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  • 1
    Book
    Book
    Bloomington ; Indianapolis : Indiana University Press
    UID:
    b3kat_BV043769837
    Format: xxi, 280 Seiten , Illustrationen
    ISBN: 9780253022691 , 9780253023018
    Series Statement: New directions in national cinemas
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-253-02317-9
    Language: English
    Subjects: History , General works
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    Keywords: Deutschland ; Frauenfilm ; Geschichte 1965-1989
    Author information: Creech, Jennifer L. 1973-
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  • 2
    Book
    Book
    Oxford [u.a.] :Lang,
    UID:
    almahu_BV042891052
    Format: XII, 304 S. : , Ill.
    ISBN: 978-3-0343-1803-7 , 3-0343-1803-0
    Series Statement: German visual culture 2
    Language: English
    Subjects: Ethnology , General works
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    Keywords: Massenkultur ; Spektakel ; Visuelle Kommunikation ; Spektakel ; Visuelle Kommunikation ; Kultur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Creech, Jennifer L. 1973-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    London ; New York ; Oxford ; New Delhi ; Sydney :Bloomsbury Visual Arts,
    UID:
    almahu_BV047960211
    Format: 1 Online-Ressource (xii, 252 Seiten) : , Illustrationen.
    ISBN: 978-1-350-19406-9 , 978-1-350-19407-6 , 978-1-350-19405-2
    Series Statement: Visual cultures and German contexts
    Content: "How to Make the Body: Difference, Identity, and Embodiment brings together contemporary and historical readings of the body, exploring the insights and limits of established and emerging theories of difference, identity, and embodiment in a variety of German contexts. The engaging contributions to this volume utilize and challenge cutting-edge approaches to scholarship on the body by putting these approaches in direct conversation with canonical texts and objects, as well as with lesser-known yet provocative emerging forms. To these ends, the chapter authors investigate 'the body' through detailed studies across a wide variety of disciplines and modes of expression: from advertising, aesthetics, and pornography, to social media, scientific experimentation, and transnational cultural forms. Thus, this volume showcases the ways in which the body as such cannot be taken for granted and surmises that the body continues to undergo constant - and potentially disruptive - diversification and transformation."
    Note: Includes index , 1. Introduction: How to Make the Body Jennifer L. Creech and Thomas O. Haakenson -- 2. Arousal, the Bible, and Bruegel's Codpieces: The Male Body in Early Modern Visual Culture Alison Stewart -- 3. The Construction of the Aryan Body in German Visual Advertising, 1908-1933 David Ciarlo -- 4. Die Gruppe Zero: Transforming Trauma to Transcendence Jill Holaday -- 5. RAF Corpse Art: The Living Dead in the Work of Gerhard Richter, Ernst Volland, Astrid Proll and Andres Veiel Ilka Rasch -- 6. Penis-bodied Specimen in the Exhibit Körperwelten ('Body Worlds') Sebastian Heiduschke -- 7. For the Porn Connoisseur: Cinema Joy Jennifer L. Creech -- 8. Orientalized Bodies at Work: Cultural Zaniness in Berlin's Sayonara Tokyo Revue Zachary Fitzpatrick -- 9. Ai Weiwei's Body in Berlin Thomas O. Haakenson -- 10. Afrolocken: Natural Hair in German Literature and Media Jamele Watkins -- 11. Poppthority: The Politics of Dr. Bitch Ray's Bodily Interventions Faye Stewart -- 12. Becoming Invisible/Against Visibility: Hito Steyerl's How Not to be Seen: A Fucking Didactic Educational. MOV File Lucy Ashton -- Index
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-350-19404-5
    Language: English
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    Keywords: Körper ; Leiblichkeit ; Körper ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Creech, Jennifer L. 1973-
    Author information: Haakenson, Thomas O., 1972-
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  • 4
    Online Resource
    Online Resource
    London [England] : Bloomsbury Visual Arts | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1801651817
    Format: 1 Online-Ressource (336 pages)
    Edition: First edition
    ISBN: 9781350194076 , 9781350194069 , 9781350194083
    Series Statement: Visual Cultures and German Contexts
    Content: "How to Make the Body: Difference, Identity, and Embodiment brings together contemporary and historical readings of the body, exploring the insights and limits of established and emerging theories of difference, identity, and embodiment in a variety of German contexts. The engaging contributions to this volume utilize and challenge cutting-edge approaches to scholarship on the body by putting these approaches in direct conversation with canonical texts and objects, as well as with lesser-known yet provocative emerging forms. To these ends, the chapter authors investigate 'the body' through detailed studies across a wide variety of disciplines and modes of expression: from advertising, aesthetics, and pornography, to social media, scientific experimentation, and transnational cultural forms. Thus, this volume showcases the ways in which the body as such cannot be taken for granted and surmises that the body continues to undergo constant--and potentially disruptive--diversification and transformation."--
    Note: Includes index , 1. Introduction: How to Make the Body Jennifer L. Creech and Thomas O. Haakenson -- 2. Arousal, the Bible, and Bruegel's Codpieces: The Male Body in Early Modern Visual Culture Alison Stewart -- 3. The Construction of the Aryan Body in German Visual Advertising, 1908-1933 David Ciarlo -- 4. Die Gruppe Zero: Transforming Trauma to Transcendence Jill Holaday -- 5. RAF Corpse Art: The Living Dead in the Work of Gerhard Richter, Ernst Volland, Astrid Proll and Andres Veiel Ilka Rasch -- 6. Penis-bodied Specimen in the Exhibit Körperwelten ('Body Worlds') Sebastian Heiduschke -- 7. For the Porn Connoisseur: Cinema Joy Jennifer L. Creech -- 8. Orientalized Bodies at Work: Cultural Zaniness in Berlin's Sayonara Tokyo Revue Zachary Fitzpatrick -- 9. Ai Weiwei's Body in Berlin Thomas O. Haakenson -- 10. Afrolocken: Natural Hair in German Literature and Media Jamele Watkins -- 11. Poppthority: The Politics of Dr. Bitch Ray's Bodily Interventions Faye Stewart -- 12. Becoming Invisible/Against Visibility: Hito Steyerl's How Not to be Seen: A Fucking Didactic Educational. MOV File Lucy Ashton -- Index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350194045
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781350194083
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften
    UID:
    gbv_1016480695
    Format: 1 Online-Ressource (xii, 304 Seiten)
    ISBN: 9783035306545
    Series Statement: German Visual Culture 2
    Content: How does the visual nature of spectacle inform the citizenry, destabilize the political, challenge aesthetic convention and celebrate cultural creativity? What are the limits – aesthetic, political, social, cultural, economic – of spectacle? How do we explain the inherently exclusionary, revolutionary, dehumanizing and utopian elements of spectacle?In this book, authors from the fields of cultural studies, cinema studies, history and art history examine the concept of spectacle in the German context across various media forms, historical periods and institutional divides. Drawing on theoretical models of spectacle by Guy Debord, Max Horkheimer and Theodor Adorno, Jonathan Crary and Michel Foucault, the contributors to this volume suggest that a decidedly German concept of spectacle can be gleaned from critical interventions into exhibitions, architectural milestones, audiovisual materials and cinematic and photographic images emerging out of German culture from the Baroque to the contemporary
    Content: Contents: Thomas O. Haakenson: What is «German Spectacle»? – Jacob M. Baum: Opening a Window to the Devil: Religious Ritual as Baroque Spectacle in Early Modern Germany – Elizabeth Otto: Bauhaus Spectacles, Bauhaus Specters – Brían Hanrahan: Live on the Air, Live on the Ground: The «Chamberlin Flight» as Spectacular Event, June 1927 – Paul Monty Paret: Berlin in Light: Wilhelmine Monuments and Weimar Mass Culture – Sara Ann Sewell: Spectacles in Everyday Life: The Disciplinary Function of Communist Culture in Weimar Germany – Nadine Rossol: Spectacular Settings for Nazi Spectacles: Mass Theater in the Third Reich – Jennifer L. Creech: Gudrun is Not a Fighting Fuck Toy: Spectacle, Femininity and Terrorism in The Baader-Meinhof Complex and The Raspberry Reich – Deborah Ascher Barnstone: Spectacular Architecture: Transparency in Postwar West German Parliaments – Heather Mathews: Beyond the Global Spectacle: Documenta 13 and Multicultural Germany – Brechtje Beuker: The Spectacle of Terrorism and the Threat of Theatricality
    Additional Edition: ISBN 9783034318037
    Additional Edition: Erscheint auch als Druck-Ausgabe Spectacle Oxford : Peter Lang, 2015 ISBN 3034318030
    Additional Edition: ISBN 9783034318037
    Language: English
    Subjects: Ethnology , General works
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    Keywords: Deutschland ; Massenkultur ; Spektakel ; Visuelle Kommunikation ; Geschichte ; Aufsatzsammlung
    URL: Volltext  (lizenzpflichtig)
    Author information: Haakenson, Thomas O. 1972-
    Author information: Creech, Jennifer L. 1973-
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    gbv_1831320681
    Format: xii, 245 Seiten , Illustrationen , 24 cm
    ISBN: 9781350194045 , 1350194042
    Series Statement: Visual cultures and German contexts
    Note: Includes bibliographical references and index , Introduction: How to Make the Body / Jennifer L. Creech and Thomas O. Haakenson -- 1. Arousal, the Bible, and Bruegel's Codpieces: The Male Body in Early Modern Visual Culture / Alison G. Stewart -- 2. The Construction of the Aryan Body in German Visual Advertising, 1908-33 / David Ciarlo -- 3. Group Zero: Transforming Trauma to Transcendence / Jill Holaday -- 4. RAF Corpse Art: The Resistant and Recuperative Body: Aesthetics of Diffusion and the Rote Armee Fraktion (RAF)/Red Army Faction / Ilka Rasch -- 5. Penis-bodied Specimen in the Exhibit Körperwelten ('Body Worlds') / Sebastian Heiduschke -- 6. For the Porn Connoisseur: Cinema Joy / Jennifer L. Creech -- 7. Orientalized Bodies at Work: Cultural Zaniness in Berlin's Sayonara Tokyo Revue / Zach Ramon Fitzpatrick -- 8. Ai Weiwei's Body in Berlin / Thomas O. Haakenson -- 9. Afrolocken: Natural Hair in German Literature and Media / Jamele Watkins -- 10. Poppthority: The Politics of Dr. Bitch Ray's Bodily Interventions / Faye Stewart -- 11. Becoming Invisible/Against Visibility: Hito Steyerl's How Not to be Seen: A Fucking Didactic Educational. MOV File / Lucy Ashton -- Index.
    Additional Edition: ISBN 9781350194069
    Additional Edition: ISBN 9781350194052
    Additional Edition: Erscheint auch als Online-Ausgabe Creech, Jennifer How to Make the Body London : Bloomsbury Publishing USA, 2022 ISBN 9781350194069
    Language: English
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    Keywords: Kulturanthropologie ; Leiblichkeit ; Deutschland ; Massenmedien ; Körper ; Embodiment
    Author information: Haakenson, Thomas O. 1972-
    Author information: Creech, Jennifer L. 1973-
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    Bloomington : Indiana University Press
    UID:
    b3kat_BV048668973
    Format: 1 online resource (307 pages) , illustrations
    ISBN: 9780253023179
    Series Statement: New directions in national cinemas
    Note: Description based on print version record , Introduction: rescuing history from the ruins -- Happily ever after? the emancipatory politics of female desire in Lot's wife -- The lonely woman? (re)production and feminine desire in the Bicycle and on probation -- Pleasure in seeing ourselves? all my girls -- Real women: goodbye to winter and the documentary women's film -- Conclusion: after the fall
    Additional Edition: Erscheint auch als Druck-Ausgabe Creech, Jennifer L. Mothers, comrades, and outcasts in East German women's films Bloomington : Indiana University Press, [2016] ISBN 9780253023018
    Language: English
    Subjects: History , General works
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    Keywords: Deutschland ; Frauenfilm ; Geschichte 1965-1989
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  • 8
    Online Resource
    Online Resource
    Bloomington :Indiana University Press,
    UID:
    almafu_9959241106002883
    Format: 1 online resource (307 pages) : , illustrations.
    Edition: 1st ed.
    ISBN: 0-253-02317-3
    Series Statement: New directions in national cinemas
    Content: By framing their politics in terms of women's concerns, these films used women's desire and agency to contest the more general problems of social alienation and collectivism, and to re-imagine the possibilities of self-fulfillment under socialism.
    Note: Introduction: rescuing history from the ruins -- Happily ever after? the emancipatory politics of female desire in Lot's wife -- The lonely woman? (re)production and feminine desire in the Bicycle and on probation -- Pleasure in seeing ourselves? all my girls -- Real women: goodbye to winter and the documentary women's film -- Conclusion: after the fall.
    Additional Edition: ISBN 0-253-02269-X
    Additional Edition: ISBN 0-253-02301-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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