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  • 1
    Book
    Book
    Artistic research : charting a field in expansion (2019)
    London ; New York : Rowman & Littlefield International
    Details
    UID:
    b3kat_BV046330128
    Format: vi, 258 Seiten , Illustrationen
    ISBN: 9781786611505 , 9781786611499
    Series Statement: Artistic research
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-78661-151-2
    Language: English
    Keywords: Künstlerische Forschung ; Künste ; Forschung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 2
    Online Resource
    Online Resource
    Powers of Divergence : An Experimental Approach to Music Performance (2018)
    [Erscheinungsort nicht ermittelbar] : Leuven University Press
    Details
    UID:
    gbv_177851507X
    Format: 1 Online-Ressource
    Content: What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts and semiotics, and crucially based upon an artistic research project with a strong creative and practical component, it proposes a new approach to music performance. The approach is based on divergence, on the difference produced by intensifying the chasm between the symbolic aspect of music notation and the irreducible materiality of performance. Instead of regarding performance as reiteration, reconstruction and reproduction of past musical works, Powers of Divergence emphasises its potential for the emergence of the new and for the problematisation of the limits of musical semiotics
    Note: English
    Language: English
    URL: kostenfrei
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    Online Resource
    Stabi Berlin
    UB Potsdam
  • 3
    Online Resource
    Online Resource
    Powers of Divergence : An Experimental Approach to Music Performance (2018)
    Leuven : Leuven University Press
    Details
    UID:
    gbv_1778545009
    Format: 1 Online-Ressource (220 p.)
    ISBN: 9789462701397
    Series Statement: Orpheus Institute Series
    Content: "Beyond resemblance: creative divergence in music performance What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts and semiotics, and crucially based upon an artistic research project with a strong creative and practical component, it proposes a new approach to music performance. The approach is based on divergence, on the difference produced by intensifying the chasm between the symbolic aspect of music notation and the irreducible materiality of performance. Instead of regarding performance as reiteration, reconstruction and reproduction of past musical works, Powers of Divergence emphasises its potential for the emergence of the new and for the problematisation of the limits of musical semiotics."
    Note: English
    Language: English
    Subjects: Musicology
    RVK:
    LR 56008
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Fulltext
    Stabi Berlin
    UB Potsdam
  • 4
    Online Resource
    Online Resource
    Transpositions : Aesthetico-Epistemic Operators in Artistic Research (2018)
    Leuven : Leuven University Press
    Details
    UID:
    gbv_1778545017
    Format: 1 Online-Ressource (324 p.)
    ISBN: 9789462701410
    Series Statement: Orpheus Institute Series
    Content: "New modes of epistemic relationships in artistic research Research leads to new insights rupturing the existent fabric of knowledge. Situated in the still evolving field of artistic research, this book investigates a fundamental quality of this process. Building on the lessons of deconstruction, artistic research invents new modes of epistemic relationships that include aesthetic dimensions. Under the heading transposition, seventeen artists, musicians, and theorists explain how one thing may turn into another in a spatio-temporal play of identity and difference that has the power to expand into the unknown. By connecting materially concrete positions in a way familiar to artists, this book shows how moves can be made between established positions and completely new ground. In doing so, research changes from a process that expands knowledge to one that creatively reinvents it. Contributors: Annette Arlander (University of the Arts Helsinki), Paulo de Assis (Orpheus Institute, Ghent), Rosi Braidotti (Utrecht University), Leif Dahlberg (Royal Institute of Technology Stockholm), Lucia D’Errico (Orpheus Institute, Ghent), Mika Elo (University of the Arts Helsinki), Laura González (Royal Conservatoire of Scotland), Esa Kirkkopelto (University of the Arts Helsinki), Yve Lomax (Royal College of Art, London), Cecile Malaspina (CNRS-Université Paris 1/Université Paris 7), Tor-Finn Malum Fitje (independent artist, Oslo), Dieter Mersch (Zurich University of the Arts), David Pirrò (University of Music and Performing Arts Graz), Hans-Jörg Rheinberger (Max Planck Institute for the History of Science, Berlin), Hanns Holger Rutz (University of Music and Performing Arts Graz), Michael Schwab (Orpheus Institute, Ghent/University of Applied Arts Vienna), Birk Weiberg (Zurich University of the Arts)"
    Note: English
    Language: English
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Stabi Berlin
    UB Potsdam
  • 5
    E-Resource
    E-Resource
    Powers of divergence : an experimental approach to music performance (2018)
    Leuven, Belgium :Leuven University Press,
    Details
    UID:
    almahu_9949348530702882
    Format: 1 online resource (196 pages) : , illustrations; PDF, digital file(s).
    ISBN: 94-6270-139-3
    Series Statement: Orpheus Institute series
    Content: What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts and semiotics, and crucially based upon an artistic research project with a strong creative and practical component, it proposes a new approach to music performance. The approach is based on divergence, on the difference produced by intensifying the chasm between the symbolic aspect of music notation and the irreducible materiality of performance. Instead of regarding performance as reiteration, reconstruction and reproduction of past musical works, Powers of Divergence emphasises its potential for the emergence of the new and for the problematisation of the limits of musical semiotics.
    Note: Machine generated contents note: BOOK I Description the Unspeakable Body -- 1.The Problem of Resemblance -- 2.Beyond Improvisation -- 3.A Series of Anamorphic Glances -- 4.On Methodology -- 5.Phonographic Writing -- 6.The Phantasmic Image of the Musical Work -- 7.The Vectors of the Body -- 8.The Musical Work as a "Manifold" -- 9.A Peripheral Instrument -- 10.Modes of Exposition -- Appendix 1 Techniques of Minoration -- Appendix 2 List of Musical Examples -- Closing Remarks -- References -- Biographical Note -- BOOK II Derivates -- BOOK III Five Glances upon the practice -- Derivative I On Three Different (Musical) Eyes -- Derivative II The Phonocentric Vision of Music -- First Glance -- Derivative III An Eye That Sees Itself -- Derivative IV The Joyous Power of Simulacra -- Derivative V How to Defy Perspective through Perspective -- Derivative VI Automaton -- Derivative VII How to Produce a Phantasm? Part I: Gian Lorenzo Bernini -- Second Glance , Note continued: Derivative VIII How to Produce a Phantasm? Part II: Francis Bacon -- Derivative IX How to Produce a Phantasm? Part III: Salvatore Sciarrino -- Derivative X How to Produce a Phantasm? Part IV: Carmelo Bene -- Third Glance -- Fourth Glance. , Also available in print form.
    Additional Edition: Print version: ISBN 9789462701397
    Language: English
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  • 6
    Image
    Image
    Fiction Fiction : language arts and the practice of spatial storytelling (2023)
    Berlin : De Gruyter
    Details
    UID:
    gbv_1843651823
    Format: 316 Seiten , Illustrationen
    ISBN: 9783111251363
    Series Statement: Edition Angewandte
    Note: Text englisch und deutsch
    Additional Edition: ISBN 9783111251998
    Additional Edition: Erscheint auch als Online-Ausgabe Peytchinska, Elena, 1977 - Fiction fiction Berlin : De Gruyter, 2023 ISBN 9783111251998
    Language: English
    Keywords: Ästhetik ; Literaturtheorie ; Erzähltheorie ; Literatur ; Künstlerische Forschung ; Anthologie
    URL: Unbekannt
    URL: Inhaltsverzeichnis
    Author information: Peytchinska, Elena 1977-
    Author information: Ballhausen, Thomas 1975-
    Author information: Schmatz, Ferdinand 1953-
    Library Location Call Number Volume/Issue/Year Availability
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    Image
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  • 7
    E-Resource
    E-Resource
    Powers of divergence : an experimental approach to music performance (2018)
    Leuven, Belgium :Leuven University Press,
    Details
    UID:
    edocfu_9958898544802883
    Format: 1 online resource (196 pages) : , illustrations; PDF, digital file(s).
    ISBN: 94-6270-139-3
    Series Statement: Orpheus Institute series
    Content: What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts and semiotics, and crucially based upon an artistic research project with a strong creative and practical component, it proposes a new approach to music performance. The approach is based on divergence, on the difference produced by intensifying the chasm between the symbolic aspect of music notation and the irreducible materiality of performance. Instead of regarding performance as reiteration, reconstruction and reproduction of past musical works, Powers of Divergence emphasises its potential for the emergence of the new and for the problematisation of the limits of musical semiotics.
    Note: Machine generated contents note: BOOK I Description the Unspeakable Body -- 1.The Problem of Resemblance -- 2.Beyond Improvisation -- 3.A Series of Anamorphic Glances -- 4.On Methodology -- 5.Phonographic Writing -- 6.The Phantasmic Image of the Musical Work -- 7.The Vectors of the Body -- 8.The Musical Work as a "Manifold" -- 9.A Peripheral Instrument -- 10.Modes of Exposition -- Appendix 1 Techniques of Minoration -- Appendix 2 List of Musical Examples -- Closing Remarks -- References -- Biographical Note -- BOOK II Derivates -- BOOK III Five Glances upon the practice -- Derivative I On Three Different (Musical) Eyes -- Derivative II The Phonocentric Vision of Music -- First Glance -- Derivative III An Eye That Sees Itself -- Derivative IV The Joyous Power of Simulacra -- Derivative V How to Defy Perspective through Perspective -- Derivative VI Automaton -- Derivative VII How to Produce a Phantasm? Part I: Gian Lorenzo Bernini -- Second Glance , Note continued: Derivative VIII How to Produce a Phantasm? Part II: Francis Bacon -- Derivative IX How to Produce a Phantasm? Part III: Salvatore Sciarrino -- Derivative X How to Produce a Phantasm? Part IV: Carmelo Bene -- Third Glance -- Fourth Glance. , Also available in print form.
    Additional Edition: Print version: ISBN 9789462701397
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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    E-Resource
    FU Berlin get availability status
  • 8
    E-Resource
    E-Resource
    Powers of divergence : an experimental approach to music performance (2018)
    Leuven, Belgium :Leuven University Press,
    Details
    UID:
    edoccha_9958898544802883
    Format: 1 online resource (196 pages) : , illustrations; PDF, digital file(s).
    ISBN: 94-6270-139-3
    Series Statement: Orpheus Institute series
    Content: What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts and semiotics, and crucially based upon an artistic research project with a strong creative and practical component, it proposes a new approach to music performance. The approach is based on divergence, on the difference produced by intensifying the chasm between the symbolic aspect of music notation and the irreducible materiality of performance. Instead of regarding performance as reiteration, reconstruction and reproduction of past musical works, Powers of Divergence emphasises its potential for the emergence of the new and for the problematisation of the limits of musical semiotics.
    Note: Machine generated contents note: BOOK I Description the Unspeakable Body -- 1.The Problem of Resemblance -- 2.Beyond Improvisation -- 3.A Series of Anamorphic Glances -- 4.On Methodology -- 5.Phonographic Writing -- 6.The Phantasmic Image of the Musical Work -- 7.The Vectors of the Body -- 8.The Musical Work as a "Manifold" -- 9.A Peripheral Instrument -- 10.Modes of Exposition -- Appendix 1 Techniques of Minoration -- Appendix 2 List of Musical Examples -- Closing Remarks -- References -- Biographical Note -- BOOK II Derivates -- BOOK III Five Glances upon the practice -- Derivative I On Three Different (Musical) Eyes -- Derivative II The Phonocentric Vision of Music -- First Glance -- Derivative III An Eye That Sees Itself -- Derivative IV The Joyous Power of Simulacra -- Derivative V How to Defy Perspective through Perspective -- Derivative VI Automaton -- Derivative VII How to Produce a Phantasm? Part I: Gian Lorenzo Bernini -- Second Glance , Note continued: Derivative VIII How to Produce a Phantasm? Part II: Francis Bacon -- Derivative IX How to Produce a Phantasm? Part III: Salvatore Sciarrino -- Derivative X How to Produce a Phantasm? Part IV: Carmelo Bene -- Third Glance -- Fourth Glance. , Also available in print form.
    Additional Edition: Print version: ISBN 9789462701397
    Language: English
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  • 9
    Book
    Book
    Powers of divergence : an experimental approach to music performance (2018)
    Leuven (Belgium) : Leuven University Press
    Details
    UID:
    b3kat_BV045189268
    Format: 196 Seiten , Illustrationen, Diagramme, Notenbeispiele
    ISBN: 9789462701397
    Series Statement: Orpheus Institute series
    Note: Literatur- und Werkeverzeichnis: Seite 184-188
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-94-6166-251-4
    Language: English
    Keywords: Musikalische Aufführungspraxis ; Experiment ; Künstlerische Forschung ; Geschichte 2000- ; Einführung
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
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    EUV Frankfurt get availability status
  • 10
    Online Resource
    Online Resource
    Artistic research : charting a field in expansion (2019)
    London ; New York :Rowman & Littlefield International,
    Details
    UID:
    almafu_BV046281103
    Format: 1 Online-Ressource (vi, 258 Seiten) : , Illustrationen.
    ISBN: 978-1-78661-151-2
    Series Statement: Artistic research
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-78661-149-9
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-78661-150-5
    Language: English
    Keywords: Künstlerische Forschung ; Künste ; Forschung ; Aufsatzsammlung ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    FU Berlin
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