Kooperativer Bibliotheksverbund

UID:

Format: XIII, 279 S., [7] Bl. : , Ill. ; , 23 cm.

ISBN: 978-0-8093-3140-6 , 978-0-8093-3141-3 , 0-8093-3141-1 , 0-8093-3140-3

Series Statement: Theater in the Americas

Note: Literaturverz. S. 261 - 267 , Introduction: "you have to hock your house: the story of a producer" -- Privilege with a price: Washington, Princeton, and early theatre efforts -- Playing with martians: stage and screen with Orson Welles and the Mercury Theatre -- A theatrical warrior: Lieutenant Richard Barr -- Learning the director's craft: stock, Broadway, and City Center -- Broadway beginnings: Ethyl Waters, Ruth Draper, and theatrical collage -- The zoo story: discovering Edward Albee -- Producers at work: on Broadway, off-Broadway, and off-off Broadway -- Experimenting with Edward Malcolm to all over -- Hocking the house: Seascape to Sweeney Todd -- Brightening Broadway's lights: Barr's legacy to the American theatre -- Afterword / Edward Albee

Additional Edition: Erscheint auch als Online-Ausgabe Richard Barr

Language: English

Keywords: 1917-1989 Barr, Richard ; Theater ; Biografie ; Biografie

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025952814&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

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Format: xii, 251 Seiten : , Illustrationen ; , 24 cm.

Edition: University of Missouri Press edition

ISBN: 9780826221339

Content: Before Lanford Wilson became a Pulitzer Prize-winning playwright, with such celebrated productions as The Hot 1 Baltimore, Fifth of July, Talley's Folly, and Burn This, he wrote dozens of short stories and poems, many of which take place in the 1950s small-town Missouri where he grew up. This selection of Wilson's early work, written between 1955 and 1964 when he was between the ages of 18 and 27, provides a rare look at a young writer developing his style. The stories explore many of the themes Wilson later took up in the theatre, such as sexual identity and the rupture of societies and families. These never-before-published works - part of the manuscript collection donated by Wilson to the University of Missouri - shed light on the roots of some of America's best-loved plays and are accomplished and evocative works in their own right. -- from dust jacket

Note: Section of orange , Goodbye Sparta , Miss Misty , Beautiful children , Polar bear , Canary (a fairy tale) -- , Train to Washington , Water commissioner , Fish kite -- , Rimers of Eldritch , Green grow the rushes , Chalk eye , Drift -- , Mama , Fuzz on Orion's sword , Uptown in snow , Dear Mr. Goldberg , Doors -- , Outside Tulsa , Mountains , Orange grove , Flower box , Marigold , Oakwood gothic , (Well, there she is, after all) , Cathedral of St. Paul , Street artist , Village walking rhyme , On a day of crisis , (Fifth Avenue was quiet) , Winter , So the sky , Lullaby , Lullaby (2) , (If yours cannot be) , I saw all the workers in the field at noon , Why when I love you , Notes on a poem for Bill , Noel , (Great-hearted dean) , Love story about the next best thing

Language: English

Keywords: Short stories ; Poetry ; Creative nonfiction ; Travel writing ; Criticism, interpretation, etc ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030370255&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

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Format: 1 Online-Ressource (X, 252 pages) , illustrations

ISBN: 9789004535961

Series Statement: Consciousness, Literature and the Arts Volume 60

Content: "Dreamwork for Dramatic Writing: Dreamwrighting for Stage and Screen teaches you how to use your dreams, content, form, and structure, to write surprisingly unique new drama for film and stage. It is an exciting departure from traditional linear, dramatic technique, and addresses both playwriting and screenwriting, as the profession is increasingly populated by writers who work in both stage and screen. Developed through 25 years of teaching award-winning playwrights in the University of Missouri's Writing for Performance Program, and based upon the phenomenological research of renowned performance theorist Bert O. States, this book offers a foundational, step-by-step organic guide to non-traditional, non-linear technique that will help writers beat clichéd, tired dramatic writing and provides stimulating new exercises to transform their work"--

Note: Includes bibliographical references and index , English

Additional Edition: ISBN 9789004535954

Additional Edition: Erscheint auch als Druck-Ausgabe Dreamwork for Dramatic Writing : Dreamwrighting for Stage and Screen Leiden : Brill, 2024 ISBN 9789004535954

Additional Edition: Erscheint auch als Druck-Ausgabe Crespy, David Allison, 1960 - Dreamwork for dramatic writing Leiden : Brill, 2024 ISBN 9789004535954

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures

DOI: 10.1163/9789004535961

URL: lizenzpflichtig

URL: lizenzpflichtig

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Format: 1 online resource (190 pages)

Edition: 1st ed.

ISBN: 9780817385842

Series Statement: Theatre History Studies v.31

Note: Intro -- Contents -- List of Illustrations -- In Memoriam: Vera Mowry Roberts (1913-2010) - Milly S. Barranger -- Class Act(resses): How Depression-Era Stage Actresses Utilized Conflicting Gender Ideals to Benefit Their Community - Kelly Carolyn Gordon -- Storytelling, Chiggers, and the Bible Belt: The Georgia Experiment as the Public Face of the Federal Theatre Project - Elizabeth Osborne -- Shakespearean Celebrity in America: The Strange Performative Afterlife of George Frederick Cooke - Rick Bowers -- Burns Mantle and the American Theatregoing Public - Dorothy Chansky -- Weeki Wachee Girls and Buccaneer Boys: The Evolution of Mermaids, Gender, and "Man versus Nature" Tourism - Jennifer A. Kokai -- Julia Marlowe's Imogen: Modern Identity, Victorian Style - Patty S. Derrick -- Book Reviews -- Heather S. Nathans, Slavery and Sentiment on the American Stage, 1787-1861: Lifting the Veil of Black - Reviewed by Rosemarie K. Bank -- Kerry Powell, Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde - Reviewed by Karen C. Blansfield -- David Savran, Highbrow/Lowdown: Theater, Jazz, and the Makingof the New Middle Class - Reviewed by Dorothy Chansky -- Irene G. Dash, Shakespeare and the Ameri can Musical - Reviewed by Tracey Elaine Chessum -- Rakesh H. Solomon, Albee in Performance, and Anne Paolucci, Edward Albee (The Later Plays) - Reviewed by David A. Crespy -- Judith Barlow, Women Writers of the Provincetown Players - Reviewed by Sherry Engle -- Jin Jiang, Women Playing Men: Yue Opera and Social Change in Twentieth Century Shanghai - Reviewed by Kathy Foley -- DeAnna M. Toten Beard, Sheldon Cheney's "Theatre Arts Magazine": Promoting a Modern Ameri can Theatre, 1916-1921 - Reviewed by Eileen Herrmann- Miller -- Mark Cosdon, The Hanlon Brothers: From Daredevil Acrobatics to Spectacle Pantomime, 1833-1931 - Reviewed by Susan Kattwinkel , Michael Ragussis, Theatrical Nation: Jews and Other Outlandish Englishmen in Georgian Britain - Reviewed by Heather S. Nathans -- Pamela Cobrin, From Winning the Vote to Directing on Broad way: The Emergence of Women on the New York Stage, 1880-1927 - Reviewed by Laura M. Nelson -- Joseph Litvak, The Un-Americans: Jews, the Blacklist, and Stoolpigeon Culture - Reviewed by Brian Neve -- John P. Harrington, edition, Irish Theatre in America: Essays on Irish Theatrical Diaspora - Reviewed by Nelson O'Ceallaigh Ritschel -- Oscar Brockett, Margaret Mitchell, and Linda Hardberger, Making the Scene: A History of Stage Design and Technology in Europe and the United States - Reviewed by Van Santvoord -- Mechele Leon, Molière, the French Revolution, and the Theatrical Afterlife - Reviewed by Michael Spingler -- Marlis Schweitzer, When Broadway Was the Runway: Theater, Fashion, and American Culture - Reviewed by Monica Stufft -- Catherine A. Schuler, Theatre and Identity in Imperial Russia - Reviewed by Ryan Tvedt -- Scott L. Newstock and Ayanna Thompson, editions., Weyward Macbeth: Intersections of Race and Performance - Reviewed by Dan Venning -- Paul Hammond, The Strangeness of Tragedy - Reviewed by Andrew W. White -- Monica L. Miller, Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity - Reviewed by James Wilson -- Scott R. Irelan, Anne Fletcher, and Julie Felise Dubiner, The Processof Dramaturgy: A Handbook - Reviewed by Ronald J . Zank -- Books Received -- Contributors

Additional Edition: Print version Justice-Malloy, Rhona Theatre History Studies 2011, Vol. 31 Tuscaloosa : University of Alabama Press,c2011 ISBN 9780817356842

Language: English

Keywords: Electronic books ; Electronic books

URL: FULL  ((OIS Credentials Required))

URL: FULL  ((OIS Credentials Required))

UID:

Format: 1 online resource (264 pages) : , illustrations.

ISBN: 9789004535961

Series Statement: Consciousness, Literature and the Arts ; 60

Content: Dreamwork for Dramatic Writing: Dreamwrighting for Stage and Screen teaches you how to use your dreams, content, form, and structure, to write surprisingly unique new drama for film and stage. It is an exciting departure from traditional linear, dramatic technique, and addresses both playwriting and screenwriting, as the profession is increasingly populated by writers who work in both stage and screen. Developed through 25 years of teaching award-winning playwrights in the University of Missouri's Writing for Performance Program, and based upon the phenomenological research of renowned performance theorist Bert O. States, this book offers a foundational, step-by-step organic guide to non-traditional, non-linear technique that will help writers beat clichéd, tired dramatic writing and provides stimulating new exercises to transform their work.

Note: Preliminary Material / , English

Additional Edition: Print version: Dreamwork for Dramatic Writing : Dreamwrighting for Stage and Screen. Leiden ; Boston : Brill, 2024. ISBN 9789004535954

Language: English

URL: DOI: