- , 3 Picturing "Russia's Orient": The peoples of Russian Turkestan through the lens of Samuil M. Dudin (1900-1902) -- , 4 The photographic legacy of Alexander N. Samoilovich (1880-1938) -- , 5 Hungarian orientalism as seen through the photographs of György Almásy's second expedition to the Kazakh and Kyrgyz territories in 1906 -- , 6 From Siberia to Turkestan: Semirechie in writings and photographs of Vasilii V. Sapozhnikov -- , 7 "Another Turkestan" of senator Konstantin von der Pahlen (1908-1909) and engineer Nikolai M. Shchapov (1911-1913) -- , Part II: Using and reusing photographs -- , 8 Pre-revolutionary postcards with views of Turkestan -- , 9 The Aralsk and Kazalinsk regions in early twentieth-century postcard photography: How does it reflect the social history and modern transformation of the Aral Sea backwater? -- , 10 Max Penson: The rise of a Soviet photographer from the margins -- , 11 The expeditions of the Academy for the History of Material Culture to Central Asia in the 1920s and 1930s: An examination of its well-known and unknown photographic collections -- , 12 "Ethnographic types" in the photographs of Turkestan: Orientalism, nationalisms and the functioning of historical memory on Facebook pages (2017-2019) -- , 13 Afterword: Unmarginalising Central Asian Photography -- , List of figures and tables -- , Geographic index -- , Index nominum -- , Index rerum , Issued also in print. , Mode of access: Internet via World Wide Web. , In English.

In: DG Plus DeG Package 2022 Part 1, De Gruyter, 9783110766820

In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899

In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810

In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English, De Gruyter, 9783110993752

In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022, De Gruyter, 9783110993738

Additional Edition: ISBN 9783110754568

Additional Edition: ISBN 9783110754421

Language: English

DOI: 10.1515/9783110754469

URL: Open Access

URL: Open Access

URL: Cover

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ISBN: 0857933566

In: Handbook of research on development and religion, Cheltenham [u.a.] : Edward Elgar, 2013, (2013), Seite 376-401, 0857933566

In: 9780857933560

In: 1782540237

In: 9781782540236

In: year:2013

In: pages:376-401

Language: Undetermined

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ISBN: 0857933566

In: Handbook of research on development and religion, Cheltenham [u.a.] : Edward Elgar, 2013, (2013), Seite 521-539, 0857933566

In: 9780857933560

In: 1782540237

In: 9781782540236

In: year:2013

In: pages:521-539

Language: Undetermined

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Format: XII, 213 Seiten : , Illustrationen ; , 24 cm.

Edition: Herziene en geactualiseerde uitgave

ISBN: 978-90-382-1086-5 , 90-3821-086-8

Language: Dutch

Subjects: Political Science

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Format: 1 online resource (VIII, 431 p.)

ISBN: 3-11-075446-0

Series Statement: Welten Süd- und Zentralasiens / Worlds of South and Inner Asia / Mondes de l'Asie du Sud et de l'Asie Centrale : Im Auftrag der Schweizerischen Asiengesellschaft / On behalf of the Swiss Asia Society / Au nom de la Société Suisse-Asie , 13

Content: This volume addresses new theoretical approaches in visual and memory studies that prompted to rethink of the photography of Russian Turkestan of the nineteenth and early twentieth centuries. Attempts to relate the visual unknown documentations to postcolonial criticism also opened up new interpretive arenas, helping to decentralize the analysis of the history of photography. The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts. Without reducing the entire argument to the binary of ‘photography and power’, the authors reveal the different modes of seeing that involve distinct cultural norms, social practices, power relations, levels of technology, and networks for circulating photography, and that determined the manner of its (re)use in constructing various images of Central Asia. The volume demonstrates that photography was the cornerstone of imperial media governance and discourse construction in colonial Turkestan of the tsarist and early Soviet periods. The various cases show the complex mechanisms by which images of Turkestan were created, remembered, or forgotten from the nineteenth until the twenty-first century. The book should appeal to scholars of the Russian Empire and Central Asia; of history of photography and visual culture; of memory studies. It should be appropriate for use in upper-level undergraduate courses, and even a broader public.

Note: Frontmatter -- , Acknowledgements -- , Contents -- , Note on transliteration -- , 1 Introduction: “On the margins of the marginal” – Why are there so few specialists in Central Asian photography of the imperial and early Soviet period? -- , Part I: Photography and orientalisms -- , 2 Picturing the Other, mapping the Self: Charles-Eugène de Ujfalvy’s anthropological and ethnographic photography in Russian Turkestan (1876–1881) -- , 3 Picturing “Russia’s Orient”: The peoples of Russian Turkestan through the lens of Samuil M. Dudin (1900–1902) -- , 4 The photographic legacy of Alexander N. Samoilovich (1880–1938) -- , 5 Hungarian orientalism as seen through the photographs of György Almásy’s second expedition to the Kazakh and Kyrgyz territories in 1906 -- , 6 From Siberia to Turkestan: Semirechie in writings and photographs of Vasilii V. Sapozhnikov -- , 7 “Another Turkestan” of senator Konstantin von der Pahlen (1908–1909) and engineer Nikolai M. Shchapov (1911–1913) -- , Part II: Using and reusing photographs -- , 8 Pre-revolutionary postcards with views of Turkestan -- , 9 The Aralsk and Kazalinsk regions in early twentieth-century postcard photography: How does it reflect the social history and modern transformation of the Aral Sea backwater? -- , 10 Max Penson: The rise of a Soviet photographer from the margins -- , 11 The expeditions of the Academy for the History of Material Culture to Central Asia in the 1920s and 1930s: An examination of its well-known and unknown photographic collections -- , 12 “Ethnographic types” in the photographs of Turkestan: Orientalism, nationalisms and the functioning of historical memory on Facebook pages (2017–2019) -- , 13 Afterword: Unmarginalising Central Asian Photography -- , List of figures and tables -- , Geographic index -- , Index nominum -- , Index rerum , Issued also in print. , In English.

Additional Edition: ISBN 3-11-075442-8

Language: English

DOI: 10.1515/9783110754469