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  • 1
    UID:
    b3kat_BV047403109
    Format: 325 Seiten , Illustrationen , 26 cm
    ISBN: 9781606067239 , 1606067230
    Series Statement: Issues & debates
    Content: "Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s"--
    Note: Introduction: The Myth of Purity: New Material Histories of Concrete Art / Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk -- Part I. New Perspectives on the Emergence of Concrete Art from Argentina, Brazil, and Uruguay -- Material Relations: Torres-García and Concrete Art from Argentina / Niko Vicario -- Rhod Rothfuss and the marco recortado: A Synthesis of Cultural Traditions in the Río de la Plata Region / María Amalia García -- Waldemar Cordeiro and Grupo Forma: The Roman Road to São Paulo Concrete Art / Heloisa Espada -- Part II. Generative Processes in Concrete Art -- Cut, Fuse, Fissure: Planarity circa 1954 / Irene V. Small -- Judith Lauand's Sketchbooks and the Visualization of Concrete Form in 1954 / Aliza Edelman -- Hermelindo Fiaminghi's Quadrature of the Circle between 1954 and 1959: From Concrete Enamel to Giotto's Tempera / Pia Gottschaller, Tom Learner, and Joy Mazurek -- Part III. Concretizing Color -- , Energy, Legibility, Purity: Color in Argentine Concrete Art / Idurre Alonso, Pia Gottschaller, C.C. Marsh, Andrew Perchuk, and Lynn Lee -- Looking to the Past to Paint the Future: Innovative: Anachronisms in the Work of Alfredo Volpi and Hélio Oiticica / Mari Carmen Ramírez and Corina E. Rogge -- The Adventure of Color in Brazilian Art: Aluísio Carvão, Hélio Oiticica, and Roberto Burle Marx / Luiz Camillo Osorio -- Part IV. Concrete Art on Paper -- Printing Invention: Artwork, Project, or Device / Isabel Plante -- On Kissing and Biting: The Material Impressions of Language and Design in the Work of Willys de Castro and Hermelindo Fiaminghi / Zanna Gilbert -- Part V. Analyzing Concrete Art: Technical Overviews -- Experimentation and Materiality: Constructing the Brazilian Artwork, 1950s-60s / Luiz A. C. Souza, Alessandra Rosado, Yacy-Ara Froner, Rita L. Rodrigues, Maria Alice Sanna Castelo Branco, Giula Giovani, and Vítor P. Amaral -- , Argentine Concrete Art, the First Decade: Between the Material and Formal Tradition and Innovation / Pino Monkes -- Technical Studies of Concrete Art from the Río de La Plata Region / Fernando Marte -- Part VI. The Reception of Concrete Art in Museums and Academia -- A History of the Field / Aleca Le Blanc -- Part VII. Chronologies -- Paint Production in Argentina, 1940s-60 / Florencia Castella and Sofía Frigerio -- Paint Production in Brazil, 1940s-60s / João Henrique Ribeiro Barbosa
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk ISBN 978-1-60606-724-6
    Language: English
    Keywords: Argentinien ; Brasilien ; Uruguay ; Konkrete Kunst ; Geschichte 1940-1960 ; Aufsatzsammlung ; Aufsatzsammlung
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  • 2
    UID:
    kobvindex_BGAa0032539
    Format: 470 Seiten
    ISBN: 978-3-943514-84-1
    Note: "The exhibition 'Beau Geste Press' was presented at the CAPC musée d'art contemporain de Bordeaux from 2 February to 28 May 2017" ; Text englisch und deutsch
    Language: English
    Keywords: Ausstellungskatalog, CAPC Musée dʻArt Contemporain, 02.02.2017-28.05.2017, Bordeaux ; Ausstellungskatalog
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  • 3
    UID:
    gbv_1750255324
    Format: 470 Seiten
    ISBN: 9783943514841 , 3943514846
    Note: Colophon: "The exhibition ’Beau Geste Press’ was presented at the CAPC musée d’art contemporain de Bordeaux from 2 February to 28 May 2017"
    Language: English
    Keywords: Beau Geste Press ; Künstlerbuch ; Ephemera ; Geschichte ; Ausstellungskatalog ; Werkverzeichnis
    Author information: Motard, Alice
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  • 4
    UID:
    gbv_862683386
    Format: 861 Seiten
    Edition: 1. Auflage, 700 copies
    ISBN: 9782940524464
    Content: This book aims to collect and present a comprehensive overview of the work of Ruth Wolf-Rehfeldt. It is the result of a long and intense immersion into her archive, and intends to establish the importance of this unique artist – who did not have much recognition in the past – not only to the present day, but also to the precise political context and time to which she and her work belong. The book presents her typewritings series, all produced between the early 1970s (some of the earliest works are dated 1972) and 1989. Mail Art was her way to be in contact with the world outside the GDR, otherwise impossible to reach. After the fall of the Berlin Wall and the Reunification, the artist stopped producing any art: She felt her involvement was no longer “needed”. An enormous and fascinating body of work, composed by more classic poetry, simple typewriting texts, visual poetry, concrete poetry, and abstraction.
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Art History
    RVK:
    RVK:
    Keywords: Visuelle Poesie ; Wolf-Rehfeldt, Ruth 1932-2024 ; Mail-art ; Bildband
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