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  • 1
    UID:
    almafu_BV042146299
    Format: VIII, 151 S. ; , 24 cm.
    ISBN: 978-1-4724-3088-5
    Note: Includes bibliographical references and index. - The Asiatic Society of Bengal: "beyond the stretch of labouring thought sublime" -- "Out of that narrow and contracted path": creativity and authority in Elizabeth Hamilton's translations of the letters of a Hindoo rajah -- Confronting sacrrifice, resisting the sentimental: sensibility, imperialism, and romantic masculinity in the Anglo-Indian novels of Phebe Gibbes and Sidney Owenson -- Female authorship in the Anglo-Indian meta-drama of Mariana Starke's The sword of peace (1788) and The widow of Malabar (1791) -- Epilogue: Lost and found in translation: re-orienting the revolutionary period through women writers in early Anglo-India
    Language: English
    Subjects: English Studies
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    Keywords: Englisch ; Frauenliteratur ; Orientalisierende Literatur
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  • 2
    Online Resource
    Online Resource
    London ; New York :Routledge,
    UID:
    almahu_BV045921914
    Format: 1 Online-Ressource (240 Seiten) : , Illustrationen, Faksimiles.
    ISBN: 9781315564753
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-4724-6712-6
    Language: English
    Subjects: English Studies
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    Keywords: 1757-1827 Blake, William ; Kosmologie ; 1757-1827 Blake, William ; Mythologie ; Allegorie ; Wörterbuch
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  • 3
    UID:
    gbv_1741220432
    Format: 1 Online-Ressource
    Edition: First edition
    ISBN: 9781350167414 , 9781350167421 , 9781350167438
    Content: Introduction -- Chapter 1: Expansion and Contraction: Coleridge's Gendered Revolt against Materialism -- Chapter 2: Coleridge and Robinson: "Sense unchained" -- Chapter 3: Secondary Imagination, Contamination, and Androgyny: Christabel, Magnum Opus, and the Nature of Evil -- Chapter 4: Re-thinking Literary Influence: Nondual Relationships of Gender and Generation in Robinson, Coleridge, Mary Wollstonecraft, and Mary Shelley -- Bibliography -- Index
    Content: "Focusing on Samuel Taylor Coleridge, Mary Robinson and Mary Shelley, this book uses key concepts of androgyny, subjectivity and the re-creative as a productive framework to trace the fascinating textual interactions and dialogues between these authors. It crosses the boundary between male and female writers of the Romantic period by linking representations of gender with late Enlightenment upheavals regarding creativity and subjectivity, demonstrating how these interrelated concerns dismantle traditional binaries separating the canonical and the noncanonical; male and female; poetry and prose; good and evil; subject and object. Through the convergences among the writings of Coleridge, Mary Robinson, and Mary Shelley, the book argues that each dismantles and reconfigures subjectivity as androgynous and amoral, subverting the centrality of the male gaze associated with canonical Romanticism. In doing so, it examines key works from each author's oeuvre, from Coleridge's "canonical" poems such as Rime of the Ancient Mariner, through Robinson's lyrical poetry and novels such as Walsingham, to Mary Shelley's fiction, including Frankenstein, Mathilda, and The Last Man"--
    Note: Includes bibliographical references and index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350167407
    Additional Edition: Erscheint auch als Druck-Ausgabe Freeman, Kathryn S., 1958- Rethinking the Romantic era London ; New York : Bloomsbury Academic, 2021
    Language: English
    Keywords: Electronic books
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  • 4
    UID:
    gbv_863579620
    Format: x, 240 Seiten , Illustrationen , 24 cm
    ISBN: 9781472467126
    Note: Formerly CIP. - Includes bibliographical references and index
    Additional Edition: ISBN 9781315564753
    Language: English
    Subjects: English Studies
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    Keywords: Blake, William 1757-1827 ; Kosmologie
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  • 5
    UID:
    gbv_1779197292
    Format: 1 online resource
    ISBN: 9781315570341 , 9781317171294 , 9781317171300
    Content: 1. The Asiatic Society of Bengal : "beyond the stretch of labouring thought sublime" -- 2. "Out of that narrow and contracted path" : creativity and authority in Elizabeth Hamilton's translations of the letters of a Hindoo rajah -- 3. Confronting sacrifice, resisting the sentimental : Phebe Gibbes, Sidney Owenson, and the Anglo-Indian novel -- 4. Female authorship in the Anglo-Indian meta-drama of Mariana Starke's The sword of peace (1788) and The widow of Malabar (1791).
    Additional Edition: ISBN 9781472430885
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781472430885
    Language: English
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  • 6
    UID:
    almahu_BV047068666
    Format: 1 Online-Ressource (xii, 164 Seiten).
    Edition: First edition
    ISBN: 978-1-350-16741-4 , 978-1-350-16742-1
    Content: "Focusing on Samuel Taylor Coleridge, Mary Robinson and Mary Shelley, this book uses key concepts of androgyny, subjectivity and the re-creative as a productive framework to trace the fascinating textual interactions and dialogues between these authors. It crosses the boundary between male and female writers of the Romantic period by linking representations of gender with late Enlightenment upheavals regarding creativity and subjectivity, demonstrating how these interrelated concerns dismantle traditional binaries separating the canonical and the noncanonical; male and female; poetry and prose; good and evil; subject and object. Through the convergences among the writings of Coleridge, Mary Robinson, and Mary Shelley, the book argues that each dismantles and reconfigures subjectivity as androgynous and amoral, subverting the centrality of the male gaze associated with canonical Romanticism. In doing so, it examines key works from each author's oeuvre, from Coleridge's "canonical" poems such as Rime of the Ancient Mariner, through Robinson's lyrical poetry and novels such as Walsingham, to Mary Shelley's fiction, including Frankenstein, Mathilda, and The Last Man."
    Note: Published Online 2020. - Includes bibliographical references and index. - Introduction -- Chapter 1: Expansion and Contraction: Coleridge's Gendered Revolt against Materialism -- Chapter 2: Coleridge and Robinson: "Sense unchained" -- Chapter 3: Secondary Imagination, Contamination, and Androgyny: Christabel, Magnum Opus, and the Nature of Evil -- Chapter 4: Re-thinking Literary Influence: Nondual Relationships of Gender and Generation in Robinson, Coleridge, Mary Wollstonecraft, and Mary Shelley -- Bibliography -- Index
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-350-16743-8
    Additional Edition: Erscheint auch als Druck-Ausgabe, hardback ISBN 978-1-3501-6740-7
    Additional Edition: Erscheint auch als Druck-Ausgabe, paperback ISBN 978-1-3501-9493-9
    Language: English
    Subjects: English Studies
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    Keywords: 1772-1834 Coleridge, Samuel Taylor ; 1797-1851 Shelley, Mary ; 1758-1806 Robinson, Mary ; Literatur ; Romantik ; Aufklärung ; Geschlechterforschung ; 1797-1851 Shelley, Mary ; 1758-1806 Robinson, Mary ; 1772-1834 Coleridge, Samuel Taylor ; Englisch ; Literatur ; Androgynie ; Englisch ; Literatur ; Aufklärung ; Geschlechterforschung
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    UID:
    almahu_BV047066100
    Format: viii, 163 Seiten.
    Edition: First edition
    ISBN: 9781350167407
    Content: Introduction -- Chapter 1: Expansion and Contraction: Coleridge's Gendered Revolt against Materialism -- Chapter 2: Coleridge and Robinson: "Sense unchained" -- Chapter 3: Secondary Imagination, Contamination, and Androgyny: Christabel, Magnum Opus, and the Nature of Evil -- Chapter 4: Re-thinking Literary Influence: Nondual Relationships of Gender and Generation in Robinson, Coleridge, Mary Wollstonecraft, and Mary Shelley -- Bibliography -- Index
    Content: "Focusing on Samuel Taylor Coleridge, Mary Robinson and Mary Shelley, this book uses key concepts of androgyny, subjectivity and the re-creative as a productive framework to trace the fascinating textual interactions and dialogues between these authors. It crosses the boundary between male and female writers of the Romantic period by linking representations of gender with late Enlightenment upheavals regarding creativity and subjectivity, demonstrating how these interrelated concerns dismantle traditional binaries separating the canonical and the noncanonical; male and female; poetry and prose; good and evil; subject and object. Through the convergences among the writings of Coleridge, Mary Robinson, and Mary Shelley, the book argues that each dismantles and reconfigures subjectivity as androgynous and amoral, subverting the centrality of the male gaze associated with canonical Romanticism. In doing so, it examines key works from each author's oeuvre, from Coleridge's "canonical" poems such as Rime of the Ancient Mariner, through Robinson's lyrical poetry and novels such as Walsingham, to Mary Shelley's fiction, including Frankenstein, Mathilda, and The Last Man"--
    Note: Includes bibliographical references and index
    Additional Edition: Äquivalent
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-350-16742-1
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-350-16741-4
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-350-16743-8
    Language: English
    Subjects: English Studies
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    Keywords: 1772-1834 Coleridge, Samuel Taylor ; 1797-1851 Shelley, Mary ; 1758-1806 Robinson, Mary ; Literatur ; Romantik ; Aufklärung ; Geschlechterforschung ; 1797-1851 Shelley, Mary ; 1758-1806 Robinson, Mary ; 1772-1834 Coleridge, Samuel Taylor ; Englisch ; Literatur ; Androgynie ; Englisch ; Literatur ; Aufklärung ; Geschlechterforschung ; Electronic books
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  • 8
    UID:
    edocfu_9959234135202883
    Format: 1 online resource (208 p.) , ill
    ISBN: 1-4384-0329-1 , 0-585-06216-1
    Content: Blake's Nostos establishes The Four Zoas, Blake's controversial, unfinished epic, as the culmination of the poet's mythos. Kathryn S. Freeman shows that, in its freedom to experiment with nontraditional narrative, this prophetic book is Blake's fullest representation of nondual vision as it coexists with the material world. Blake's scheme of consciousness eliminates the Enlightenment hierarchy of faculties in a structure centered around a nondual vision operating through and subsuming the fragmented world. The author draws on the analogue of Eastern philosophy to describe Blake's nondualism. According to this interpretation of Blake's epic, consciousness itself is the hero whose nostos is the apocalyptic return to wholeness from the multiple ruptures that comprise the fragmenting journey of Albion's dualistic dream. Blake's Nostos demonstrates that for each of the central elements of myth--causality, narratology, figuration, and teleology--Blake superimposes such dual and nondual perspectives as time and eternity as well as bounded space and infinity.
    Additional Edition: ISBN 0-7914-3298-X
    Language: English
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  • 9
    UID:
    almafu_9959234135202883
    Format: 1 online resource (208 p.) , ill
    ISBN: 1-4384-0329-1 , 0-585-06216-1
    Content: Blake's Nostos establishes The Four Zoas, Blake's controversial, unfinished epic, as the culmination of the poet's mythos. Kathryn S. Freeman shows that, in its freedom to experiment with nontraditional narrative, this prophetic book is Blake's fullest representation of nondual vision as it coexists with the material world. Blake's scheme of consciousness eliminates the Enlightenment hierarchy of faculties in a structure centered around a nondual vision operating through and subsuming the fragmented world. The author draws on the analogue of Eastern philosophy to describe Blake's nondualism. According to this interpretation of Blake's epic, consciousness itself is the hero whose nostos is the apocalyptic return to wholeness from the multiple ruptures that comprise the fragmenting journey of Albion's dualistic dream. Blake's Nostos demonstrates that for each of the central elements of myth--causality, narratology, figuration, and teleology--Blake superimposes such dual and nondual perspectives as time and eternity as well as bounded space and infinity.
    Additional Edition: ISBN 0-7914-3298-X
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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