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  • 1
    Online Resource
    Online Resource
    New York, NY :Routledge,
    UID:
    almahu_9949385803902882
    Format: 1 online resource
    ISBN: 9780429619892 , 0429619898 , 9780429622045 , 042962204X , 9780429617744 , 0429617747 , 9780429054877 , 0429054874
    Series Statement: Routledge auto/biography studies
    Content: "This volume examines the ways in which multilingual women authors incorporate several languages into their life writing. It compares the work of six contemporary authors who write predominantly in French. It analyses the narrative strategies they develop to incorporate more than one language into their life writing: French and English, French and Creole, or French and German, for example. The book demonstrates how women writers transform languages to invent new linguistic formations and how they create new formulations of subjectivity within their self-narrative. It intervenes in current debates over global literature, national literatures and translingual and transnational writing, which constitute major areas of research in literary and cultural studies. It also contributes to debates in linguistics through its theoretical framework of translanguaging. It argues that multilingual authors create new paradigms for life writing and that they question our understanding of categories such as "French literature.""--
    Note: Lydie Salvayre: translanguaging, testimony and history -- French-Vietnamese translanguaging in the work of Kim Thúy -- "En Australie, je parle une langue minoritaire": Catherine Rey's Franco-Australian life-writing -- Gisèle Pineau's evolving translanguaging: from Un Papillon dans la cité to L'Exil selon Julia to Mes quatres femmes -- Staging resistance to the language of the colonizer: Chantal Spitz's translanguaging -- Hélène Cixous's Franco-German translanguaging in Une Autobiographie allemande -- Conclusion.
    Additional Edition: Print version: Edwards, Natalie. Multilingual life writing by French and francophone women. New York : Routledge, 2020 ISBN 9780367150327
    Language: English
    Subjects: Romance Studies
    RVK:
    Keywords: Electronic books. ; Criticism, interpretation, etc.
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    UID:
    gbv_1832221601
    Format: 1 Online-Ressource (185 p.)
    ISBN: 9780429054877 , 9781032087566 , 9780367150327
    Series Statement: Routledge Auto/Biography Studies
    Content: This volumeexamines the ways in which multilingual women authors incorporate several languages into their life writing. It compares the work of six contemporary authors who write predominantly in French. It analyses the narrative strategies they develop to incorporate more than one language into their life writing: French and English, French and Creole, or French and German, for example. The book demonstrates how women writers transform languages to invent new linguistic formations and how they create new formulations of subjectivity within their self-narrative. It intervenes in current debates over global literature, national literatures and translingual and transnational writing, which constitute major areas of research in literary and cultural studies. It also contributes to debates in linguistics through its theoretical framework of translanguaging. It argues that multilingual authors create new paradigms for life writing and that they question our understanding of categories such as "French literature"
    Note: English
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : University of Adelaide Press
    UID:
    gbv_1778639283
    Format: 1 Online-Ressource (291 p.)
    ISBN: 9781922064875
    Content: Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Newcastle-upon-Tyne : Cambridge Scholars Publishing
    UID:
    gbv_1696631572
    Format: 1 online resource (211 pages)
    Edition: 1st ed.
    ISBN: 9781443851213
    Content: The Contemporary Francophone African Intellectual examines the issues with which the contemporary African intellectual engages, the fields s/he occupies, her/his residence and perspective, and her/his relations with the State and the people. In an increasingly economically deprived Africa, in which some states are ruled by dictators, what chances do people have of becoming intellectuals, using their critical faculties to challenge hegemony, enacting the transformative power of ideas in a publ...
    Content: Intro -- TABLE OF CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION -- CHAPTER ONE -- CHAPTER TWO -- CHAPTER THREE -- CHAPTER FOUR -- CHAPTER FIVE -- CHAPTER SIX -- CHAPTER SEVEN -- CHAPTER EIGHT -- CONTRIBUTORS -- INDEX.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9781443848596
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781443848596
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    Adelaide :The University of Adelaide Press,
    UID:
    almahu_9947382202902882
    Format: 1 online resource (vi, 290 pages) : , digital, PDF file(s).
    Content: Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned.
    Note: Title from publisher's bibliographic system (viewed on 05 Feb 2016). , The doubling of the frame--visual art and discourse / Natalie Edwards, Ben McCann and Peter Poiana, The University of Adelaide -- Colonial vision : French voyager-artists, Aboriginal subjects and the British Colony at Port Jackson / Nicole Starbuck, The University of Adelaide -- An artist in the making : The early drawings of Charles-Alexandre Lesueur during the Baudin expedition to Australia / John West-Sooby, The University of Adelaide -- Framing New Holland or framing a narrative? : A representation of Sydney according to Charles-Alexandre Lesueur / Jean Fornasiero, The University of Adelaide -- The Artwork of the Baudin expedition to Australia (1800-1804) : Nicolas-Martin Petit's 1802 portrait of an Aboriginal woman and child from Van Diemen's Land / Jane Southwood, University of New England -- Framing the Eiffel Tower : From postcards to Postmodernism / Sonya Stephens, Mount Holyoke University -- The return of Trauner : Late style in 1970s and 1980s French film design / Ben McCann, The University of Adelaide -- Annie Ernaux's phototextual archives : Ecrire la vie / Natalie Edwards, The University of Adelaide -- The image of self-effacement : The revendication of the autonomous author in Marie NDiaye's Autoportrait en vert / Christopher Hogarth, University of South Australia -- Accumulating Algeria : Recurrent images in Pied-Noir visual works / Amy L. Hubbell, University of Queensland -- Georges Bataille's Manet and the "strange impression of an absence" / Caroline Sheaffer-Jones, University of New South Wales -- Entropy and osmosis in conceptualisations of the Surrealist frame / Klem James, University of Wollongong -- Art and origin : Bataille and Blanchot's return to Lascaux / Peter Poiana, The University of Adelaide. , Also available in print form. , English
    Additional Edition: ISBN 1922064866
    Additional Edition: ISBN 1922064874
    Language: English
    Keywords: Electronic books
    URL: Volltext  (kostenfrei)
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    gbv_1697902669
    Format: 1 online resource
    ISBN: 9780429622045 , 042962204X , 9780429054877 , 0429054874 , 9780429617744 , 0429617747 , 9780429619892 , 0429619898
    Additional Edition: ISBN 0367150328
    Additional Edition: ISBN 9780367150327
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 0367150328
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    almafu_9960943365202883
    Format: 1 online resource (185 pages)
    Edition: 1st ed.
    ISBN: 0-429-61989-8 , 0-429-05487-4 , 0-429-62204-X
    Series Statement: Routledge Auto/Biography Studies
    Content: This volume examines the ways in which multilingual women authors incorporate several languages into their life writing. It compares the work of six contemporary authors who write predominantly in French. It analyses the narrative strategies they develop to incorporate more than one language into their life writing: French and English, French and Creole, or French and German, for example. The book demonstrates how women writers transform languages to invent new linguistic formations and how they create new formulations of subjectivity within their self-narrative. It intervenes in current debates over global literature, national literatures and translingual and transnational writing, which constitute major areas of research in literary and cultural studies. It also contributes to debates in linguistics through its theoretical framework of translanguaging. It argues that multilingual authors create new paradigms for life writing and that they question our understanding of categories such as "French literature."
    Note: Lydie Salvayre: translanguaging, testimony and history -- French-Vietnamese translanguaging in the work of Kim Thúy -- En Australie, je parle une langue minoritaire: Catherine Rey's Franco-Australian life-writing -- Gisèle Pineau's evolving translanguaging: from Un Papillon dans la cité to L'Exil selon Julia to Mes quatres femmes -- Staging resistance to the language of the colonizer: Chantal Spitz's translanguaging -- Hélène Cixous's Franco-German translanguaging in Une Autobiographie allemande -- Conclusion. , English
    Additional Edition: ISBN 0-367-15032-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    New York, New York ; : Routledge,
    UID:
    almahu_9949602110802882
    Format: 1 online resource (185 pages)
    ISBN: 9780429622045 (e-book)
    Additional Edition: Print version: Edwards, Natalie. Multilingual life writing by French and francophone women : translingual selves. New York, New York ; London : Routledge, c2020 ISBN 9780367150327
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 9
    Online Resource
    Online Resource
    Adelaide :The University of Adelaide Press,
    UID:
    edocfu_9958068709202883
    Format: 1 online resource (vi, 290 pages) : , digital, PDF file(s).
    Content: Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned.
    Note: Title from publisher's bibliographic system (viewed on 05 Feb 2016). , The doubling of the frame--visual art and discourse / Natalie Edwards, Ben McCann and Peter Poiana, The University of Adelaide -- Colonial vision : French voyager-artists, Aboriginal subjects and the British Colony at Port Jackson / Nicole Starbuck, The University of Adelaide -- An artist in the making : The early drawings of Charles-Alexandre Lesueur during the Baudin expedition to Australia / John West-Sooby, The University of Adelaide -- Framing New Holland or framing a narrative? : A representation of Sydney according to Charles-Alexandre Lesueur / Jean Fornasiero, The University of Adelaide -- The Artwork of the Baudin expedition to Australia (1800-1804) : Nicolas-Martin Petit's 1802 portrait of an Aboriginal woman and child from Van Diemen's Land / Jane Southwood, University of New England -- Framing the Eiffel Tower : From postcards to Postmodernism / Sonya Stephens, Mount Holyoke University -- The return of Trauner : Late style in 1970s and 1980s French film design / Ben McCann, The University of Adelaide -- Annie Ernaux's phototextual archives : Ecrire la vie / Natalie Edwards, The University of Adelaide -- The image of self-effacement : The revendication of the autonomous author in Marie NDiaye's Autoportrait en vert / Christopher Hogarth, University of South Australia -- Accumulating Algeria : Recurrent images in Pied-Noir visual works / Amy L. Hubbell, University of Queensland -- Georges Bataille's Manet and the "strange impression of an absence" / Caroline Sheaffer-Jones, University of New South Wales -- Entropy and osmosis in conceptualisations of the Surrealist frame / Klem James, University of Wollongong -- Art and origin : Bataille and Blanchot's return to Lascaux / Peter Poiana, The University of Adelaide. , Also available in print form. , English
    Additional Edition: ISBN 1922064866
    Additional Edition: ISBN 1922064874
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 10
    Online Resource
    Online Resource
    Adelaide :The University of Adelaide Press,
    UID:
    edoccha_9958068709202883
    Format: 1 online resource (vi, 290 pages) : , digital, PDF file(s).
    Content: Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned.
    Note: Title from publisher's bibliographic system (viewed on 05 Feb 2016). , The doubling of the frame--visual art and discourse / Natalie Edwards, Ben McCann and Peter Poiana, The University of Adelaide -- Colonial vision : French voyager-artists, Aboriginal subjects and the British Colony at Port Jackson / Nicole Starbuck, The University of Adelaide -- An artist in the making : The early drawings of Charles-Alexandre Lesueur during the Baudin expedition to Australia / John West-Sooby, The University of Adelaide -- Framing New Holland or framing a narrative? : A representation of Sydney according to Charles-Alexandre Lesueur / Jean Fornasiero, The University of Adelaide -- The Artwork of the Baudin expedition to Australia (1800-1804) : Nicolas-Martin Petit's 1802 portrait of an Aboriginal woman and child from Van Diemen's Land / Jane Southwood, University of New England -- Framing the Eiffel Tower : From postcards to Postmodernism / Sonya Stephens, Mount Holyoke University -- The return of Trauner : Late style in 1970s and 1980s French film design / Ben McCann, The University of Adelaide -- Annie Ernaux's phototextual archives : Ecrire la vie / Natalie Edwards, The University of Adelaide -- The image of self-effacement : The revendication of the autonomous author in Marie NDiaye's Autoportrait en vert / Christopher Hogarth, University of South Australia -- Accumulating Algeria : Recurrent images in Pied-Noir visual works / Amy L. Hubbell, University of Queensland -- Georges Bataille's Manet and the "strange impression of an absence" / Caroline Sheaffer-Jones, University of New South Wales -- Entropy and osmosis in conceptualisations of the Surrealist frame / Klem James, University of Wollongong -- Art and origin : Bataille and Blanchot's return to Lascaux / Peter Poiana, The University of Adelaide. , Also available in print form. , English
    Additional Edition: ISBN 1922064866
    Additional Edition: ISBN 1922064874
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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