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  • 1
    UID:
    gbv_795193653
    Format: 1 DVD-Video (Ländercode 2, ca. 103 Min.) , bianco e nero, dual mono, 1,33:1, DVD 9 , 1 Beil.
    Edition: Restauro digitale a cura della cineteca di Bologna
    Note: I/F 1952 , Roma, ore 11. La riscoperta di un capolavoro a cura di Marco Grossi - durate 14' -- Testimonianze di: Adriano Aprà, Carlo Lizzani, Giuliano Montaldo, Marco Grossi -- Accesso interattivo a 12 scene: 1. Unannucio di lavoro 1. Complici e rivali 3. Sulla scala 4. Le selezioni 5. La tragedia 6. I soccorsi 7. In ospedale 8. Senso di colpa 9. Donne disperate 10. Donne innamorate 11. Periferie 12. Le testimoni , Sprache: ital.
    Language: Italian
    Subjects: General works
    RVK:
    Keywords: DVD-Video
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    kobvindex_ZLB15709828
    Format: 1 DVD-Video (ca. 103 Min.) : s/w , DD/5.1 Mono , 1 Beil. , 1.33:1
    Edition: Restauro digitale
    Content: Rome 11 o'clock or Roma ore 11 is a 1952 Italian drama film directed by Giuseppe De Santis and one of the best examples of Neorealist filmmaking... The film is based on a real story, an accident that happened in Rome, when a staircase fell down because of the weight of hundreds of women waiting for a job interview as a secretary. In response to a job ad in a newspaper, two hundred girls present themselves to an address in Via Savoia to get a job of typist in the office of an accountant. In an Italy exasperated by general unemployment, but even more by the impossibility for women to get a job, the girls that want to have the interview are from the most diverse young women: fallen nobles and prostitutes seeking to change their lives, wives with unemployed husbands, affluent daughters where the pension is not enough to survive. Crowded on the stairways of the small building, they exchange impressions and made mention to their lives of misery and tricks for a living. Then, a furious fight for the priorities in the line unchain the girls, whose arrogance to switch ahead turns in tragedy: the staircase railing gives up, destroying one by one the steps, and plunging the women; some of them remain seriously injured, while one, Anna Maria Baraldi, dies. Taken to hospital, the bitter discovery: to be treated, the hospital is demanding a payment of 2,300 Lire, daily. So, many of them are forced to rush home because unable to pay. (Wikipedia)
    Content: Obwohl der Film als Klassiker des italienischen Neorealismus gilt, widerspricht er einigen der dieser Strömung üblicherweise zugeschriebenen Charakteristika auf interessante Weise. In seiner Produktionsgeschichte ist der Film überdies mit Elio Petri verbunden, der als junger Journalist die investigativen Vorarbeiten zu dem Projekt übernahm. (guk, Arsenal Berlin)
    Note: Ländercode: 2 , Orig.: Italien, 1952
    Language: Italian
    Author information: Zavattini, Cesare
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