Kooperativer Bibliotheksverbund

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Format: 1 online resource (208 pages)

ISBN: 979-1-255-00019-8

Content: This book brings together dance and visual arts scholars to investigate the key methodological and theoretical issues concerning reenactment. Along with becoming an effective and widespread contemporary artistic strategy, reenactment is taking shape as a new anti-positivist approach to the history of dance and art, undermining the notion of linear time and suggesting new temporal encounters between past, present, and future. As such, reenactment has contributed to a move towards different forms of historical thinking and understanding that embrace cultural studies – especially intertwining gender, postcolonial, and environmental issues – in the redefinition of knowledge, historical discourses, and memory. This approach also involves questioning canons and genealogies by destabilising authorship and challenging both institutional and direct forms of transmission. The structure of the book playfully recalls that of a theatrical performance, with both an overture and prelude, to provide space for a series of theoretical and practice-based insights – the solos – and conversations – the duets – by artists, critics, curators, and theorists who have dealt with reenactment. The main purpose of this book is to demonstrate how reenactment as a strategy of appropriation, circulation, translation, and transmission can contribute to understanding history both in its perpetual becoming and as a process of reinvention, renarration, and resignification from an interdisciplinary perspective.

Additional Edition: ISBN 979-1-255-00017-4

Language: English

Keywords: Konferenzschrift

DOI: 10.4000/books.aaccademia.11990

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

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Format: XX, 656 Seiten : , Illustrationen.

ISBN: 978-0-19-931420-1

Series Statement: Oxford handbooks

Content: The Oxford Handbook of Dance and Reenactment brings together a cross-section of artists and scholars engaged with the phenomenon of reenactment in dance from a practical and theoretical standpoint. Synthesizing myriad views on danced reenactment and the manner in which this branch of choreographic performance intersects with important cultural concerns around appropriation this Handbook addresses originality, plagiarism, historicity, and spatiality as it relates to cultural geography. Others topics treated include transmission as a heuristic device, the notion of the archive as it relates to dance and as it is frequently contrasted with embodied cultural memory, pedagogy, theory of history, reconstruction as a methodology, testimony and witnessing, theories of history as narrative and the impact of dance on modernist literature, and relations of reenactment to historical knowledge and new media. - Mark Franko, Laura H. Carnell Professor of Dance and Chair of Dance, Boyer College of Music and Dance (Temple University), has published six books: Martha Graham in Love and War: the Life in the Work; Excursion for Miracles: Paul Sanasardo, Donya Feuer, and Studio for Dance; The Work of Dance: Labor, Movement, and Identity in the 1930s; Dancing Modernism/Performing Politics; Dance as Text: Ideologies of the Baroque Body; The Dancing Body in Renaissance Choreography. Franko was editor of Dance Research Journal, edited Ritual and Event: Interdisciplinary Perspectives, co-editor of Acting on the Past: Historical Performance Across the Disciplines; and, founding editor of the Oxford Studies in Dance Theory book series. He is recipient of the 2011 Outstanding Scholarly Research in Dance Award from the Congress in Research in Dance. Choreograping Discourses: A Mark Franko Reader (edited with Alessandra Nicifero) is forthcoming at Routledge.

Note: The power of recall in a post-ephemeral era , Phenomenology of the archive , Tracing sense/reading sensation : an essay on imprints and other matters , Giving sense to the past : historical d(ist)ance and the chiasmatic interlacing of affect and knowledge , Martha@ ... the 1963 interview : sonic bodies, seizures, and spells , Historical fiction and historical fact , Reenactment, dance identity, and historical fictions , Bound and unbound : reconstructing Merce Cunningham's Crises , The motion of memory, the question of history : recreating Rudolf Laban's choreographic legacy , Proleptic iteration , To the letter : Lettrism, dance, reenactment , Letters to Lila and dramaturg's notes on Future memory : inheriting dance's alternative histories , Investigative reenactment : transmission as heuristic device , (Re)enacting thinking in movement , Not made by hand, or arm, or leg : the acheiropoietics of performance , Pedagogic in(ter)ventions : on the potential of (re)enacting Yvonne Rainer's Continuous project/Altered daily in a dance education context , Enacting testimony/performing cultural memory/spectatorship as practice , What remains of the witness? Testimony as epistemological category : schlepping the trace , Baroque relations : performing silver and gold in Daniel Rabel's Ballets of the Americas , Reenacting Kaisika natakam : ritual dance-theater of India / Ketu H. Katrak with Anita Ratnam , Gloriously inept and satisfyingly true : reenactment and the practice of spectating , The politics of reenactment , Blasting out of the past : the politics of history and memory in Janez Janša's reconstructions , Reenactment as racialized scandal , Reenacting modernist time : William Kentridge's The refusal of time , Redistributions of time in geography, architecture, and modernist narrative , Quito-Brussels : a dancer's cultural geography , Dance and the distributed body : Odissi and Mahari performance , Choreographic re-embodiment between text and dance , Epistemologies of inter-temporality , Affect, technique, and discourse : being actively passive in the face of history : reconstruction of reconstruction , Epilogue to an epilogue : historicizing the re- in danced reenactment , The time of reenactment in basse danse and bassadanza , Time layers, time leaps, time loss : methodologies of dance historiography , Reenactment in/as global knowledge circulation , (In)distinct positions : the politics of theorizing choreography , Scenes of reenactment/logics of derivation in dance , A proposition for reenactment : Disco Angola by Stan Douglas , Dance in search of its own history : on the contemporary circulation of past knowledge , Notes after the fact

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-19-933862-7

Language: English

Subjects: General works

Keywords: Tanz ; Choreografie ; Reenactment ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

URL: Inhaltsverzeichnis

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Format: XIV, 190 S. : Ill.

ISBN: 0-253-32432-7

Language: English

Subjects: General works

Keywords: Modern Dance ; Politik ; Geschichte

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Format: IX, 190 S. : , Ill.

Edition: 1. Aufl.

ISBN: 0-415-70181-3

Series Statement: Routledge advances in theatre and performance studies 7

Note: Includes bibliographical references and index

Language: English

Subjects: General works

Keywords: Ritual ; Alltagskultur ; Ritual ; Theater ; Ritual ; Aids ; Ritual ; Politik ; Ritual ; Aufsatzsammlung

URL: Table of contents only

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018952825&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Table of contents only

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

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Format: XIV, 213 S. : , Ill.

ISBN: 0-8195-6552-0 , 0-8195-6553-9

Note: Literaturverz. S. 199 - 209

Language: English

Subjects: Musicology

Keywords: Modern Dance

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Format: 1 online resource : , illustrations.

ISBN: 9780199338627 (ebook) :

Series Statement: Oxford handbooks online

Content: This handbook investigates new forms of choreographic dramaturgy and interpretation inherent. Joining junior and senior scholars as well as practitioners in the field, the author shows how the recovery of past dances has come to constitute a new branch of contemporary choreographic activity.

Note: Introduction: The Power of Recall in A Post-Ephemeral Era / , Bound and Unbound: Reconstructing Merce Cunningham's Crises (1960) / , Reenacting Modernist Time: William Kentridge's The Refusal of Time / , Blasting out of the Past: the Politics of History and Memory in Janez's Reconstructions / , Reenactment, Reconstruction and Dance Historical Fictions / , Tracing Sense/Reading Sensation: an essay on imprints and other matter / , (Re)enacting Thinking in Movement / , Imagined Re-embodiment between Text and Dance / , Reenactment as Racialized Scandal / , Quito-Brussels: A Dancer's Cultural Geography / , Martha@...The 1963 Interview - Sonic Bodies, Seizures and Spell / , (In)distinct Positions: The Politics of Theorizing Choreography / , Baroque Relations: Performing Silver and Gold in Daniel Rabel's “Balletsof the Americas” / , Giving Sense to the Past: Historical D(ist)ance and the Chiasmatic Interlacing of Affect and Knowledge / , The Motion of Memory, the Question of History. Recreating Rudolf Laban's Choreographic Legacy / , To the Letter: Lettrism, Dance, Reenactment / , Letters to Lila and Dramaturg's Notes on Future Memory: Inheriting Dance's Alternative Histories / , Not Made by Hand, or Arm, or Leg...: The Acheiropoietics of Performance / , What Remains in/of Testimony? On the Transmission of Personal Knowledge in Reconstruction and Reenactment / , Gloriously Inept and Satisfyingly True: Reenactment and the Practice of Spectating / , Dance and the Distributed Body: Odissi and Mahari Performance / , Epilogue to an Epilogue: Historicizing the Re- in Danced Reenactment / , The Time of Reenactment in Basse Danse and Bassadanza / , Time Layers, Time Leaps, Time Lost. Methodologies of Dance Historiography / , Dance (Re)searching its Own History: On the Contemporary Circulation of Past Knowledge / , Reenacting Ritual Dance-Theater of India: The case of Kaisika Natakam / , Pedagogic In(ter)ventions: On the Potential of (Re)enacting Yvonne Rainer's Continuous Project-Altered Daily (1969/70) in a Dance Education Context / , Affect, Technique, and Discourse: Being Actively Passive in the Face of History: Reconstruction of Reconstruction / , A Proposition for Reenactment: Disco Angola by Stan Douglas / , Scenes of Reenactment/Logics of Derivation in Dance /

Additional Edition: Print version : ISBN 9780199314201

Language: English

Subjects: General works

Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

URL: Oxford handbooks online

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext

URL: lizenzpflichtig

URL: Volltext  (URL des Erstveröffentlichers)

URL: Oxford handbooks online

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Format: XIX, 237 S. : Ill.

Edition: 1. publ.

ISBN: 0-521-43392-4

Series Statement: Res monographs on anthropology and aesthetics

Language: English

Subjects: Musicology

Keywords: Hof ; Ballett ; Schriftkunst ; Ballett ; 1622-1673 Molière ; 1533-1592 Montaigne, Michel Eyquem de ; Hof ; Ballett ; Barock ; Tanz

URL: Verlagsangaben

URL: Inhaltsverzeichnis

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Format: 231 S. : , Ill.

ISBN: 978-0-19-977766-2

Language: English

Subjects: Musicology

Keywords: 1894-1991 Graham, Martha ; Biografie ; Biografie ; Biographie ; Biografie

URL: Inhaltsverzeichnis

URL: Ausführliche Beschreibung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024958548&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Ausführliche Beschreibung

URL: http://scans.hebis.de/HEBCGI/show.pl?30354687_toc.html

URL: http://scans.hebis.de/30/35/46/30354687_aub.html

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024958548&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

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Format: 1 online resource (xlv, 113 pages) : , digital, PDF file(s).

Edition: Revised edition.

ISBN: 1-78527-803-7 , 1-78527-802-9

Series Statement: Anthem Studies in Theatre and Performance

Content: Renaissance dance treatises claim that the dance is a language but do not explain how or what dancing communicates. Since the body is the instrument of this hypothetical language, The Dancing Body in Renaissance Choreography problematizes the absence of the dancing body in treatises in order to reconstruct it through a series of intertextual readings triggered by Thoinot Arbeau's definition of dance as a mute rhetoric in Orchesographie. This book shows that the oratorical model for Arbeau's definition of the dance is epideictic and that although one cannot equate dance and oratorical action, the ends of oratorical action are those of dance: persuasion through charm and emotion. The analysis of the rhetorical intertext opens the way to a sociological one. Through a reading of courtesy books as well as a chapter of Tuccaro's L'Art de Sauter et Voltiger en l'air it is shown that dance and social behavior were not discontinuous in the Renaissance. Instructions for the body can be divided into the categories of the pose and movement. They are examined as a model for the most important and widely practiced dance of the Renaissance: the basse danse. The characteristic motion resides in an opposition as well as an interpenetration of stillness and mobility. This is developed through a reading of fifteenth-century dance theorists' concept of misura and fantasmata. Stefano Guazzo's La Civil Conversazione is used as a textual interpretant to ascertain the strategy of movement and the pose in the interaction between dancer and spectator.

Note: Cover -- Half Title -- Title Page -- Copyright Page -- Dedication Page -- Epigraph -- Contents -- Preface to the Revised Edition -- Physical Eloquence and Persuasion -- The Critique of Reconstruction -- Quattrocento Renaissance Dance as an Objectifying Activity of Self-Consciousness -- Courtly versus Bourgeois Values -- Nature -- Work -- Treatises -- Dance and Literature -- Chapter 1 Introduction -- Chapter 2 The Mythological Intertext: Language -- A. The Rhetorical Code -- B. Rhetorical Charm and Emotion as Urbanity -- Chapter 3 The Sociological Intertext: Courtesy -- A. Dance as a "Theoretical" Practice of Propriety: Tuccaro -- B. The Reverence as an Aleatory Intertext -- C. The Courtesy Book as a Genre -- Chapter 4 The Pedagogical Intertext: Precepts -- A. The Pose as Intertext for the Basse Danse -- B. The Gestural Code as Intertext for the Gaillard -- C. Measure as a Practical Dancing Term: "fantasmata" -- Chapter 5 The Political Intertext: Civil Conversatione (Social Intercourse) -- A. The Interpretant -- B. The Strategy of Civil Conversatione -- C. Conclusion(s) -- Bibliography -- Index.

Additional Edition: ISBN 1-78527-801-0

Language: English

Keywords: History ; History ; Hochschulschrift

URL: lizenzpflichtig

URL: http://www.cambridge.org/core/product/identifier/9781785278020/type/BOOK

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Format: 1 Online-Ressource (xiv, 277 Seiten) : , Illustrationen.

ISBN: 978-0-19-750336-2 , 978-0-19-750335-5

Series Statement: Oxford studies in dance theory

Content: This volme not only discusses the resistance to Lifar in the French press at the start of his much-mythologized career, but also the present substantial evidence of Lifar's collaborationism and relate it to his artistic profile during the preceding decade

Note: Also issued in print: 2020. - Includes bibliographical references and index

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-19-750332-4

Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-19-750333-1

Language: English

Subjects: General works

Keywords: 1905-1986 Lifar, Serge ; Modern Dance ; 1905-1986 Lifar, Serge ; Nationalsozialismus ; Besetzung

DOI: 10.1093/oso/9780197503324.001.0001

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: Oxford scholarship online