Kooperativer Bibliotheksverbund

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Format: XIV, 139 S. : Ill.

Edition: 1. publ.

ISBN: 0-8057-6997-8

Series Statement: Twayne's English authors series 480

Note: Bibliogr. und Literaturverz. S. 128 - 136

Language: English

Subjects: English Studies

Keywords: 1947- Hare, David

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Format: 1 Online-Ressource (200 pages) , illustrations (black and white)

Edition: First edition

Edition: Also published in print

ISBN: 9781350144552

Series Statement: Forms of drama

Note: Also published in print , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily

Additional Edition: ISBN 9781350144538

Additional Edition: ISBN 9781350144514

Additional Edition: ISBN 9781350144521

Additional Edition: ISBN 1350144525

Additional Edition: ISBN 1350144517

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781350144514

Language: English

DOI: 10.5040/9781350144552

URL: lizenzpflichtig

URL: lizenzpflichtig

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Format: xix, 335 S , Ill , 24 cm

Edition: First ed.

ISBN: 9780815633747

Series Statement: Irish studies

Uniform Title: Macghníomhartha Chúchulainn 〈engl.〉

Note: Includes bibliographical references (pages 311-328) and index , Drama-mad, Cúchulainn-mad, pageant-madForging the past in the Irish Free State -- North and south of the border -- The Tóstals -- 1966 and the recuperative pageantry of Macnas -- Conclusion -- Appendix: English translation of Pearse's Macghníomhartha Chúchulainn by Sean Briain.

Additional Edition: ISBN 9780815652847

Language: English

Subjects: English Studies

Keywords: Englisch ; Pageant ; Geschichte 1907-1992

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Format: 109 S.

ISBN: 0826203329

Series Statement: A literary frontiers edition

Note: Includes bibliographical references

Language: English

Subjects: English Studies

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Format: 1 Online-Ressource (234 pages) , illustrations

ISBN: 9789401212014

Series Statement: DQR Studies in Literature 56

Content: Preliminary material /Editors Beyond Realism -- INTRODUCTION /JOAN FITZPATRICK DEAN and JOSÉ LANTERS -- \'THIS WORLD OF INARTICULATE POWER\': J.M. SYNGE'S RIDERS TO THE SEA AND MAGICAL REALISM /CHRISTOPHER COLLINS -- “MAGIC AND MENACE”: A RE-EVALUATION OF GEORGE FITZMAURICE’S THE MAGIC GLASSES /FIONA BRENNAN -- COCK-A-DOODLE DANDY: O’CASEY’S TOTAL THEATRE /MICHAEL PIERSE -- THE PASSION OF HARRY HEEGAN: SEAN O'CASEY'S THE SILVER TASSIE /ALEXANDRA POULAIN -- DOING JUSTICE TO SWIFT: DENIS JOHNSTON'S SOLUTION IN DIVERSE MODES /ONDŘEJ PILNÝ -- JACK B. YEATS' IN SAND: AN EXPERIMENT IN THE TOY THEATRE /AKIKO SATAKE -- THEATRICALITY IN VERSE: DONAGH MACDONAGH'S HAPPY AS LARRY AND THE LYRIC THEATRE /IAN R. WALSH -- CHILDE LOUIS TO THE BROADCAST TOWER CAME: LOUIS MACNEICE, RADIO DRAMA AND THE DISMANTLING OF YEATSIAN THEATRICAL SPACE /MICHAEL A. MOIR -- ILLUMINATING THE MARGINS OF HISTORY: NON-REALIST MOTIVATIONS IN THE WORK OF THOMAS KILROY /PETER O'ROURKE -- FEAR AND LOATHING IN FERMANAGH: APOSTASY AND AMBIGUITY IN VINCENT WOODS' AT THE BLACK PIG'S DYKE /MARY ANN RYAN -- THROUGH A WOMAN'S EYES: NON-REALISTIC DIRECTING STRATEGIES FOR STAGING PLAYS BY IRISH FEMALE DRAMATISTS /CHARLOTTE J. HEADRICK -- “THE HEEL OF THE OPPRESSOR IN A FERRAGAMO SHOE”: MEDIUM AND MESSAGE IN IMPROBABLE FREQUENCY /CLARE WALLACE -- IRELAND, CHINA, BELGIUM, FINLAND: BROKENTALKERS AND THE TRANSNATIONAL CONNECTIVITIES OF POST-CELTIC TIGER PERFORMANCE /CHARLOTTE MCIVOR -- CONTRIBUTORS /JOAN FITZPATRICK DEAN -- INDEX /JOAN FITZPATRICK DEAN.

Content: When W.B. Yeats and Lady Gregory set out in 1897 to create an Irish theatre, they expressed their openness to dramatic experimentation. However, the Abbey Theatre that was their legacy increasingly came to resist non-traditional dramaturgy. Ranging over a period of more than a century, the essays in Beyond Realism focus on theatre that has challenged what came to be perceived as the dominance of realism in Irish drama. The contributors demonstrate that, in the first half of the twentieth century, playwrights such as George Fitzmaurice, Sean O’Casey, and Jack B. Yeats produced unconventional theatre that challenged the norm of realism; they show that Irish dramatists since the 1980s, including Thomas Kilroy, Vincent Woods, and Patricia Burke Brogan further broadened the range of theatrical methods. The concluding essays on contemporary works that use multiple techniques, technology, and site-specific locations suggest that non-realistic, highly theatrical approaches are no longer the exception in Irish drama

Note: Series editors C.C. Barfoot - A.J. Hoenselaars - W.M. Verhoeven , Includes bibliographical references and index

Additional Edition: ISBN 9789042039193

Additional Edition: Erscheint auch als Druck-Ausgabe Beyond Realism: Experimental and Unconventional Irish Drama since the Revival Leiden, Boston : Brill | Rodopi, 2015 ISBN 9789042039193

Language: English

DOI: 10.1163/9789401212014

URL: DOI

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Format: 234 S. , Ill.

ISBN: 9789042039193

Series Statement: DQR studies in literature 56

Note: Includes bibliographical references and index

Additional Edition: ISBN 9789401212014

Language: English

Subjects: English Studies

Keywords: Irland ; Theater ; Konferenzschrift

URL: Inhaltsverzeichnis

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Format: xiii, 261 p.

Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Series Statement: Irish studies in literature and culture

Note: Theatrical censorship and disorder in Ireland -- Theatre, art, and censorship -- The evil genius -- The boom of the ban -- The riot in Westport; or George A. Birmingham at home -- The freedom of the theatre in the Irish Free State, 1922-1929 -- Irish stage censorship from Salome through Roly Poly -- The fifties -- New theatrical economies.

Language: English

Keywords: Electronic books.

URL: Click to View

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Format: 1 online resource (234 pages) : , illustrations.

ISBN: 9789401212014

Series Statement: DQR Studies in Literature ; 56

Content: When W.B. Yeats and Lady Gregory set out in 1897 to create an Irish theatre, they expressed their openness to dramatic experimentation. However, the Abbey Theatre that was their legacy increasingly came to resist non-traditional dramaturgy. Ranging over a period of more than a century, the essays in Beyond Realism focus on theatre that has challenged what came to be perceived as the dominance of realism in Irish drama. The contributors demonstrate that, in the first half of the twentieth century, playwrights such as George Fitzmaurice, Sean O'Casey, and Jack B. Yeats produced unconventional theatre that challenged the norm of realism; they show that Irish dramatists since the 1980s, including Thomas Kilroy, Vincent Woods, and Patricia Burke Brogan further broadened the range of theatrical methods. The concluding essays on contemporary works that use multiple techniques, technology, and site-specific locations suggest that non-realistic, highly theatrical approaches are no longer the exception in Irish drama.

Note: Series editors C.C. Barfoot - A.J. Hoenselaars - W.M. Verhoeven. , Preliminary material / , INTRODUCTION / , \'THIS WORLD OF INARTICULATE POWER\': J.M. SYNGE'S RIDERS TO THE SEA AND MAGICAL REALISM / , "MAGIC AND MENACE": A RE-EVALUATION OF GEORGE FITZMAURICE'S THE MAGIC GLASSES / , COCK-A-DOODLE DANDY: O'CASEY'S TOTAL THEATRE / , THE PASSION OF HARRY HEEGAN: SEAN O'CASEY'S THE SILVER TASSIE / , DOING JUSTICE TO SWIFT: DENIS JOHNSTON'S SOLUTION IN DIVERSE MODES / , JACK B. YEATS' IN SAND: AN EXPERIMENT IN THE TOY THEATRE / , THEATRICALITY IN VERSE: DONAGH MACDONAGH'S HAPPY AS LARRY AND THE LYRIC THEATRE / , CHILDE LOUIS TO THE BROADCAST TOWER CAME: LOUIS MACNEICE, RADIO DRAMA AND THE DISMANTLING OF YEATSIAN THEATRICAL SPACE / , ILLUMINATING THE MARGINS OF HISTORY: NON-REALIST MOTIVATIONS IN THE WORK OF THOMAS KILROY / , FEAR AND LOATHING IN FERMANAGH: APOSTASY AND AMBIGUITY IN VINCENT WOODS' AT THE BLACK PIG'S DYKE / , THROUGH A WOMAN'S EYES: NON-REALISTIC DIRECTING STRATEGIES FOR STAGING PLAYS BY IRISH FEMALE DRAMATISTS / , "THE HEEL OF THE OPPRESSOR IN A FERRAGAMO SHOE": MEDIUM AND MESSAGE IN IMPROBABLE FREQUENCY / , IRELAND, CHINA, BELGIUM, FINLAND: BROKENTALKERS AND THE TRANSNATIONAL CONNECTIVITIES OF POST-CELTIC TIGER PERFORMANCE / , CONTRIBUTORS / , INDEX /

Additional Edition: Print version: Beyond Realism: Experimental and Unconventional Irish Drama since the Revival Leiden, Boston : Brill | Rodopi, 2015, ISBN 9789042039193

Language: English

URL: DOI:

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Format: 1 online resource (278 p.)

Edition: 1st ed.

ISBN: 1-282-50291-3 , 9786612502910 , 0-299-19663-1

Series Statement: Irish studies in literature and culture

Content: Although books, films, and periodicals were subject to Irish government censorship through much of the twentieth century, stage productions were not. The theater became a public space to air cultural confrontations between Church and State, individual and community, and "freedom of the theatre" versus the audience's right to disagree. And disagree they often did. Throughout the twentieth century, Irish performances of new plays by William Butler Yeats, John Millington Synge, and Sean O'Casey, as well as those of such lesser-known playwrights as George Birmingham, often evoked heated responses from theatergoers, sometimes resulting in riots and public denunciation of playwrights and actors.

Note: Bibliographic Level Mode of Issuance: Monograph , Theatrical censorship and disorder in Ireland -- Theatre, art, and censorship -- The evil genius -- The boom of the ban -- The riot in Westport; or George A. Birmingham at home -- The freedom of the theatre in the Irish Free State, 1922-1929 -- Irish stage censorship from Salome through Roly Poly -- The fifties -- New theatrical economies. , English

Additional Edition: ISBN 0-299-19664-X

Language: English

UID:

Format: 1 online resource (360 p.)

Edition: First edition.

ISBN: 0-8156-5284-4

Series Statement: Irish studies

Uniform Title: Macghníomhartha Chúchulainn.

Note: Description based upon print version of record. , Drama-mad, Cúchulainn-mad, pageant-mad -- Forging the past in the Irish Free State -- North and south of the border -- The Tóstals -- 1966 and the recuperative pageantry of Macnas -- Conclusion -- Appendix: English translation of Pearse's Macghníomhartha Chúchulainn by Sean Briain. , English

Additional Edition: ISBN 0-8156-3374-2

Language: English

Keywords: Electronic books. ; Electronic books.