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  • 1
    UID:
    gbv_1019265388
    Format: 276 Seiten , Illustrationen , 25 cm
    ISBN: 9781633450332
    Note: "Published in conjunction with the exhibition 'Adrian Piper: A Synthesis of Intuitions, 1965-2016' at The Museum of Modern Art, New York, March 31-July 22, 2018. Organized by Christophe Cherix, The Robert Lehman Foundation Chief Curator of Drawings and Prints, The Museum of Modern Art; Cornelia H. Butler, Chief Curator, Hammer Museum, Los Angeles; and David Platzker, former Curator, The Department of Drawings and Prints, The Museum of Modern Art; with Tessa Ferreyros, Curatorial Assistant, The Department of Drawings and Prints, The Museum of Modern Art" - Impressum Seite [280]
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Piper, Adrian 1948- ; Piper, Adrian 1948- ; Aufsatzsammlung ; Ausstellungskatalog
    Author information: Cherix, Christophe 1969-
    Author information: Heiser, Jörg 1968-
    Author information: Butler, Cornelia H. 1963-
    Author information: Piper, Adrian 1948-
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  • 2
    Image
    Image
    New York : Museum of Modern Art | Distributed in the United States and Canada by Artbook/D.A.P.
    UID:
    b3kat_BV045004608
    Format: 276 Seiten , Illustrationen
    ISBN: 9781633450332
    Content: "Published for MoMA's retrospective exhibition and in collaboration with the artist, this volume presents new critical essays that expand on Piper's practice in ways that have been previously under- or unaddressed. Focused texts by established and emerging scholars assess themes in Piper's work such as the Kantian framework that draws on her extensive philosophical studies; her unique contribution to first-generation conceptual art; the turning point in her work, in the early 1970s, from conceptual works to performance; the connection of her work with her yoga practice; her ongoing exposure of and challenge to xenophobia and sexism; and the relation between prevailing interpretations of her work and the viewers who engender them"
    Note: Impressum: "Published in conjunction with the exhibition Adrian Piper: a synthesis of intuitions, 1965-2016 at the Museum of Modern Art, New York, March 31-July 22, 2018" , Adrian Piper: reading the work , Adventures in reasonland , Propositions to politics: Adrian Piper's conceptual paradigms , Contrapositional becomings: Adrian Piper performs questions of identity , Plates -- , Xenophobia, stereotypes, and empirical acculturation: Neo-Kantianism in Adrian Piper's performance-based conceptual art , Body and soul , Adrian Piper and the rhetoric of conceptual art
    Language: English
    Keywords: Piper, Adrian 1948- ; Ausstellungskatalog ; Aufsatzsammlung
    Author information: Piper, Adrian 1948-
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  • 3
    Book
    Book
    Chichester :Wiley-Blackwell,
    UID:
    almahu_BV039167690
    Format: vii, 200 Seiten : , Illustrationen.
    Edition: This edition first published
    ISBN: 978-1-4443-3360-2 , 1-4443-3360-7
    Series Statement: Art history special issue book series
    Note: Edition history: originally published as Volume 23, Issue 5 of "Art History". - Includes bibliographical references and index , Auto-maticity: Ruscha and performative photography / Margaret Iversen -- Ed Ruscha, Heidegger, and deadpan photography / Aron Vinegar -- Subject, object, mimesis: the aesthetic world of the Bechers' photography / Sarah E. James -- Exit ghost: Douglas Huebler's face value / Gordon Hughes -- Productive misunderstandings: interpreting Mel Bochner's theory of photography / Luke Skrebowski -- Roni Horn's Icelandic encyclopedia / Mark Godfrey -- Thomas Demand, Jeff Wall and Sherrie Levine: deforming 'pictures' / Tamara Trodd -- Almost Merovingian: on Jeff Wall's relation to nearly everything / Wolfgang Bruckle -- Morning cleaning: Jeff Wall and The large glass / Christine Conley
    Additional Edition: Erscheint auch als Online-Ausgabe
    Language: English
    Subjects: General works
    RVK:
    Keywords: Fotografie ; Ästhetik ; Concept-art ; Aufsatzsammlung ; Aufsatzsammlung
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  • 4
    Book
    Book
    Oxford [u.a.] : Berg
    UID:
    b3kat_BV024112482
    Format: X, 213 S.
    Edition: 1. publ.
    ISBN: 9781845203191 , 9781845203207 , 1845203194 , 1845203208
    Note: Literaturangaben
    Language: English
    RVK:
    Keywords: Ästhetik ; Geschichte 1960-2003 ; Kulturphilosoph ; Wissenschaftliches Werk ; Geschichte 1920-2003 ; Aufsatzsammlung
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  • 5
    Online Resource
    Online Resource
    New York, NY :Oxford University Press,
    UID:
    almahu_9949860939402882
    Format: 1 online resource : , illustrations.
    ISBN: 9780197756423
    Series Statement: Thinking art
    Content: 'Aesthetics after Modernism' defends the ongoing relevance of aesthetics to art after modernism. Diarmuid Costello traces the art world's rejection of aesthetics to Clement Greenberg's success in co-opting the discourse of aesthetics, notably Kant's aesthetics, to underwrite a formalist theory of aesthetic value. This has led to Kant's aesthetics being tarred with the brush of Greenbergian formalism; it has also encouraged subsequent critics and theorists to miss the resources in Kant's aesthetics for capturing our cognitive relation to precisely the kinds of art that interest them.
    Additional Edition: Print version : ISBN 9780197756393
    Language: English
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  • 6
    Online Resource
    Online Resource
    London ; New York :Routledge, Taylor & Francois Group,
    UID:
    almahu_BV046990969
    Format: 1 Online-Ressource (xv, 165 Seiten, 12 ungezählte Seiten Bildtafeln) : , Illustrationen.
    ISBN: 978-1-315-26668-8
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-415-68470-5
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-415-68449-1
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Fotografie ; Philosophie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 7
    Book
    Book
    Chicago, Ill. : Univ. of Chicago Press
    UID:
    b3kat_BV040771011
    Format: S. 679 - 908 , Ill.
    Series Statement: Critical inquiry 38,4
    Language: English
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  • 8
    UID:
    b3kat_BV042040289
    ISBN: 0-8264-6729-6
    In: Walter Benjamin and art / edited by Andrew Benjamin, London [u.a.], 2005, 164-184, 275-279, 0-8264-6729-6
    Language: English
    Keywords: Benjamin, Walter 1892-1940 Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit ; Benjamin, Walter 1892-1940 ; Fotografie ; Benjamin, Walter 1892-1940 ; Ästhetik
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  • 9
    Book
    Book
    London : Routledge
    UID:
    gbv_894930818
    Format: xv, 165 pages, 12 unnumbered pages , illustrations
    ISBN: 9780415684491 , 9780415684705
    Series Statement: Thinking in action
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781315266688
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Fotografie ; Philosophie
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  • 10
    Book
    Book
    Hoboken, NJ : Wiley
    UID:
    gbv_682685410
    Format: 163 S. , Ill., Notenbeisp. , 26 cm
    ISBN: 9781118269015
    Series Statement: The journal of aesthetics and art criticism 70.2012,1
    Content: "Two events in particular occasion this volume on the philosophy of photography: the blurring of boundaries that many took to demarcate photographic technology and practices from other representational and artistic technologies and the invention of digital photography. The purpose of this volume is not to revive older questions by asking what, if anything, still distinguishes photography in the light of these developments, but to consider sundry questions about the materials and tools--or media--of photography from a variety of perspectives. critically examines classic and influential arguments in philosophy of photography addresses recent trends in photographic art, such as conceptualism and appropriation highlights philosophically neglected elements of photographic art, such as performativity and self-portraiture reexamines the role of photographic media in photographic art practices offers new perspectives of the impact of digital technologies on photography explores the relationship between photographic art and photography in other arts (comics and music) and in science brings a range of philosophical methodologies and traditions into dialogue incorporates extended discussions of the work of important photographers and artists who use photography (e.g. Friedlander, Gursky, Lawlor) illustrates philosophical points with reproductions, many of them not widely known closely connects philosophical theory to the details of photographic practice offers original and novel theories of the aesthetic, artistic, and epistemic values of photographs "--
    Note: Machine generated contents note: Introduction DIARMUID COSTELLO and DOMINIC McIVER LOPES1. Transparent Representation: Photography and the Art of Casting PETER ALWARD2. Fiction, Non-fiction and Deceptive Photographic Representation PALOMA ATENCIA-LINARES3. Facing the Camera: Self-Portraits of Photographers as Artists DAWN PHILLIPS4. Photography as Performative Process RICHARD SHUSTERMAN5. Photographic Art: An Ontology Fit to Print CHRISTY MAG UIDHIR6. Digital Pictures, Sampling and Vagueness: The Ontology of Digital Pictures JOHN ZEIMBEKIS7. The Macro and the Micro: Andreas Gursky's Aesthetics BENCE NANAY8. Artwork and Document in the Photography of Louise Lawler SHERRI IRVIN9. The Question Concerning Photography DIARMUID COSTELLO10. A Musical Photograph? RICHARD BEAUDOIN AND ANDREW KANIA11. Drawings of Photographs in Comics ROY COOK12. Photography and Knowledge SCOTT WALDEN13. Depiction, Detection and the Epistemic Value of Photography LAURA PERINI .
    Language: English
    Author information: Lopes, Dominic 1964-
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