Kooperativer Bibliotheksverbund

UID:

Format: 1 Online-Ressource (ix, 272 Seiten)

ISBN: 9781474463386 , 9781474463393 , 147446338X , 9781474463386

Series Statement: Edinburgh studies in film and intermediality

Content: Animating Truth examines the rise of animated documentary in the 21st century, and addresses how non-photorealistic animation is increasingly used to depict and shape reality

Note: Erscheint als Open Access bei De Gruyter , Intro -- Animating Truth -- Copyright -- Contents -- Illustrations -- Acknowledgements -- Introduction -- Part I Starting Points: The Evidentiary Status of Animation as Documentary Imagery -- One Why Now? -- Two Defining Animation and Animated Documents in Contemporary Mixed Realities -- Part II Animation and Technoculture: The Virtualisation of Culture and Virtual Documentaries -- Three The Virtualisation of Culture: Screens, Virtuality and Materiality -- Four Documenting Game Realities -- Five In-game Documentaries of Non-game Realities

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4744-6336-2

Language: English

Subjects: General works

Keywords: Animationsverfahren ; Computeranimation ; Filmästhetik ; Visuelle Wahrnehmung ; Animationsfilm ; Dokumentarfilm

DOI: 10.1515/9781474463386

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

UID:

Format: 1 online resource (ix, 240 pages) : , digital, PDF file(s).

ISBN: 9780748694129 (ebook)

Series Statement: Edinburgh studies in film and intermediality

Content: From early cinema to present-day scientific research, military uses, digital art and gaming, this book casts new light on the capacity of the moving image to act as a record of the world around us, challenging the orthodox definitions of documentary cinema.

Note: Title from publisher's bibliographic system (viewed on 12 Nov 2020).

Additional Edition: Print version: ISBN 9780748694112

Language: English

URL: https://www.cambridge.org/core/product/identifier/9780748694129/type/BOOK

URL: lizenzpflichtig

UID:

Format: 1 Online-Ressource

ISBN: 9781474463386

Content: Animating Truth examines the rise of animated documentary in the 21st century, and addresses how non-photorealistic animation is increasingly used to depict and shape reality

Note: English

Language: English

URL: kostenfrei

UID:

Format: 1 Online-Ressource (xi, 272 Seiten) , Illustrationen

ISBN: 9781474463386 , 9781474463393

Series Statement: Edinburgh Studies in Film and Intermediality

Content: Explores the rise of animated documentary and non-fiction in the 21st century • Examines the digitalisation and virtualisation of culture as the backdrop for the rise of contemporary animated documentaries • Focuses on the techno-cultural setting and explores multiple areas of non-fiction • Offers a wide view of visual culture case studies including film, art, journalism, gaming, scientific and data visualization. Confronting shifts in the status and aesthetics of the real, Nea Ehrlich analyses how contemporary technoculture has transformed the relationship of animation to documentary by mapping out two parallel trends: the increased use of animation within documentary or non-fiction contexts, and the increasingly pervasive use of non-photorealistic animation within digital media. As the virtual becomes another aspect of our contemporary mixed reality (physical and virtual), the book aims to understand how this visual paradigm shift influences viewers, both ethically and politically, and questions the wider ramifications of this transformation in non-fiction aesthetics

Note: Frontmatter , Contents , Illustrations , Acknowledgements , Introduction , Part I Starting Points: The Evidentiary Status of Animation as Documentary Imagery , CHAPTER ONE Why Now? , CHAPTER TWO Defining Animation and Animated Documents in Contemporary Mixed Realities , Part II Animation and Technoculture: The Virtualisation of Culture and Virtual Documentaries , CHAPTER THREE The Virtualisation of Culture: Screens, Virtuality and Materiality , CHAPTER FOUR Documenting Game Realities , CHAPTER FIVE In-game Documentaries of Non-game Realities , CHAPTER SIX Interactive Animated Documentaries: Documentary Games and VR , CHAPTER SEVEN Encounters, Ethics and Empathy , CHAPTER EIGHT Conflicting Realisms: Animated Documentaries and Post-truth , Epilogue , Filmography , Bibliography , Index , In English

Additional Edition: ISBN 9781474463362

Additional Edition: Erscheint auch als print ISBN 9781474463362

Language: English

Subjects: General works

Keywords: Dokumentarfilm ; Neue Medien ; Visuelle Medien ; Digitale Filmtechnik

DOI: 10.1515/9781474463386

URL: kostenfrei

URL: kostenfrei

URL: Cover

UID:

Format: 1 online resource (256 p.) : , 30 B/W illustrations

ISBN: 9780748694129

Series Statement: Edinburgh Studies in Film and Intermediality : ESFI

Content: The first anthology to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectivesRunner-Up for the BAFTSS - Best Edited Collection Award 2020!Documentary cinema has always drawn from real life, but an increasing number of contemporary filmmakers are going further still, drawing onscreen images of reality through a range of animated filmmaking techniques. Drawn from Life is the first book to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectives, exploring and proposing answers to a range of questions that preoccupy twenty-first-century film artists and audiences alike:Why use animation to document?How do such images reflect and influence our understanding and experience of reality, whether public or private, psychological or political?From early cinema to present-day scientific research, military uses, digital art and gaming, this book casts new light on the capacity of the moving image to act as a record of the world around us, challenging the orthodox definitions of documentary cinema.Key FeaturesDefines the central characteristics of the animated documentary filmChallenges and extends orthodox definitions of documentary cinema as well as animationSurveys a diverse range of film works, genres, production techniques, historical eras and cultural contextsContributorsNea Ehrlich, Ben Gurion University of the NegevLeon Gurevitch, University of Wellington.Jonathan Hodgson, Middlesex UniversityNanette Kraaikamp, Drawing Centre DiepenheimPascal Lefèvre, LUCA School of ArtsLawrence Thomas Martinelli, University of PisaMihaela Mihailova, University of Michigan.Samantha Moore, University of WolverhamptonJonathan Murray, Edinburgh College of Art, University of EdinburghSheila M. Sofian, University of Southern California.Paul Ward, University BournemouthAndrew Warstat, Manchester School of Art, Manchester Metropolitan UniversityPaul Wells, Loughborough University"

Note: Frontmatter -- , Contents -- , List of Figures -- , The Contributors -- , Editors’ Introduction -- , Contributors -- , Part 1 Past and Present -- , 1. From Contextualisation to Categorisation of Animated Documentaries -- , 2. Before Sound, there was Soul: The Role of Animation in Silent Nonfiction Cinema -- , 3. Indeterminate and Intermediate or Animated Nonfiction: Why Now? -- , Part 2 Defining Terms and Contexts -- , 4. Animated Documentary, Recollection, ‘Re-enactment’ and Temporality -- , 5. The Documentary Attraction: Animation, Simulation and the Rhetoric of Expertise -- , 6. Never Mind the Bollackers: Here’s the Repositories, Sites and Archives in Nonfiction Animation -- , Part 3 Films and Filmmakers -- , 7. Drawings to Remember -- , 8. Adorno, Lewis Klahr and the Shuddering Image -- , 9. The Reasons for Animating Reality: Animated Documentary and Re-enactment in the Work of Jonas Odell -- , 10. Memory Drawn into the Present: Waltz with Bashir and Animated Documentary -- , Part 4 Practice-based Perspectives -- , 11. Making The Trouble with Love and Sex -- , 12. ‘Does this look right?’ Working Inside the Collaborative Frame -- , 13. Creative Challenges in the Production of Documentary Animation -- , Index , In English.

Language: English

DOI: 10.1515/9780748694129

URL: https://doi.org/10.1515/9780748694129

URL: https://www.degruyter.com/isbn/9780748694129

UID:

Format: ix, 240 Seiten : , Illustrationen.

ISBN: 978-0-7486-9411-2

Series Statement: Edinburgh studies in film and intermediality

Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-0-7486-9412-9

Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-4744-1400-5

Language: English

Subjects: General works

Keywords: Animationsfilm ; Dokumentarfilm ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Klappentext

Author information: Murray, Jonathan, 1973-

UID:

Format: 1 online resource (xi, 233 p.) : , ill., photographs.

Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: 1 online resource (1 p.)

ISBN: 9781474463386

Content: Animating Truth examines the rise of animated documentary in the 21st century, and addresses how non-photorealistic animation is increasingly used to depict and shape reality.

Language: English

Keywords: Electronic books.

URL: View this content on BiblioBoard.

UID:

Format: 1 online resource (283 pages) : , illustrations

ISBN: 1-4744-6339-8 , 1-4744-6338-X

Series Statement: Edinburgh Studies in Film and Intermediality

Content: Animating Truth examines the rise of animated documentary in the 21st century, and addresses how non-photorealistic animation is increasingly used to depict and shape reality.

Note: Intro -- Animating Truth -- Copyright -- Contents -- Illustrations -- Acknowledgements -- Introduction -- Part I Starting Points: The Evidentiary Status of Animation as Documentary Imagery -- One Why Now? -- Two Defining Animation and Animated Documents in Contemporary Mixed Realities -- Part II Animation and Technoculture: The Virtualisation of Culture and Virtual Documentaries -- Three The Virtualisation of Culture: Screens, Virtuality and Materiality -- Four Documenting Game Realities -- Five In-game Documentaries of Non-game Realities -- Six Interactive Animated Documentaries: Documentary Games and VR -- Part III The Power of Animation: Disputing the Aesthetics of 'the Real' -- Seven Encounters, Ethics and Empathy -- Eight Conflicting Realisms: Animated Documentaries and Post-truth -- Epilogue -- Filmography -- Bibliography -- Index.

Additional Edition: ISBN 1-4744-6337-1

Additional Edition: ISBN 1-4744-6336-3

Language: English

DOI: 10.1515/9781474463386

UID:

Format: 1 online resource (283 pages) : , illustrations

ISBN: 1-4744-6339-8 , 1-4744-6338-X

Series Statement: Edinburgh Studies in Film and Intermediality

Content: Animating Truth examines the rise of animated documentary in the 21st century, and addresses how non-photorealistic animation is increasingly used to depict and shape reality.

Note: Intro -- Animating Truth -- Copyright -- Contents -- Illustrations -- Acknowledgements -- Introduction -- Part I Starting Points: The Evidentiary Status of Animation as Documentary Imagery -- One Why Now? -- Two Defining Animation and Animated Documents in Contemporary Mixed Realities -- Part II Animation and Technoculture: The Virtualisation of Culture and Virtual Documentaries -- Three The Virtualisation of Culture: Screens, Virtuality and Materiality -- Four Documenting Game Realities -- Five In-game Documentaries of Non-game Realities -- Six Interactive Animated Documentaries: Documentary Games and VR -- Part III The Power of Animation: Disputing the Aesthetics of 'the Real' -- Seven Encounters, Ethics and Empathy -- Eight Conflicting Realisms: Animated Documentaries and Post-truth -- Epilogue -- Filmography -- Bibliography -- Index.

Additional Edition: ISBN 1-4744-6337-1

Additional Edition: ISBN 1-4744-6336-3

Language: English

DOI: 10.1515/9781474463386