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  • 1
    UID:
    almahu_BV042554341
    Format: XXI, 322 S. : , Ill.
    ISBN: 978-0-8223-5907-4 , 978-0-8223-5881-7 , 978-0-8223-7555-5 , 0-8223-5907-3
    Note: Includes bibliographical references and index. - The aesthetics of uplift: the Hampton-Tuskegee idea and the possibility of failure -- "To show the industrial progress of the Negro along industrial lines?" : uplift cinema entrepreneurs at Tuskegee Institute, 1909-1913 -- "Pictorial sermons" : the campaign films of Hampton Institute, 1913-1915 -- "A vicious and hurtful play" : the Birth of a Nation and the new era, 1915 -- To "encourage and uplift" : entrepreneurial uplift cinema
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Film ; Schwarze ; Film ; Schwarze
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Oakland, California : University of California Press
    UID:
    b3kat_BV043317762
    Format: xxviii, 454 Seiten , Illustrationen
    ISBN: 0520284674 , 0520284682 , 9780520284678 , 9780520284685
    Note: Includes bibliographical references, filmography and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 0520960432
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9780520960435
    Language: English
    Subjects: General works
    RVK:
    Keywords: Los Angeles, Calif. ; Film ; Videokunst ; Schwarze ; Autor ; Geschichte 1970-1989
    Author information: Horak, Jan-Christopher 1951-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    almahu_BV046423257
    Format: 3 DVD-Videos (510 minutes) : , schwarz-weiß, farbig ; , 1 Booklet (8 ungezählte Seiten) , 12 cm
    Content: "The group of Black filmmakers that have come to be known as the L.A. Rebellion created a watershed body of work that strives to perform the revolutionary act of humanizing Black people on screen. The filmmakers in this group met as students in film school at the University of California, Los Angeles, between the late 1960s and the mid-1980s."--booklet. This collection contains this broad representative sampling of their projects, as were exhibited in the film exhibition
    Content: Disc 1. Africa and diaspora: The diary of an African nun / directed by Julie Dash (1977 : 14 min.) ; African Woman, U.S.A. / directed by Ijeoma Iloputaife (1980 : 28 min.) ; L.A. in my mind ... / directed by O. Funmilayo Makarah (2006 : 4 min.) ; Black art, black artists / directed by Elyseo J. Taylor (1971 : 15 min.); Festival of mask / directed by Don Amis (1982 : 24 min.) ; Bellydancing, a history & an art / directed by Alicia Dhanifu (1979 : 21 min.) ; Water ritual #1, an urban rite of purification / directed by Barbara McCullough (1979 : 5 min.) ; I & I, an African allegory / directed by Ben Caldwell (1979 : 33 min.) ; Hour glass / directed by Haile Gerima (1971 : 31 min.) -- disc 2. We are family: Your children come back to you / directed by Alile Sharon Larkin (1979 : 29 min.) ; Rich / directed by S. Torriano Berry (1982 : 21 min.) ; The single parent, images in black / directed by M. Stormé Bright (1978 : 21 min.) ; Fragrance / directed by Gay Abel-Bey (1985 : 38 min.) ; Dark Exodus / directed by Iverson White (1985 : 28 min.) ; Shipley Street / directed by Jacqueline Frazier (1981 : 25 min.) ; Forbidden joy / directed by Imelda Sheen (1972 : 10 min.) -- disc 3. Day by day: Several friends / directed by Charles Burnett (1969 : 21 min.) ; The pocketbook / directed by Billy Woodberry (1980 : 12 min.) ; A little off mark / directed by Robert Wheaton (1986 : 8 min.) ; A Day in the life of Willie Faust, or, death on the installment plan / directed by Jamaa Fanaka (1972 : 16 min.) ; Cycles / directed by Zeinabu Irene Davis (1989 : 16 min.) ; Brick by brick / directed by Shirikiana Aina (1982 : 36 min.) ; Daydeam therapy / directed by Bernard Nicolas (1977 : 8 min.) ; As above, so below / directed by Larry Clark (1973 : 52 min.) ; Rain (Nyesha) / directed by Melvonna Ballenger (1978 : 15 min.)
    Note: 1,33.1 Aspect Ratio. - Disc one: Africa and diaspora, Disc two: we are family, Dic three: day by day ; educational three-disc box set features: Twenty-five student short films, Digital video and audio remastering by UCLA Film & Television Archive, Essay by L.A. rebellion curator and UCLA Film & Television Archive Director Jan-Christopher Horak , In English
    Additional Edition: The diary of African Nun
    Additional Edition: African woman, U.S.A
    Additional Edition: L.A. in my mind
    Additional Edition: Black art, Black artists
    Additional Edition: Festival of mask
    Additional Edition: Bellydancing, a history & an art
    Additional Edition: Water ritual #1
    Additional Edition: I & I, an African allegory
    Additional Edition: Hour glass
    Additional Edition: Your children come back to you
    Additional Edition: Rich (Motion picture)
    Additional Edition: Single parent, images in black
    Additional Edition: Fragrance
    Additional Edition: Dark exodus
    Additional Edition: Shipley Street
    Additional Edition: Forbidden joy
    Additional Edition: Several friends
    Additional Edition: Pocketbook
    Additional Edition: Little off mark
    Additional Edition: Day in the life of Willie Faust
    Additional Edition: Cycles (Motion picture)
    Additional Edition: Brick by brick
    Additional Edition: Daydream therapy
    Additional Edition: As above, so below
    Additional Edition: Rain (Nyesha)
    Language: English
    Subjects: General works
    RVK:
    Keywords: Film ; DVD-Video
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  • 4
    Book
    Book
    Durham ; London :Duke University Press,
    UID:
    almafu_BV046250172
    Format: xxvi, 430 Seiten : , Illustrationen.
    ISBN: 978-1-4780-0414-1 , 978-1-4780-0476-9
    Note: Foreword. Making voice, taking voice: nonwhite and nontheatrical / Jacqueline Najuma Stewart -- Introduction / Allyson Nadia Field and Marsha Gordon -- 'A vanishing race' The Native American films of J.K. Dixon / Caitlin McGrath -- 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 / Tanya Goldman -- 'I'll see you in church': local films in African American communities, 1924-1962 / Martin L. Johnson -- The politics of vanishing celluloid: rediscovering Fort Rupert and the Kwakwaka'wakw in American ethnographic film / Colin Williamson -- Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 / Walter Forsberg -- Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art / Colin Gunckel -- Ever-widening horizons. The National Urban League and the pathologization of blackness. In a world for Jim and a morning for Jimmy / Michelle Kelley -- , 'A touch of the Orient': negotiating Japanese American identity in the challenge (1957) / Todd Kushigemachi and Dino Everett -- 'I have my choice': behind every good man and the black queer subject in American nontheatrical film / Noah Tsika -- Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT / Joshua Glick -- 'A new sense of black awareness?' Navigating expectations in the black cop / Travis L. Wagner and Mark Garrett Cooper -- 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops / Elena Rossi-Snook and Lauren Tilton -- Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 / Noelle Griffis -- Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 / Dan Streible -- Government-sponsored film and latinidad: Voice of la raza (1971) / Laura Isabel Serna -- , Aestheticizing Asian American assimilation in the learning corporation of America's many Americans series (1970-1982) / Nadine Chan -- 'The right kind of family': memories to light and the home movie as racialized technology / Crystal Mun-hye Baik -- Black home movies: time to represent / Jasmyn R. Castro
    Additional Edition: Erscheint auch als Online-Ausgabe Screening race in American nontheatrical film Durham : Duke University Press, 2019 ISBN 978-1-4780-0560-5
    Language: English
    Keywords: Ethnologie ; Amateurfilm ; Nationale Minderheit ; Bildung ; Schwarze ; Aufsatzsammlung
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  • 5
    UID:
    almahu_9948325466902882
    Format: 1 online resource (483 pages) : , illustrations, photographs
    ISBN: 9780520960435 (e-book)
    Additional Edition: Print version: L. A. Rebellion : creating a new black cinema. Oakland, California : University of California Press, c2015 ISBN 9780520284678
    Language: English
    Keywords: Electronic books.
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  • 6
    UID:
    almahu_9948641598802882
    Format: 1 online resource (457 pages)
    ISBN: 1-4780-0560-2
    Content: Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the way filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films, as well as other forms of nontheatrical filmmaking.
    Note: Foreword. Making voice, taking voice: nonwhite and nontheatrical / Jacqueline Najuma Stewart -- Introduction / Allyson Nadia Field and Marsha Gordon -- 'A vanishing race' The Native American films of J.K. Dixon / Caitlin McGrath -- 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 / Tanya Goldman -- 'I'll see you in church': local films in African American communities, 1924-1962 / Martin L. Johnson -- The politics of vanishing celluloid: rediscovering Fort Rupert and the Kwakwaka'wakw in American ethnographic film / Colin Williamson -- Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 / Walter Forsberg -- Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art / Colin Gunckel -- Ever-widening horizons. The National Urban League and the pathologization of blackness. In a world for Jim and a morning for Jimmy / Michelle Kelley -- 'A touch of the Orient': negotiating Japanese American identity in the challenge (1957) / Todd Kushigemachi and Dino Everett -- 'I have my choice': behind every good man and the black queer subject in American nontheatrical film / Noah Tsika -- Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT / Joshua Glick -- 'A new sense of black awareness?' Navigating expectations in the black cop / Travis L. Wagner and Mark Garrett Cooper -- 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops / Elena Rossi-Snook and Lauren Tilton -- Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 / Noelle Griffis -- Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 / Dan Streible -- Government-sponsored film and latinidad: Voice of la raza (1971) / Laura Isabel Serna -- Aestheticizing Asian American assimilation in the learning corporation of America's many Americans series (1970-1982) / Nadine Chan -- 'The right kind of family': memories to light and the home movie as racialized technology / Crystal Mun-hye Baik -- Black home movies: time to represent / Jasmyn R. Castro. , English
    Additional Edition: ISBN 1-4780-0476-2
    Additional Edition: ISBN 1-4780-0414-2
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    edoccha_9959677597002883
    Format: 1 online resource (457 pages)
    ISBN: 1-4780-0560-2
    Content: Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the way filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films, as well as other forms of nontheatrical filmmaking.
    Note: Foreword. Making voice, taking voice: nonwhite and nontheatrical / Jacqueline Najuma Stewart -- Introduction / Allyson Nadia Field and Marsha Gordon -- 'A vanishing race' The Native American films of J.K. Dixon / Caitlin McGrath -- 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 / Tanya Goldman -- 'I'll see you in church': local films in African American communities, 1924-1962 / Martin L. Johnson -- The politics of vanishing celluloid: rediscovering Fort Rupert and the Kwakwaka'wakw in American ethnographic film / Colin Williamson -- Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 / Walter Forsberg -- Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art / Colin Gunckel -- Ever-widening horizons. The National Urban League and the pathologization of blackness. In a world for Jim and a morning for Jimmy / Michelle Kelley -- 'A touch of the Orient': negotiating Japanese American identity in the challenge (1957) / Todd Kushigemachi and Dino Everett -- 'I have my choice': behind every good man and the black queer subject in American nontheatrical film / Noah Tsika -- Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT / Joshua Glick -- 'A new sense of black awareness?' Navigating expectations in the black cop / Travis L. Wagner and Mark Garrett Cooper -- 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops / Elena Rossi-Snook and Lauren Tilton -- Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 / Noelle Griffis -- Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 / Dan Streible -- Government-sponsored film and latinidad: Voice of la raza (1971) / Laura Isabel Serna -- Aestheticizing Asian American assimilation in the learning corporation of America's many Americans series (1970-1982) / Nadine Chan -- 'The right kind of family': memories to light and the home movie as racialized technology / Crystal Mun-hye Baik -- Black home movies: time to represent / Jasmyn R. Castro. , English
    Additional Edition: ISBN 1-4780-0476-2
    Additional Edition: ISBN 1-4780-0414-2
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    UID:
    b3kat_BV047068558
    Format: 1 Online-Ressource (xxvi, 430 Seiten) , Illustrationen
    ISBN: 9781478005605 , 1478005602
    Note: Includes bibliographical references and index , Foreword. Making voice, taking voice: nonwhite and nontheatrical / Jacqueline Najuma Stewart -- Introduction / Allyson Nadia Field and Marsha Gordon -- 'A vanishing race' The Native American films of J.K. Dixon / Caitlin McGrath -- 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 / Tanya Goldman -- 'I'll see you in church': local films in African American communities, 1924-1962 / Martin L. Johnson -- The politics of vanishing celluloid: rediscovering Fort Rupert and the Kwakwaka'wakw in American ethnographic film / Colin Williamson -- Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 / Walter Forsberg -- Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art / Colin Gunckel -- Ever-widening horizons. The National Urban League and the pathologization of blackness. In a world for Jim and a morning for Jimmy / Michelle Kelley -- , - 'A touch of the Orient': negotiating Japanese American identity in the challenge (1957) / Todd Kushigemachi and Dino Everett -- 'I have my choice': behind every good man and the black queer subject in American nontheatrical film / Noah Tsika -- Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT / Joshua Glick -- 'A new sense of black awareness?' Navigating expectations in the black cop / Travis L. Wagner and Mark Garrett Cooper -- 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops / Elena Rossi-Snook and Lauren Tilton -- Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 / Noelle Griffis -- Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 / Dan Streible -- Government-sponsored film and latinidad: Voice of la raza (1971) / Laura Isabel Serna -- , - Aestheticizing Asian American assimilation in the learning corporation of America's many Americans series (1970-1982) / Nadine Chan -- 'The right kind of family': memories to light and the home movie as racialized technology / Crystal Mun-hye Baik -- Black home movies: time to represent / Jasmyn R. Castro
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781478004141
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1478004142
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781478004769
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1478004762
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781478004141
    Language: English
    Keywords: Ethnologie ; Amateurfilm ; Nationale Minderheit ; Bildung ; Schwarze ; USA ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    UID:
    gbv_1727299329
    Format: 1 Online-Ressource (457 Seiten)
    ISBN: 9781478005605
    Content: Foreword. Making voice, taking voice: nonwhite and nontheatrical / Jacqueline Najuma Stewart -- Introduction / Allyson Nadia Field and Marsha Gordon -- 'A vanishing race' The Native American films of J. K. Dixon / Caitlin McGrath -- 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 / Tanya Goldman -- 'I'll see you in church': local films in African American communities, 1924-1962 / Martin L. Johnson -- The politics of vanishing celluloid: rediscovering Fort Rupert and the Kwakwaka'wakw in American ethnographic film / Colin Williamson -- Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 / Walter Forsberg -- Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art / Colin Gunckel -- Ever-widening horizons. The National Urban League and the pathologization of blackness. In a world for Jim and a morning for Jimmy / Michelle Kelley -- 'A touch of the Orient': negotiating Japanese American identity in the challenge (1957) / Todd Kushigemachi and Dino Everett -- 'I have my choice': behind every good man and the black queer subject in American nontheatrical film / Noah Tsika -- Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT / Joshua Glick -- 'A new sense of black awareness?' Navigating expectations in the black cop / Travis L. Wagner and Mark Garrett Cooper -- 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops / Elena Rossi-Snook and Lauren Tilton -- Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 / Noelle Griffis -- Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 / Dan Streible -- Government-sponsored film and latinidad: Voice of la raza (1971) / Laura Isabel Serna -- Aestheticizing Asian American assimilation in the learning corporation of America's many Americans series (1970-1982) / Nadine Chan -- 'The right kind of family': memories to light and the home movie as racialized technology / Crystal Mun-hye Baik -- Black home movies: time to represent / Jasmyn R. Castro.
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781478004141
    Additional Edition: ISBN 9781478004769
    Additional Edition: Erscheint auch als Druck-Ausgabe Screening race in American nontheatrical film Durham : Duke University Press, 2019 ISBN 9781478004141
    Additional Edition: ISBN 9781478004769
    Language: English
    Keywords: Electronic books
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 10
    UID:
    almahu_9949420759202882
    Format: 1 online resource (457 pages)
    ISBN: 9781478005605 (e-book)
    Note: Foreword. Making voice, taking voice: nonwhite and nontheatrical / Jacqueline Najuma Stewart -- Introduction / Allyson Nadia Field and Marsha Gordon -- 'A vanishing race' The Native American films of J. K. Dixon / Caitlin McGrath -- 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 / Tanya Goldman -- 'I'll see you in church': local films in African American communities, 1924-1962 / Martin L. Johnson -- The politics of vanishing celluloid: rediscovering Fort Rupert and the Kwakwaka'wakw in American ethnographic film / Colin Williamson -- Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 / Walter Forsberg -- Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art / Colin Gunckel -- Ever-widening horizons. The National Urban League and the pathologization of blackness. In a world for Jim and a morning for Jimmy / Michelle Kelley -- 'A touch of the Orient': negotiating Japanese American identity in the challenge (1957) / Todd Kushigemachi and Dino Everett -- 'I have my choice': behind every good man and the black queer subject in American nontheatrical film / Noah Tsika -- Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT / Joshua Glick -- 'A new sense of black awareness?' Navigating expectations in the black cop / Travis L. Wagner and Mark Garrett Cooper -- 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops / Elena Rossi-Snook and Lauren Tilton -- Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 / Noelle Griffis -- Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 / Dan Streible -- Government-sponsored film and latinidad: Voice of la raza (1971) / Laura Isabel Serna -- Aestheticizing Asian American assimilation in the learning corporation of America's many Americans series (1970-1982) / Nadine Chan -- 'The right kind of family': memories to light and the home movie as racialized technology / Crystal Mun-hye Baik -- Black home movies: time to represent / Jasmyn R. Castro.
    Additional Edition: Print version: Screening race in American nontheatrical film. Durham, North Carolina ; London : Duke University Press , c2019 ISBN 9781478004141
    Language: English
    Keywords: Electronic books.
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