Format:
1 online resource (xxx, 658 pages)
ISBN:
9781315088198
,
9781351549356
Content:
part Part I Sources and Transmission -- chapter 1 James Haar (2004), 'The Vatican Manuscript Urb. Lat. 1411: An Undervalued Source?' -- chapter 2 David Fallows (1990), 'Embellishment and Urtext in the Fifteenth-Century Song Repertories' -- chapter 3 Joshua Rifkin (1976), 'Pietrequin Bonnel and Ms. 2794 of the Biblioteca Riccardiana' -- chapter 4 David Fallows (2001), 'Petrucci's Canti Volumes: Scope and Repertory' -- chapter 5 Stanley Boorman (1995), 'Composition - Copying: Performance - Re-creation: The Matrix of Stemmatic Problems for Early Music' -- chapter 6 Donna G. Cardamone (1999), 'The Salon as Marketplace in the 1550s: Patrons and Collectors of Lasso's Secular Music' -- part Part II Genres -- chapter 7 Martin Staehelin (1994), 'The Constitution of the Fifteenth-Century German Tenor Lied: Drafting the History of a Musical Genre' -- chapter 8 Honey Meconi (1998), 'Ockeghem and the Motet-Chanson in Fifteenth-Century France' -- chapter 9 Lawrence F. Bernstein (1996), 'Josquin's Chansons as Generic Paradigms' -- chapter 10 William F. Prizer (1986), 'The Frottola and the Unwritten Tradition' -- chapter 11 James Haar (1981), 'The Early Madrigal: A Re-appraisal of Its Sources and Its Character -- chapter 12 Kate van Orden (2006), 'Chanson and Air' -- chapter 13 Ludwig Finscher (1994), 'Lied and Madrigal, 1580-1600' -- part Part III Composers and Contexts -- chapter 14 David Fallows (1999), ' -- chapter 15 Sean Gallagher (2007), 'Seigneur Leon's Papal Sword: Ferrara, Du Fay, and His Songs of the 1440s' -- chapter 16 Blake Wilson (2006), 'Heinrich Isaac among the Florentines' -- chapter 17 Nino Pirrotta (1984), 'Willaert and the Canzone Villanesca' -- chapter 18 Massimo Ossi (2008), 'Monteverdi, Marenzio, and Battista Guarini's -- part Part IV Performers and Performance Issues -- chapter 19 Tess Knighton (1992), 'The a capella Heresy in Spain: An Inquisition into the Performance of the Cancionero Repertory' -- chapter 20 Howard Mayer Brown (1972), 'Psyche's Lament: Some Music for the Medici Wedding in 1565' -- chapter 21 Jeanice Brooks (2001), 'From Minstrel to Courtier - The Royal Musique de Chambre and Courtly Ideals in Sixteenth-Century France' -- chapter 22 Anthony Newcomb (1986), 'Courtesans, Muses, or Musicians? Professional Women Musicians in Sixteenth-Century Italy' -- part Part V Instrumental Music -- chapter 23 John Ward (1952), 'The Use of Borrowed Material in 16th-Century Instrumental Music' -- chapter 24 Keith Polk (1994), 'Innovation in Instrumental Music 1450-1510: The Role of German Performers within European Culture' -- chapter 25 Warwick Edwards (1981), 'Songs without Words by Josquin and His Contemporaries' -- part Part VI Music and Poetry -- chapter 26 Nino Pirrotta (1984), 'Ricercare and Variations on O Rosa Bella' -- chapter 27 Martha Feldman (1989), 'The Composer as Exegete: Interpretations of Petrarchan Syntax in the Venetian Madrigal'.
Additional Edition:
ISBN 9780754629467
Additional Edition:
Erscheint auch als Druck-Ausgabe ISBN 9780754629467
Language:
English
DOI:
10.4324/9781315088198
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