UID:
almafu_9959691104702883
Format:
1 online resource (x, 407 pages) :
,
digital, PDF file(s).
ISBN:
1-316-48917-5
,
1-316-49049-1
,
1-316-49071-8
,
1-316-49115-3
,
1-316-49093-9
,
1-316-49203-6
,
1-316-33963-7
Content:
Innovations in music technology bring with them a new set of challenges for describing and understanding the electroacoustic repertoire. This edited collection presents a state-of-the-art overview of analysis methods for electroacoustic music in this rapidly developing field. The first part of the book explains the needs of differing electroacoustic genres and puts forward a template for the analysis of electroacoustic music. Part II discusses the latest ideas in the field and the challenges associated with new technologies, while Part III explores how analyses have harnessed the new forces of multimedia, and includes an introduction to new software programme EAnalysis, which was created by the editors as the result of an Arts and Humanities Research Council grant. The final part of the book demonstrates these new methods in action, with analyses of key electroacoustic works from a wide range of genres and sources.
Note:
Title from publisher's bibliographic system (viewed on 05 Apr 2016).
,
Cover; Half-title ; Title page ; Copyright information ; Table of contents ; List of figures ; Notes on contributors ; Part I Setting the scene ; Part II Ideas and challenges ; Part III Harnessing new forces ; Part IV Analyses of key works ; Index ; Introduction
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1 The analysis of electroacoustic music: the differing needs of its genres and categories 2 Listening and meaning: how a model of mental layers informs electroacoustic music analysis ; 3 Forming form ; 4 Interactive and generative music: a quagmire for the musical analyst
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5 Some ideas concerning the relationship between form and texture 6 Exploiting computational paradigms for electroacoustic music analysis ; 7 OREMA: an analytical community ; 8 EAnalysis: developing a sound-based music analytical tool
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9 Trevor Wishart's Children's Stories II from Encounters in the Republic of Heaven: an analysis for children of a sample-based composition 10 Analysis of Foil by Autechre (from Amber (1994)) ; 11 Temporal recurrence in Andrew Lewis's Penmon Point
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12 Michel Waisvisz: No Backup / Hyper Instruments 13 Analysing Sound Art: Douglas Henderson's Fadensonnen (2009) ; 14 Analysing the identifiable: cultural borrowing in Diana Salazar's La voz del fuelle ; 15 Kireek 2011 Championship routine analysis
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16 The analysis of live and interactive electroacoustic music: Hans Tutschku - Zellen-Linien (2007)
,
English
Additional Edition:
ISBN 1-107-11832-8
Additional Edition:
ISBN 1-107-54405-X
Language:
English
Subjects:
Musicology
URL:
Volltext
(lizenzpflichtig)
URL:
https://doi.org/10.1017/CBO9781316339633
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