feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    UID:
    gbv_1015198287
    Format: 95 Seiten
    ISBN: 0300233892 , 9780300233896
    Content: Contemporary artists Robert Colescott (1925-2009), Kerry James Marshall (b. 1955), and Mickalene Thomas (b. 1971) are distinguished by their attention to a history of representation, which they re-visit and revise to reflect on individual and collective Black experience. Equally engaged with social and political histories, and the history of art, Colescott, Marshall, and Thomas have created works that at times poignantly and satirically critique dominant narratives and posit alternatives. By considering these artists together, this thought-provoking book expands our understanding of contemporary history painting, a genre first defined during the 17th century and known for didactic paintings that often depicted Biblical or mythological subjects, and expressed the tastes and narratives of a ruling class. Colescott, Marshall, and Thomas marry appreciation of these traditional forms of representation to a deep understanding of contemporary American culture to create insightful works that disrupt historic narratives and read canonic art history against the grain
    Note: Colofon: "This book is published in conjunction with the exhibition 'Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas', presented at Seattle Art Museum February 15-May 13, 2018."
    Language: English
    Subjects: Art History
    RVK:
    RVK:
    Keywords: Marshall, Kerry James 1955- ; Colescott, Robert 1925-2009 ; Thomas, Mickalene 1971- ; Gemälde ; Schwarze ; Historienmalerei ; Kunst ; Geschichte ; Bildband ; Ausstellungskatalog
    Author information: Marshall, Kerry James 1955-
    Author information: Sims, Lowery Stokes 1949-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Book
    Book
    Seattle [u.a.] :Univ. of Washington Press,
    UID:
    almafu_BV039849447
    Format: XIV, 250 S., [4] Bl. : , Ill.
    ISBN: 978-0-295-99145-0
    Note: "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present. Jacqueline Francis is a senior lecturer at the California College of the Arts"-- Provided by publisher. -- "A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"-- Provided by publisher.. - Includes bibliographical references and index
    Language: English
    Keywords: 1896-1934 Johnson, Malvin Gray ; 1889-1953 Kuniyoshi, Yasuo ; 1881-1961 Weber, Max ; Minderheit ; Künstler ; Malerei ; Ethnizität
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    UID:
    almafu_BV046270295
    Format: 140 Seiten : , Illustrationen, Diagramme ; , 32 cm.
    ISBN: 978-1-9428-8453-8 , 978-0-9955181-4-8 , 0-9955181-4-9
    Language: English
    Subjects: American Studies , General works , Sociology
    RVK:
    RVK:
    RVK:
    Keywords: 1868-1963 Du Bois, William E. B. ; Fotografie ; Porträtfotografie ; Person of Color ; Bildband ; Bildband
    Author information: Rothenstein, Julian 1948-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    Seattle : University of Washington Press
    UID:
    gbv_739477943
    Format: 1 Online-Ressource (xiv, 250 Seiten) , Illustrationen
    Edition: 2012
    ISBN: 9780295804330 , 0295991453 , 9780295991450
    Series Statement: McLellan Endowed Series
    Content: "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present. Jacqueline Francis is a senior lecturer at the California College of the Arts"--Provided by publisher
    Content: "A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"--Provided by publisher
    Note: A McLellan book , Includes bibliographical references and index
    Additional Edition: ISBN 9780295991450
    Additional Edition: Erscheint auch als Druck-Ausgabe Francis, Jacqueline Making race Seattle, Wash. [u.a.] : University of Washington Press, 2012 ISBN 9780295991450
    Additional Edition: ISBN 0295991453
    Language: English
    Keywords: USA ; Ethnische Gruppe ; Kunst ; Geschichte 1910-1950 ; Johnson, Malvin Gray 1896-1934 ; Kuniyoshi, Yasuo 1889-1953 ; Weber, Max 1881-1961 ; New York, NY ; Künstler ; Minderheit ; Malerei ; Ethnizität ; Geschichte 1920-1940
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Online Resource
    Online Resource
    Seattle :University of Washington Press,
    UID:
    almahu_9948324927002882
    Format: xiv, 250 p. : , ill. (some col.)
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Note: "A McLellan book".
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 6
    Online Resource
    Online Resource
    University Park, PA :The Pennsylvania State University Press,
    UID:
    almahu_9949767603902882
    Format: 1 online resource (xviii, 188 pages) : , illustrations
    Edition: First edition.
    ISBN: 9780271095745
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    UID:
    gbv_1672346304
    Format: 140 Seiten , 33 cm
    ISBN: 9780995518148 , 0995518149
    Note: Published to accompany an exhibition of the same name held at the House of Illustration, London , Ausstellungsdaten im Internet ermittelt
    Language: English
    Subjects: General works
    RVK:
    Keywords: Du Bois, William E. B. 1868-1963 ; Fotografie ; Porträtfotografie ; Person of Color ; Geschichte 1900 ; USA ; Schwarze ; Soziale Situation ; Statistik ; Fotografie ; Geschichte 1900 ; Du Bois, William E. B. 1868-1963 ; Weltausstellung Paris 1900 ; Informationsgrafik ; Dokumentarfotografie ; Antirassismus ; Ausstellungskatalog ; Bildband
    Author information: Rothenstein, Julian 1948-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 8
    Online Resource
    Online Resource
    Seattle :University of Washington Press,
    UID:
    edocfu_9959236102602883
    Format: 1 online resource (274 p.)
    Edition: 1st ed.
    ISBN: 0-295-80433-5
    Content: "A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"--
    Content: "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present. Jacqueline Francis is a senior lecturer at the California College of the Arts"--
    Note: "A McLellan book". , Introduction ; The meanings of modernism ; Making race in American religious painting ; Type/face/mask: racial portraiture ; The race of landscape ; Conclusion. , English
    Additional Edition: ISBN 0-295-99145-3
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 9
    UID:
    gbv_1819957780
    Format: xvi, 187 Seiten, 10 ungezählte Seiten Bildtafeln , Illustrationen
    ISBN: 9780271094939
    Content: "Examines the involvement of African Americans in the New Deal art programs, shifting emphasis from individual artists toward broader issues informed by the uniqueness of Black experience"--
    Content: This book examines the involvement of African American artists in the New Deal art programs of the 1930s. Emphasizing broader issues informed by the uniqueness of Black experience rather than individual artists' works, Mary Ann Calo makes the case that the revolutionary vision of these federal art projects is best understood in the context of access to opportunity, mediated by the reality of racial segregation.Focusing primarily on the Federal Art Project (FAP) of the Works Progress Administration (WPA), Calo documents African American artists' participation in community art centers in Harlem, in St. Louis, and throughout the South. She examines the internal workings of the Harlem Artists' Guild, the Guild's activities during the 1930s, and its alliances with other groups, such as the Artists' Union and the National Negro Congress. Calo also explores African American artists' representation in the exhibitions sponsored by WPA administrators and the critical reception of their work. In doing so, she elucidates the evolving meanings of the terms race, culture, and community in the interwar era. The book concludes with an essay by Jacqueline Francis on Black artists in the early 1940s, after the end of the FAP program.Presenting essential new archival information and important insights into the experiences of Black New Deal artists, this study expands the factual record and positions the cumulative evidence within the landscape of critical race studies. It will be welcomed by art historians and American studies scholars specializing in early twentieth-century race relations
    Note: Includes bibliographical references and index , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern , Historiography -- Participation -- Advocacy -- Visibility -- Aftermath.
    Language: English
    Keywords: Federal Art Project ; New Deal ; Schwarze ; Kunst ; Kunstförderung ; Geschichte 1935-1943
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 10
    UID:
    gbv_858797763
    Format: Illustrationen
    ISSN: 0890-4901
    In: American art, Chicago : Univ. of Chicago Press, 1991, 30(2016), 1, Seite 6-11, 0890-4901
    In: volume:30
    In: year:2016
    In: number:1
    In: pages:6-11
    Language: English
    Keywords: Hines, Felrath 1913-1993 ; Malerei
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages