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  • 1
    Book
    Book
    New York [u.a.] :Lang,
    UID:
    almafu_BV041836210
    Format: VII, 406 S.
    ISBN: 978-1-4331-2562-1 , 978-1-4331-2561-4 , 978-1-4539-1347-5
    Series Statement: Communication law 4
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Law
    RVK:
    Keywords: Geistiges Eigentum ; Kultur ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: DeVoss, Dànielle Nicole
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Anderson, South Carolina :Parlor Press,
    UID:
    almahu_9949616246602882
    Format: 1 online resource (413 pages).
    Edition: First edition.
    ISBN: 9781602359789 (e-book) , 9781602359819 (e-book) , 9781602359802 (e-book) , 9781602359796 (e-book)
    Series Statement: Visual rhetoric
    Note: On type and typographic anatomy / C. S. Wyatt -- Type reveals culture: a defense of "bad" type / Garrett W. Nichols -- "Give us back our serifs": the cultural rhetoric of rage against the [new] Google logo / Philip Rice -- The development of typeface personas and the consequences of perceived identities / Heather Noel Turner -- Nostalgia for handwriting: the rhetoric of comics lettering / Aaron Kashtan -- "All your font are belong to us": gaming in the late age of print / Elizabeth J. Fleitz -- Why I hate Times New Roman, and other confessions of a creative-critical scholar / Ames Hawkins -- Why bookerly isn't (and why that's not such a terrible thing) / John Logie -- Jan Tschichold's renunciation of die neue typographie: the anatomy and ethics of a typographical reversal / David Bedsole -- Typographic nationalism and the banal uniformity of imagined communities / Jake Cowan -- Logotypes in place: a visual rhetorical history of Cigar City / Meredith A. Johnson, Peter Cannon, Roxanna Palmer, Joshua M. Rea, and Tanya Zarlengo -- Font of wisdom: the vernacular rhetoric of the Serenity Prayer / William T. FitzGerald -- Standardized typography in interactive internet environments / John R. Gallagher and Rebecca Tarsa -- Kinetic typography: reinserting embodied delivery into recorded oral texts / Christal Seahorn, Diana I. Bowen, Charles Jeffery Darwin, and Dragana Djordjevic.
    Additional Edition: Print version: Type matters : the rhetoricity of letter forms. Anderson, South Carolina : Parlor Press, c2018 ISBN 9781602359734
    Language: English
    Keywords: Electronic books. ; Electronic books ; Electronic books
    URL: FULL  ((OIS Credentials Required))
    URL: FULL  ((OIS Credentials Required))
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    almahu_9949712338202882
    Format: 1 online resource (433 p.)
    ISBN: 1-60235-265-8 , 1-60235-264-X
    Series Statement: Perspectives on Writing
    Content: The editors of Copy(write): Intellectual Property in the Writing Classroom bring together stories, theories, and research that can further inform the ways in which we situate and address intellectual property issues in our writing classrooms. The essays in the collection identify and describe a wide range of pedagogical strategies, consider theories, present research, explore approaches, and offer both cautionary tales and local and contextual successes that can further inform the ways in which we situate and address intellectual property issues in our teaching.
    Note: Includes index. , Front cover ; Series page ; Title page ; Copyright page ; Dedication ; Contents ; Preface; Martine Courant Rife, Shaun Slattery, and Dànielle Nicole DeVoss; Part I: The Law, the Landscape; 1 The Fair Use Battle for Scholarly Works; Jeffrey Galin; 2 Plagiarism and Promiscuity, Authors and Plagiarisms; Russel Wiebe; 3 Authoring Academic Agency: Charting the Tensions between Work-for-hire University Copyright Policies; Timothy R. Amidon; 4 Soul Remedy: Turnitin and the Visual Design of End User License Agreements; Barclay Barrios; 5 Images, the Commonplace Book, and Digital Self-Fashioning , Bob Whipple6 Intellectual Properties in Multimodal 21st-Century Composition Classrooms; Tharon W. Howard; 7 Is Digital the New Digital?: Pedagogical Frames of Reference and Their Implications in Theory and Practice; Robert Dornsife; 8 Response to Part I-"An Act for the Encouragement of Learning" vs. Copyright 2.0; John Logie; Part II: The Tools; 9 What We Talk About When We Talk About Fair Use: Conversations on Writing Pedagogy, New Media, and Copyright Law; Steve Westbrook; 10 Parody, Penalty, and Pedagogy; E. Ashley Hall, Kathie Gossett, and Elizabeth Vincelette , 11 Copy-rights and Copy-wrong: Intellectual Property in the Classroom RevisitedJanice R. Walker; 12 Rhetorical Velocity and Copyright: A Case Study on Strategies of Rhetorical Delivery; Jim Ridolfo and Martine Courant Rife; 13 Following the Framers: Choosing Pedagogy to Further Fair Use and Free Speech; TyAnna Herrington; 14 Response to Part II-Being Rhetorical When We Teach Intellectual Property and Fair Use; James E. Porter; Part III: The Pedagogy; 15 Toward a Pedagogy of Fair Use for Multimedia Composition; Renee Hobbs and Katie Donnelly , 16 Intellectual Property Teaching Practices in Introductory Writing CoursesNicole Nguyen; 17 Moving Beyond Plagiarized / Not Plagiarized in a Point, Click, and Copy World; Leslie Johnson-Farris; 18 Couture et Écriture: What the Fashion Industry Can Teach the World of Writing ; Brian Ballentine; 19 The Role of Authorship in the Practice and Teaching of Technical Communication ; Jessica Reyman; 20 Response to Part III-Fair Use: Teaching Three Key IP Concepts ; Rebecca Moore Howard; 21 Afterword; Clancy Ratliff; Biographical Notes; Index; Back cover , In English.
    Additional Edition: ISBN 1-60235-262-3
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    edocfu_9959936691502883
    Format: 1 online resource (433 p.)
    ISBN: 1-60235-265-8 , 1-60235-264-X
    Series Statement: Perspectives on Writing
    Content: The editors of Copy(write): Intellectual Property in the Writing Classroom bring together stories, theories, and research that can further inform the ways in which we situate and address intellectual property issues in our writing classrooms. The essays in the collection identify and describe a wide range of pedagogical strategies, consider theories, present research, explore approaches, and offer both cautionary tales and local and contextual successes that can further inform the ways in which we situate and address intellectual property issues in our teaching.
    Note: Includes index. , Front cover ; Series page ; Title page ; Copyright page ; Dedication ; Contents ; Preface; Martine Courant Rife, Shaun Slattery, and Dànielle Nicole DeVoss; Part I: The Law, the Landscape; 1 The Fair Use Battle for Scholarly Works; Jeffrey Galin; 2 Plagiarism and Promiscuity, Authors and Plagiarisms; Russel Wiebe; 3 Authoring Academic Agency: Charting the Tensions between Work-for-hire University Copyright Policies; Timothy R. Amidon; 4 Soul Remedy: Turnitin and the Visual Design of End User License Agreements; Barclay Barrios; 5 Images, the Commonplace Book, and Digital Self-Fashioning , Bob Whipple6 Intellectual Properties in Multimodal 21st-Century Composition Classrooms; Tharon W. Howard; 7 Is Digital the New Digital?: Pedagogical Frames of Reference and Their Implications in Theory and Practice; Robert Dornsife; 8 Response to Part I-"An Act for the Encouragement of Learning" vs. Copyright 2.0; John Logie; Part II: The Tools; 9 What We Talk About When We Talk About Fair Use: Conversations on Writing Pedagogy, New Media, and Copyright Law; Steve Westbrook; 10 Parody, Penalty, and Pedagogy; E. Ashley Hall, Kathie Gossett, and Elizabeth Vincelette , 11 Copy-rights and Copy-wrong: Intellectual Property in the Classroom RevisitedJanice R. Walker; 12 Rhetorical Velocity and Copyright: A Case Study on Strategies of Rhetorical Delivery; Jim Ridolfo and Martine Courant Rife; 13 Following the Framers: Choosing Pedagogy to Further Fair Use and Free Speech; TyAnna Herrington; 14 Response to Part II-Being Rhetorical When We Teach Intellectual Property and Fair Use; James E. Porter; Part III: The Pedagogy; 15 Toward a Pedagogy of Fair Use for Multimedia Composition; Renee Hobbs and Katie Donnelly , 16 Intellectual Property Teaching Practices in Introductory Writing CoursesNicole Nguyen; 17 Moving Beyond Plagiarized / Not Plagiarized in a Point, Click, and Copy World; Leslie Johnson-Farris; 18 Couture et Écriture: What the Fashion Industry Can Teach the World of Writing ; Brian Ballentine; 19 The Role of Authorship in the Practice and Teaching of Technical Communication ; Jessica Reyman; 20 Response to Part III-Fair Use: Teaching Three Key IP Concepts ; Rebecca Moore Howard; 21 Afterword; Clancy Ratliff; Biographical Notes; Index; Back cover , In English.
    Additional Edition: ISBN 1-60235-262-3
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    Utah State University Press/ Computers and Composition Digital Press | Logan, Utah :Computers and Composition Digital Press,
    UID:
    almahu_9947382082402882
    Format: 1 online resource : , digital, HTML file(s).
    Content: Writing has changed due to the affordances of digital technologies, and writing assessment has changed as well. As writing programs integrate more digital writing work, students, teachers, and administrators face the rewards and challenges of assessing and evaluating multimodal and networked writing projects. Whether classroom-based or program-level; whether in first-year writing, technical communication, or writing-across-the-curriculum; whether formative or summative; and whether for purposes of placement, grading, self-study, or external reporting, digital writing complicates the processes and practices of assessment. The chapters in Digital Writing Assessment & Evaluation place emphasis on assessment of digital writing—the methodological, technological, and ethical approaches for and issues involved with assessing multimodal, networked texts (and the student learning they represent). Authors address questions such as: How do different approaches to assessing traditional writing (8 1/2 x 11 word-centric texts) port—or not—to the assessment of digital writing? What challenges and opportunities for assessment do multimodal, networked texts present to teachers, program administrators, state-wide organizations, etc.? What material and technological resources are needed when assessing digital writing and/or how might existing resources need to be modified? How are processes and products of selection, collection, and reflection different (or not) with the multimodal affordances of digital technologies? How do guidelines and outcomes of groups such as CCCC, NCTE, WPA, AAC&U, impact approaches to assessment? How might these guidelines and outcomes need to be revised to better address digital writing assessment? How might the multimodal, networked affordances of digital writing affect issues of equity and access? How might groups often disenfranchised by more traditional assessment be impacted by digital writing assessment? How might eportfolios be designed for showcasing the collaborative composing processes of multimodal and/or networked writing? By what criteria should program administrators and instructors assess and select course-management and/or eportfolio systems? The fourteen chapters are organized into four sections, addressing equity and assessment, classroom evaluation and assessment, multimodal evaluation and assessment, and program revisioning and program assessment. Andrea Lunsford provides the foreword to the book; Edward White is the author of the afterword.
    Note: Bibliographic Level Mode of Issuance: Monograph , Foreword --Preface --Part I: equity and assessment --Part II: classroom evaluation and assessment --Part III: multimodal evaluation and assessment --Part IV: program revisioning and program assessment --Afterword. , English
    Additional Edition: ISBN 0-87421-949-3
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    Utah State University Press/ Computers and Composition Digital Press | Logan, Utah :Computers and Composition Digital Press,
    UID:
    edocfu_9958123053702883
    Format: 1 online resource : , digital, HTML file(s).
    Content: Writing has changed due to the affordances of digital technologies, and writing assessment has changed as well. As writing programs integrate more digital writing work, students, teachers, and administrators face the rewards and challenges of assessing and evaluating multimodal and networked writing projects. Whether classroom-based or program-level; whether in first-year writing, technical communication, or writing-across-the-curriculum; whether formative or summative; and whether for purposes of placement, grading, self-study, or external reporting, digital writing complicates the processes and practices of assessment. The chapters in Digital Writing Assessment & Evaluation place emphasis on assessment of digital writing—the methodological, technological, and ethical approaches for and issues involved with assessing multimodal, networked texts (and the student learning they represent). Authors address questions such as: How do different approaches to assessing traditional writing (8 1/2 x 11 word-centric texts) port—or not—to the assessment of digital writing? What challenges and opportunities for assessment do multimodal, networked texts present to teachers, program administrators, state-wide organizations, etc.? What material and technological resources are needed when assessing digital writing and/or how might existing resources need to be modified? How are processes and products of selection, collection, and reflection different (or not) with the multimodal affordances of digital technologies? How do guidelines and outcomes of groups such as CCCC, NCTE, WPA, AAC&U, impact approaches to assessment? How might these guidelines and outcomes need to be revised to better address digital writing assessment? How might the multimodal, networked affordances of digital writing affect issues of equity and access? How might groups often disenfranchised by more traditional assessment be impacted by digital writing assessment? How might eportfolios be designed for showcasing the collaborative composing processes of multimodal and/or networked writing? By what criteria should program administrators and instructors assess and select course-management and/or eportfolio systems? The fourteen chapters are organized into four sections, addressing equity and assessment, classroom evaluation and assessment, multimodal evaluation and assessment, and program revisioning and program assessment. Andrea Lunsford provides the foreword to the book; Edward White is the author of the afterword.
    Note: Bibliographic Level Mode of Issuance: Monograph , Foreword --Preface --Part I: equity and assessment --Part II: classroom evaluation and assessment --Part III: multimodal evaluation and assessment --Part IV: program revisioning and program assessment --Afterword. , English
    Additional Edition: ISBN 0-87421-949-3
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    Utah State University Press/ Computers and Composition Digital Press | Logan, Utah :Computers and Composition Digital Press,
    UID:
    edoccha_9958123053702883
    Format: 1 online resource : , digital, HTML file(s).
    Content: Writing has changed due to the affordances of digital technologies, and writing assessment has changed as well. As writing programs integrate more digital writing work, students, teachers, and administrators face the rewards and challenges of assessing and evaluating multimodal and networked writing projects. Whether classroom-based or program-level; whether in first-year writing, technical communication, or writing-across-the-curriculum; whether formative or summative; and whether for purposes of placement, grading, self-study, or external reporting, digital writing complicates the processes and practices of assessment. The chapters in Digital Writing Assessment & Evaluation place emphasis on assessment of digital writing—the methodological, technological, and ethical approaches for and issues involved with assessing multimodal, networked texts (and the student learning they represent). Authors address questions such as: How do different approaches to assessing traditional writing (8 1/2 x 11 word-centric texts) port—or not—to the assessment of digital writing? What challenges and opportunities for assessment do multimodal, networked texts present to teachers, program administrators, state-wide organizations, etc.? What material and technological resources are needed when assessing digital writing and/or how might existing resources need to be modified? How are processes and products of selection, collection, and reflection different (or not) with the multimodal affordances of digital technologies? How do guidelines and outcomes of groups such as CCCC, NCTE, WPA, AAC&U, impact approaches to assessment? How might these guidelines and outcomes need to be revised to better address digital writing assessment? How might the multimodal, networked affordances of digital writing affect issues of equity and access? How might groups often disenfranchised by more traditional assessment be impacted by digital writing assessment? How might eportfolios be designed for showcasing the collaborative composing processes of multimodal and/or networked writing? By what criteria should program administrators and instructors assess and select course-management and/or eportfolio systems? The fourteen chapters are organized into four sections, addressing equity and assessment, classroom evaluation and assessment, multimodal evaluation and assessment, and program revisioning and program assessment. Andrea Lunsford provides the foreword to the book; Edward White is the author of the afterword.
    Note: Bibliographic Level Mode of Issuance: Monograph , Foreword --Preface --Part I: equity and assessment --Part II: classroom evaluation and assessment --Part III: multimodal evaluation and assessment --Part IV: program revisioning and program assessment --Afterword. , English
    Additional Edition: ISBN 0-87421-949-3
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    Utah State University Press/ Computers and Composition Digital Press | Utah :Utah State University Press,
    UID:
    edoccha_9958095815702883
    Format: 1 online resource : , digital, PDF file(s).
    ISBN: 9780874217490
    Content: Together, computerized writing environments (e.g., physical spaces, hardware, software, and networks) and the humans who use and support such technologies comprise complex ecologies of interaction. As with any ecology, a human-computer techno-ecological system needs to be planned, fostered, designed, sustained, and assessed to create a vibrant culture of support at the individual, programmatic, institutional, and even national and international level. Local and larger infrastructures of composing are critical to digital writing practices and processes. In academia, specifically, all writing is increasingly computer-mediated; all writing is digital. Unfortunately, at far too many institutions, it is difficult to sustain ecologies of digital writing. How then to best plan, foster, design, sustain, and assess the complex ecologies framing the study and practice of digital writing that we do (or hope to do) as teachers, scholars, learners, and writers? The audience for this collection is teachers, scholars, administrators, and graduate students working in fields of composition studies, computers and writing, technical/professional communication, literature, education, and English education. We all face the same dilemma: More and more of our work and instruction takes place in electronic environments, but budget constraints and assessment mandates loom, and often our positions within or institutions prohibit us from active participation in central computing endeavours. This necessarily multivocal collection refines our discussions of the many components of sustainability, providing contextual, situated, and flexible modes and methods for theorizing, building, assessing, and sustaining digital writing ecologies.
    Note: Bibliographic Level Mode of Issuance: Monograph , English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Online Resource
    Online Resource
    Utah State University Press/ Computers and Composition Digital Press | Utah :Utah State University Press,
    UID:
    almahu_9947382595302882
    Format: 1 online resource : , digital, PDF file(s).
    ISBN: 9780874217490
    Content: Together, computerized writing environments (e.g., physical spaces, hardware, software, and networks) and the humans who use and support such technologies comprise complex ecologies of interaction. As with any ecology, a human-computer techno-ecological system needs to be planned, fostered, designed, sustained, and assessed to create a vibrant culture of support at the individual, programmatic, institutional, and even national and international level. Local and larger infrastructures of composing are critical to digital writing practices and processes. In academia, specifically, all writing is increasingly computer-mediated; all writing is digital. Unfortunately, at far too many institutions, it is difficult to sustain ecologies of digital writing. How then to best plan, foster, design, sustain, and assess the complex ecologies framing the study and practice of digital writing that we do (or hope to do) as teachers, scholars, learners, and writers? The audience for this collection is teachers, scholars, administrators, and graduate students working in fields of composition studies, computers and writing, technical/professional communication, literature, education, and English education. We all face the same dilemma: More and more of our work and instruction takes place in electronic environments, but budget constraints and assessment mandates loom, and often our positions within or institutions prohibit us from active participation in central computing endeavours. This necessarily multivocal collection refines our discussions of the many components of sustainability, providing contextual, situated, and flexible modes and methods for theorizing, building, assessing, and sustaining digital writing ecologies.
    Note: Bibliographic Level Mode of Issuance: Monograph , English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    Online Resource
    Online Resource
    Utah State University Press/ Computers and Composition Digital Press | Utah :Utah State University Press,
    UID:
    edocfu_9958095815702883
    Format: 1 online resource : , digital, PDF file(s).
    ISBN: 9780874217490
    Content: Together, computerized writing environments (e.g., physical spaces, hardware, software, and networks) and the humans who use and support such technologies comprise complex ecologies of interaction. As with any ecology, a human-computer techno-ecological system needs to be planned, fostered, designed, sustained, and assessed to create a vibrant culture of support at the individual, programmatic, institutional, and even national and international level. Local and larger infrastructures of composing are critical to digital writing practices and processes. In academia, specifically, all writing is increasingly computer-mediated; all writing is digital. Unfortunately, at far too many institutions, it is difficult to sustain ecologies of digital writing. How then to best plan, foster, design, sustain, and assess the complex ecologies framing the study and practice of digital writing that we do (or hope to do) as teachers, scholars, learners, and writers? The audience for this collection is teachers, scholars, administrators, and graduate students working in fields of composition studies, computers and writing, technical/professional communication, literature, education, and English education. We all face the same dilemma: More and more of our work and instruction takes place in electronic environments, but budget constraints and assessment mandates loom, and often our positions within or institutions prohibit us from active participation in central computing endeavours. This necessarily multivocal collection refines our discussions of the many components of sustainability, providing contextual, situated, and flexible modes and methods for theorizing, building, assessing, and sustaining digital writing ecologies.
    Note: Bibliographic Level Mode of Issuance: Monograph , English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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