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  • 1
    UID:
    gbv_1739055675
    Format: 638 Blätter , Illustrationen , 105 x 148 mm
    Edition: Mikrofiche-Ausgabe Lille Atelier national de Reproduction des Thèses$h2011 2 Microfiches
    Content: Notre étude se structure en trois parties : l'analyse des singularités patrimoniales portant sur l'étude de la notion du patrimoine et ses singularités au Maroc; l'étude de la notion d'universalité du musée portant sur l'émergence des musées au Maroc; l'étude de la possibilité de relier le musée à son public portant sur la démocratisation culturelle au Maroc. Le but de notre étude est donc d'arriver à cerner les composantes de l'imaginaire patrimonial marocain, composantes issues de la religion, de la tradition, d'un habitus social, bref d'une civilisation, pour mieux concevoir une politique de démocratisation culturelle
    Content: This study analyses three parts : 1)to analyse heritage's concept in Morocco and his characteristic; 2) to define museum's concept in Morocco and his historic context; 3) to study the way to increase the museum's audiences (visitors). This study describes the Moroccan singularity of heritage and his relationship with the museum in the context of cultural democracy
    Note: Bibliogr. f.385-402 , Die ursprüngliche Ausgabe ist eine mehrteilige Monografie , Dissertation École des hautes études en sciences sociales Paris 2005 , Reproduction de : Thèse de doctorat : Sociologie : Paris, École des hautes études en sciences sociales : 2005
    Additional Edition: Erscheint auch als Druck-Ausgabe Diversités culturelles et patrimoniales : une étude des musées au Maroc (XXIème siècle) / Francesca De Micheli [S.l.] : [s.n.], 2005
    Language: French
    Keywords: Hochschulschrift
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  • 2
    UID:
    almafu_9960695427102883
    Format: 1 online resource (336 p.) : , 69 B/W illustrations 3 B/W tables
    ISBN: 9781474443784
    Series Statement: Alternative Histories : ALHI
    Content: Explores the representation of minority cultures in museums of the Middle East and North AfricaSets out a new way of understanding cultural representations in non-Western museumsEncourages a multidisciplinary/non-Western-centric reading of Middle Eastern museumsIncludes 13 case studies based on fieldwork and archival research in the Middle EastCovers Bahrain, Egypt, Iraq, Lebanon, Morocco, Palestine, Tunisia, Turkey, Syria and the UAEHow are issues related to identity representation negotiated in Middle Eastern and North African museums? Can museums provide a suitable canvas for minorities to express their voice? Can narratives change and stereotypes be broken and, if so, what kind of identities are being deployed? Against the backdrop of the revolutionary upheavals that have shaken the region in recent years, the contributors to this volume interrogate a range of case studies from across the region – examining how museums engage inclusion, diversity and the politics of minority identities. They bring to the fore the region’s diversity and sketches a ‘museology of disaster’ in which minoritised political subjects regain visibility. ContributorsAomar Boum, Los Angeles, USA. Rhéa Dagher, University of Balamand, Lebanon. Lucía Cirianni Salazar, Freie Universität Berlin, Germany. Francesca de Micheli, Lorraine University, France (affiliate). Zoe Holma, historian and journalist.Rita Kalindjian, University of Balamand, Lebanon. Habib Kazdaghli, La Manouba University, Tunisia.Virginie Rey, University of California, Irvine, USA. Katarzyna Pieprzak, Williams College, MA, USA. Virginie Rey, University of California, Irvine, USA. Amanda Rogers, Colgate University, NY, USA. Sarina Wakefield, University of Leicester, UK.
    Note: Frontmatter -- , CONTENTS -- , List of Figures -- , List of Acronyms and Abbreviations -- , Acknowledgements -- , Note on Transliteration -- , Notes on Contributors -- , 1 Introduction – Engaging with ‘Minority’ Voices: Cultural Representation in Museums of the Middle East and North Africa -- , Exhibiting Minorities -- , 2 The Ethnographisation of Syrian Society at the Azem Palace of Damascus: From Compact Minorities to Toponymical Identity -- , 3 ‘The Performance of Servitude’: Gendered and Racialised Representations of Citizenship at the Bahrain National Museum -- , 4 Minority Audience: The Oudayas Museum and the Manufacturing of Elitism in Moroccan Museums -- , 5 Lodges of Debate: Two Museumised Sufi Tekkes in Anatolia -- , Minorities Exhibiting -- , 6 Museums, Migrant Labourers and Ethnic Spatiality in the United Arab Emirates -- , 7 Paving the Way for a Lebanese National Narrative: Empathy at the Armenian Genocide Orphans’ Aram Bezikian Museum in Lebanon -- , 8 A National Museum for a People Without a Land: The Palestinian Museum, Birzeit -- , 9 Egypt’s Coptic Museum: From Patriarchal to National -- , 10 Branding Convivencia: Jewish Museums and the Reinvention of a Moroccan Andalus in Essaouira -- , Imagined Museums -- , 11 Is Tunisia Ready for a Jewish Museum? Perspectives on the Current Debates Surrounding the Status of Jewish Heritage in my Country -- , 12 ‘Do I Even Exist?’ Kurdish Diaspora Artists Reflect on Imaginary Exhibits in a Kurdistan Museum -- , 13 Islamic State’s Archive of the Digital Infinite: Imagined Museums, New Media and Conflict Capitalism -- , 14 Afterword – Minoritised Memory and Affect in a Museology of Disaster -- , Index , In English.
    Language: English
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