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  • 1
    UID:
    b3kat_BV044375563
    Format: 1 Online-Ressource , Illustrationen
    Edition: First edition
    ISBN: 9781785420177
    Series Statement: Critical climate change
    Note: Includes bibliographical references
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-78542-005-4
    Language: English
    Subjects: Geography , Ethnology , General works
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    Keywords: Anthropozän ; Klimaänderung ; Kunst ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Davis, Heather 1979-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    b3kat_BV042894160
    Format: 402 Seiten , Illustrationen , 23 cm
    Edition: First edition
    ISBN: 9781785420054 , 1785420054
    Series Statement: Critical climate change
    Note: Includes bibliographical references
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-78542-017-7
    Language: English
    Subjects: Geography , Ethnology , General works
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    Keywords: Anthropozän ; Klimaänderung ; Kunst ; Aufsatzsammlung
    Author information: Davis, Heather 1979-
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  • 3
    UID:
    b3kat_BV047948456
    Format: 229 Seiten , 28.5 cm x 23 cm
    ISBN: 9783868326765 , 3868326766
    Content: Korallenriffe mit ihren leuchtenden Farben, den in sich verwobenen und verwickelten Formen und sich krümmenden und kräuselnden Oberflächen sind das zentrale Thema der australischen Schwestern Margaret und Christine Wertheim. Als Naturwissenschaftlerinnen analysieren sie die Ästhetik mathematischer Theorien und biologischer Phänomene. Das von ihnen 2005 gegründete "Institute for Figuring" (IFF) in Los Angeles dient dazu, das öffentliche Verständnis für die poetischen und ästhetischen Dimensionen von Wissenschaft, von Mathematik und Technik zu fördern – und dabei zugleich auf die Belange von Natur und Umwelt aufmerksam zu machen. In ihren Arbeiten verbinden die Schwestern die Methoden der traditionsreichen Handarbeitstechnik des Häkelns mit den Schönheiten maritimer Ökosysteme und ihren komplexen algorithmischen Strukturen. So entsteht ein partizipatives, kollektives Gesamtkunstwerk – das zugleich sensibilisiert für die bedrohten wie versteckten Schönheiten unserer Ozeane
    Note: Beiträge von Udo Kittelmann, Christine Wertheim, Margaret Wertheim, Heather Davis, Amita Deshpande, Donna Haraway, Doug Harvey, Judith Irrgang, Kayleigh C. Perkov, Cord Riechelmann , Impressum: "Dieser Katalog erscheint anlässlich der Ausstellung "Margaret und Christine Wertheim. Wert und Wandel der Korallen", Museum Frieder Burda, Baden-Baden, 29. Januar bis 26. Juni 2022"
    Additional Edition: Parallele Sprachausgabe Value and transformation of corals
    Language: German
    Subjects: Art History
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    Keywords: Wertheim, Margaret 1958- ; Wertheim, Christine 1958- ; Textilkunst ; Häkeln ; Korallen ; Wertheim, Margaret 1958- Hyperbolisch gehäkeltes Korallenriff ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband
    Author information: Haraway, Donna 1944-
    Author information: Kittelmann, Udo 1958-
    Author information: Riechelmann, Cord 1960-
    Author information: Davis, Heather 1979-
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  • 4
    Online Resource
    Online Resource
    Durham : Duke University Press
    UID:
    b3kat_BV047925310
    Format: 1 Online-Ressource (xii, 161 Seiten)
    ISBN: 9781478022374
    Series Statement: Elements : 8
    Content: Plastic is ubiquitous. It is in the Arctic, in the depths of the Mariana Trench, and in the high mountaintops of the Pyrenees. It is in the air we breathe and the water we drink. Nanoplastics penetrate our cell walls. Plastic is not just any material-it is emblematic of life in the twentieth and twenty-first centuries. In Plastic Matter Heather Davis traces plastic's relations to geology, media, biology, and race to show how matter itself has come to be understood as pliable, disposable, and consumable. The invention and widespread use of plastic, Davis contends, reveals the dominance of the Western orientation to matter and its assumption that matter exists to be endlessly manipulated and controlled by humans. Plastic's materiality and pliability reinforces these expectations of what matter should be and do. Davis charts these relations to matter by mapping the queer multispecies relationships between humans and plastic-eating bacteria and analyzing photography that documents the racialized environmental violence of plastic production. In so doing, Davis provokes readers to reexamine their relationships to matter and life in light of plastic's saturation
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) , In English
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4780-1513-0
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1-4780-1513-6
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-4780-1775-2
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1-4780-1775-9
    Language: English
    Subjects: General works , Sociology
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    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Davis, Heather 1979-
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  • 5
    Image
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    Montreal & Kingston ; London ; Chicago : McGill-Queen's University Press
    UID:
    b3kat_BV044412932
    Format: xii, 316 Seiten , Illustrationen
    ISBN: 9780773549371
    Content: In the resistance to the violence of gender-based oppression, vibrant - but often ignored - worlds have emerged, full of nuance, humour, and beauty. Correcting a glaring omission of writing about contemporary feminist work by Canadian artists, Desire Change considers the resurgence of feminist art, thought, and practice in the past decade by examining artworks that respond to themes of diversity and desire. Essays by historians, artists, and curators present an overview of a range of artistic practices including performance, installation, video, textiles, and photography. Contributors address the desire for change through three central frames: how feminist art has significantly contributed to the complex understanding of gender as it intersects with sexuality and race; the necessary critique of patriarchy and institutions as they relate to colonization within the Canadian national-state; and the ways in which contemporary critiques are formed and expressed. The resulting collection addresses art through an activist lens to examine intersectional feminism, decolonization, and feminist institution building in a Canadian context. Heavily illustrated with representative works, Desire Change raises both the stakes and the concerns of contemporary feminist art, with an understanding that feminism is always and necessarily plural.--
    Note: Acknowledgments -- Foreword / Shawna Dempsey and Dana Kletke -- Introduction / Heather Davis. 1 A past as rich as our futures allow: a genealogy of feminist art in Canada / Kristina Huneault and Janice Anderson. Desire: intersections of sexuality, gender, race: proposition for twenty-first-century feminism 1: on sex, gender, and feminism : 2 "They aren't a boy or a girl, they are mysterious": finding possible futures in loving animals and aliens / Karin Copy -- Fashioning race, gender, and desire: Cheryl Sim's Fitting Room and Mary Sui Wong's Yellow Apparel / Alice Ming Wai Jim -- 4 Queering abjection: a lesbian, feminist, and Canadian perspective / Jayne Wark -- 5 The appearance of desire / Thérèse St-Gelais, translated by Sue Stewart. Desiring change: decolonization: proposition 2: on colonial patriarchy and matriarchal decolonization : 6 Resistance as resilience in the work of Rebecca Belmore / Ellyn Walker -- , 7 Desirous kinds of indigenous futurity: on the possibilities of memorialization / Tanya Lukin Linklater -- beyond nationhood: a collaborative text / Leah Decter, Ayumi Goto, and Peter Morin -- 8 "All that is Canadian": identity and belonging in the video and performance artwork of Camille Turner / Sheila Petty -- 9 Mother me / Jenny Western. Forms of desire: institutional critique and feminist praxis: proposition 3: on institutional critique : 10 Vancouver 1989: Kathleen Ritter in conversation with Lorna Brown, Allyson Clay, Marian Penner Bancroft, Kathy Slade, Jin-me Yoon, and Anne Ramsden -- 11 From mentorship to collaboration: art, feminism, and community in Winnepeg / Noni Bryn -- 12 How to review art as a feminist and other speculative intents / Amy Fung -- 13 how not to install indigenous art as a feminist / Cheyanne Turions -- , 14 A speculative manifesto for the feminist art fair international: an interview with Allyson Mitchell and Deirdre Logue of the Feminist Art Gallery / Amber Christensen, Lauren Fournier, and Daniella Sanader. Appendix: there is no feminist (a love letter), or, a working chronology of feminist art infrastructures in Canada / Gina Badger -- Illustrations -- Contributors -- Index
    Additional Edition: Erscheint auch als Online-Ausgabe, ePDF ISBN 978-0-7735-5077-3
    Language: English
    Subjects: Art History
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    Keywords: Kanada ; Feminismus ; Kunst ; Geschichte 2000-2017 ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Davis, Heather 1979-
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  • 6
    UID:
    gbv_1616494018
    Format: 402 S. , Ill. , 23 cm
    Edition: First ed.
    ISBN: 9781785420054 , 1785420054
    Series Statement: Critical climate change
    Content: Art & death : lives between the fifth assessment and the sixth extinction introduction by Heather Davis & Etienne Turpin -- Edenic apocalypse : Singapore's end-of-time botanical tourism project by Natasha Myers -- Diplomacy in the face of Gaia Bruno Latour in conversation with Heather Davis -- Becoming aerosolar : from solar sculptures to cloud cities project by Tomás Saraceno, Sasha Engelman & Bronislaw Szerszynski -- In the planetarium : the modern museum on the anthropocenic stage essay by Vincent Normand -- Physical geology/The Library project by Ilana Halperin -- The existence of the world is always unexpected Jean-Luc Nancy in conversation with John Paul Ricco translated by Jeffrey Malecki -- Cloud writing : describing soft architectures of change in the Anthropocene essay by Ada Smailbegović -- The cerumen strata : from figures to configurations project by Richard Streitmatter-Tran & Vi Le -- Geochemistry & other planetary perspectives essay by Ursula Biemann -- Images do not show : the desire to see in the Anthropocene essay by Irmgard Emmelhainz -- The fates of negativity Anselm Franke in conversation with Etienne Turpin -- Design specs in the Anthropocene : imagining the force of 30,000 years of geologic change project by Jamie Kruse & Elizabeth Ellsworth (smudge studio) -- The Marfa stratum : contributions to a theory of sites essay by Fabien Giraud & Ida Soulard -- On the building, crashing, and thinking of technologies & selfhood Peter Galison in conversation with Etienne Turpin -- We're tigers project by Ho Tzu Nyen -- Technologies of uncertainty in the search for MH370 essay by Linday Bremner -- Last clouds project by Karolina Sobecka -- Islands & other invisible territories essay by Laurent Gutierrez & Valérie Portefaix (MAP Office) -- Plants that evolve (in some way or another) project by Mixrice (Cho Jieun & Yang Chulmo) -- Indigenizing the Anthropocene essay by Zoe Todd -- Anthropocene, Capitalocene, Chthulhocene Donna Haraway in conversation with Martha Kenney -- Ecologicity, vision, and the neurological system essay by Amanda Boetzkes -- My mother's garden : aesthetics, indigenous renewal, and creativity essay by Laura Hall -- A history according to cattle project by Terike Haapoja & Laura Gustafsson -- PostNatural histories Richard W. Pell in conversation with Emily Kutil & Etienne Turpin -- Dear climates project by Una Chaudhuri, Fritz Ertl, Oliver Kellhammer & Marina Zurkow -- The Anthropocene : a process-state at the edge of geohistory? essay by Peter Sloterdijk, translated by Anna-Sophie Springer -- Public smog project by Amy Balkin -- Life & death in the Anthropocene : a short history of plastic essay by Heather Davis -- Ecosystems of excess project by Pinar Yoldas -- The last political scene Sylvère Lotringer in conversation with Heather Davis & Etiennne Turpin -- #Misanthropocene : 24 theses poem by Joshua Clover & Juliana Springer
    Note: Includes bibliographical references
    Language: English
    Subjects: Sociology
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    Keywords: Anthropozän ; Anthropogene Klimaänderung ; Ästhetik ; Philosophie ; Klimaänderung ; Kunst
    Author information: Davis, Heather 1979-
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