Format:
2 CD : ADD
Series Statement:
Virgin veritas
Note:
Enth.: The middle ages: Woodwind: Shawm - Saltarello (Anon. 14th century, Italian). Reed pipe - Shepherd's tune (Traditional Syrian). Bagpipes - a) Cylindrical chanter - Saltarello (Anon. 14th century, Italian) - b) Conical chanter - Ballade 'Dame, se vous m' estés' (Guillaume de Machaut, c. 1300-1377). Bladder pipes - Pastourelle 'Au tans d' aost' from the Chansonnier Cangé (Anon. 13th century, French). Panpipes - Chanson à refrain 'A prisai qu'en chantant plour' from the Chansonnier Cangé. Transverse flute - Minnesinger melody 'Ach owê, daz nâch liebe ergât' (Master Alexander, late 13th century). Six-holed pipe - Chanson pieuse 'Dou tres douz non' (Thibaut of Navarre, 1201-1253). Double pipes - Virelai 'Gracïeusette' (Jehan de Lescurel, fl. early 14th century). Pipe and tabor - Dansa 'Ben volgra, s' esser poges' (Guiraut d'Espanha de Toloza, fl. 1245-65). Recorder - English Te Deum (Anon. c. 1300). Gemshorn - Chansonnette 'Quant je voi iver retorner' (Colin Muset, fl. c. 1200-1250). - Keyboard: Portative organ - Madrigal 'Ay sconsolato ed amoroso' (Vincenzo da Rimini, fl. mid 14th century). Positive organ - Estampie from the Robertsbridge fragment (English, c. 1320). Hurdy-gurdy - Chanson 'Joliveté et bone amor' (Jehan d'Esquiri, 13th century). Clavichord - 'Ellend du hast' (Conrad Paumann, c. 1410-1473). - Brass: Trumpet - a) Clarion - Fanfare 'Untarn slaf tut den sumer wol' (Herman, Monk of Salzburg, fl. late 14th century) - b) Buisine - Fanfare 'ad modum tubae' (Guillaume Dufay, c. 1400-1474). a) Cowhorn - Ballade 'De moi doloureus' (Gillebert de Berneville, fl. 1250-80) - b) Medieval cornett - 'Das Nachthorn' (Herman, Monk of Salzburg) - c) Slide trumpet - Geisslerlied 'Maria muoter reinû maît' (Anon. German, 1349) - d) Ensemble: medieval cornett, slide trumpet, alto shawm, tabor - Der Trumpet (Herman, Monk of Salzburg). - Strings: Harp - a) Metal strung - Lai 'Qui porroit un guierredon' from the Chansonnier Cangé - b) Gut strung - Dance tune (ascr. Tassin, 13th century). Lyre - Goliard melody 'O Roma nobilis' (Anon. 11th century). Psaltery - Hymn to St Magnus 'Nobilis humilis' (Orkney Isles , 12th century). Dulcimer - Madrigal 'Tanto soavemente' (Jacopo da Bologna, fl. 1340-?1386). Lute - Madrigal 'Di novo è giunto' (Jacopo da Bologna). Mandora - Chanson 'Amours que porra' (Thibaut de Blason, 13th century). Long-necked lute - 'Aquel que de voontade' from the Cantigas de Santa María (Alfonso X el Sabio, 1221-1284). Cittern - Virelai 'Quant je sui mis' (Guillaume de Machaut). Citole - English dance (Anon. 13th century). Rebec - La septime estampie real (Anon. 13th century, French). Fiddle - Ballata 'Poi che da te mi convien' (Francesco Landini, c. 1325-1397). Bowed lyre - Virelai 'Comment qu'a moy' (Guillaume de Machaut). Tromba marina - Improvised fanfare Motet 'Quant ie le voi - Bon vin doit - Cis chans veult boire' from the Roman de Fauvel (completed 1316) (Anon. early 14th century, French). - Percussion (Medieval and Renaissance). - The Renaissance: Woodwind: Shawm - Two courantes from Newe teutsche weltliche Gesänglein, 1613 (Samuel Voelckel, c. 1560-after 1617). Curtal - Chanson 'Ce qui souloit' based on a chanson by Pierre Sandrin (c. 1490-after 1560) from Le Premier Livre des chansons, 1554 (Tielman Susato, 1510/15-c. 1570). Courtaut. Rackett - Caro ortolano from Il primo libro de balli, 1578 (Giorgio Mainerio, c. 1535-1582). Crumhorn - Padouana from Banchetto Musicale, 1617 (Johann Schein, 1586-1630). Cornamuse - Bicinium 'Le cuer de vous' from Georg Rhaw's Bicinia gallica et latina, 1545 (Antonio Gardano, c. 1509-1569). Kortholt - Bicinium 'Mon petit cuer' from Bicinia gallica et latina, 1545 (Guillaume le Heurteur, fl. 1530-1545). Rauschpfeife - Three Bransles Doubles from Terpsichore, 1612 (Michael Praetorius, 1571-1621). Flute - Chanson 'Amor me poingt' from Pierre Attaingnant's second book of Chansons musicales, 1533 (Claudin de Sermisy, c. 1490-1562). Recorder - a) 8' Consort - Chanson 'Hellas! Amour' from Pierre Attaingnant's second book of Chansons musicales, 1533 (Guillaume le Heurteur) - b) 4' Consort - The Fairie Round from Pavans, Galliards, Almains and other short aeirs, 1599 (Anthony Holborne, c. 1545-1602). - Keyboard: Renaissance organ - Entrada réal (Pedro de Soto, late 16th century). Regal - a) Prelude 'Ascensus simplex' from the Fundamentum organisandi, 1452 (Conrad Paumann, c. 1410-1473) - b) 'Min Hertz hat sich ser gefröwet' from the Buxheimer Orgelbuch, compiled c. 1470 (Anon. 15th century, German). Harpsichord - Toccata from the Naples MS (Giovanni Salvatore, fl. c. 1600). Virginals - Variations on the Romanesca from the Dublin Virginal Book, c. 1570 (Anon. 16th century). Xylophone - Ballo Francese from Il primo libro di balli, 1578 (Giorgio Mainerio). - Brass: Trumpet - a) Unmuted - Toccata from Orfeo, 1607 (Claudio Monteverdi, 1567-1643) - b) Muted - Toccata from Orfeo, 1607. Sackbut - a) Solo - Adagio and Allegro from Sonata for trombone, two violins and continuo (Heinrich Biber, 1644-1704) - b) Consort - 'Lobt Gott ihr Christen alle gleich' from Musae Sionae IV (Michael Praetorius). Cornett - Canzona for 'due canti' from Canzoni da sonare, 1634 (Girolamo Frescobaldi, 1583-1643). Alto and tenor cornett - Bicinium 'Amour cruel' from Bicinia gallica et latina , 1545 (Pierre de Manchicourt, c. 1510-1564). Serpent - Canzona Quarta for 'basso solo' from Canzoni da sonare, 1634 (Girolamo Frescobaldi). - Strings: Lute 'Orlando sleepeth' (John Dowland, 1562-1626). Theorbo - A Fancy - Praelude, or Voluntary from Musick's Monument, 1676 (Thomas Mace, 1612/3-?1706). Chitarrone. Mandora - Ballo Anglese from Il primo libro di balli, 1578 (Giorgio Mainerio). Cittern - Galliarde for cittern and bass from The Cittharn Schoole, 1597 (Anthony Holborne). Ceterone - Toccata prima from the Intavolatura di liuto, et di chitarrone, 1623 (Alessandro Piccinini, 1566- c. 1638). Bandora - Galliard from the Braye bandora MS, c. 1600 (John Dowland). Orpharion - Duet 'Le Rossignol' from Jane Pickering's Lute Book, 1616. Vihuela - Fantasia XI from El maestro, 1536 (Luis Milán, c. 1500-after 1560). Guitar - Pavana (Variations on the Romanesca) from the Braye Lute Book, c. 1560 (Anon., 16th century). Viol - a) Consort - Fantasy in four parts (superius part reconstructed by Thurston Dart) (William Byrd, 1543-1623) - b) Lyra viol - Duet 'Forget me not' (Thomas Ford, d. 1648). Violone. Violin - La volta (Anon. 16th century)
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Best.-Nr.: 0946 3 85811 2 3
Language:
English
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