UID:
almafu_9960117769802883
Format:
1 online resource (vi, 228 pages) :
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digital, PDF file(s).
Series Statement:
Mind and American literature
Content:
This book looks past the frequently discussed autobiographical nature of John Updike's fiction to consider the role in Updike's work of the most powerful and peculiar human faculty: the imagination. Michial Farmer argues that, while the imagination is for Updike a means of human survival and a necessary component of human flourishing, it also has a destructive, darker side, in which it shades intosomething like philosophical idealism. Here the mind constructs the world around it and then, unhelpfully, imposes this created world between itself and the "real world." In other words, Updike is not himself an idealist but sees idealism as a persistent temptation for the artistic imagination. Farmer builds his argument on the metaphysics of Jean-Paul Sartre, an existentialist thinker who has been largely neglected in discussions of Updike's aesthetics. The book demonstrates the degree to which Updike was an original and powerful thinker and not the callow sensationalist that he is sometimesaccused of being.〈BR〉〈BR〉 Michial Farmer is Assistant Professor of English at Crown College, Saint Bonifacius, Minnesota.〈BR〉〈BR〉
Note:
Title from publisher's bibliographic system (viewed on 10 May 2017).
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Frontmatter --
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Contents --
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Acknowledgments --
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Introduction: Hawthorne, Updike, and the Immoral Imagination --
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1: John Updike and the Existentialist Imagination --
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Part I. The "Mythic Immensity" of the Parental Imagination --
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2: "Flight," "His Mother Inside Him," and "Ace in the Hole" --
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3: The Centaur --
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4: Of the Farm, "A Sandstone Farmhouse," and "The Cats" --
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Part II. Collective Hallucination in the Adulterous Society --
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5: "Man and Daughter in the Cold," "Giving Blood," "The Taste of Metal," and "Avec la Bébé-Sitter" --
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6: Marry Me --
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7: Couples and "The Hillies" --
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Part III. Imaginative Lust in the Scarlet Letter Trilogy --
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8: "The Football Factory," "Toward Evening," "Incest," "Still Life," "Lifeguard," "Bech Swings?" and "Three Illuminations in the Life of an American Author" --
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9: A Month of Sundays --
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10: Roger's Version --
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11: S. --
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Part IV. Female Power and the Female Imagination --
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12: "Marching through Boston," "The Stare," "Report of Health," "Living with a Wife," and "Slippage" --
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13: The Witches of Eastwick --
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Part V. The Remembering Imagination --
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14: "In Football Season," "First Wives and Trolley Cars," "The Day of the Dying Rabbit," "Leaving Church Early," and "The Egg Race" --
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15: Memories of the Ford Administration --
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16: "The Dogwood Tree," "A Soft Spring Night in Shillington," and "On Being a Self Forever" --
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Conclusion: Updike, Realism, and Postmodernism --
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Bibliography --
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Index --
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Credits
Additional Edition:
ISBN 1-78204-935-5
Additional Edition:
ISBN 1-57113-942-7
Language:
English
DOI:
10.1515/9781782049357
URL:
Volltext
(lizenzpflichtig)
URL:
https://www.cambridge.org/core/product/identifier/9781782049357/type/BOOK
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