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  • 1
    UID:
    almafu_BV022454652
    Format: 319 S.
    ISBN: 978-90-420-2206-5
    Series Statement: Faux titre 295
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: 1906-1989 Beckett, Samuel ; Philosophie
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  • 2
    Online Resource
    Online Resource
    Amsterdam : Rodopi
    UID:
    gbv_1738130347
    Format: 1 Online-Ressource (319 pages)
    ISBN: 9789401204422
    Series Statement: Faux titre no 295
    Content: Preliminary Material -- Note on references -- Acknowledgements -- Introduction -- Shadow Hospitality: Beckett and Philosophy after Deleuze and Guattari -- Beckett’s Abstract Machines: from Murphy to The Lost Ones -- From Monadology to Nomadology: Leibniz, Deleuze, Beckett -- Matter, Judgement and Immanence in How It Is -- “Vasts apart”: Deleuze, Phenomenology and Worstward Ho -- Beckett’s ‘Dislocations’ -- “l’insurrection des molécules” -- Works Cited -- Index.
    Content: What can philosophy bring to the reading of Beckett? Combining intertextual analysis with a ‘schizoanalytic genealogy’ derived from the authors of L’Anti-Œdipe , Garin Dowd’s Abstract Machines: Samuel Beckett and Philosophy after Deleuze and Guattari offers an innovative response to this much debated question. The author focuses on zones of encounter and thresholds of engagement between Beckett’s writing and a range of philosophers (among them Spinoza, Leibniz and Kant) and philosophical concepts. Beckett’s writing impacts in a variety of ways on Deleuze and Guattari’s thought, and, in particular, resonates with Deleuze’s contributions to the history of philosophy (in books such as Le Pli: Leibniz et le baroque ), and his ‘critical and clinical’ approach to literature. Furthermore, the books co-written with Guattari, concerned as they are with the ‘molecularization’ of the discipline of philosophy in the name of ‘thinking otherwise’, reveal themselves in a new light when explored in conjunction with Beckett’s œuvre . With its arresting perspectives on a wide range of Beckett’s works, Abstract Machines will appeal to academics and postgraduate students interested in the philosophical aspects of his writing. Its engagement with alternative contributions to the question of Beckett and philosophy, including that of Alain Badiou, renders it a timely and provocative intervention in contemporary debates on the relationship between literature and philosophy, both within the field of Beckett studies and beyond
    Note: Includes bibliographical references (p. 273-307) and index
    Additional Edition: ISBN 9789042022065
    Additional Edition: ISBN 904202206X
    Additional Edition: Erscheint auch als Druck-Ausgabe Dowd, Garin Abstract machines Amsterdam : Rodopi, 2007 ISBN 9789042022065
    Additional Edition: ISBN 904202206X
    Language: English
    URL: DOI
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  • 3
    Online Resource
    Online Resource
    Manchester, UK : Manchester University Press
    UID:
    b3kat_BV048724642
    Format: 1 online resource (viii, 188 pages) , illustrations; digital, PDF file(s)
    ISBN: 9781526141590
    Content: The first book in any language to study the films of this enfant terrible of contemporary French cinema, best known for his film Les Amants du Pont Neuf. Examines key ingredients in the worlds of Carax's films – Paris, pop music, 'flânerie' and 'amour fou', 'mannerist' and 'neo-baroque' aesthetics, the Nouvelle Vague and contemporary 'naturalist' cinema – making the book a good primer of contemporary French film and culture. Draws on a variety of intellectual sources, such as the philosophy of Deleuze, film criticism, theory of art, and literary monographs. Argues that the recent history of maverick mannerist and baroque auteurs, from Ruiz & Rivette to Garrel and Techine, and their explorations of the 'powers of the false' are key to Carax's cinema. Examines Carax's contribution to the strand of cinema which is focused on chance and destiny, from Wong Kar-Wai and David Lynch to films such as Serendipity and Sliding doors
    Note: Includes bibliographical references and index , List of plates --Series editors' foreword --Acknowledgements --Introductio -- Genesis of Carax's system --1. A pierrot apart; 'Boy Meets Girl' (1984), 'Mauvais Sang' (1986) and the nouvelle vague inheritance --2. 'Feux d'artifice:'Les Amants du Pont-Neuf'' (1991) and the spectacle of vagrancy --3. Carax's ambiguities: 'Pola X' (1999), naturalism, Melville --Filmography --Bibliography --Index
    Language: English
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  • 4
    UID:
    gbv_1885782616
    Format: 1 Online-Ressource (310 p.)
    ISBN: 9783957960191 , 9783957960184
    Series Statement: Configurations of Film
    Content: French critic Serge Daney was a central figure in film, television and media criticism of the second half of the twentieth century. He died of AIDS in 1992, just as the concept of queer cinema entered international film studies and just before the start of the digital era that has transformed film culture. This collection of new essays investigates the legacy of Daney’s work alongside considerations of feminist, queer and digital cinephilia and contemporary practices of film curation
    Note: English
    Language: Undetermined
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  • 5
    Book
    Book
    Basingstoke, Hampshire : Palgrave Macmillan
    UID:
    gbv_826558038
    Format: XI, 255 S
    ISBN: 9781137505477 , 9781349561735
    Content: E-assessing theoretical traditions: from ancient Greece to Bakhtin. Philosophy's broken mirror: genre theory and the strange place of poetry from Plato to Badiou / Garin Dowd -- Remembering to forget: the role of time, space and memory in Mikhail Bakhtin's treatment of language / Michael Volek -- Memory, testimony, politics. The question of genre in Holocaust narrative: the case of Patrick Modiano's Dora Bruder / Béatrice Damamme-Gilbert -- Genre and memory in Margareta Heinrich's and Eduard Erne's Totschweigen (1994) and Elfriede Jelinek's Rechnitz (der Würgeengel) / Katya Krylova -- Revisiting literary genres: writing back/writing forward. The muse writes back: lyric poetry and female poetic identity / Sarah Parker -- How (not) to translate an unidentified narrative object or a new Iitalian epic / Timothy S. Murphy -- Visual cultures: technologies, institutions and genres. Seduced by art: the problem of photography / Lesley Stevenson -- Vernacular photographic genres after the camera phone / Peter Buse -- Film genres: endurance and transformation. The enduring reach of melodrama in contemporary film and culture / Michael Stewart -- Objects after adolescence: teen film with transition in Spring breakers and The bling ring / Erin K. Stapleton -- Pedagogies: applications in education. Student and teacher constructions of the "generic contract" in high school essays / Anne Smedegaard -- Perceptions of prior genre knowledge: a case of incipient biliterate writers in the EAP classroom / Natasha Artemeva and Donald N. Myles
    Note: E-assessing theoretical traditions: from ancient Greece to Bakhtin. Philosophy's broken mirror: genre theory and the strange place of poetry from Plato to Badiou , Memory, testimony, politics. The question of genre in Holocaust narrative: the case of Patrick Modiano's Dora Bruder , Genre and memory in Margareta Heinrich's and Eduard Erne's Totschweigen (1994) and Elfriede Jelinek's Rechnitz (der Würgeengel) , Revisiting literary genres: writing back/writing forward. The muse writes back: lyric poetry and female poetic identity , How (not) to translate an unidentified narrative object or a new Iitalian epic , Visual cultures: technologies, institutions and genres. Seduced by art: the problem of photography , Vernacular photographic genres after the camera phone , Film genres: endurance and transformation. The enduring reach of melodrama in contemporary film and culture , Objects after adolescence: teen film with transition in Spring breakers and The bling ring , Pedagogies: applications in education. Student and teacher constructions of the "generic contract" in high school essays , Perceptions of prior genre knowledge: a case of incipient biliterate writers in the EAP classroom
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , General works , English Studies
    RVK:
    RVK:
    RVK:
    Keywords: Literaturgattung ; Kunstgattung
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  • 6
    UID:
    almahu_9948314550102882
    Format: 319 p.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Series Statement: Faux titre, no. 295
    Language: English
    Keywords: Electronic books.
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  • 7
    UID:
    almahu_9949701963702882
    Format: 1 online resource (319 pages)
    ISBN: 9789401204422
    Series Statement: Faux titre, no 295
    Content: What can philosophy bring to the reading of Beckett? Combining intertextual analysis with a 'schizoanalytic genealogy' derived from the authors of L'Anti-Œdipe , Garin Dowd's Abstract Machines: Samuel Beckett and Philosophy after Deleuze and Guattari offers an innovative response to this much debated question. The author focuses on zones of encounter and thresholds of engagement between Beckett's writing and a range of philosophers (among them Spinoza, Leibniz and Kant) and philosophical concepts. Beckett's writing impacts in a variety of ways on Deleuze and Guattari's thought, and, in particular, resonates with Deleuze's contributions to the history of philosophy (in books such as Le Pli: Leibniz et le baroque ), and his 'critical and clinical' approach to literature. Furthermore, the books co-written with Guattari, concerned as they are with the 'molecularization' of the discipline of philosophy in the name of 'thinking otherwise', reveal themselves in a new light when explored in conjunction with Beckett's œuvre . With its arresting perspectives on a wide range of Beckett's works, Abstract Machines will appeal to academics and postgraduate students interested in the philosophical aspects of his writing. Its engagement with alternative contributions to the question of Beckett and philosophy, including that of Alain Badiou, renders it a timely and provocative intervention in contemporary debates on the relationship between literature and philosophy, both within the field of Beckett studies and beyond.
    Note: Preliminary Material -- Note on references -- Acknowledgements -- Introduction -- Shadow Hospitality: Beckett and Philosophy after Deleuze and Guattari -- Beckett's Abstract Machines: from Murphy to The Lost Ones -- From Monadology to Nomadology: Leibniz, Deleuze, Beckett -- Matter, Judgement and Immanence in How It Is -- "Vasts apart": Deleuze, Phenomenology and Worstward Ho -- Beckett's 'Dislocations' -- "l'insurrection des molécules" -- Works Cited -- Index.
    Additional Edition: Print version: Dowd, Garin. Abstract machines. Amsterdam : Rodopi, 2007 ISBN 9789042022065
    Additional Edition: ISBN 904202206X
    Language: English
    Keywords: Criticism, interpretation, etc.
    URL: DOI:
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    UID:
    almahu_9948311167802882
    Format: 178 p.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Online Resource
    Online Resource
    Palo Alto, Calif :ebrary. | Bristol ; Portland, OR :Intellect Books,
    UID:
    almahu_BV040631066
    Format: 1 Online-Ressource (178 p.).
    Edition: Online-Ausgabe 2009 Electronic reproduction; Available via World Wide Web
    ISBN: 1-8415-0107-7 , 978-1-8415-0107-9
    Content: This collection of new essays addresses a topic of established and expanding critical interest throughout the humanities. It demonstrates that genre matters in a manner not constrained by disciplinary boundaries and includes new work on Genre Theory and applications of thinking about genre from Aristotle to Derrida and beyond. The essays focus on economies of expectation and competency, genre as media form, recent developments in television broadcast genres, translation and genericity, the role played by genre in film publicity, gender and genre, genre in fiction, and the problematics of class
    Note: Includes bibliographical references and indexes
    Additional Edition: Reproduktion von Genre matters 2006
    Additional Edition: Erscheint auch als Druck-Ausgabe Genre Matters
    Language: English
    Keywords: Englisch ; Literatur ; Verfilmung ; Literaturgattung ; Gattungstheorie ; Filmgenre ; Aufsatzsammlung
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  • 10
    UID:
    almahu_9947968377502882
    Format: XI, 255 p. , online resource.
    ISBN: 9781137505484
    Content: This book provides a fresh interdisciplinary perspective on genre and identifies developments in genre studies in the early 21st century. Genre approaches are applied to examine a fascinating range of texts including ancient Greek poems, Holocaust visual and literary texts, contemporary Hollywood films, selfies, melodrama, and classroom practices.
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9781349561735
    Language: English
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