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  • 1
    Online Resource
    Online Resource
    London :Bloomsbury Academic, | London :Bloomsbury Publishing (UK),
    UID:
    almahu_9949744402602882
    Format: 1 online resource (384 pages)
    Edition: 1st ed.
    ISBN: 9781350450578
    Series Statement: Bloomsbury Handbooks
    Content: 〈b〉Providing a broad, definitive account of how the 'archival turn' in humanities scholarship has shaped modernist studies, this book also functions as an ongoing practitioner s toolkit (including useful bibliographical resources) and a guide to avenues for future work.〈/b〉 Archival work in modernist studies has revolutionised the discipline in the past two decades, fuelled by innovative and ambitious scholarly editing projects and a growing interest in fresh types of archival sources and evidence that can re-contextualise modernist writing. Several theoretical trends have prompted this development, including the focus on compositional process within genetic manuscript studies, the emphasis on book history, little magazines, and wider publishing contexts, and the emphasis on new material evidence and global and non-canonical authors and networks within the New Modernist Studies . This book provides a guide to the variety of new archival research that will point to fresh avenues and connect the methodologies and resources being developed across modernist studies. Offering a variety of single-author case studies on recent archival developments and editing projects, including Samuel Beckett, Hart Crane, H.D., James Joyce, Dorothy Richardson, May Sinclair and Virginia Woolf, it also offers a range of thematic essays that examine an array of underused sources as well as the challenges facing archival researchers of modernism
    Note: List of Illustrations A Note on Contributors Acknowledgements Introduction: Re-Presenting and Re-Imagining Modernist Archives, 〈i〉Jamie Callison (University of Agder, Norway), Matthew Feldman (University of York, UK), Anna Svendsen (Independent Researcher) and Erik Tonning (NLA University College, Norway)〈/i〉 〈b〉Part I: Authors〈/b〉 1. Materials from a "World Record": W.B. Yeats and his Archives, 〈i〉Charles I. Armstrong (University of Agder, Norway)〈/i〉 2. 'Will Future Editor Kindly Omit...': Evelyn Waugh in Conversation with his Archives, 〈i〉Barbara Cooke (Loughborough University, UK)〈/i〉 and 〈i〉Naomi Milthorpe (University of Tasmania, Australia)〈/i〉 3. 'True to Oneself! Which Self?': Katherine Mansfield in her Letters, 〈i〉Gerri Kimber (University of Northampton, UK)〈/i〉 4. Fragmentary, Elusive, Modernist: The Mina Loy Papers at the Beinecke Rare Book and Manuscript Library, 〈i〉Laura Scuriatti (Bard College Berlin, Germany)〈/i〉 5. Archiving the Intellectual Life: May Sinclair's Workbooks, 〈i〉Rebecca Bowler (Keele University, UK)〈/i〉 and 〈i〉Stanislava Dikova (University of Essex, UK)〈/i〉 6. 'Let Me Be Free of Printers': Ezra Pound's Generative Archive, 〈i〉Mark Byron (University of Sydney, Australia)〈/i〉 7. Ransom-ing D.H. Lawrence: The Archive and New Trajectories in Lawrence Studies, 〈i〉Elliott Morsia (Independent Scholar)〈/i〉 8. Archive as Personal 'Disastar': The Malcolm Lowry Collection at the University of British Columbia and Beyond, 〈i〉Chris Ackerley (University of Otago, New Zealand)〈/i〉 and 〈i〉Patrick A. McCarthy (University of Miami, USA)〈/i〉 9. Hart Crane's The Bridge: Publishing a Fragmentary Whole, 〈i〉Francesca Bratton (Maynooth University, Ireland)〈/i〉 10. Samuel Beckett's Manuscripts: A Literary Archive in the Digital Age, 〈i〉Olga Beloborodova (University of Antwerp, Belgium)〈/i〉, 〈i〉Dirk Van Hulle (University of Oxford, UK)〈/i〉 and 〈i〉Pim Verhulst (University of Oxford, UK)〈/i〉 11. Curation, Collaboration and Creativity in the Archives of Virginia Woolf, 〈i〉Jane de Gay (Leeds Trinity University, UK)〈/i〉 12. Beyond Archive Fever: The Complexities of Editing Dorothy Richardson's Oeuvre for the 21st Century, 〈i〉Jo Winning (Monash University, Australia)〈/i〉 13. The Archival In-Life of James Joyce, 〈i〉Ronan Crowley (Goethe University Frankfurt, Germany)〈/i〉 14. From the Oracular Archives': The Dylan Thomas Poetry Archive, 〈i〉John Goodby (Sheffield Hallam University, UK)〈/i〉 15. The Text and 'The Presence': Gertrude Stein's Archives, Isabelle Parkinson 〈i〉(Royal Holloway University of London, UK)〈/i〉 16. Additions and Editions: H.D. and the Archive, 〈i〉Jamie Callison (University of Agder, Norway)〈/i〉 and 〈i〉Matte Robinson (St Thomas University, Canada)〈/i〉 〈b〉Part II: Themes〈/b〉 17. Archives of the Air: The BBC Written Archives Centre and Radio Voices of the Global Anglophone, 〈i〉Ben Fried (University of London, UK)〈/i〉 18. Private Presses and Commercial Concerns: The Modernist Publisher's Archive, 〈i〉Evi Heinz (University of Munster, Germany)〈/i〉 and 〈i〉Gareth Mills (Independent Scholar)〈/i〉 19. Fashion: Expanded Histories, New Epistemologies, 〈i〉Sophie Oliver (University of Liverpool, UK)〈/i〉 20. Displacements and Juxtapositions, 〈i〉Emily Ridge (University of Galway, Ireland)〈/i〉 21. Broadcasting the Stories of Katherine Mansfield: The BBC Written Archive Centre, 〈i〉Janet M. Wilson (University of Northampton, UK)〈/i〉 22. Modernist Autobiography, Audience and the Archives, 〈i〉Rod Rosenquist (University of Northampton, UK)〈/i〉 23. Media Archives and Postcolonial/Decolonial Voice, 〈i〉Julie Cyzewski (Murray State University, USA)〈/i〉 24. Coterie Literature and the Affinities of the Archive, 〈i〉Michelle A. Taylor (Emory University, USA)〈/i〉 25. The Modernist Archive Gap: Black Writers and Canonicity in the Digital Era, 〈i〉Amardeep Singh (Lehigh University, USA)〈/i〉 26. Translation in the Global Modernist Archive, 〈i〉Alys Moody (Bard College, USA)〈/i〉 Index
    Language: English
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  • 2
    Book
    Book
    London :Continuum,
    UID:
    almahu_BV036967349
    Format: XII, 212 S. ; , 24 cm.
    ISBN: 978-0-8264-9714-7 , 0-8264-9714-4
    Series Statement: Continuum literary studies series
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Romance Studies , English Studies
    RVK:
    RVK:
    Keywords: Aufsatzsammlung
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  • 3
    Book
    Book
    London :Continuum,
    UID:
    almahu_BV035547212
    Format: XIV, 309 S.
    Series Statement: Continuum reception studies series
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Romance Studies
    RVK:
    Keywords: 1906-1989 Beckett, Samuel ; Rezeption ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Feldman, Matthew, 1977-
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  • 4
    Online Resource
    Online Resource
    New York :Palgrave Macmillan US,
    UID:
    edoccha_BV044257811
    Format: 1 Online-Ressource (XV, 308 p).
    ISBN: 978-1-137-54265-6
    Series Statement: New Interpretations of Beckett in the 21st Century
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-349-95130-7
    Language: English
    Subjects: Romance Studies
    RVK:
    Keywords: 1906-1989 Beckett, Samuel ; Hörfunkproduktion ; 1906-1989 Beckett, Samuel ; Hörfunk ; Aufsatzsammlung ; Hörspiel
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Feldman, Matthew 1977-
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  • 5
    UID:
    almahu_BV021605119
    Format: XII, 179 S.
    Edition: 1. publ., reprinted
    ISBN: 0-8264-9059-x
    Series Statement: Continuum literary studies
    Language: English
    Subjects: Romance Studies
    RVK:
    Keywords: 1906-1989 Beckett, Samuel ; Aufzeichnung
    Author information: Feldman, Matthew, 1977-
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  • 6
    Online Resource
    Online Resource
    London [England] : Bloomsbury Academic | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1761701800
    Format: 1 Online-Ressource (256 pages) , illustrations
    Edition: First edition
    ISBN: 9781350215078 , 9781350215061
    Series Statement: Historicizing Modernism
    Content: ntroduction: Matthew Feldman, University of York, UK Erik Tonning, University of Bergen, Norway and Anna Svendsen, University of Pittsburgh, USA -- Section I: Archival approaches to canonical Modernists -- Chapter One: Useful Knowledge beyond the Beinecke: Gertrude Stein reading discourses of democracy and nationalism in Life Magazine and The Literary Digest, Dr Isabelle Parkinson, Queen Mary, University of London, UK -- Chapter Two: WoofNotes: Virgina Woolf's reading and Research Notes Online, Prof. Michèle Barrett, Queen Mary, University of London, UK -- Chapter Three: The Biopolitics of Mrs Dalloway: Intelligence and Sentiment, Dr Natasha Periyan, Royal Holloway, University of London, UK -- Chapter Four: '[B]it by dirty jew mania for World Domination': Ezra Pound, Graham Seton Hutchison and Olivia Rossetti Agresti, Svetlana Ehtee, University of New Brunswick, Canada -- Chapter Five: Will this Yowling Never Cease? The Pound/Agresti correspondence and the changing scope of Ezra Pound Studies, Prof. Alec Marsh, Muhlenberg College, PA, USA -- Chapter Six: Clashes over Transcendence: T.S. Eliotand Karl Mannheim's dialogues on the future of civilisation, Dr Jonas Kurlberg, Durham University, UK -- 8. Chapter Seven: Ping and Overtonal Montage, Dr Anthony Paraskeva, University of Roehampton, UK -- Part II: Emerging themes and approaches -- 9. Chapter Eight: David Jones's 'Balaam business': The Poetics of Forgiveness after Passchendaele, Dr Thomas Berenato, University of Virginia, USA -- 10. Chapter Nine: Modernist Archives and Little Magazine Networks, Dr Archie Henderson, Independent Scholar / Centre for Analysis of the Radical Right, UK -- Chapter Ten: Modernist (dis)location: The Case of Katherine Mansfield, Dr Gerri Kimber, University of Northampton, UK -- Chapter Eleven: "Gossip from abroad, or, why historicise modernism?, Dr Alexander Howard, University of Sydney, Australia -- Chapter Twelve: Expanding the Archives of the Queer Harlem Renaissance: Richards Bruce Nugent's Unpublished Modernism, Dr David Deutsch, University of Alabama, USA -- Chapter Thirteen: Q.D. Leavis, archives and the 'art of living', Prof. Miranda Dunham-Hickman, McGill University, Canada.
    Content: "Focussing upon both canonical figures such as Woolf, Eliot, Pound, and Stein and emergent themes such as Christian modernism, intermedial modernism, queer Harlem Renaissance, this volume brings together previously unseen materials, from various archives, to bear upon cutting-edge interpretation of modernism. It provides an overview of approaches to modernism via the employment of various types of primary source material: correspondence, manuscripts and drafts, memoirs and production notes, reading notes and marginalia, and all manner of useful contextualising sources like news reports or judicial records. While having much to say to literary criticism more broadly, this volume is closely focused upon key modernist figures and emergent themes in light of the discipline's 'archival turn' - termed in a unifying introduction 'achivalism'. An essential ingredient separating the above, recent tendency from a much older and better-established new historicism, in modernist studies at least, is that 'the literary canon' remains an important starting point. Whereas new historicism 'is interested in history as represented and recorded in written documents' and tends toward a 'parallel study of literature and non-literary texts', archival criticism tends toward recognised, oftentimes canonical or critically-lauded, writers, presented in Part 1. Sidestepping the vicissitudes of canon formation, manuscript scholars tend to gravitate toward leading modernist authors: James Joyce, Ezra Pound, Virginia Woolf, Gertrude Stein, T.S. Eliot and Samuel Beckett. Part of the reason is obvious: known authors frequently leave behind sizeable literary estates, which are then acquired by research centres. A second section then applies the same empirical methodology to key or emergent themes in the study of modernism, including queer modernism; spatial modernism; little magazines (and online finding aids structuring them); and the role of faith and/or emotions in the construction of 'modernism' as we know it."--
    Note: Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350215054
    Additional Edition: ISBN 9781350215085
    Additional Edition: ISBN 9781350215047
    Additional Edition: ISBN 9781350215085
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781350215085
    Language: English
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  • 7
    Online Resource
    Online Resource
    Berlin, Germany :Ibidem Verlag,
    UID:
    almahu_9949226563202882
    Format: 1 online resource (439 pages) : , illustrations
    ISBN: 9783838269863 (e-book)
    Additional Edition: Print version: Feldman, Matthew. Politics, intellectuals, and faith. Berlin, Germany : Ibidem Verlag, c2020
    Language: English
    Keywords: Electronic books.
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  • 8
    UID:
    almahu_9948320772102882
    Format: 1 online resource (407 pages) : , illustrations.
    ISBN: 9789004282285 (e-book)
    Series Statement: Studies in Religion and the Arts, Volume 8
    Additional Edition: Print version: Modernism, Christianity and apocalypse. Leiden, Netherlands : Brill, c2015 ISSN 1877-3192 ISBN 9789004278264
    Language: English
    Keywords: Electronic books.
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  • 9
    UID:
    almahu_9949226346202882
    Format: 1 online resource (xxiii, 380 pages)
    ISBN: 9783838270258 (e-book)
    Content: Anthony Barron explores the relationship between the philosophy of Schopenhauer and the forms and themes of Beckett's critical and creative writings. He shows that Beckett's aesthetic preoccupations are consonant with some of Schopenhauer's seminal arguments regarding the arational basis of artistic composition and appreciation and the impotence of reason in human affairs. While Beckett's critical writings are, in places, formidably opaque, this work examines the ways in which such texts can be elucidated when their intertextual affinities with Schopenhauer's arguments are revealed. Using Schopenhauer's thought as a presiding interpretative framework, Barron demonstrates how the widespread presence of philosophical and theological ideas in Beckett's creative texts signifies less about his personal convictions than it does about his authorial aims. He thereby highlights the ways in which discursive ideas were appropriated and manipulated by Beckett for purely literary ends -- Back cover.
    Language: English
    Keywords: Electronic books.
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  • 10
    Online Resource
    Online Resource
    London [u.a.] :Bloomsbury,
    UID:
    almahu_BV048486251
    Format: 1 Online-Ressource (270 Seiten).
    ISBN: 978-1-4725-4345-5 , 978-1-4725-0530-9
    Series Statement: Historicizing modernism
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardback ISBN 978-1-4725-1248-2
    Language: English
    Subjects: General works , English Studies
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Literatur ; Massenmedien ; Hörfunk ; Aufsatzsammlung
    Author information: Feldman, Matthew, 1977-
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