Kooperativer Bibliotheksverbund

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Format: XIII, 282 S.

Edition: 1. publ.

ISBN: 0-313-29474-7

Series Statement: Reference guides to the world's cinema

Language: English

Subjects: Romance Studies , General works

Keywords: Film ; Geschichte ; Film ; Filmschaffender ; Biografie ; Enzyklopädie ; Führer ; Enzyklopädie ; Führer ; Führer ; Führer ; Wörterbuch ; Biografie ; Verzeichnis

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Format: X, 176 S. , Ill.

ISBN: 0252031172 , 0252073614

Series Statement: Contemporary film directors

Content: "In Pedro Almodóvar, Marvin D'Lugo offers a concise, informed, and insightful commentary on the man who has become a preeminent force in modern cinema and by far the best known Spanish filmmaker among English-speaking audiences. D'Lugo follows Almodóvar's career chronologically as he moves from amateur to international celebrity, analyzing the films' increasing complexity in terms of the director's central themes within the context of Spanish film tradition. D'Lugo considers wide ranging critical sources and develops recognized Almodóvar themes in exciting new ways, including his use of melodrama and Hollywood genre film, his self invention as a filmmaker, and his on-screen sexual politics. D'Lugo also discusses what he calls "geocultural positioning": Almodóvar's paradoxical ability to use his marginal positions (in terms of his class, geographical origin, and identity) to develop an expressive language that is emotionally recognizable by audiences worldwide. Including two interviews with the director and original interpretations of his most recent films, Pedro Almodóvar will reward new film students and specialists alike." -- Book cover.

Note: Includes bibliographical references and index

Language: English

Subjects: General works

Keywords: Almodóvar, Pedro 1949- ; Film

URL: Table of contents

URL: http://www.loc.gov/catdir/toc/ecip062/2005031442.html

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Format: XII, 251 S. : Ill.

ISBN: 0-691-03142-8 , 0-691-00855-8

Language: English

Subjects: General works

Keywords: 1932-2023 Saura, Carlos ; Film ; 1932-2023 Saura, Carlos ; Filmografie

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=002891296&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: http://www.loc.gov/catdir/description/prin021/90019244.html

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Format: XVI, 568 S. , Ill.

ISBN: 9781405195829

Series Statement: Wiley-Blackwell companions to film directors

Note: Literaturverz. S. 549 - 550 , Introduction , Bio-Filmography. Paul Julian Smith Almodóvar's self-fashioning: the economics and aesthetics of deconstructive biography ; Francisco A. Zurián: Creative Beginnings in Almodóvar's Work ; Dona Kercher: Almodóvar and Hitchcock: a sorcerer's apprenticeship ; Alberto Mira: A life, imagined and otherwise: the limits and uses of autobiography in Almodóvar's films ; Spanish Contexts. Marina Diaz López: El Deseo's Itinerary: Almodóvar and the Spanish film industry ; Josetxo Cerdán: Almodóvar and Spanish patterns of film reception and Miguel Fernandez ; Juan Carlos Ibanez: Memory, politics and the post-transition in Almodóvar's cinema ; Adrissn Pérez Melgosa: The ethics of oblivion: personal, national, and cultural memories in the films of Pedro Almodóvar ; At the limits of gender. Leora Lev: Our rapists ourselves: Women and the staging of rape in the cinema of Pedro Almodóvar ; Dean Albritton: Paternity & pathogens: mourning men and the crises of masculinity in Almodóvar ; Noelia Saenz: Domesticating violence in the films of Pedro Almodóvar ; Francisco A. Zurián: La piel que habito: a story of imposed gender and the struggle for identity ; Re-readings. Marsha Kinder: reenvoicements and reverberations in Almodóvar's macro-melodrama ; Celestino Deleyto: The flower of his secret: Carne trémula and the Mise en scene of Desire ; Julian Daniel Gutiérrez-Albila: Scratching the past on the "surface" of the "skin": embodied inter-subjectivity, prosthetic memory, and witnessing in Almodóvar's La mala educación ; Javier Herrera: Almodóvar's Stolen images ; Global Almodóvar. Isolina Ballesteros: Women on the verge of nervous breakdown: from Madrid (1988) to New York (2010) ; Kathleen M. Vernon: Almodóvar's global musical marketplace ; Marvin D'lugo: Almodóvar and Latin America: The making of a transnational aesthetic in Volver ; Jean-Claude Seguin: Is there a French Almodóvar? ; E K Tan: Almodóvar in Asia: Hong Kong, Taiwan and LGBT film culture ; Art and commerce. John D. Sanderson: To the health of the author: art direction in Los abrazos rotos ; Gerard Dapena: Making Spain fashionable ; Vicente Rodriguez-Ortega: Almodóvar, cyberfandom and participatory culture.

Additional Edition: Erscheint auch als Online-Ausgabe A companion to Pedro Almodóvar Chichester; Malden, Mass. : John Wiley & Sons, 2013 ISBN 1118325362

Additional Edition: ISBN 9781118325360

Language: English

Subjects: Romance Studies , General works

Keywords: Almodóvar, Pedro 1949- ; Film ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: https://www.wiley.com/en-us/A+Companion+to+Pedro+Almod%26oacute%3Bvar-p-9781405195829

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Format: xviii, 400 Seiten , Illustrationen , 25 cm

Edition: First issued in paperback

ISBN: 9780367581114 , 0367581116

Series Statement: Routledge companions

Content: Introduction:Troubling histories /Marvin D'Lugo,Ana M. López,andLaura Podalsky --Part I:Historiographies.1.National cinema /Juan Poblete ;2.Silent and early sound cinema in Latin America : local, national, and transnational perspectives /Rielle Navitski ;3.National cinemas (re)ignited : film and the state /Lisa Shaw,Luis Duno-Gottberg,Joanna Page,andIgnacio M. Sánchez Prado ;4.Unpacking periodization /Laura Podalsky ;5.Off-screen culture /Maite Conde,Laura Isabel Serna,and $r Mária Fernanda Arias Osorio ;6.Space, politics, and the crisis of hegemony in Latin American film /Geoffrey Kantaris ;7.Encounters with the centaur : forms of the film-essay in Latin America /María Luisa Ortega ;8.Realism, documentary, and the process genre in early new Latin American cinema /Salomé Aguilera Skvirsky --Part II:Interrogating critical paradigms.9.Cosmopolitan nationalisms : transnational aesthetic negotiations in early Latin American sound cinema /Adrián Pérez Melgosa ;10.Genre films then and now /Gerard Dapena ;11.New Latin American stardom /Dolores Tierney,Victoria Ruétalo,andRoberto Carlos Ortiz ;12.Radical ruptures in the cinema of Latin America around "1968" /Mariano Mestman ;13.Transnational genealogies of institutional film culture of Cuba, 1960s-1970s /Masha Salazkina ;14.New frameworks : collaborative and indigenous media activism /Freya Schiwy,Amalia Córdova,David Wood,andHoracio Legrás ;15.Productions of space/places of construction : landscape and architecture in contemporary Latin American film /Jens Andermann ;16.Enduring art cinema /Nilo Couret --Part III:Business practices.17.Transnational networks of financing and distribution : international co-productions /Luisela Alvaray ;18.The interlocking dynamics of domestic and international film festivals : the case of Latin American and Caribbean cinema /Tamara L. Falicov --Part IV:Intermedialities.19.Film and photography : an archeology /Andrea Cuarterolo ;20.Problematizing film and photography /Alejandro Kelly HopfenblattandSilvana Flores ;21.Film and radio intermedialities in early Latin American sound cinema /Ana M. López ;22.Music in Latin American cinema : aural communities on- and off-screen /Marvin D'Lugo ;23.Film and television /Josetxo CerdánandMiguel Fernández Labayen ;24.Latin American film in the digital age /Gonzalo Aguilar,Mariana Lacunza,andNiamh Thornton.

Content: The Routledge Companion to Latin American Cinema is the most comprehensive survey of Latin American cinemas available in a single volume. While highlighting state-of-the-field research, essays also offer readers a cohesive overview of multiple facets of filmmaking in the region, from the production system and aesthetic tendencies, to the nature of circulation and reception. The volume recognizes the recent "new cinemas" in Argentina, Brazil, Chile, and Mexico, and, at the same time, provides a much deeper understanding of the contemporary moment by commenting on the aesthetic trends and industrial structures in earlier periods. The collection features essays by established scholars as well as up-and-coming investigators in ways that depart from existing scholarship and suggest new directions for the field. -- ‡c From back cover

Note: Includes bibliographical references and index

Additional Edition: ISBN 9781138855267

Additional Edition: Erscheint auch als Online-Ausgabe The Routledge companion to Latin American cinema New York : Routledge, 2017 ISBN 9781317518969

Additional Edition: ISBN 9781317518983

Additional Edition: ISBN 9781138855267

Additional Edition: ISBN 9781315720449

Language: English

Subjects: General works

Keywords: Lateinamerika ; Film

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Format: 1 Online-Ressource (xvi, 568 Seiten) : , Illustrationen.

ISBN: 978-1-118-32536-0 , 978-1-118-32539-1

Series Statement: Wiley-Blackwell companions to film directors 5

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4051-9582-9

Language: English

Subjects: Romance Studies , General works

Keywords: 1949- Almodóvar, Pedro ; Aufsatzsammlung ; Aufsatzsammlung

DOI: 10.1002/9781118325360

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

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Format: 1 online resource (xvi, 568 pages) : , illustrations

ISBN: 9781118325391 , 1118325397 , 9781118325360 , 1118325362

Content: Annotation

Note: Introduction: the skin he lives in / , Bio-Filmography: , Almodóvar's self-fashioning: the economics and aesthetics of deconstructive biography / , Creative beginnings in Almodóvar's work / , Almodóvar and Hitchcock: a sorcerer's apprenticeship / , A life, imagined and otherwise: the limits and uses of autobiography in Almodóvar's films / , Spanish Contexts: , El Deseo's "Itinerary:: Almodóvar and the Spanish film industry / , Almodóvar and Spanish patterns of film reception / , Memory, politics and the post-transition in Almodóvar's cinema / , The ethics of oblivion: personal, national, and cultural memories in the films of Pedro Almodóvar / , At the Limits of Gender: , Our rapists ourselves: women and the staging of rape in the cinema of Pedro Almodóvar / , 10. , Paternity and pathogens: mourning men and the crises of masculinity in Todo sobre mi madre and Hable con ella / , Domesticating violence in the films of Pedro Almodóvar / , La piel que habito: a story of imposed gender and the struggle for identity / , Re-Readings: , Re-envoicements and reverberations in Almodóvar's macro-melodrama / , The flower of his secret: Carne trémula and the Mise en scene of Desire / , Scratching the past on the "surface" of the "skin": embodied inter-subjectivity, prosthetic memory, and witnessing in Almodóvar's La mala educación / , Almodóvar's stolen images / , Global Almodóvar: , Women on the verge of nervous breakdown: from Madrid (1988) to New York (2010) / , Almodóvar's global musical marketplace / , Almodóvar and Latin America: The making of a transnational aesthetic in Volver / , Is there a French Almodóvar? / , Almodóvar in Asia: Hong Kong, Taiwan and LGBT film culture / , Art and Commerce: , To the health of the author: art direction in Los abrazos rotos / , Making Spain fashionable: fashion and design in Pedro Almodóvar's cinema / , Almodóvar, cyberfandom and participatory culture /

Additional Edition: Print version: Companion to Pedro Almodóvar. Malden, MA : John Wiley & Sons, 2013 ISBN 9781405195829

Language: English

Keywords: Electronic books. ; Criticism, interpretation, etc. ; Electronic books. ; Criticism, interpretation, etc. ; Electronic books. ; Criticism, interpretation, etc.

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781118325360

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781118325360

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781118325360

UID:

Format: 346 Seiten , Illustrationen , 22 cm

ISBN: 9788418155956

Series Statement: Plural

Note: Collected essays , José Juan Bigas Luna (1946-2013) , Texts in Spanish, some of which in Spanish translation from English. Filmografía de Bigas Luna (largometrajes): p. 339-340.

Language: Spanish

Keywords: Luna, Bigas 1946-2013 ; Spanien ; Film ; Aufsatzsammlung

URL: Cover

URL: https://editorial.tirant.com/es/libro/el-legado-cinematografico-de-bigas-luna-santiago-fouz-hernandez-9788418155956

Author information: Junkerjürgen, Ralf 1969-

UID:

Format: 1 Online-Ressource (419 pages)

Edition: 1st ed

ISBN: 9781317518983

Additional Edition: ISBN 9781138855267

Additional Edition: Print version D'Lugo, Marvin The Routledge Companion to Latin American Cinema Georgetown : Taylor and Francis,c2017 ISBN 9781138855267

Language: English

URL: Volltext

UID:

Format: 1 online resource (587 pages)

Edition: 1st ed.

ISBN: 9781118325391

Series Statement: Wiley Blackwell Companions to Film Directors Series

Note: Intro -- Title Page -- Copyright Page -- Contents -- Notes on Contributors -- Acknowledgments -- Introduction: The Skin He Lives In -- A Spotlight on the Self-Conscious Auteur -- The Companion to Pedro Almodóvar -- Notes -- References -- Part I Bio-Filmography -- Chapter 1 Almodóvar's Self-Fashioning: The Economics and Aesthetics of Deconstructive Autobiography -- Notes -- References -- Chapter 2 Creative Beginnings in Almodóvar's Work1 -- Searching for His Own Voice -- The Short Stories in Relatos -- Epilogue -- Notes -- References -- Chapter 3 Almodóvar and Hitchcock: A Sorcerer's Apprenticeship -- Introduction: Self-Education via Hitchcock -- Almodóvar's Guilt Complex from Spellbound to Laberinto de pasiones -- Casting and Close-ups in Entre tinieblas and Stage Fright -- The Domestic Crime Scene Enlivened by Wallpaper: "Lamb to the Slaughter" and ¿Qué he hecho yo para merecer esto! -- Looking through Objects and Almodóvar's "MacGuffin": From Dial M for Murder, The 39 Steps, Strangers on a Train, and Rear Window to Mujeres al borde de un ataque de nervios -- Conclusions -- Notes -- References -- Chapter 4 A Life, Imagined and Otherwise: The Limits and Uses of Autobiography in Almodóvar's Films -- Inventing the Self: Autobiography between Fact and Fantasy -- A Portrait of the Young Gay Man as a Star-to-be: Personal Experience into Cultural Mythologies -- Notes -- References -- Part II Spanish Contexts -- Chapter 5 El Deseo's "Itinerary": Almodóvar and the Spanish Film Industry -- Marks of Identity -- Family Resemblance -- The Back Story: Almodóvar -- The Course of Things: El Deseo's Other Films -- Other Stories: Latin American Co-productions -- Home Cinema -- Conclusions -- Acknowledgments -- Notes -- References -- Chapter 6 Almodóvar and Spanish Patterns of Film Reception -- La ley del deseo -- Kika -- Hable con ella -- Conclusions -- Notes , Chapter 14 The Flower of His Secret Carne trémula and the Mise en Scène of Desire -- Acknowledgments -- Notes -- References -- Chapter 15 Scratching the Past on the Surface of the Skin Embodied Intersubjectivity, Prosthetic Memory, and Witnessing in Almodóvar's La mala educación -- Introduction -- Torn Surfaces, Shattered Subjectivities -- The Skin of the Dress -- Cinema as an Embodied Witnessing Practice -- Conclusion -- Notes -- References -- Chapter 16 Almodóvar's Stolen Images -- Cinematic Quotation as Theft -- Visual Metaphors as Poaching -- Plagiarism, Pastiche, and "Transvestism" -- The Search for Style -- Textual Transvestism -- Los abrazos rotos, or the Synthesis of Almodovarian Transvestism and Pastiche -- Notes -- References -- Part V Global Almodóvar -- Chapter 17 Women on the Verge of a Nervous Breakdown: From Madrid (1988) to New York (2010) -- Notes -- References -- Chapter 18 Almodóvar's Global Musical Marketplace -- All About World Music -- Caetano Veloso: Hearts, Minds, and Market Share -- Chavela Vargas: Icon and Muse -- Buika: Synthesis and Synergies -- Conclusions -- Notes -- References -- Chapter 19 Almodóvar and Latin America: The Making of a Transnational Aesthetic in Volver -- Mapping Cultural Affinities -- Tango and Communal Memory -- Constructing a New Geocultural Imaginary -- An Auditory Imaginary -- Co-Producing a Cinematic Latin America -- Notes -- References -- Chapter 20 Is there a French Almodóvar? -- Distribution and Reception of Almodóvar's Films in France -- From the Untranslatable to the Genuine -- Towards Translatability: The Global -- Just Another filmmaker (or almost) -- Notes -- References -- Chapter 21 Almodóvar in Asia: Hong Kong, Taiwan, and LGBT Film Culture -- Conclusion -- Notes -- References -- Part VII Art and Commerce -- Chapter 22 To the Health of the Author: Art Direction in Los abrazos rotos , Color -- Set Design -- Atrezzo -- Meta-narrative -- Hospitals -- Conclusion -- Notes -- References -- Chapter 23 Making Spain Fashionable Fashion and Design in Pedro Almodóvar's Cinema -- A History of Spanish Fashion and State Policy -- Almodóvar and Costume Design in Film -- Made in Spain -- Made in Europe -- La flor de mi secreto -- Conclusion -- Notes -- References -- Chapter 24 Almodóvar, Cyberfandom, and Participatory Culture -- Internet Users, Piracy, and the Re-regulation of the Web -- The "Sinde Law": from de la Iglesia to Almodóvar -- From La Edad de Oro to Enrique Goded: The Auteur-Fan Interface -- "Almodóvar" as El Deseo S.A., Fan-made Artifacts and the Question of Ownership -- From "Almodovarlandia" to Facebook: Social Networking and the Demise of the Cinephilic Object? -- Conclusion: Almodóvar and the Future of Participatory Culture -- Acknowledgments -- Notes -- Index -- EULA , References -- Chapter 7 Memory, Politics, and the Post-Transition in Almodóvar's Cinema -- From Novela Rosa to Film Noir: The Breakdown of the Transitional Paradigm -- Carne trémula: The Irruption of History -- Memory and the Redemption of Theater in Todo sobre mi madre -- Reinterpreting the Past: La mala educación -- Conclusions -- Notes -- References -- Chapter 8 The Ethics of Oblivion: Personal, National, and Cultural Memories in the Films of Pedro Almodóvar -- Visual Palimpsests and Narrative Arrhythmias -- Rhopography: Making the Apparently Trivial into a Movie Star -- The Ethics of Makeup -- Notes -- References -- Part III At the Limits of Gender -- Chapter 9 Our Rapists, Ourselves: Women and the Staging of Rape in the Cinema of Pedro Almodóvar -- Specularizing Visions of Excess: Of Human Bondage, Petits Mortes, Parts Maudites, and Rape -- Masters of Delusion -- Immaterial Girls: Of Graves and Private Places -- Notes -- References -- Chapter 10 Paternity and Pathogens Mourning Men and the Crises of Masculinity in Todo Sobre Mi Madre and Hable Con Ella -- Notes -- References -- Chapter 11 Domesticating Violence in the Films of Pedro Almodóvar -- Notes -- References -- Chapter 12 La piel que habito A Story of Imposed Gender and the Struggle for Identity1: -- Acknowledgments -- Notes -- References -- Part IV Re-readings -- Chapter 13 Re-envoicements and Reverberations in Almodóvar's Macro-Melodrama -- Mastering Sound: Re-envoicing the Movida and Macro-Melodrama -- Musical Substitutions and Intertexts in Laberinto de pasiones -- Dubbing as Re-envoicement in Mujeres al borde de un ataque de nervios -- The Maternal Voice in La flor de mi secreto -- Macro-Melodrama in Hable con ella and Todo sobre mi madre -- Retro-seriality in Los abrazos rotos: Reverberations in the Age of Audio Culture -- Note -- References

Additional Edition: Print version D'Lugo, Marvin A Companion to Pedro Almodóvar Newark : John Wiley & Sons, Incorporated,c2013

Language: English

Keywords: Electronic books ; Electronic books

URL: FULL  ((OIS Credentials Required))

URL: FULL  ((OIS Credentials Required))